Vocale Incerta, Vocale Aperta*
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Systemic Contrast and Catalan Rhotics*
Systemic Contrast and Catalan Rhotics* Jaye Padgett - University of California, Santa Cruz (January 2003) 1. Introduction Catalan, a Romance language spoken primarily in the northeast of Spain, has two contrasting rhotics: a tap [r] and a trill [r]. The two sounds contrast only between vowels with the distribution otherwise being predictable. The facts closely parallel the better known facts of Spanish, and the problems they raise are similar. In this paper I take a new look at Catalan rhotics, arguing that we can achieve a better account of them if we explicitly acknowledge the role of contrast in their behavior. Specifically, the explanation calls on constraints requiring that contrast be maintained, on the one hand, and on constraints requiring that contrasts be perceptually distinct, on the other. The account is cast within Dispersion Theory (Flemming 1995, to appear), which is designed to express such notions. In approaching the Catalan facts in this way I follow Bradley (2001), who applies Dispersion Theory to Spanish rhotics. Some of the main conclusions we reach differ, all the same. A good deal of recent work argues that both neutralization avoidance and perceptual distinctiveness play important roles in shaping phonologies. (Besides the above, see Ní Chiosáin and Padgett 2001, Sanders 2002, Padgett to appear-a,b, and Sanders in progress.) The theoretical framework of these works, Dispersion Theory, remains rather new, and this paper offers another case study. The appeal to contrast leads to a simpler and more explanatory account of Catalan (and Spanish) rhotics compared to previous ones. The analysis also illustrates how it is possible to incorporate more systematic phonetic detail into phonology, increasing our descriptive coverage, without predicting the overgeneration of contrast. -
Vowel Quality and Phonological Projection
i Vowel Quality and Phonological Pro jection Marc van Oostendorp PhD Thesis Tilburg University September Acknowledgements The following p eople have help ed me prepare and write this dissertation John Alderete Elena Anagnostop oulou Sjef Barbiers Outi BatEl Dorothee Beermann Clemens Bennink Adams Bo domo Geert Bo oij Hans Bro ekhuis Norb ert Corver Martine Dhondt Ruud and Henny Dhondt Jo e Emonds Dicky Gilb ers Janet Grijzenhout Carlos Gussenhoven Gert jan Hakkenb erg Marco Haverkort Lars Hellan Ben Hermans Bart Holle brandse Hannekevan Ho of Angeliek van Hout Ro eland van Hout Harry van der Hulst Riny Huybregts Rene Kager HansPeter Kolb Emiel Krah mer David Leblanc Winnie Lechner Klarien van der Linde John Mc Carthy Dominique Nouveau Rolf Noyer Jaap and Hannyvan Oosten dorp Paola Monachesi Krisztina Polgardi Alan Prince Curt Rice Henk van Riemsdijk Iggy Ro ca Sam Rosenthall Grazyna Rowicka Lisa Selkirk Chris Sijtsma Craig Thiersch MiekeTrommelen Rub en van der Vijver Janneke Visser Riet Vos Jero en van de Weijer Wim Zonneveld Iwant to thank them all They have made the past four years for what it was the most interesting and happiest p erio d in mylife until now ii Contents Intro duction The Headedness of Syllables The Headedness Hyp othesis HH Theoretical Background Syllable Structure Feature geometry Sp ecication and Undersp ecicati on Skeletal tier Mo del of the grammar Optimality Theory Data Organisation of the thesis Chapter Chapter -
Using 'North Wind and the Sun' Texts to Sample Phoneme Inventories
Blowing in the wind: Using ‘North Wind and the Sun’ texts to sample phoneme inventories Louise Baird ARC Centre of Excellence for the Dynamics of Language, The Australian National University [email protected] Nicholas Evans ARC Centre of Excellence for the Dynamics of Language, The Australian National University [email protected] Simon J. Greenhill ARC Centre of Excellence for the Dynamics of Language, The Australian National University & Department of Linguistic and Cultural Evolution, Max Planck Institute for the Science of Human History [email protected] Language documentation faces a persistent and pervasive problem: How much material is enough to represent a language fully? How much text would we need to sample the full phoneme inventory of a language? In the phonetic/phonemic domain, what proportion of the phoneme inventory can we expect to sample in a text of a given length? Answering these questions in a quantifiable way is tricky, but asking them is necessary. The cumulative col- lection of Illustrative Texts published in the Illustration series in this journal over more than four decades (mostly renditions of the ‘North Wind and the Sun’) gives us an ideal dataset for pursuing these questions. Here we investigate a tractable subset of the above questions, namely: What proportion of a language’s phoneme inventory do these texts enable us to recover, in the minimal sense of having at least one allophone of each phoneme? We find that, even with this low bar, only three languages (Modern Greek, Shipibo and the Treger dialect of Breton) attest all phonemes in these texts. -
Analyzing the Status of Catalan Schwa in Barcelona
ICPhS XVII Regular Session Hong Kong, 17-21 August 2011 ANALYZING THE STATUS OF CATALAN SCHWA IN BARCELONA Susana Cortés , Conxita Lleó & Ariadna Benet Research Centre on Multilingualism, University of Hamburg, Germany [email protected]; [email protected]; [email protected] ABSTRACT underlying schwa phoneme (the latter author points out that this schwa has the following This paper analyzes the production of Catalan distinctive features: [medial central-labial]). schwa by children and adults in two areas of Another approach is that of van Oostendorp's Barcelona differing in degree of presence of Projection Theory [9], based on metrical Spanish (which does not have schwa in its sound phonology. According to him, schwa is a defective inventory). The schwa production in different vowel, with unspecified distinctive features, kinds of words or in different positions in the word suitably fitting in weak and in extrametrical provides evidence for the status of this vowel. positions. Keywords: schwa, production, bilingualism, These theories, together with certain Catalan, phonological status assumptions about sound change, make different predictions about the substitution or maintenance 1. INTRODUCTION of schwa: For the last forty years, it has been observed that a) If non-alternating schwas are maintained the usage of schwa in Catalan is decreasing (Lóp ez more often than alternating schwas, this would del Castillo [7], Veny [13], Payrató [10], Pla argue for the phonological character of non- Fulquet [11], Herrick [4]). This reduction of the alternating schwa. phonological system seems to be due to external b) Position in the word (Catalan stress system (e.g., Spanish influence) or internal factors (e.g., being basically trochaic): If schwa is kept in markedness and complexity). -
A Note on the Phonology and Phonetics of CR, RC, and SC Consonant Clusters in Italian
A note on the phonology and phonetics of CR, RC, and SC consonant clusters in Italian Michael J. Kenstowicz 1. Introduction Previous generative research on Italian phonology starting with Vogel (1982) and Chierchia (1986) has proposed that intervocalic consonant clusters are parsed into contrasting tauto- vs. heterosyllabic categories based on several factors: phonotactic restrictions on word-initial consonant sequences, syllable weight as reflected in the distribution of stress and the length of a preceding tonic vowel, the distribution of prenominal allomorphs of various determiners, and the application of syntactic gemination (radoppiamento sintattico). Based on these criteria, clusters of rising sonority (in particular stop plus liquid) fall into the tautosyllabic category while falling sonority clusters composed of a sonorant plus obstruent are heterosyllabic. Clusters composed of /s/ plus a stop display mixed behavior but generally pattern with the heterosyllabic group. In her 2004 UCLA Ph.D. dissertation, Kristie McCrary investigated corpus-external reflexes of these cluster distinctions with a psycholinguistic test of word division and measurements of the phonetic duration of segments (both consonants and vowels). Her results support some aspects of the traditional phonological analysis but call into question others. In this squib we summarize the literature supporting the traditional distinction among these clusters and then review McCrary’s results. An important finding in McCrary’s study was that stops in VCV and VCRV contexts (R = a liquid) were significantly shorter than stops in VRCV contexts. She observed that these contexts align with the distribution of geminates in Italian and proposed that singleton stops are significantly shorter in the VCV and VCRV contexts in order to enhance their paradigmatic contrast with geminates. -
LT3212 Phonetics Assignment 4 Mavis, Wong Chak Yin
LT3212 Phonetics Assignment 4 Mavis, Wong Chak Yin Essay Title: The sound system of Japanese This essay aims to introduce the sound system of Japanese, including the inventories of consonants, vowels, and diphthongs. The phonological variations of the sound segments in different phonetic environments are also included. For the illustration, word examples are given and they are presented in the following format: [IPA] (Romaji: “meaning”). Consonants In Japanese, there are 14 core consonants, and some of them have a lot of allophonic variations. The various types of consonants classified with respect to their manner of articulation are presented as follows. Stop Japanese has six oral stops or plosives, /p b t d k g/, which are classified into three place categories, bilabial, alveolar, and velar, as listed below. In each place category, there is a pair of plosives with the contrast in voicing. /p/ = a voiceless bilabial plosive [p]: [ippai] (ippai: “A cup of”) /b/ = a voiced bilabial plosive [b]: [baɴ] (ban: “Night”) /t/ = a voiceless alveolar plosive [t]: [oto̞ ːto̞ ] (ototo: “Brother”) /d/ = a voiced alveolar plosive [d]: [to̞ mo̞ datɕi] (tomodachi: “Friend”) /k/ = a voiceless velar plosive [k]: [kaiɰa] (kaiwa: “Conversation”) /g/ = a voiced velar plosive [g]: [ɡakɯβsai] (gakusai: “Student”) Phonetically, Japanese also has a glottal stop [ʔ] which is commonly produced to separate the neighboring vowels occurring in different syllables. This phonological phenomenon is known as ‘glottal stop insertion’. The glottal stop may be realized as a pause, which is used to indicate the beginning or the end of an utterance. For instance, the word “Japanese money” is actually pronounced as [ʔe̞ ɴ], instead of [je̞ ɴ], and the pronunciation of “¥15” is [dʑɯβːɡo̞ ʔe̞ ɴ]. -
A Reduction and Spreading Theory of Voicing and Other Sound Effects""
CatWPL 412, 1995, 267-328 A Reduction and Spreading Theory of Voicing and Other Sound Effects"" Joan Mascaró Universitat Autbnoma de Barcelona. Departament de Filologia Catalana 08193 Bellaterra (Barcelona). Catalonia (Spain) [email protected] Abstract A set of different surface effects commonly found in the phonology of natural lan- guages, voicing assimilation and final devoicing, are derived from two parameters, Reduction, the loss of phonological structure, and Spreading, the association of two unas- sociated nodes. Reduction is an operation on a node (e.g. voice), and it can take three values: no operation, Deassociation of the node, or Deletion of the node. Spreading has just the two minimal values, + and -. Spreading can combine with Reduction, or with Deassociation, resulting in two different assimilatory effects. When Spreading takes the negative value, or when contextually no spreading is possible, the surface effect that results is devoicing. The different parametric settings of Recluction and Spreading coupled with syllable control, and stages of application, predict the appropriate surfa- ce clusters of voicing effects. These results are extended to other effects like place centralization, unmarked assimilation, and to a set of residual or sporadic effects like progressive assimilation in regressive systems. Key words: phonological theory, voicing, assimilation, devoicing. Resum. Una teoria de reducció i d'escampament de la sonoritat i d'altres efectes sonors Tota una sbrie d'efectes superficials que es troben sovint en la fonologia de les llengües naturals, l'assimilació i l'ensordiment final, es deriven de dos parimetres: la Reducció, O NOTE OF THE EDITORS. Although CatWPL normally publishes the results of ongoing research, the editors have considered that this 1987 manuscript was worth publishing. -
Anti-Romance Laryngeal Patterns in Italian Phonology
Anti-Romance laryngeal patterns in Italian phonology Bálint Huszthy Babes-Bolyai University [email protected] In the literature of laryngeal phonology all Romance languages are depicted as “voice languges”, exhibiting a binary laryngeal distinction between a voiced lenis and a voiceless fortis set of obstruents (Wetzels and Mascaró 2001; Petrova et al. 2006; etc.). Voice languages are characterised by regressive voice assimilation (RVA) due to the phonological activity of [voice] (Petrova et al. 2006; Cyran 2014). Italian manifests a process similar to RVA, called preconsonantal s-voicing; that is, /s/ becomes voiced before voiced consonantal segments; e.g., sparo [sp] ‘gunshot’ vs. sbarra [zb] ‘barrier’, sveglia [zv] ‘alarm clock’, smettere [zm] ‘to stop’, slitta [zl] ‘sled’, etc. (Nespor 1993; Bertinetto 2004; Krämer 2009). Since /sC/ is the only obstruent cluster in Italian phonotactics, Italian seems to fulfil the requirements for being a prototypical voice language. However, this paper argues that s-voicing is not an instance of RVA, at least from a synchronic phonological point of view. Data: This study is built on a loanword test: 15 Italian informants (from different dialectal zones) were recorded in a soundproof studio, who repeated five times 18 Italian sample texts containing 108 target loanwords (e.g., vo/dk/a, foo/tb/all, a/fɡ/ano, iceberg /sb/ etc.). The overall statistics reveal that the informants retain the underlying voice values in the respective obstruent clusters in 65% of the cases; that is, they avoid RVA in a two-thirds majority, which characterises the performance of all the informants rather evenly. Uniformity in voicing also occurs in the data: 20% out of the marked clusters is devoiced (e.g. -
UC Berkeley Phonlab Annual Report
UC Berkeley UC Berkeley PhonLab Annual Report Title Strengthening, Weakening and Variability: The Articulatory Correlates of Hypo- and Hyper- articulation in the Production of English Dental Fricatives Permalink https://escholarship.org/uc/item/1hw2719n Journal UC Berkeley PhonLab Annual Report, 14(1) ISSN 2768-5047 Author Melguy, Yevgeniy Publication Date 2018 DOI 10.5070/P7141042482 Peer reviewed eScholarship.org Powered by the California Digital Library University of California UC Berkeley Phonetics and Phonology Lab Annual Report (2018) Yevgeniy Melguy Susan Lin, Brian Smith M.A. Qualifying Paper 9 December 2018 Strengthening, weakening and variability: The articulatory correlates of hypo- and hyper- articulation in the production of English dental fricatives 1. INTRODUCTION A number of influential approaches to understanding phonetic and phonological variation in speech have highlighted the importance of functional factors (Blevins, 2004; Donegan & Stampe, 1979; Kiparsky, 1988; Kirchner, 1998; Lindblom, 1990). Under such approaches, speaker- and listener-oriented principles—ease of articulation vs. perceptual clarity—often work in opposite directions with respect to consonantal articulation. Minimization of effort is thought to drive a general “weakening” of consonants (resulting in decreased articulatory constriction and/or duration) which often makes them more articulatorily similar to surrounding sounds. This can result in assimilation, lenition, and ultimately deletion, and generally comes at the expense of clarity. By contrast, maximization of clarity drives consonantal “strengthening” processes (resulting in increased articulatory constriction and/or duration) that makes target segments more distinct from neighboring sounds, which can result in fortition. Clear speech generally involves more extreme or “forceful” articulations, and usually comes at the expense of requiring more articulatory effort from the speaker. -
A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2010 A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language Michelle Arden San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Arden, Michelle, "A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language" (2010). Master's Theses. 3744. DOI: https://doi.org/10.31979/etd.v36r-dk3u https://scholarworks.sjsu.edu/etd_theses/3744 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE A Thesis Presented to The Faculty of the Department of Linguistics and Language Development San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Michelle J. Arden May 2010 © 2010 Michelle J. Arden ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE by Michelle J. Arden APPROVED FOR THE DEPARTMENT OF LINGUISTICS AND LANGUAGE DEVELOPMENT SAN JOSE STATE UNIVERSITY May 2010 Dr. Daniel Silverman Department of Linguistics and Language Development Dr. Soteria Svorou Department of Linguistics and Language Development Dr. Kenneth VanBik Department of Linguistics and Language Development ABSTRACT A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE by Michelle J. Arden This thesis presents a linguistic analysis of the Mara language, a Tibeto-Burman language spoken in northwest Myanmar and in neighboring districts of India. -
The Vowels & Consonants of English
Department of Culture and Communication Institutionen för kultur och kommunikation (IKK) ENGLISH The Vowels & Consonants of English Lecture Notes Nigel Musk The Consonants of English - - - Velar (Post Labio dental Palato Dental Palatal Glottal Bilabial alveolar alveolar) Alveolar Unvoiced (-V) -V +V -V +V -V +V -V +V -V +V -V +V -V +V -V +V Voiced (+V) Stops (Plosives) p b t d k g ʔ1 Fricatives f v θ ð s z ʃ ʒ h Affricates ʧ ʤ Nasals m n ŋ Lateral (approximants) l Approximants w2 r j w2 The consonants in the table above are the consonant phonemes of RP (Received Pronunciation) and GA (General American), that is, the meaning-distinguishing consonant sounds (c.f. pat – bat). Phonemes are written within slashes //, e.g. /t/. Significant variations are explained in the footnotes. /p/ put, supper, lip /ʃ/ show, washing, cash /b/ bit, ruby, pub /ʒ/ leisure, vision 3 /t/ two, letter , cat /h/ home, ahead 3 /d/ deep, ladder , read /ʧ/ chair, nature, watch /k/ can, lucky, sick /ʤ/ jump, pigeon, bridge /g/ gate, tiger, dog /m/ man, drummer, comb /f/ fine, coffee, leaf /n/ no, runner, pin /v/ van, over, move /ŋ/ young, singer 4 /θ/ think, both /l/ let , silly, fall /ð/ the, brother, smooth /r/ run, carry, (GA car) /s/ soup, fussy, less /j/ you, yes /z/ zoo, busy, use /w/ woman, way 1 [ʔ] is not regarded as a phoneme of standard English, but it is common in many varieties of British English (including contemporary RP), e.g. watch [wɒʔʧ], since [sɪnʔs], meet them [ˈmiːʔðəm]. -
The Sound Patterns of Camuno: Description and Explanation in Evolutionary Phonology
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2014 The Sound Patterns Of Camuno: Description And Explanation In Evolutionary Phonology Michela Cresci Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/191 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY by MICHELA CRESCI A dissertation submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirement for the degree of Doctor of Philosophy, The City Universtiy of New York 2014 i 2014 MICHELA CRESCI All rights reserved ii This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. JULIETTE BLEVINS ____________________ __________________________________ Date Chair of Examining Committee GITA MARTOHARDJONO ____________________ ___________________________________ Date Executive Officer KATHLEEN CURRIE HALL DOUGLAS H. WHALEN GIOVANNI BONFADINI Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract THE SOUND PATTERNS OF CAMUNO: DESCRIPTION AND EXPLANATION IN EVOLUTIONARY PHONOLOGY By Michela Cresci Advisor: Professor Juliette Blevins This dissertation presents a linguistic study of the sound patterns of Camuno framed within Evolutionary Phonology (Blevins, 2004, 2006, to appear). Camuno is a variety of Eastern Lombard, a Romance language of northern Italy, spoken in Valcamonica. Camuno is not a local variety of Italian, but a sister of Italian, a local divergent development of the Latin originally spoken in Italy (Maiden & Perry, 1997, p.