Chapter 2 Loss of Emphatic and Guttural Consonants: from Medieval to Contemporary Maltese Gilbert Puech
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Arabic Alphabet Etymology Hamzat Waṣl
Hamza 1 Hamza Arabic alphabet ﻱ ﻭ ﻩ ﻥ ﻡ ﻝ ﻙ ﻕ ﻑ ﻍ ﻉ ﻅ ﻁ ﺽ ﺹ ﺵ ﺱ ﺯ ﺭ ﺫ ﺩ ﺥ ﺡ ﺝ ﺙ ﺕ ﺏ ﺍ Arabic script • History • Transliteration • Diacritics • Hamza • Numerals • Numeration • v • t [1] • e is a letter in the Arabic alphabet, representing the glottal stop [ʔ]. Hamza is not (ء) (hamzah ,ﻫَﻤْﺰﺓ :Hamza (Arabic one of the 28 "full" letters, and owes its existence to historical inconsistencies in the standard writing system. It is derived from the Arabic letter ‘ayn. In the Phoenician and Aramaic alphabets, from which the Arabic alphabet is descended, the glottal stop was expressed by aleph ( ), continued by alif ( ) in the Arabic alphabet. However, alif was used to express both a glottal stop and a long vowel /aː/. To indicate that a glottal stop, and not a mere vowel, was intended, hamza was added diacritically to alif. In modern orthography, under certain circumstances, hamza may also appear on the line, as if it were a full letter, independent of an alif. Etymology hamaz-a meaning ‘to prick, goad, drive’ or ‘to provide (a letter or word) with ﻫَﻤَﺰَ Hamzah is a noun from the verb hamzah’.[2] Hamzat waṣl that is, a phonemic glottal stop. Compared to ;(ﻫﻤﺰﺓ ﻗﻄﻊ) ‘The hamzah letter on its own always represents hamzat qaṭ is a non-phonemic glottal stop produced automatically at the (ﻫﻤﺰﺓ ﺍﻟﻮﺻﻞ) this, hamzat waṣl or hamzat al-waṣl it is usually indicated by a ,ﭐ beginning of an utterance. Although it can be written as alif carrying a waṣlah sign regular alif without a hamzah. -
Helmut Satzinger What Happened to the Voiced Consonants of Egyptian?
Helmut Satzinger What happened to the voiced consonants of Egyptian!? Coptic has five voiced consonants, viz. the sonorants, b [B], r [r], l [l], m [m], and n [n]. Otherwise, Coptic has no voiced consonants: neither stops, nor fricatives (W. H. WORRELL, Coptic Sounds. University of Michigan Studies Humanistic Series XXVI (Ann Arbor, 1934), 17-23 et passim). Delta Coptic (Bohairic): Stops and fricatives are found at four points of articulation: labial, alveolar, prepalatal, and velar. The stops are of two modes of articulation: 1) voiceless, aspirated, fortis; 2) voiceless, unaspirated, lenis. Labials: f [ph] p [b]8 w [!] Alveolars: u [th] t [d8] s [s] h Prepalatals: q [c ] è [Ô8] é [S] h Velars: x [k ] k [g8] ; [x] — — à [h] Valley Coptic (dialects1 K, F, V, M, N, L, S, P, I, A, etc.): Stops and fricatives are found at five points of articulation: labial, alveolar, prepalatal, palatal, and velar. The stops are of but one mode of articulation: voiceless, unaspirated, lenis. Labial: p [b]8 w [!] Alveolars: t [d8] s [s] Prepalatal è [Ô8] é [S] Palatal q [g8] P µ, I ! [ç] Velar k [g8] A $ [x] (double vowel) [/] à [h] The assumed voiced stops of Egyptian are emphatic, rather than voiced. Is the lack of voiced stops and fricatives a feature only of Coptic, or is it already found in older stages of the language? The transcription of Egyptian creates the impression that it possessed voiced plosives and affricates, viz. b, d, D, and g: 1 Cf. A. S. ATIYA (ed.), The Coptic Encyclopedia (New York 1991), vol. -
Alif and Hamza Alif) Is One of the Simplest Letters of the Alphabet
’alif and hamza alif) is one of the simplest letters of the alphabet. Its isolated form is simply a vertical’) ﺍ stroke, written from top to bottom. In its final position it is written as the same vertical stroke, but joined at the base to the preceding letter. Because of this connecting line – and this is very important – it is written from bottom to top instead of top to bottom. Practise these to get the feel of the direction of the stroke. The letter 'alif is one of a number of non-connecting letters. This means that it is never connected to the letter that comes after it. Non-connecting letters therefore have no initial or medial forms. They can appear in only two ways: isolated or final, meaning connected to the preceding letter. Reminder about pronunciation The letter 'alif represents the long vowel aa. Usually this vowel sounds like a lengthened version of the a in pat. In some positions, however (we will explain this later), it sounds more like the a in father. One of the most important functions of 'alif is not as an independent sound but as the You can look back at what we said about .(ﺀ) carrier, or a ‘bearer’, of another letter: hamza hamza. Later we will discuss hamza in more detail. Here we will go through one of the most common uses of hamza: its combination with 'alif at the beginning or a word. One of the rules of the Arabic language is that no word can begin with a vowel. Many Arabic words may sound to the beginner as though they start with a vowel, but in fact they begin with a glottal stop: that little catch in the voice that is represented by hamza. -
Vowel Quality and Phonological Projection
i Vowel Quality and Phonological Pro jection Marc van Oostendorp PhD Thesis Tilburg University September Acknowledgements The following p eople have help ed me prepare and write this dissertation John Alderete Elena Anagnostop oulou Sjef Barbiers Outi BatEl Dorothee Beermann Clemens Bennink Adams Bo domo Geert Bo oij Hans Bro ekhuis Norb ert Corver Martine Dhondt Ruud and Henny Dhondt Jo e Emonds Dicky Gilb ers Janet Grijzenhout Carlos Gussenhoven Gert jan Hakkenb erg Marco Haverkort Lars Hellan Ben Hermans Bart Holle brandse Hannekevan Ho of Angeliek van Hout Ro eland van Hout Harry van der Hulst Riny Huybregts Rene Kager HansPeter Kolb Emiel Krah mer David Leblanc Winnie Lechner Klarien van der Linde John Mc Carthy Dominique Nouveau Rolf Noyer Jaap and Hannyvan Oosten dorp Paola Monachesi Krisztina Polgardi Alan Prince Curt Rice Henk van Riemsdijk Iggy Ro ca Sam Rosenthall Grazyna Rowicka Lisa Selkirk Chris Sijtsma Craig Thiersch MiekeTrommelen Rub en van der Vijver Janneke Visser Riet Vos Jero en van de Weijer Wim Zonneveld Iwant to thank them all They have made the past four years for what it was the most interesting and happiest p erio d in mylife until now ii Contents Intro duction The Headedness of Syllables The Headedness Hyp othesis HH Theoretical Background Syllable Structure Feature geometry Sp ecication and Undersp ecicati on Skeletal tier Mo del of the grammar Optimality Theory Data Organisation of the thesis Chapter Chapter -
A Brief Description of Consonants in Modern Standard Arabic
Linguistics and Literature Studies 2(7): 185-189, 2014 http://www.hrpub.org DOI: 10.13189/lls.2014.020702 A Brief Description of Consonants in Modern Standard Arabic Iram Sabir*, Nora Alsaeed Al-Jouf University, Sakaka, KSA *Corresponding Author: [email protected] Copyright © 2014 Horizon Research Publishing All rights reserved. Abstract The present study deals with “A brief Modern Standard Arabic. This study starts from an description of consonants in Modern Standard Arabic”. This elucidation of the phonetic bases of sounds classification. At study tries to give some information about the production of this point shows the first limit of the study that is basically Arabic sounds, the classification and description of phonetic rather than phonological description of sounds. consonants in Standard Arabic, then the definition of the This attempt of classification is followed by lists of the word consonant. In the present study we also investigate the consonant sounds in Standard Arabic with a key word for place of articulation in Arabic consonants we describe each consonant. The criteria of description are place and sounds according to: bilabial, labio-dental, alveolar, palatal, manner of articulation and voicing. The attempt of velar, uvular, and glottal. Then the manner of articulation, description has been made to lead to the drawing of some the characteristics such as phonation, nasal, curved, and trill. fundamental conclusion at the end of the paper. The aim of this study is to investigate consonant in MSA taking into consideration that all 28 consonants of Arabic alphabets. As a language Arabic is one of the most 2. -
LINGUISTICS 221 LECTURE #3 the BASIC SOUNDS of ENGLISH 1. STOPS a Stop Consonant Is Produced with a Complete Closure of Airflow
LINGUISTICS 221 LECTURE #3 Introduction to Phonetics and Phonology THE BASIC SOUNDS OF ENGLISH 1. STOPS A stop consonant is produced with a complete closure of airflow in the vocal tract; the air pressure has built up behind the closure; the air rushes out with an explosive sound when released. The term plosive is also used for oral stops. ORAL STOPS: e.g., [b] [t] (= plosives) NASAL STOPS: e.g., [m] [n] (= nasals) There are three phases of stop articulation: i. CLOSING PHASE (approach or shutting phase) The articulators are moving from an open state to a closed state; ii. CLOSURE PHASE (= occlusion) Blockage of the airflow in the oral tract; iii. RELEASE PHASE Sudden reopening; it may be accompanied by a burst of air. ORAL STOPS IN ENGLISH a. BILABIAL STOPS: The blockage is made with the two lips. spot [p] voiceless baby [b] voiced 1 b. ALVEOLAR STOPS: The blade (or the tip) of the tongue makes a closure with the alveolar ridge; the sides of the tongue are along the upper teeth. lamino-alveolar stops or Check your apico-alveolar stops pronunciation! stake [t] voiceless deep [d] voiced c. VELAR STOPS: The closure is between the back of the tongue (= dorsum) and the velum. dorso-velar stops scar [k] voiceless goose [g] voiced 2. NASALS (= nasal stops) The air is stopped in the oral tract, but the velum is lowered so that the airflow can go through the nasal tract. All nasals are voiced. NASALS IN ENGLISH a. BILABIAL NASAL: made [m] b. ALVEOLAR NASAL: need [n] c. -
Phonological Processes
Phonological Processes Phonological processes are patterns of articulation that are developmentally appropriate in children learning to speak up until the ages listed below. PHONOLOGICAL PROCESS DESCRIPTION AGE ACQUIRED Initial Consonant Deletion Omitting first consonant (hat → at) Consonant Cluster Deletion Omitting both consonants of a consonant cluster (stop → op) 2 yrs. Reduplication Repeating syllables (water → wawa) Final Consonant Deletion Omitting a singleton consonant at the end of a word (nose → no) Unstressed Syllable Deletion Omitting a weak syllable (banana → nana) 3 yrs. Affrication Substituting an affricate for a nonaffricate (sheep → cheep) Stopping /f/ Substituting a stop for /f/ (fish → tish) Assimilation Changing a phoneme so it takes on a characteristic of another sound (bed → beb, yellow → lellow) 3 - 4 yrs. Velar Fronting Substituting a front sound for a back sound (cat → tat, gum → dum) Backing Substituting a back sound for a front sound (tap → cap) 4 - 5 yrs. Deaffrication Substituting an affricate with a continuant or stop (chip → sip) 4 yrs. Consonant Cluster Reduction (without /s/) Omitting one or more consonants in a sequence of consonants (grape → gape) Depalatalization of Final Singles Substituting a nonpalatal for a palatal sound at the end of a word (dish → dit) 4 - 6 yrs. Stopping of /s/ Substituting a stop sound for /s/ (sap → tap) 3 ½ - 5 yrs. Depalatalization of Initial Singles Substituting a nonpalatal for a palatal sound at the beginning of a word (shy → ty) Consonant Cluster Reduction (with /s/) Omitting one or more consonants in a sequence of consonants (step → tep) Alveolarization Substituting an alveolar for a nonalveolar sound (chew → too) 5 yrs. -
Sociophonetic Variation in Bolivian Quechua Uvular Stops
Title Page Sociophonetic Variation in Bolivian Quechua Uvular Stops by Eva Bacas University of Pittsburgh, 2019 Submitted to the Graduate Faculty of the Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Bachelor of Philosophy University of Pittsburgh 2019 Committee Page UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Eva Bacas It was defended on November 8, 2019 and approved by Alana DeLoge, Quechua Instructor, Department of Linguistics, University of Pittsburgh Melinda Fricke, Assistant Professor, Department of Linguistics, University of Pittsburgh Gillian Gallagher, Associate Professor, Department of Linguistics, New York University Thesis Advisor/Dissertation Director: Claude Mauk, Senior Lecturer, Department of Linguistics, University of Pittsburgh ii Copyright © by Eva Bacas 2019 iii Abstract Sociophonetic Variation in Bolivian Quechua Uvular Stops Eva Bacas, BPhil University of Pittsburgh, 2019 Quechua is an indigenous language of the Andes region of South America. In Cochabamba, Bolivia, Quechua and Spanish have been in contact for over 500 years. In this thesis, I explore sociolinguistic variation among bilingual speakers of Cochabamba Quechua (CQ) and Spanish by investigating the relationship between the production of the voiceless uvular stop /q/ and speakers’ sociolinguistic backgrounds. I conducted a speech production study and sociolinguistic interview with seven bilingual CQ-Spanish speakers. I analyzed manner of articulation and place of articulation variation. Results indicate that manner of articulation varies primarily due to phonological factors, and place of articulation varies according to sociolinguistic factors. This reveals that among bilingual CQ-Spanish speakers, production of voiceless uvular stop /q/ does vary sociolinguistically. -
LT3212 Phonetics Assignment 4 Mavis, Wong Chak Yin
LT3212 Phonetics Assignment 4 Mavis, Wong Chak Yin Essay Title: The sound system of Japanese This essay aims to introduce the sound system of Japanese, including the inventories of consonants, vowels, and diphthongs. The phonological variations of the sound segments in different phonetic environments are also included. For the illustration, word examples are given and they are presented in the following format: [IPA] (Romaji: “meaning”). Consonants In Japanese, there are 14 core consonants, and some of them have a lot of allophonic variations. The various types of consonants classified with respect to their manner of articulation are presented as follows. Stop Japanese has six oral stops or plosives, /p b t d k g/, which are classified into three place categories, bilabial, alveolar, and velar, as listed below. In each place category, there is a pair of plosives with the contrast in voicing. /p/ = a voiceless bilabial plosive [p]: [ippai] (ippai: “A cup of”) /b/ = a voiced bilabial plosive [b]: [baɴ] (ban: “Night”) /t/ = a voiceless alveolar plosive [t]: [oto̞ ːto̞ ] (ototo: “Brother”) /d/ = a voiced alveolar plosive [d]: [to̞ mo̞ datɕi] (tomodachi: “Friend”) /k/ = a voiceless velar plosive [k]: [kaiɰa] (kaiwa: “Conversation”) /g/ = a voiced velar plosive [g]: [ɡakɯβsai] (gakusai: “Student”) Phonetically, Japanese also has a glottal stop [ʔ] which is commonly produced to separate the neighboring vowels occurring in different syllables. This phonological phenomenon is known as ‘glottal stop insertion’. The glottal stop may be realized as a pause, which is used to indicate the beginning or the end of an utterance. For instance, the word “Japanese money” is actually pronounced as [ʔe̞ ɴ], instead of [je̞ ɴ], and the pronunciation of “¥15” is [dʑɯβːɡo̞ ʔe̞ ɴ]. -
Manner of Articulation
An Animated and Narrated Glossary of Terms used in Linguistics presents Manner of Articulation Articulators Slide 2 Page 1 Manner of Articulation • The manner of articulation refers to the way airflow is controlled in the production of a phone (i.e. a linguistic sound). Slide 3 Manner of Articulation on the IPA Chart Plosive Nasal Trill Tap or Flap Fricative Lateral fricative Approximant Lateral approximant Manner of articulation Slide 4 Page 2 Plosive p Plosives require total obstruction of airflow. Slide 5 Nasal n Nasals require air to flow out of the nose. Slide 6 Page 3 Trill r Trills are made by rapid succession of contact between articulators that obstruct airflow. Slide 7 Tap or Flap A tap or flap is like trill, except that there is only one rapid contact between the articulators. There is some difference between tap and flap, but we shall not pursue that here. Slide 8 Page 4 Fricative f A fricative is formed when the stricture is very narrow (but without total closure) so that when air flows out, a hissing noise is made. Slide 9 Approximant An approximant is a phone made when the obstruction of airflow does not produce any audible friction. Slide 10 Page 5 Lateral l A lateral is made when air flows out of the sides of the mouth. Slide 11 Note • In this presentation, we have concentrated on the pulmonic consonants, but manners of articulation may be used to describe vowels and other linguistic sounds as well. Slide 12 Page 6 The End Wee, Lian-Hee and Winnie H.Y. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
An Acoustic Account of the Allophonic Realization of /T/ Amber King St
Linguistic Portfolios Volume 1 Article 12 2012 An Acoustic Account of the Allophonic Realization of /T/ Amber King St. Cloud State University Ettien Koffi St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/stcloud_ling Part of the Applied Linguistics Commons Recommended Citation King, Amber and Koffi, Ettien (2012) "An Acoustic Account of the Allophonic Realization of /T/," Linguistic Portfolios: Vol. 1 , Article 12. Available at: https://repository.stcloudstate.edu/stcloud_ling/vol1/iss1/12 This Article is brought to you for free and open access by theRepository at St. Cloud State. It has been accepted for inclusion in Linguistic Portfolios by an authorized editor of theRepository at St. Cloud State. For more information, please contact [email protected]. King and Koffi: An Acoustic Account of the Allophonic Realization of /T/ AN ACOUSTIC ACCOUNT OF THE ALLOPHONIC REALIZATIONS OF /T/ AMBER KING AND ETTIEN KOFFI 1.0 Introduction This paper is a laboratory phonology account of the different pronunciations of the phoneme /t/. Laboratory phonology is a relatively new analytical tool that is being used to validate and verify claims made by phonologists about the pronunciation of sounds. It is customary for phonologists to predict on the basis of auditory impressions and intuition alone that allophones exist for such and such phonemes. An allophone is defined as different realizations of the same phoneme based on the environments in which it occurs. For instance, it has been proposed that the phoneme /t/ has anywhere from four to eight allophones in General American English (GAE). To verify this claim Amber, one of the co-author of this paper recorded herself saying the words <still>, <Tim>, <kit>, <bitter>, <kitten>, <winter>, <fruition>, <furniture>, and <listen>.