Effects of Dehoaxing
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University of Birmingham Oscar Wilde, Photography, and Cultures Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal University of Birmingham Oscar Wilde, photography, and cultures of spiritualism Dobson, Eleanor License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Dobson, E 2020, 'Oscar Wilde, photography, and cultures of spiritualism: ''The most magical of mirrors''', English Literature in Transition 1880-1920, vol. 63, no. 2, pp. 139-161. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility 12/02/2019 Published in English Literature in Transition 1880-1920 http://www.eltpress.org/index.html General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. -
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era. Edited by Murray Leeder. Bloomsbury Academic, 2015 (307 pages). Anton Karl Kozlovic Murray Leeder’s exciting new book sits comfortably alongside The Haunted Screen: Ghosts in Literature & Film (Kovacs), Ghost Images: Cinema of the Afterlife (Ruffles), Dark Places: The Haunted House in Film (Curtis), Popular Ghosts: The Haunted Spaces of Everyday Culture (Blanco and Peeren), The Spectralities Reader: Ghost and Haunting in Contemporary Cultural Theory (Blanco and Peeren), The Ghostly and the Ghosted in Literature and Film: Spectral Identities (Kröger and Anderson), and The Spectral Metaphor: Living Ghosts and the Agency of Invisibility (Peeren) amongst others. Within his Introduction Leeder claims that “[g]hosts have been with cinema since its first days” (4), that “cinematic double exposures, [were] the first conventional strategy for displaying ghosts on screen” (5), and that “[c]inema does not need to depict ghosts to be ghostly and haunted” (3). However, despite the above-listed texts and his own reference list (9–10), Leeder somewhat surprisingly goes on to claim that “this volume marks the first collection of essays specifically about cinematic ghosts” (9), and that the “principal focus here is on films featuring ‘non-figurative ghosts’—that is, ghosts supposed, at least diegetically, to be ‘real’— in contrast to ‘figurative ghosts’” (10). In what follows, his collection of fifteen essays is divided across three main parts chronologically examining the phenomenon. Part One of the book is devoted to the ghosts of precinema and silent cinema. In Chapter One, “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theater, Trick Films, and Photography’s Uncanny”, Tom Gunning links “Freud’s uncanny, the hope to use modern technology to overcoming [sic] death or contact the afterlife, and the technologies and practices that led to cinema” (10). -
Beyond Human Vision: Towards an Archaeology of Infrared Images
EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Beyond human vision: Towards an archaeology of infrared images Federico Pierotti & Alessandra Ronetti NECSUS (7) 1, Spring 2018: 185–215 URL: https://necsus-ejms.org/beyond-human-vision-towards-an-ar- chaeology-of-infrared-images/ Keywords: infrared, media archaeology, medical photography, mili- tary applications, phototherapy, resolution, surveillance Introduction: Digital infrared visual culture Infrared has an important place in contemporary society, especially since the 1990s, with the introduction of new military display and detection technol- ogy and increasingly sophisticated tracking and control systems. In the mili- tary field, these uses were quickly followed by the pursuit of various digital image practices in photography, cinema, video art, and computer art, serving to establish what could somewhat be defined as a real ‘infrared visual culture’. It is not an overstatement to say, therefore, that infrared images have become a rather common feature of contemporary visual culture, especially thanks to the use of night vision devices, which capture their typical images with a greenish tint. Since these images were broadcast worldwide by CNN during the Gulf War from 1990-1991, they have circulated widely in both artistic and mainstream circles. In his famous series Nacht (Night, 1992-1996), the Ger- man photographer Thomas Ruff deconstructs the rhetoric behind these very images, showing photographs of anonymous locations in Düsseldorf taken using night vision devices similar to those used by US soldiers during their campaigns in Iraq.[1] In The Silence of the Lambs (1991), one of the most well- known and awarded Hollywood films of its time, the serial killer finds and captures his victim using an infrared viewfinder (Fig. -
Proquest Dissertations
Early Cinema and the Supernatural by Murray Leeder B.A. (Honours) English, University of Calgary, M.A. Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Mediations © Murray Leeder September 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-83208-0 Our file Notre reference ISBN: 978-0-494-83208-0 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
1952 Washington UFO Sightings • Psychic Pets and Pet Psychics • the Skeptical Environmentalist Skeptical Inquirer the MAGAZINE for SCIENCE and REASON Volume 26,.No
1952 Washington UFO Sightings • Psychic Pets and Pet Psychics • The Skeptical Environmentalist Skeptical Inquirer THE MAGAZINE FOR SCIENCE AND REASON Volume 26,.No. 6 • November/December 2002 ppfjlffl-f]^;, rj-r ci-s'.n.: -/: •:.'.% hstisnorm-i nor mm . o THE COMMITTEE FOR THE SCIENTIFIC INVESTIGATION OF CLAIMS OF THE PARANORMAL AT THE CENTER FOR INQUIRY-INTERNATIONAL (ADJACENT TO THE STATE UNIVERSITY OF NEW YORK AT BUFFALO) • AN INTERNATIONAL ORGANIZATION Paul Kurtz, Chairman; professor emeritus of philosophy. State University of New York at Buffalo Barry Karr, Executive Director Joe Nickell, Senior Research Fellow Massimo Polidoro, Research Fellow Richard Wiseman, Research Fellow Lee Nisbet Special Projects Director FELLOWS James E. Alcock,* psychologist. York Univ., Consultants, New York. NY Irmgard Oepen, professor of medicine Toronto Susan Haack. Cooper Senior Scholar in Arts (retired), Marburg, Germany Jerry Andrus, magician and inventor, Albany, and Sciences, prof, of philosophy, University Loren Pankratz, psychologist, Oregon Health Oregon of Miami Sciences Univ. Marcia Angell, M.D., former editor-in-chief. C. E. M. Hansel, psychologist. Univ. of Wales John Paulos, mathematician, Temple Univ. New England Journal of Medicine Al Hibbs, scientist, Jet Propulsion Laboratory Steven Pinker, cognitive scientist, MIT Robert A. Baker, psychologist. Univ. of Douglas Hofstadter, professor of human Massimo Polidoro, science writer, author, Kentucky understanding and cognitive science, executive director CICAP, Italy Stephen Barrett, M.D., psychiatrist, author. Indiana Univ. Milton Rosenberg, psychologist, Univ. of consumer advocate, Allentown, Pa. Gerald Holton, Mallinckrodt Professor of Chicago Barry Beyerstein,* biopsychologist, Simon Physics and professor of history of science, Wallace Sampson, M.D., clinical professor of Harvard Univ. Fraser Univ., Vancouver, B.C., Canada medicine, Stanford Univ., editor, Scientific Ray Hyman.* psychologist, Univ. -
In Dogs We Trust? Intersubjectivity, Response-Able Relations, and the Making of Mine Detector Dogs
Journal of the History of the Behavioral Sciences, Vol. 50(1), 1–36 Winter 2014 View this article online at Wiley Online Library (wileyonlinelibrary.com). DOI: 10.1002/jhbs.21642 C 2013 Wiley Periodicals, Inc. ⃝ IN DOGS WE TRUST? INTERSUBJECTIVITY, RESPONSE-ABLE RELATIONS, AND THE MAKING OF MINE DETECTOR DOGS ROBERT G. W. KIRK The utility of the dog as a mine detector has divided the mine clearance community since dogs were first used for this purpose during the Second World War. This paper adopts a his- torical perspective to investigate how, why, and to what consequence, the use of minedogs remains contested despite decades of research into their abilities. It explores the changing factors that have made it possible to think that dogs could, or could not, serve as reliable detectors of landmines over time. Beginning with an analysis of the wartime context that shaped the creation of minedogs, the paper then examines two contemporaneous investi- gations undertaken in the 1950s. The first, a British investigation pursued by the anatomist Solly Zuckerman, concluded that dogs could never be the mine hunter’s best friend. The second, an American study led by the parapsychologist J. B. Rhine, suggested dogs were potentially useful for mine clearance. Drawing on literature from science studies and the emerging subdiscipline of “animal studies,” it is argued that cross-species intersubjectivity played a significant role in determining these different positions. The conceptual landscapes of Zuckerman and Rhine’s disciplinary backgrounds are shown to have produced distinct approaches to managing cross-species relations, thus explaining how diverse opinions on minedog can coexist. -
Thoughtography
Contemporary Arts and Cultures Thoughtography Leon Marvell Published on: Nov 06, 2017 Updated on: Apr 13, 2018 License: Creative Commons Attribution 4.0 International License (CC-BY 4.0) Contemporary Arts and Cultures Thoughtography Thoughtography: From Out the Great Darkness Leon Marvell Associate Professor of Film and Digital Media School of Communication and Creative Arts Deakin University Email: leonmarvell@gmail. com Reference this essay: Marvell, Leon. “Thoughtography: From Out the Great Darkness.” In Leonardo Electronic Almanac 22, no. 1, edited by Lanfranco Aceti, Paul Thomas, and Edward Colless. Cambridge, MA: LEA / MIT Press, 2017. Published Online: May 15, 2017 Published in Print: To Be Announced ISSN: 1071-4391 ISBN: 978-1-906897-62-8 https://contemporaryarts.mit.edu/pub/thoughtography Abstract In the mid-1960s, an alcoholic, chain-smoking bellhop from Chicago found himself at the center of a psychic cyclone. Ted Serios could produce images on Polaroid film just by projecting his thoughts into the lens of the camera. Serios was an overnight sensation, and his unique abilities were the subject of worldwide attention. Famous prestidigitators, such as James Randi aka the Amazing Randi, endeavored to prove that Serios was—of course—a fake, and that the scientists who were studying Serios were gullible saps. The Amazing Randi even claimed to have produced ‘thoughtographs’ through simple stage tricks and misdirection, thus demonstrating that Serios was a charlatan. In fact, he accomplished no such thing. However, the popular press, tired of the hard-drinking Serios and his strange abilities, accepted the Amazing Randi’s claims and Serios quickly disappeared from public consciousness. -
Use It! Don't Lose It
7th Grade IP 612-2 UseUse It!It! Don’tDon’t LoseLose It!It! DAILY LANGUAGE PRACTICE By Marjorie Frank Use It! Don’t Lose It! LANGUAGE Daily Skills Practice Grade 7 by Marjorie Frank Thanks to Erin Linton for her assistance in researching topics, checking facts, and tracking down trivia. Illustrated by Kathleen Bullock Cover by Geoffrey Brittingham Edited by Jill Norris Copy edited by Cary Grayson ISBN 978-0-86530-652-3 Copyright ©2006 by Incentive Publications, Inc., Nashville, TN. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise) without written permission from Incentive Publications, Inc., with the exception below. Pages labeled with the statement ©2006 by Incentive Publications, Inc., Nashville, TN are intended for reproduction. Permission is hereby granted to the purchaser of one copy of USE IT! DON’T LOSE IT! LANGUAGE DAILY SKILLS PRACTICE 7 to reproduce these pages in sufficient quantities for meeting the purchaser’s own classroom needs only. 2345678910 090807 PRINTED IN THE UNITED STATES OF AMERICA www.incentivepublications.com Don’t let those language skills get lost or rusty! As a teacher you work hard to teach language skills to your students. Your students work hard to master them. Do you worry that your students will forget the material as you move on to the next concept? If so, here’s a plan for you and your students—one that will keep those skills sharp. Use It! Don’t Lose It! provides daily language practice for all the basic skills. -
Skeptical Inquirer
the Skeptical Inquirer THE NEUROPATHOLOGY OF SPIRITUAL POSSESSION ^ Alien Abductions: Psychology & Folklore The MJ-12 Documents: Part II Homeopathy Clinic / Test of Sheldrake Abigail's Apparition / Ghost Lights VOL XII NO. 3 / SPRING 1988 $6.00 Published by the Committee for the Scientific Investigation of Claims of the Paranormal "Skeptical Inquirer THE SKEPTICAL INQUIRER is the official journal of the Committee for the Scientific Investigation of Claims of the Paranormal. Editor Kendrick Frazier. Editorial Board James E. Alcock, Martin Gardner, Ray Hyman, Philip J. (Class, Paul Kurtz, James Randi. Consulting Editors Isaac Asimov, William Sims Bainbridge, John R. Cole, Kenneth L. Feder, C. E. M. Hansel, E. C. Krupp, David F. Marks, Andrew Neher, James E. Oberg, Robert Sheaffer, Steven N. Shore. Managing Editor Doris Hawley Doyle. Public Relations Director Barry Karr. Business Manager Mary Rose Hays. Systems Programmer Richard Seymour. Art Kathy Kostek Typesetting Paul E. Loynes. Audio Technician Vance Vigrass. Librarian, Ranjit Sandhu. Staff Michael Cione, Donald Crutchfield, Crystal Folts, Leland Harrington, Laura Muench, Erin O'Hare, Alfreda Pidgeon, Kathy Reeves. Cartoonist Rob Pudim. The Committee for the Scientific Investigation of Claims of the Paranormal Paul Kurtz, Chairman; philosopher, State University of New York at Buffalo. Lee Nisbet, Special Projects Director. Mark Plummer, Executive Director. Fellows of the Committee James E. Alcock, psychologist, York Univ., Toronto; Eduardo Amaldi, physicist. University of Rome, Italy. Isaac Asimov, biochemist, author; Irving Biederman, psychologist, University of Minnesota; Susan Blackmore, psycholo gist, Brain Perception Laboratory, University of Bristol, England; Brand Blanshard, philosopher, Yale; Mario Bunge, philosopher, McGill University; Bette Chambers, A.H.A.; John R. -
THE GOLDEN TOUCH Rolling with the Lords of the Craps Table by Mattathias Schwartz
(71-78)Schwartz Final2 10/23/08 3:04 PM Page 71 LETTER FROM CHICAGO THE GOLDEN TOUCH Rolling with the lords of the craps table By Mattathias Schwartz For the gambler, dice have long been and their own steak-fed bodies, grad- The Golden Touch Craps team had the best machine with which to turn a ually transforming the beige void of scheduled one of their “Crap$ 101” small amount of energy into a large the Allegheny Room into a miniature courses to begin the following day. In amount of uncertainty. For the philoso- casino, a school for the study of dice Crap$ 101, novice players receive two pher, there is no days of hands-on handier piece of instruction in Gold- rhetoric with which en Touch betting to evoke the foggy systems, Golden relations between Touch visualization God and universe, techniques, and, universe and man, most important, or man and his own the Golden Touch affairs. And so as I “controlled throw,” watched two mem- a method of retain- bers of the Golden ing influence over Touch Craps team the dice after they construct a dice pit leave the hand. in a windowless Tuition is $1,495, conference room of which does not in- the Hyatt Regency clude room, board, O’Hare, I could not or a ticket to Chica- help but feel as go O’Hare; but with though I were wit- eight coaches and nessing the creation sixteen students, of a universe, a the student-to- green, felt-covered, faculty ratio bests racetrack-shaped the Ivy League. -
Thoughtography and Intraocular Lights, by Kathrin Gucnter
Photographing the invisible - Thought-o-graphic experiments The air itself is one vast library, on whose pages are for ever written all that man has ever said or woman whispered and the ‘earth, air and ocean are the eternal witnesses of the acts we have done’. Charles Babbage Image: exposure through the kamera for thoughtography and intraocular lights, by Kathrin Gucnter * Thought-o-graphy or thought-photography means to influence and expose light sensitive, photographical material through the power of an invisible, so called magnetic fluidum, emitted by human or animal beings, objects and interferences in smaller or larger environments. * Thoughtographic exposure may - but not necessarily has to - ignore any traditional camera or photographic recording device, and is often achieved without any source of visible light. Short historical excursion: Thought is a radiant, creative, almost material power, the fiat lux of the bible. During the process of thinking, the soul turns the atoms of the brain into waves and makes its phosphor glow. With concentrating ones thought onto any object with simple outlines, like a bottle for example, the fluidic thought image will be forced out through the eyes to expose itself through the power of its glow onto the photographic plate. The result is a photographic image." Louis Darget, 1911 A virtual fluidum, a magnetic power, a so called animal organic magnetism, discovered in the 18th century by Franz Anton Mesmer, acclaimed German medical and practitioner of hypnosis, is the starting point of a largely controversial field of research which, over centuries has occupied the work of many scientists, psychologists and mediums both skeptics and supporters. -
Second Sight” Illusion, Media, and Mediums Katharina Rein Bauhaus Universitat Weimar, [email protected]
communication +1 Volume 4 Issue 1 Occult Communications: On Article 8 Instrumentation, Esotericism, and Epistemology September 2015 Mind Reading in Stage Magic: The “Second Sight” Illusion, Media, and Mediums Katharina Rein Bauhaus Universitat Weimar, [email protected] Abstract This article analyzes the late-nineteenth-century stage illusion “The Second Sight,” which seemingly demonstrates the performers’ telepathic abilities. The illusion is on the one hand regarded as an expression of contemporary trends in cultural imagination as it seizes upon notions implied by spiritualism as well as utopian and dystopian ideas associated with technical media. On the other hand, the spread of binary code in communication can be traced along with the development of the "Second Sight," the latter being outlined by means of three examples using different methods to obtain a similar effect. While the first version used a speaking code to transmit information, the other two were performed silently, relying on other ways of communication. The article reveals how stage magic, technical media, spiritualism, and mind reading were interconnected in the late nineteenth century, and drove each other forward. Keywords stage magic, media, spiritualism, telepathy, telegraphy, telephony This work is licensed under a Creative Commons Attribution 4.0 License. Rein / The “Second Sight” Illusion, Media, and Mediums Despite stage magic’s continuous presence in popular culture and its historical significance as a form of entertainment, it has received relatively little academic attention. This article deals with a late-nineteenth-century stage illusion called “The Second Sight” which seemingly demonstrates the performers’ ability to read each other’s minds.