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Radio 3 Listings for 24 – 30 January 2009 Page

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Radio 3 Listings for 24 – 30 January 2009 Page 1 of 19 SATURDAY 24 JANUARY 2009 SAT 07:00 Breakfast (b00gsnxt) Orchestra of the Age of Enlightenment The complete Breakfast playlist is posted on this website after Bob van Asperen (organ / director) SAT 01:00 Through the Night (b00gsjcs) the programme has been broadcast. VIRGIN VC5 45174-2 T5 – 8 With Susan Sharpe. With Martin Handley. 8:28 1.01am Verdi, Giuseppe (1813-1901): Messa da Requiem for soloists, 7:04 MARTINU chorus and orchestra Symphony No.6 (Fantaisies Symphony) - 2nd movement Ragnhild Heiland Sorensen (soprano) ELGAR Boston Symphony Orchestra Ingebjorg Kosmo (mezzo-soprano) Pomp & Circumstance March No.5 Charles Munch (conductor) Ivar Gilhuus (tenor) London Philharmonic Orchestra EMI CZS5 75477-2 D2 T7 Oddbjorn Tennfjord (baritone) Vernon Handley (conductor) Collegium Vocale CFP CD-CFP 9004 T5 8:35 Norwegian Radio Orchestra Johannes Fritzsch (conductor) 7:10 MOZART Ruhe sanft, mein holdes Leben (Zaide) 2.24am FAURÉ Soile Isokoski (soprano) Corelli, Arcangelo (1653-1713): Sonata da chiesa in E minor, Berceuse Op.16 Tapiola Sinfonietta Op 3, No 5 Gil Shaham (violin) Peter Schreier (conductor) Camerata Tallin Akira Eguchi (piano) ONDINE ODE 1043-2 T4 CANARY CLASSICS ATM-CD-1239 T8 2.32am 8:43 Busoni, Ferruccio (1866-1924): All' Italia (Seven Elegies) 7:14 Valerie Tryon (piano) GRIFFES Christian PETZOLD The White Peacock 2.40am Menuets Nos.4 & 5 Buffalo Philharmonic Orchestra Vivaldi, Antonio (1678-1741): Concerto in F for treble Members of Tragicomedia - Andrew Lawrence-King (triple JoAnn Falletta (conductor) recorder, RV 442 harp), Stephen Stubbs (lute) NAXOS 8.559164 T1 Michael Schneider (recorder) TELDEC 4509 91183-2 T7 Camerata Koln 8:49 7:19 2.48am GLUCK Rossini, Gioachino (1792-1868): Introduction and theme and BARBER J'ai perdu mon Euridyce (Orfeo & Euridyce) variations Second Essay for Orchestra Jennifer Larmore (mezzo-sop), Laszlo Horvath (clarinet) Saint Louis Symphony Orchestra San Francisco Opera Orch. / Donald Runnicles The Hungarian Radio Orchestra Leonard Slatkin (conductor) TELDEC 4509 98418-2 D2 T15 Geza Oberfrank (conductor) EMI CDC7 49463-2 T4 8:54 3.00am 7:32 Haydn, Joseph (1732-1809): Piano Sonata in D WALTON Andreas Staier (fortepiano) Bach Though Gilded Trellises & Tango-Pasodoble (Facade) Zerfliesse mein Herze (St. John Passion) Dame Edith Sitwell & Peter Pears (narrators) 3.18am Tessa Bonner (soprano) English Opera Group Ensemble Beethoven, Ludwig van (1770-1827): String Quartet in E flat, Janet See (flute) Anthony Collins (conductor) Op 127 Paul Goodwin (oboe da caccia) LONDON 425 661-2 T5 & 6 Oslo Quartet Andrew Manze (violin) Taverner Players 4.02am Andrew Parrott (conductor) SAT 09:00 CD Review (b00gsp1c) Beethoven: Piano Trio in E flat, Op 1, No 1 Building a Library: MARTINU: Symphony No. 6 Kungsbacka Trio VIRGIN VBD5 62019-2 D2 T21 Building a Library: 4.32am 7:39 MARTINU: Symphony No. 6 (Fantaisies symphoniques) Haydn, Joseph (1732-1809): Symphony No 22 in E flat, H I 22 (The Philosopher) POULENC Reviewer - Anthony Burton Prima La Musica Villanelle for recorder & piano Dirk Vermeulen (conductor) Laurence Pottier (recorder), Emmanuel Strosser (piano) First choice: EMI CMS5 66831-2 D3 T35 (c/w Symphonies 1-5) 4.48am Czech Philharmonic Orchestra, Vaclav Neumann (conductor) Haydn: Piano Sonata in G minor 7:41 Supraphon 11 0382-2 (3 CDs, Mid Price) Petras Geniusas (piano) SAINT-SAENS Budget Choice Recommendation: 5.00am Allegro appassionato Op.70 (c/w Les Fresques de Piero Della Francesca; Orchestral Suite Chopin, Fryderyk (1810-1849): Impromptu in G flat, Op 51 Cecile Ousset (piano) ‘Juliette’) Krzysztof Jablonski (piano) EMI CDC7 47225-2 T12 Sinfonieorchester St. Gallen, Jiri Kout (conductor) Arte Nova 82876577402 (CD, Budget) 5.06am 7:48 Bach, Johann Sebastian (1685-1750): Suite No 1 for solo cello CD Review BAL Catalogue Data in G, BWV 1007 STRIGGIO bal.martinu: Guy Fouquet (cello) Ecce beatam lucem bal.martinu.symphony.no.6 Huelgas Ensemble 5.26am Paul van Nevel (conductor) 09.05am Tournier, Marcel (1879-1951): Sonatine, Op 30 SONY SK 66 261 T7 Rita Costanzi (harp) HANDEL: Concerto grosso in G minor Op. 6 No. 6 from disc 7:58 Handel Twelve Concerti grossi, op. 6 5.43am (c/w Concerti grossi Op. 6 Nos. 1-5 and 7-12) Couperin, Louis (c.1626-1661): Suite in G TRAD. arr Herbert Hughes Il Giardino Armonico, Giovanni Antonini (director) Rosalind Halton (harpsichord) The Star of the County Down L’Oiseau-Lyre 478 0319 (3 CDs, Mid Price) Thomas Allen (baritone) , Malcolm Martineau (piano) 6.00am HYPERION CDA 67374 T27 CHEDEVILLE (arranged from Vivaldi Op. 8): Concerto Andriessen, Hendrik (1892-1981): Five Intermezzi (Intermezzi ‘L’Hiver’ (Winter) in C minor (from Le Printems ou Les per organo, secunda raccolta) 8:05 Saisons Amusantes) Albert de Klerk (organ) Matthias Loibner (hurdy-gurdy), Enrico Casazza (Baroque GERSHWIN violin), Chiara de Ziller (recorder), Les Eclairs de Musique 6.13am Of Thee I Sing Arts 47669-8 (Hybrid SACD) Debussy, Claude (1862-1918): Syrinx for solo flute New Princess Theatre Orchestra Ian Mullin (flute) John McGlinn (conductor) VIVALDI: La fida ninfa (excerpts) EMI CDC7 47977-2 T3 Sandrine Piau (soprano), Veronica Cangemi (soprano), Marie- 6.16am Nicole Lemieux (alto), Lorenzo Regazzo (bass), Philippe Kuljeric, Igor (1938-2006): Barocchiana for solo marimba 8:10 Jaroussky (counter-tenor), Topi Lehtipuu (tenor), Sara Ivana Bilic (marimba) Mingardo (alto), Christian Senn (bass baritone), Ensemble BACH arr. Grainger Matheus, Jean-Christophe Spinosi (director) 6.29am Blithe Bells Naive OP 30410 (3 CDs, Mid Price) Gaultier, Ennemond (1575-1651): Lute pieces in D minor Piers Lane (piano) Konrad Junghanel (lute) HYPERION CDA 67344 T16 09.30 am Building a Library Recommendation 6.48am 8:15 Bach, Johann Sebastian (1685-1750): Toccata in D for Martinu: Symphony No. 6 (Fantaisies symphoniques) keyboard, BWV 912 HANDEL Leif Ove Andsnes (piano). Organ Concerto Op.4 No.2 in B Flat Reviewer – Anthony Burton Supported by bbc.co.uk/programmes/ Radio 3 Listings for 24 – 30 January 2009 Page 2 of 19 First Choice Recommendation: Harmonique is an ensemble of seven instrumentalists with five Roy Wykes (d) (c/w Symphonies 1-5) singers, directed by Vincent Dumestre. Recorded London, Nov 1946 Czech Philharmonic Orchestra, Vaclav Neumann (conductor) Taken from the album Scrapbook of British Jazz Supraphon 11 0382-2 (3 CDs, Mid Price) Playlist: LP (Ace of Clubs. ACL 1105. Side 2 / Track 1) Budget Choice Recommendation (All music performed by Le Poeme Harmonique, conducted by Eddie's Blues (Eddie South) (3'07'') (c/w Les Fresques de Piero Della Francesca; Orchestral Suite Vincent Dumestre) Performed by Eddie South (vln) Django Reinhardt (g) ‘Juliette’) Recorded Paris September 1937 Sinfonieorchester St. Gallen, Jiri Kout (conductor) Juan del Encina: Triste Espania sin ventura! Taken from the album Swing in Paris (1936-1940) Arte Nova 82876577402 (CD, Budget) segue to: CD (Charly Records CD AFS 1003-5; Track 2) Anon: Hoy comamos y bebamos (villancico) Next week Stephen Johnson examines recordings of Antonio de Cabezon: Ancher che col partite Sometimes I Feel Like a Motherless Child (Trad) (3'13'') Beethoven’s String Quartet No. 11 Op. 95 segue to: Performed by Artie Shaw And His Orchestra: Anon: Canario Artie Shaw (cl,arr) Lee Castle, Max Kaminsky, Steve Lipkins 10.20 New Beethoven Releases segue to: (tp) Hot Lips Page (tp,vcl) Morey Samuel, Ray Conniff (tb) Diego Fernandez de Huete: Espagnoleta, Canario, Folia Charlie DiMaggio, Les Robinson (as) Georgie Auld, Mickey BEETHOVEN: Neue Liebe, neues Leben; An den fernen Anon: Bailan los pastores Folus (ts) Artie Baker (bar) Johnny Guarnieri (p) Mike Bryan Geliebten (from 6 Lieder Op. 75) from disc Beethoven: Lieder segue to: (g) Eddie McKimmey (b), Dave Tough (d), Freddy Gibson, und Gesange Juan del Encina: Ay triste que vengo Georgia Gibbs (vcl) Paul Jordan, Lennie Hayton (arr) plus (c/w 6 Lieder von Gellert; Vier Arietten und ein Duett Op. 82; Anon: No so yo strings An die Geliebte/1; Sehnsucht/1; An die Geliebte/2; segue to: Recorded NY, Jan 21 1942 Sehnsucht/2; Das Geheimnis; Sehnsucht/3; Als die Geliebte Juan del Encina: Fata la parte Taken from the album The Indispensable Artie Shaw sich trennen wolte; Sehnsucht/4; Der Kuss Op. 128; Sehnsucht segue to: LP (RCA NL 89774/B; Side 2 / Track 15) (Reissig); Der Mann von Wort Op. 99; Seufzer eines Luis de Briceno: La gran chacona. Ungeliebten und Gegenliebe; In questa tomba oscura; 8 Lieder Hoy, Hoy (Conrad) (2'49'') Op. 52) Performed by Cab Calloway and his Orchestra: Ann Murray (mezzo-soprano), Roderick Williams (baritone), SAT 14:00 Radio 3 Lunchtime Concert (b00gnrsz) Cab Calloway (v-dir) Shad Collins, Irving Randolph, Lammar Iain Burnside (piano) From Wigmore Hall, London. Wright, Doc Cheatham (tp) Claude Jones, Keg Johnson, De Signum Classics SIGCD139 (2 CDs, Mid Price) Priest Wheeler (tb) Chauncey Haughton, Andrew Brown (cl,as) Thomas Allen (baritone) Walter Thomas, Chu Berry (ts) Bennie Payne (p) Danny Barker BEETHOVEN: An die ferne Geliebte from disc Beethoven: Malcolm Martineau (piano) (g) Milton Hinton (b) Leroy Maxey (d) Lieder und Gesange Recorded NY, March 23 1938 (c/w Resignation; Abendlied unterm gestirnten Himmel; Schubert: Fruhlingsglaube, D686; Geheimes; Standchen; Nacht Taken from the album Cab Calloway and his Orchestra 1938 - Andenken; La Tiranna; An die Hoffnung; Ruf vom Berge; und Traume, Op 43, No 2; Gruppe aus dem Tartarus; Der 1939 Klage; Selbstgesprach; Adelaide; Wonne der Wehmuth; Musensohn CD (Classics Classics576 (1); Track 5) Sehnsucht; Mit einem gemahlten Band; Gesang aus der Ferne; Wolf: Fussreise; Anarreon's Crab; Bei einer Trauung; Die laute Klage; Lebensgluck; Der Wachtelschlag; An die Nimmersatte Liebe; Abschied Willow Weep for Me (Ronell) (3'20'') Hoffnung) Northumbrian Folk Songs: Gan ti the kye; Sair fyel'd hinny; Performed by Cab Calloway and his Orchestra: John Mark Ainsley (tenor), Iain Burnside (piano) Rap'er to bank; Dance ti the Daddy Cab Calloway (v-dir) Mario Bauza, Dizzy Gillespie, Lammar Signum Classics SIGCD145 (CD) Jerome Kern: All the things you are; The folks who live on the Wright (tp) Tyree Gleen (tb-vib) Quentin Jackson, Keg Johnson hill.
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    Nicola Benedetti, Violin Venice Baroque Orchestra

    Friday, February 24, 2017, 8pm Zellerbach Hall r e l w o F n o m i S Nicola Benedetti, violin Venice Baroque Orchestra Gianpiero Zanocco, concertmaster Giacomo Catana, first violin Mauro Spinazzè, first violin Francesco Lovato, first violin Giorgio Baldan, second violin David Mazzacan, second violin Giuseppe Cabrio, second violin Claudio Rado, second violin Alessandra Di Vincenzo, viola Meri Skejic, viola Massimo Raccanelli Zaborra, cello Federico Toffano, cello Alessandro Pivelli, double bass Ivano Zanenghi, lute Lorenzo Feder, harpsichord PROGRAM Baldassare GALUPPI (1706 –1785) Concerto a Quattro No. 2 in G Major for Strings and Continuo Andante Allegro Andante Allegro assai Charles AVISON (1709 –1770) Concerto Grosso No. 8 in E minor aer Domenico Scarlatti Adagio Allegro Amoroso Vivace Francesco GEMINIANI (1687 –1762) Concerto Grosso No. 12 in D minor, aer Corelli’s Violin Sonata in D minor, Op. 5, No 12, La Folia [Adagio – Allegro – Adagio – Vivace – Allegro – Andante – Allegro – Adagio – Adagio – Allegro – Adagio – Allegro] Antonio VIVALDI (1678 –1741) Concerto for Violin, Strings, and Continuo in D Major, R. 212a, Fatto per la solennità della S. Lingua di St. Antonio in Padua Allegro Largo Allegro INTERMISSION VIVALDI e Four Seasons for Violin and Orchestra, Op. 8, Nos. 1-4 SPRING : (R. 269) : Allegro – Largo e pianissimo sempre – Danza Pastorale (Allegro) SUMMER : (R. 315) : Allegro non molto – Adagio – Presto AUTUMN : (R. 293) : Allegro – Adagio – Allegro WINTER : (R. 297) : Allegro non molto – Largo – Allegro Opposite: photo by Simon Fowler PROGRAM NOTES Concerto a Quattro No. 2 in G Major (“church sonata,” a musical type oen used dur - for Strings and Continuo ing services in Italy)—four succinct movements Baldassare Galuppi disposed slow –fast –slow –fast, a fondness for Baldassare Galuppi’s importance in the 18th- contrapuntal textures—as well as encroaching century’s radical evolution of musical taste is Classicism—clear phrasing, symmetrical melo - in almost precisely inverse proportion to his no - dies, largely diatonic harmonies.
  • Die Violoncellosonaten Des Antonio Vivaldi

    Die Violoncellosonaten Des Antonio Vivaldi

    Die Violoncellosonaten des Antonio Vivaldi Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophisch-Pädagogischen Fakultät der Katholischen Universität Eichstätt vorgelegt von Sebastian Zips aus Hof 2005 Referent: Prof. Dr. Karlheinz Schlager Korreferent: PD Dr. Marcel Dobberstein Tag der letzten mündlichen Prüfung: 20.Juli 2005 Inhaltsverzeichnis Vorwort 06 1. Hintergründe 09 1.1. Kurze Biografie des Komponisten 09 1.2. Der Begriff Sonate 11 1.3. Die Sonate bei Vivaldi 15 1.4. Sind Vivaldis Sonaten monotonal angelegt ? 20 1.5. Die Rolle des Violoncells um 1700 21 1.6. Die Musik für das Violoncello vor 1700 23 1.7. Die Cellosonate um 1700 in Venedig 26 1.8. Die ersten Werke Vivaldis für das Violoncello 28 1.9. Spielte Vivaldi selbst Cello? 29 2. Zur Möglichkeit der Ausführung eines Basso Continuo in den Cellosonaten Antonio Vivaldis 32 2.1. Unbezifferte Bassstimmen im 18. Jahrhundert. 32 2.2. Bedeutete ein unbezifferter Bass einen Verzicht auf das Harmonieinstrument ? 35 2.3. Waren Vivaldis Cellosonaten als Celloduos gedacht? 36 2.4. Möglichkeiten der Begleitung durch ein Cello allein 38 2.5. Denkbare Instrumente zur Verstärkung der Basslinie 40 a) Die Laute und die Theorbe 40 b) Das Fagott 41 c) Der Kontrabass 41 2.6. Wie könnte nach Vivaldis Auffassung eine Continuo- stimme ausgeführt werden? 43 2.7. Zusammenfassung 46 3. Möglichkeiten und Grenzen der Werkdatierung bei Vivaldi 47 3.1. Allgemeine Darlegung der Problematik 47 3.2. Die stilistische Analyse als Datierungshilfe 47 3.3. Datierung über Selbstanleihen (Self-borrowings) 49 3.4. Die Datierung über das Wasserzeichen 52 3.5. Die Datierung vermittels Schreiber und Schrift 52 3.6.
  • Uptown Conversation : the New Jazz Studies / Edited by Robert G

    Uptown Conversation : the New Jazz Studies / Edited by Robert G

    uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.