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Sanskrutha Bharathi, New Jersey & Sangam Festival
Sanskrutha Bharathi, New Jersey & Sangam Festival- Princeton, New Jersey hosted a seminar and performance - commemorating the 1000th year of the Kashmirian genius Acharya Abhinavagupta on Saturday, April 8th 2017. The program opened with a brief prayer followed by a paper presentation by Bharatanatyam exponent and scholar Bala Devi Chandrashekar on Sri Abhinavagupta's commentary on Bharata muni's treatise "Natya shastra". The presentation stressed the immense value of understanding Abhinava Gupta's commentary "Abhinava Bharathi" to comprehend Natya Sastra. The Key takeaways from Bala Devi's presentation - Abhinava Gupta's two major works on aesthetics are - Dhvanyaloka -locana and Abhinava Bharati, they point towards his quest into the nature of aesthetic experience. In both these works Abhinava Gupta suggests that aesthetic experience is something beyond worldly experience, and has used the word ‘Alaukika’ to distinguish the former feeling from the mundane latter ones. He subscribes to the theory of Rasa Dhvani and thus entered the ongoing aesthetic debate on nature of aesthetic pleasure. Bharatha in Natyashastra, his pioneering work on Indian dramatics, mentions eight rasas and says rasa is produced when ‘Vibhaava’, Anubhava and Vyabhichari bhava come together. According to Abhinavagupta, the aesthetic experience is the manifestation of the self. It is similar to the spiritual experience as one transcends the limitations of one's limited self because of the process of universalisation taking place during the aesthetic contemplation of characters depicted in the work of art. Abhinavagupta maintains that this rasa is the supreme good of all literature. Abhinavagupta extended the eight rasas categorized by Bharata, by adding one more to the list, the Shanta rasa. -
May I Answer That?
MAY I ANSWER THAT? By SRI SWAMI SIVANANDA SERVE, LOVE, GIVE, PURIFY, MEDITATE, REALIZE Sri Swami Sivananda So Says Founder of Sri Swami Sivananda The Divine Life Society A DIVINE LIFE SOCIETY PUBLICATION First Edition: 1992 Second Edition: 1994 (4,000 copies) World Wide Web (WWW) Reprint : 1997 WWW site: http://www.rsl.ukans.edu/~pkanagar/divine/ This WWW reprint is for free distribution © The Divine Life Trust Society ISBN 81-7502-104-1 Published By THE DIVINE LIFE SOCIETY P.O. SHIVANANDANAGAR—249 192 Distt. Tehri-Garhwal, Uttar Pradesh, Himalayas, India. Publishers’ Note This book is a compilation from the various published works of the holy Master Sri Swami Sivananda, including some of his earliest works extending as far back as the late thirties. The questions and answers in the pages that follow deal with some of the commonest, but most vital, doubts raised by practising spiritual aspirants. What invests these answers and explanations with great value is the authority, not only of the sage’s intuition, but also of his personal experience. Swami Sivananda was a sage whose first concern, even first love, shall we say, was the spiritual seeker, the Yoga student. Sivananda lived to serve them; and this priceless volume is the outcome of that Seva Bhav of the great Master. We do hope that the aspirant world will benefit considerably from a careful perusal of the pages that follow and derive rare guidance and inspiration in their struggle for spiritual perfection. May the holy Master’s divine blessings be upon all. SHIVANANDANAGAR, JANUARY 1, 1993. -
Bareilly Dealers Of
Dealers of Bareilly Sl.No TIN NO. UPTTNO FIRM - NAME FIRM-ADDRESS 1 09107300009 BE0001281 RAJ CROCKERY CENTER HOSPITAL ROAD BAREILLY 2 09107300014 BE0008385 SUPER PROVISION STORE PANJABI MARKET, BAREILLY. 3 09107300028 BE0006987 BHATIA AGEMCIES 89 CIVIL LINES, BAREILLY. 4 09107300033 BE0010659 VIJAY KIRANA STORE SUBHAS NAGAR BY 5 09107300047 BE0001030 MUKUT MURARI LAL WOOD VIKRATA CHOUPLA ROAD BY 6 09107300052 BE0008979 GARG BROTHERS TOWN HALL BAREILLY. 7 09107300066 BE0001244 RAJ BOOK DEPOT SUBHAS MKT BY 8 09107300071 BE0000318 MONICA MEDICAL STORE 179, CIVIL LINES, BAREILLY. 9 09107300085 BE0001762 RAM KUMAR SUBASH CHAND AONLA ,BAREILLY. 10 09107300090 BE0009124 GARU NANA FILLING STN KARGANA BAREILLY. 11 09107300099 BE0005657 KHANDUJA ENTERPRISES GANJ AONLA,BAREILLY. 12 09107300108 BE0004857 ADARSH RTRADING CO. CHOPUPLA ROAD BY 13 09107300113 BE0007245 SWETI ENTERPRISES CHOUPLA ROAD BY 14 09107300127 BE0011496 GREEN MEDICAL STORE GHER ANNU KHAN AONLA BAREILLY 15 09107300132 BE0002007 RAMESHER DAYAL SURENDRA BHAV AONLA BAREILLY 16 09107300146 BE0062544 INDIAN FARMERS FERTILISERS CORP AONLA, BAREILLY. LTD 17 09107300151 BE0007079 BHARAT MECH STORE BALIA AONLA, BAREILLY. 18 09107300165 BE0011395 SUCHETA PRAKASHAN MANDIR BAZAR GANJ AONLA BAREILLY 19 09107300170 BE0003628 KICHEN CENTER & RAPAIRS JILA PARISAD BY 20 09107300179 BE0006421 BAREILLY GUN SERVICE 179/10 CIVIL LINES,BAREILLY 21 09107300184 BE0004554 AHUJA GAS & FAMILY APPLIANCES 179 CIVIL LINES, BAREILLY. 22 09107300198 BE0002360 IJAAT KHA CONTRACTOR SIROLY AONLA BAREILLY. 23 09107300207 BE0003604 KRISHAN AUTAUR CONTRACTOR BAMANPURI BAREILLY. 24 09107300212 BE0009945 PUSTAK MANDIR SUBASH MKT BY 25 09107300226 BE0005758 NITIN FANCY JEWELERS CANAAT PLACE MKT BY 26 09107300231 BE0005520 DEHLI AUTO CENTER CAROLAAN CHOUPLA ROAD BY 27 09107300245 BE0003248 KHANN A PLYWOOD EMPORIUM CIVIL LINES, BAREILLY. -
Sharanagati, Year Third
1. Sentimentalism and Compassion (from lecture of B.K.Tirtha Maharaj, 27.02.2007, Sofia) “O descendent of Bharata, he who dwells in the body can never be slain. Therefore you need not grieve for any living being.” 1 This verse actually gives the definition of sentimentalism. Because one definition of being sentimental is when you try to give more compassion to a living entity than God. Although this is a very difficult definition, if you try to give more compassion to an entity than God, then this is sentimental. How to understand this? This definition is very much connected with karma. Karma means action and reaction, you get what you deserve. You sow the wind – you reap the tempest. Whatever we do, there will be some reaction. This is one element of this question. So, fate is written on the foreheads of people. Whatever happiness, success, suffering and failure is awaiting you in this lifetime, it is given in the beginning. So, do not revolt against your fate. Actually fate is not a punishment, but fate is a chance to fulfill our progress. Therefore we should be thankful for getting all the different opportunities in our lifetime. Of course, during our spiritual progress, we must learn what is compassion. But remember the definition: sentimental means you try to be over-compassionate – compassionate over the path, over karma, over the fate of people. Of course, it does not mean “do not give help” if help is needed. But there are certain things that we cannot change. We should identify our limits. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
Karun Rasa and Tragic Feeling
THE TWO SIDES OF A SINGLE COIN: KARUN RASA AND TRAGIC FEELING ANUPAM NAGAR University of North Gujarat, India 91 The tragic feeling (stress mine) is evoked in us when we are in the presence of a character who is ready to lay down his life, if need be, to secure one thing — his sense of personal dignity Arthur Miller, “Tragedy and the Common Man”, New York Times, 27 February 1949 In Sanskrit Poetics (SP) there is a discernible absence of tragedy perhaps on account of its idealistic character. Though conflict is present it is not the type of conflict as perceived between individuals. It is based, rather, on inclination and idealism in which idealism ultimately triumphs. In Indian thought Death is a fantasized happening; the body is prone to decay, while the soul is eternal. The issue then is how do we address Death, even when the manure of rotten leaves gives birth to new shrubs? Death possibly is not the denouement of life. On the contrary Life and Death are corollaries of each other. The second possible reason for SP being idealistic in nature is that here time does not follow a chronological sequence —it is circular in movement (chakravat parivartante). Therefore tragedy along western lines becomes impossible on account of philosophical compulsions. A man here after casting off his body assumes a new form and then takes another when the present body decomposes. This intermittent process goes on and on till he accomplishes total deliverance. And salvation can only be realized after having attained the first three goals of righteousness (dharma), prosperity (artha) and pleasure (kama). -
Rasa: Estética E Semiose Na Índia1 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ JOSÉ LUIZ MARTINEZ
Rasa: estética e semiose na Índia1 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ JOSÉ LUIZ MARTINEZ Resumo Na Índia, desde a antiguidade, a representação artística é realizada pela conjugação das artes. Música vocal e instrumental, dança e teatro constituem uma unidade mul- timidiática englobada pelo termo sangita. Uma extensa literatura de tratados em sânscrito, assim como uma tradição milenar de debate acadêmico, discutem não apenas questões técnicas e normativas das artes, mas sobretudo a construção de significado e o processo de percepção estética. A teoria do rasa (sentimento, essência) é uma das con- tribuições indianas mais importantes nessa área. Neste artigo, intermeando uma visão panorâmica desse amplo campo de pesquisa, proponho algumas interpretações semióti- cas (de acordo com a teoria do signo de Charles Peirce) a respeito da teoria do rasa. Palavras-chave música, dança, teatro, Índia, rasa, estética, semiótica, Peirce Abstract In India, for millenia, artistic representation is the result of the conjunction of arts. Vocal and instrumental music, dance and theater constitute a multimediatic unity, circumscribed by the term sangita. A vast literature of sanskrit treatises, as well as an ancient tradition of academic debate, discuss not only normative and technical questions in performing arts, but above all the ways of constructing meaning and the process of aesthetic perception. The theory of rasa (feeling, essence) is one of the most important Indian contributions to this area. In this article, permeating a panoramic view of this broad field of research, I propose a semiotic interpretation (according to the sign theory of Charles Peirce) of the rasa theory. Key words music, dance, theater, India, rasa, aesthetics, semiotics, Peirce 1. -
BOARD of SCHOOL EDUCATION HARYANA BHIWANI Page: 1 SIP Fee Received List for Exam July - 2018 DIST NAME : 01 : AMBALA INST
BOARD OF SCHOOL EDUCATION HARYANA BHIWANI Page: 1 SIP Fee Received List for Exam July - 2018 DIST NAME : 01 : AMBALA INST. NAME : 501001 : LALA AMI CHAND MONGA MEMORIAL COLLEGE OF EDUCATION , ABDULLAH GARH Srl. Roll No. Candidate's Name / Father's Name Srl. Roll No. Candidate's Name / Father's Name Year : 1st Year 30 5216010033 BIRENDRA KUMAR / PRATAP SAW 1 5117010001 ANJALI RATHORE / JAY SINGH 31 5216010034 GAUTAM KUMAR / UMESH SAW 2 5117010002 HIMANSHU KUMAR SINGH / ARUN 32 5216010037 SANTOSH KUMAR / RADHE SHAW 3 5117010003 SEEMA DEVI / SUBE SINGH 4 5117010004 TARUN KUMAR / MOOL RAJ 5 5117010008 MANDEEP KAUR / SOAM SINGH 6 5117010012 SAHIL / RAKESH 7 5117010023 JITENDRA KUMAR / RUPNARAYAN 8 5117010024 LAKSHMI KUMARI / CHANDRIKA 9 5117010025 CHHOTU KUMAR / BIRENDRA 10 5117010026 VICKY / GURCHARAN SINGH 11 5117010028 KULDEEP KAUR / SURJEET SINGH 12 5117010033 ARCHANA KUMARI / RAJ KUMAR 13 5117010034 SANJAY KUMAR / VISHWANATH 14 5117010035 ANITA KUMARI / RAMPUKAR RAY 15 5117010036 VANDANA KUMARI / BRAHM DEV 16 5117010037 SANJEEV KUMAR / KAILASH DAS 17 5117010038 PRERNA KUMARI / VIJAY KUMAR 18 5117010039 DEEPENDRA PRAKASH / 19 5117010041 BHAGWAN PRAKASH / RAM SAGAR 20 5117010042 KAJAL KUMARI / CHANDESHWAR 21 5117010044 SARITA KUMARI / CHANDESHWAR 22 5117010045 RAMNIVAS SINGH / RAGHUNATH Year : 2nd Year 23 5216010002 DHARMENDRA KUMAR / PRATAP 24 5216010004 MD MIRZA GALIB / MD HAIDAR ALI 25 5216010005 RANJAN KUMAR PANDAY / 26 5216010013 RICHA SHARMA / KRISHAN KANT 27 5216010016 NEHA / RANDHIR SINGH 28 5216010023 PUSHPAM KUMARI / DILEEP SINGH 29 5216010032 PRSHANT KUMAR / CHITRANJAN BOARD OF SCHOOL EDUCATION HARYANA BHIWANI Page: 2 SIP Fee Received List for Exam July - 2018 DIST NAME : 01 : AMBALA INST. NAME : 501002 : LORD KRISHNA COLLEGE OF EDUCATION , ADHOYA Srl. -
Chapter-1 Gee As You
Gee You Are You Gee You Are You Krishna Prem (Michael Mogul) Library of Congress Cataloging-in-Publication Data Copyright © 2011 by Michael Mogul (Krishna Prem) All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. Printed in the United States of America First Printing: July, 2011 ISBN-978-1-61364-318-1 About the Author Gee You Are You is a book about a life’s journey from here to here. On the front cover is a picture of me at thirty-three years of age, sitting on a cold marble floor in front of my teacher and friend, Osho, in Pune, India. On the back cover I am the ripe old age of sixty-six. As Bob Dylan once sang, “Oh, but I was so much older then, I’m younger than that now.” Yes, my body is now twice as old and yet I feel half my age… the magic of meditation. Through my years of peeling the layers of my own onion, I have turned my life from maditation in the outer world to meditation in my inner world. While reading this book, you will be constantly challenged to witness that you are not so much your conditioning in the marketplace of your hometown, but more that the world is appearing in you… that you are not the mind. -
Śrī Vyāsa-Pūjā A
Śrī v yāsa-pūjā Śrī vyāsa-pūjā 13 August 202013 A. The Appearanceof HisDay Divine Grace C. Bhaktivedanta Prabhupāda Swami THE MOST BLESSED EVENT The Appearance Day of Our Beloved Spiritual Master His Divine Grace Oṁ Viṣṇupāda Paramahaṁsa Parivrājakācārya Aṣṭottara-śata Śrī Śrīmad A. C. BHAKTIVEDANTA SWAMI PRABHUPĀDA Founder-Ācārya of the International Society for Krishna Consciousness Śrī vyāsa-pūjā Śrī vyāsa-pūjā THE MOST BLESSED EVENT The Appearance Day of Our Beloved Spiritual Master 13 August 2020 His Divine Grace Oṁ Viṣṇupāda Paramahaṁsa Parivrājakācārya Aṣṭottara-śata Śrī Śrīmad A. C. BHAKTIVEDANTA SWAMI PRABHUPĀDA Founder-Ācārya of the International Society for Krishna Consciousness 3 Set in The Brill and Futura Round Condensed display at The Bhaktivedanta Book Trust Africa © 2020 The Bhaktivedanta Book Trust Africa The copyrights for the offerings presented in this book remain with their respective authors. Quotes from books, lectures, letters and conversations by His Divine Grace A. C. Bhaktivedanta Swami Prabhupāda © 2020 Bhaktivedanta Book Trust International, Inc. Cover and artwork courtesy of The Bhaktivedanta Book Trust International, Inc. www.bbtafrica.co.za y www.bbt.org y www.krishna.com All Rights Reserved 3 CONTENTS Preface vii Acknowledgements ix THE MEANING OF VYĀSA-PŪJĀ 1 ŚRĪ GURVĀṢṬAKAM 5 Offerings by 4 SANNYĀSĪS 23 INITIATED DISCIPLES 39 GRANDDISCIPLES, GREAT-GRANDDISCIPLES & OTHER DEVOTEES 47 ISKCON CENTRES 277 THE BHAKTIVEDANTA BOOK TRUST 291 OTHER SOURCES 295 3 PREFACE 4 HEMANT BHAGA z THIS YEAR’S EDITION of Śrīla Prabhupāda’s reflect on one’s own life to understand the profound pan-African Vyāsa-pūjā book published effect of this mercy. -
Edifying Parables
Edifying Parables of His Holiness Jagadguru Sri Abhinava Vidyatheertha Mahaswamigal Publisher Sri Vidyatheertha Foundation Chennai www.svfonline.net First Edition 1995 (1200 Copies) Reprint 2000 (1500 Copies) 2004 (3000 Copies) 2014 (1200 Copies) 2015 (2000 Copies) Digital Version 2016 © All rights reserved ISBN 81-903815-4-7 Published by: Sri Vidyatheertha Foundation G-B, Sai Karuna Apartments 49, Five Furlong Road Guindy, Chennai - 600 032 Mobile : 90031 92825 Email: [email protected] This E-Book is for free distribution only. 6 Edifying Parables Preface His Holiness Jagadguru Sri Abhinava Vidyatheertha Mahaswamigal, reverentially referred to as ‘Acharyal’ in this book, had an innate ability to explain even complex topics in a simple manner through stories composed by Him on the spot or based on texts such as the Vedas, Ramayana, Mahabharata and Puranas. This book contains well over a hundred edifying parables of our Acharyal compiled by a disciple and grouped over 97 heads. The sources of the parables are Acharyal’s benedictory addresses and His private conversations with the disciple. Following are the minor liberties that have been taken in the preparation of the text: 1. Parables narrated by Acharyal in more than one benedictory address have been grouped under a single head. 2. In rare cases, names have been given to the characters of a story even when Acharyal did not do so during His talk with the disciple. 3. Where Acharyal has narrated more than one version of a story, information from all the versions have been utilised. 7 We are glad in publishing the digital version of this book and offering it to all for free-download in commemoration of the birth-centenary of His Holiness Jagadguru Sri Abhinava Vidyatheertha Mahaswamigal. -
The Last English Saint an Obituary of Sri Madhava Ashish by Donald
The Last English Saint An Obituary of Sri Madhava Ashish by Donald Eichert that appeared in an Indian news magazine The death of Sri Madhava Ashish in April 1997 after a long illness rounded off a remarkable chapter in the long story of Indian mysticism. In a convergence of fulfilled aspiration that almost defies credence the tiny hamlet of Mirtola in Almora district in northern India became the focus of no fewer than four lives of spiritual attainment. Madhava Ashish was the last in a line of gurus which can stand comparison with the Naropa-Marpa-Milarepa parampara of the Tibetan tradition. His commanding presence belied a gentle nature almost feminine in nuance. When, as rishis must at times, Madhava Ashish displayed anger it was shadowed by a kind of sadness, as though the higher consciousness watched compassionately. Born in Edinburgh in 1920, the great-grandson of a Scottish laird, he was christened Alexander Phipps. His mother, a Campbell, had been born in Sri Lanka, then Ceylon, and had married a colonel in the Indian Army. The Phippses also had West Indian connections. Young Phipps attended Sherborne School in Taunton, Somersetshire, acquiring the public school manner which he never quite lost in fifty years as a Vaishnav monk. When he moved on to Chelsea Polytechnic to study aeronautical engineering his accent was mocked by his fellow students. The outbreak of World War II found Phipps a qualified engineer in a reserved occupation. He was set to supervising the construction of invasion gliders, and when it was decided to build them in India he came out to take up the work at Dumdum, Calcutta.