John Zijiang Ding
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Arts & Culture
ARTS & CULTURE ART P42 ART P48 IN PRINT P52 CINEMA P56 STAGE that’smags www.thebeijinger.com Novemberwww. 200 thatsbj.com8 / the Beijinger Sept. 200541 Hovering Child by American artist Fran Forman. See Preview, p46; photo courtesy of Common Ground All event listings are accurate at time of press and subject to change For venue details, see directories, p43 Send events to [email protected] by Nov 10 Nov 8-30 its over 150 art pieces of contem- porary art around the world from Wang Jie the 1960s to the present day. The By eliminating human figures in curatorial approach of the show is rt his paintings, Wang Jie’s emphasis basically chronological, showing is on clothes – our “second skin.” the historical development of the New Age Gallery (5978 9282) world of contemporary art that A Nov 8-Dec 21 parallels the trajectory of the Swiss Chinese Contemporary Art Awards bank’s tastes throughout the dec- ades. Expect big names including ART 2008 Founded in 1997 by Uli Siggs, CCAA Damien Hirst, Andy Warhol, Lucien has awarded Liu Wei this year as Freud, Jasper Johns, as well as its pick for “Best Artist” and Tseng emerging Chinese artists including Yu-chin as “Best Young Artist” (see Cao Fei, Qiu Anxiong and Xu Zhen. Feature, p44). Ai Weiwei has also National Art Museum of China been given a lifetime achievement (6401 2252/7076) award. The works of these three Until Nov 12 artists will be exhibited at the larg- Coats! est art space in 798. Ullens Center Until Jan 10: Edward Burtynsky’s China Beijing is the third stop – after for Contemporary Art (6438 6576) Berlin and Tokyo – for this exhibi- A fresh take on manufacturing art. -
Analysi of Dream of the Red Chamber
MULTIPLE AUTHORS DETECTION: A QUANTITATIVE ANALYSIS OF DREAM OF THE RED CHAMBER XIANFENG HU, YANG WANG, AND QIANG WU A bs t r a c t . Inspired by the authorship controversy of Dream of the Red Chamber and the applica- tion of machine learning in the study of literary stylometry, we develop a rigorous new method for the mathematical analysis of authorship by testing for a so-called chrono-divide in writing styles. Our method incorporates some of the latest advances in the study of authorship attribution, par- ticularly techniques from support vector machines. By introducing the notion of relative frequency as a feature ranking metric our method proves to be highly e↵ective and robust. Applying our method to the Cheng-Gao version of Dream of the Red Chamber has led to con- vincing if not irrefutable evidence that the first 80 chapters and the last 40 chapters of the book were written by two di↵erent authors. Furthermore, our analysis has unexpectedly provided strong support to the hypothesis that Chapter 67 was not the work of Cao Xueqin either. We have also tested our method to the other three Great Classical Novels in Chinese. As expected no chrono-divides have been found. This provides further evidence of the robustness of our method. 1. In t r o du c t ion Dream of the Red Chamber (˘¢â) by Cao Xueqin (˘»é) is one of China’s Four Great Classical Novels. For more than one and a half centuries it has been widely acknowledged as the greatest literary masterpiece ever written in the history of Chinese literature. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Raiding the Garden and Rejecting the Family
Raiding the Garden and Rejecting the Family A Narratology of Scene in The Dream of the Red Chamber Zhonghong Chen Department of Culture Studies and Oriental Languages UNIVERSITETET I OSLO Autumn 2014 II Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber A Master Thesis III © Zhonghong Chen 2014 Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber Zhonghong Chen http://www.duo.uio.no/ Printed by Reprosentralen, Universitetet i Oslo IV Summary By conducting a close reading and a structural analysis, this thesis explores a narratology of “scene” in the novel Dream of the Red Chamber(Honglou meng《红楼梦》). The terminology of “scene” in the Western literary criticism usually refers to “a structual unit in drama” and “a mode of presentation in narrative”. Some literature criticists also claim that “scene” refers to “a structural unit in narrative”, though without further explanation. One of the main contributions of this theis is to define the term of “scene”, apply it stringently to the novel, Honglou meng, and thus make a narratology of “scene” in this novel. This thesis finds that “scene” as a structural unit in drama is characterized by a unity of continuity of characters, time, space and actions that are unified based on the same topic. “Topic” plays a decisive role in distinguishing “scenes”. On the basis of the definition of the term of “scene”, this theis also reveals how “scenes” transfer from each other by analyzing “scene transitions”. This thesis also finds that the characteristic of the narration in Honglou meng is “character-centered” ranther than “plot-centered”, by conducting research on the relationship between “scene”, “chapter” and “chapter title”. -
Chapter Summaries 44–51, No Summaries Written by Wallace 52 (Winter)
page 1 Story of the Stone Highlights & Chapter Comments, chpts 1-43 created for SAA Fall 2009, John R Wallace Overview The 80 chapters of The Story of the Stone that we will read has about 30 major characters and several hundred minor characters. This level of detail can be difficult for the first-time (or even second-, third-time) reader to sort out. One reason for this, beyond the obvious information deluge, is the similar emphasis placed on both minor and major characters and events. Another reason is that characters are referred to by more than one name, and the names themselves are similar. (Some of the sameness in names is wordplay, to bond certain characters together.) These notes are meant to help identify characters and events close to the main narrative lines. In my opinion the three strongest storylines in this novel are: The changes that the tempestuous but empathetic Jia Bao-yu undergoes over the course of his life, beginning at about age 12. The romantic triangle of Jia Bao-yu and two women: the tearful, brilliant Lin Dai-yu and the charming, proper Xue Bao-chai. Wang Xi-feng’s charismatic personality, capable management skills, corruption and fate. All of these events occur in the context of a powerful house of declining fortunes, Confucian values that are definitely frayed around the edges, and a Buddhist (-Daoist) perspective that problematizes what should be taken as the Real. There is definitely reading pleasure in keeping these three stories in mind. However, just enjoying the small sub-stories, the many detailed descriptions, the wordplay, and so on, is without a doubt a major pleasure in reading this story. -
Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
Hong Lou Meng
Dreaming across Languages and Cultures Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Laurence K. P. Wong All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5887-0, ISBN (13): 978-1-4438-5887-8 CONTENTS Preface ....................................................................................................... vi Acknowledgements ................................................................................... ix Note on Romanization ............................................................................... xi Note on Abbreviations .............................................................................. xii Note on Glossing .................................................................................... xvii Introduction ................................................................................................ 1 Chapter One ............................................................................................. -
DOCTOR of PHILOSOPHY Rewriting to Reproduce Beauty a Comparative Case Study of Hong Lou Meng Xu, Binglu
DOCTOR OF PHILOSOPHY Rewriting to reproduce beauty A comparative case study of Hong Lou Meng Xu, Binglu Award date: 2020 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Private Life and Social Commentary in the Honglou Meng
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History March 2007 Authorial Disputes: Private Life and Social Commentary in the Honglou meng Carina Wells [email protected] Follow this and additional works at: https://repository.upenn.edu/hist_honors Wells, Carina, "Authorial Disputes: Private Life and Social Commentary in the Honglou meng" (2007). Honors Program in History (Senior Honors Theses). 6. https://repository.upenn.edu/hist_honors/6 A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hist_honors/6 For more information, please contact [email protected]. Authorial Disputes: Private Life and Social Commentary in the Honglou meng Comments A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hist_honors/6 University of Pennsylvania Authorial Disputes: Private Life and Social Commentary in the Honglou meng A senior thesis submitted in partial fulfillment of the requirements for Honors in History by Carina L. Wells Philadelphia, PA March 23, 2003 Faculty Advisor: Siyen Fei Honors Director: Julia Rudolph Contents Acknowledgements………………………………………………………………………...i Explanatory Note…………………………………………………………………………iv Dynasties and Periods……………………………………………………………………..v Selected Reign -
The Cross-Cultural Comparison of the Tale of Genji and a Dream of Red Mansions
Volume 5, No. 2-3 24 The Cross-cultural Comparison of The Tale of Genji and A Dream of Red Mansions Mengmeng ZHOU Department of Chinese Language and Literature, Jinan University, Guangzhou, 510632, China; Email: [email protected] Abstract: The Tale of Genji, and A Dream of Red Mansions are the classic work of oriental literature. The protagonists Murasaki-no-ue and Daiyu, as the representatives of eastern ideal female images, reflect the similarities and differences between Japanese culture and Chinese culture. It is worthwhile to elaborate and analyze from cross-cultural perspective in four aspects: a) the background of composition; b)the psychological character; c) the cultural aesthetic orientation; and d)value orientation. Key Words: Murasaki-no-ue; Daiyu; cross-cultural study 1. THE BACKGROUND OF COMPOSITION The Tale of Genji, is considered to be finished in its present form between about 1000 and 1008 in Heian-era of Japan. The exact time of final copy is still on doubt. The author Murasaki Shikibu was born in a family of minor nobility and a member the northern branch of the Fujiwara clan. It is argued that her given name might have been Fujiwara Takako. She had been a maid of honor in imperial court. As a custom in imperial court, the maid of honor was given an honorific title by her father or her brother‘s position. ―Shikibu‖ refers to her elder brother‘s position in the Bureau of Ceremony (shikibu-shō).―Murasaki‖ is her nickname, which is called by the readers, after the character Murasaki-no-ue in The Tale of Genji. -
China's Last Great Classical Novel at the Crossroads Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Klaipeda University Open Journal Systems 176 RES HUMANITARIAE XIV ISSN 1822-7708 August Sladek – Flensburgo universiteto germanistikos prof. dr. pensininkas. Moksliniai interesai: matematinė lingvistika, lyginamoji filologija, filosofija, ontologija. Adresas: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek – retired professor of Germanistik, Univer- sity of Flensburg. Research interests: mathematical linguistics, comparative philology, philosophy, ontology. Address: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek University of Flensburg CHINA’S LAST GREAT CLASSICAL NOVEL AT THE CROSSROADS OF TRADITION AND MODERNIZATION1 Anotacija XVII a. viduryje parašytas „Raudonojo kambario sapnas“ yra naujausias iš Kinijos ketu- rių didžiųjų klasikos romanų. Tradicinių nusidavimų romanų kontekste jis apima daugybę pasakojimo būdų – realistinį, psichologinį, simbolinį, fantastinį. Parašytas kasdiene kalba (Pekino dialektu), jis tapo svarbus moderniosios, standartinės kinų kalbos (putong hua) formavimo šaltiniu naujojo kultūros judėjimo procese nuo praeito amžiaus 3-iojo dešim- tmečio. Mao Zeddongo labai vertinamam romanui komunistai bandė uždėti „progresyvų“ antspaudą. Romano paslėpta religinė (budizmo) intencija liko nepastebėta nei skaitytojų, nei religijotyrininkų. PAGRINDINIAI ŽODŽIAI: kinų literatūra, klasikinis romanas, tradicija ir modernumas. Abstract “The Red Chamber’s Dream” from the middle of 18th century is the youngest of Chi- nas “Four Great Classical Novels”. In the cloak of traditional story-telling it deploys a 1 Quotations from the novel as well as translations of names and terms are taken from Hawkes & Minford (1973–1986). References to their translation are given by the number of volume (Roman numerals) and of pages (Arabic numerals). -
Rethinking Cai Yuanpei: the Chinese and Japanese Origins of His Ideas on Women1
Rethinking Cai Yuanpei: The Chinese and Japanese Origins of His Ideas on Women1 Yuen Ting Lee Hong Kong Shue Yan University, Hong Kong Abstract Although Cai Yuanpei (1868-1940) is generally accepted as a leading liberal educator of modern China, his contributions to female schooling and his ideas on women have been ignored by Western scholarship. This article, therefore, intends to make known to scholars some neglected aspects of the sources of his ideas on women. Previous assumption has emphasized excessively the influence of a radical mid-Qing scholar, Yu Zhengxie (1775-1840), on Cai’s ideas. Yu only constituted one source of Cai’s ideas. The assumption reflects the progressive side of a coin. When fuller attention is paid to other sources of Cai’s ideas, a different picture emerges. Cai actually derived some traditional views on women from his predecessors and contemporaries. These views, to some extent, slowed down his progressive speed when he implemented female schooling at the later stage of his educational career. How did Cai’s predecessors and contemporaries identify the inferiority of women in traditional China? How did they contribute to women empowerment? How did Cai learn from the experiences of his predecessors and contemporaries? This article will argue that Cai borrowed his ideas on women not only from Yu alone, but also from some indigenous Chinese and Japanese intellectuals. This alternative interpretation stems from the use of new materials, including archives, new versions of Cai’s collected works, and unexplored literature on women. Key words equality, sexes, female education, women’s issues. 1 The author would like to thank the anonymous reviewersfor their constructive comments on the earlier version of this article, and in particular, I thank the editors of this journal who have considered the publication of the article.