DOCSLIB.ORG

UNI Wind Ensemble UNI Concert Band

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UNI Wind Ensemble UNI Concert Band Upcoming Events Spotlight Series: UNI Choirs Tuesday, March 5, 7:30 p.m. Great Hall, GBPAC Guest Recital: Paul Carlson, tuba Thursday, March 7, 6 p.m. Davis Hall, GBPAC UNI Bass Studio Recital UNI Wind Ensemble Thursday, March 7, 8 p.m. Davis Hall, GBPAC Danny Galyen, The School of Music Calendar of Events is conductor available online at music.uni.edu/events. To receive a hardcopy, please call 319-273-2028. and In consideration of the performers and other members of the audience, please enter or leave a performance at the end of a composition. Cameras and recording equipment are not permitted. Please turn off all electronic UNI Concert Band devices, and be sure that all emergency contact cell phones and pagers are set to silent or vibrate. In the event of an emergency, please use the exit nearest to you. Please contact the usher staff if you need assistance. Chris Copeland and This event is free to all UNI students, courtesy of the Panther Pass Program. Meredith Tipping, Performances like this are made possible through private support from patrons conductors like you! Please consider contributing to School of Music scholarships or guest artist programs. Call 319-273-3915 or visit www.uni.edu/music to make your gift. Thursday, February 28, 2019, 7:30 p.m. Great Hall, Gallagher Bluedorn UNI Concert Band Program FLUTE Vienna Greenway EUPHONIUM UNI Concert Band Cheyenne Chapin Kaleb Mast Zach Eberle Katie Currier Noah Huff TRUMPET Kirkpatrick Fanfare (1999) . Andrew Boysen, Jr. (b. 1968) Mary Kieffer Eric Riehle Sydney Barnum Abigail Ingwersen Karissa Jensen TUBA Meredith Tipping, conductor Timarie LaFoy Aaron Kirchman Freddie Paulson Sabrina Wiebold Matt Kapka In the Forest of the King (2000) . .Pierre LaPlante (b. 1943) PERCUSSION CLARINET Gavin Knott I. Le Furet Bethany Brooks Molly Engle Ellie Haan Laura Kaufmann II. The Laurel Grove Skylar Lindeman Greg Novey Ethan Newbrough III. King Dagobert Lille Murphy Samuel Smith Jesse Polanco Angel Ramirez Sierra Steen Chris Copeland, conductor Will Rothfus Taylor Sandven TROMBONE Rachel Vaughan Lightning Field (2015) . .John Mackey (b. 1973) BASS CLARINET Tabitha Alitz Chris Wichert Chance Elton Meredith Tipping, conductor Eric Karr SAXOPHONE Cole Kern Elliott Britt Bayou Breakdown (2004) . Brant Karrick (b. 1960) Elizabeth Schechinger Kayla Dustin Danny Galyen, conductor UNI Wind Ensemble FLUTE SAXOPHONE EUPHONIUM Intermission Kim Abeyta* Andrey Floryanovich Terra Hill Anna Cook Lexi Forstrom* Joseph Morris Lauren Mattson Colton Kurtz Sam Nau* UNI Wind Ensemble Lydia Richards Gage Schmitt TUBA Promenade from Pictures at an Exhibition (1874) . .Modest Mussorgsky Meredith Tipping TRUMPET Adam Denner (1839-1881) OBOE Sam Anderson* Nate Jones orch. Ravel, transcribed by Mark Hindsley Kristin Rasmussen Morgan Eadie Donovan Klutho* David Thompson* Kelley Meinen PERCUSSION** Chris Copeland, Graduate Conducting Associate, Conductor Alex Tjelmeland Abby Murdock Nick Behrends Brenda Sevcik CLARINET Kyler Boss Picture Studies (2012) . .Adam Schoenberg (b. 1980) Nathan Dickerson HORN Zoey Cobb I. Intro trans. Don Patterson Mikaela Dunn Dan Charette Trevor Else* II. Three Pierrots Sarina Gretter Brittany Schultz Tyler Martin III. Repetition Ben Medbourne Ryan Miller* Mack Vos Sayyod Mirzomurodov* Madison Mohr IV. Olive Orchard HARP Alissa Ortega Irene Swanson Gretchen Brumwell+ V. Kandinsky Lucas Randall TROMBONE VI. Calder’s World Angela Schwartz PIANO Obediah Bauer VII. Miró Andrew Wiele* Vakhtang Kodanashvili+ Augustus Geiger VII. Interlude Glenn Zimmer Zachary Miller BASS IX. Cliffs of Moher BASSOON Tom Mortenson* Andy Braught X. Pigeons in Flight Riley Andreasen Anya Shorey* +Faculty Artist Aaron Unash *Section Leader .
Load more

Recommended publications
  • Cbarber Repertoire 2020.Pdf
    Carolyn A. Barber University of Nebraska-Lincoln Conducting Repertoire, 2001-present UNL Wind Ensemble 2020 [April 28 concert cancelled due to COVID-19 precautions on campus] March 11, Kimball Recital Hall Joan Tower, Fanfare for the Uncommon Woman No. 1 (1987) Victoria Bond, The Indispensable Man (2010) *Nebraska premiere performance Felicia Sandler, Rosie the Riveter (2000) *Nebraska premiere performance Jonathan Newman, Symphony No. 1: My Hands Are a City (2009) 2019 December 11, Kimball Recital Hall https://youtu.be/4HBj7rIC6vk Gustav Holst, Suite in E-flat (1909) Percy Grainger, arr. Perna, Mock Morris (1910/2016) Joshua Cutting, doctoral associate conductor J.S. Bach, arr. N. Falcone, Passacaglia and Fugue in C minor (1712/1969) Gustav Holst, Bach’s Fugue à la Gigue (1707/1928) Rubén Gómez, doctoral associate conductor Percy Grainger, Colonial Song (1919/1997) Paul Hindemith, Symphony in B-flat (1951) October 2, Kimball Recital Hall https://youtu.be/RkzJB7msUuY Stephen Montague, Intrada 1631 (2003) Donald Grantham, Circa 1600 (2018) Kathryn Salfelder, Crossing Parallels (2011) Bob Margolis, Terpsichore (1981) Roberto Sierra, arr. Scatterday, Tumbao from Sinfonia No. 3 (2005/2009) *Nebraska premiere performance [Spring semester sabbatical – Newell Scholar at Georgia College] 2018 December 5, Kimball Recital Hall https://youtu.be/OwTWlg7jmiI Larry Tuttle, Across the Divide (2018) Carter Pann, The Three Embraces (2013) Cindy McTee, California Counterpoint: The Twittering Machine (1993) Carter Pann, My Brother’s Brain: A Symphony for Winds (2011) Carter Pann, Floyd’s Fantastic Five-Alarm Foxy Frolic (2009) October 3, Kimball Recital Hall Bernard Rogers, Three Japanese Dances: Dance with Pennons (1933/1956) Jennifer Jolley, The Eyes of the World Are Upon You (2017) *Nebraska premiere performance Frank Ticheli, Amazing Grace (1994) Rubén Gómez, doctoral associate conductor David Maslanka, Symphony No.
    [Show full text]
  • Adam Schoenberg
    SCHEDULE OF PERFORMANCES AND EVENTS - check denison.edu/series/tutti Monday, March 4, 6:30 pm, Knapp Performance Space Artist Talk with Vail Visiting Artist Tara Booth, ‘Inward & Onward: The Contemporary Ceramics of Tara Booth,’ Tuesday March 5, 10:00 am Swasey Chapel Workshop with Third Coast Percussion, ‘Think Outside the Drum” 8:00 pm, Denison Museum The Weather Project - Artist Talk and Concert with Nathalie Miebach and Student Composers Concert with ETHEL and Students, Wednesday, March 6, 1:30 pm, Swasey Chapel Composers Workshop with Third Coast Percussion on Composition, Swasey Chapel 6:30 pm, Burke Recital Hall Composition and Improvisation: Philosophers and Musicians in Dialogue with John Carvalho, Ted Gracyk, Mark Lomax II and ETHEL Thursday, March 7, 11:30 am, Burke Rehearsal Hall Composition Seminar with Adam Schoenberg, 3:00 pm, Burke Recital Hall Concert One with Guest Artists and the Columbus Symphony Quartet 7:00 pm, Burke Recital Hall Concert Two with Denison Wind Ensemble and Symphony Orchestra, with guest artists ETHEL Friday, March 8, 10:00 am, Burke Recital Hall Concert Three with Faculty, Students and Guest Artists 11:30 am, Burke Rehearsal Room Conversation with: Third Coast Percussion, ETHEL, and Adam Schoenberg 3:00 pm, Burke Recital Hall Concert Four with Chamber Singers, Jazz Ensemble, Faculty and Guest Artists 7:00 pm, Burke Recital Hall Concert Five ‘Words and Music with ETHEL and Michael Lockwood Crouch, actor, and Denison Creative Writing Students, Saturday, March 9, 10:00 am, Knapp Performance Space Concert Six with Faculty and Guest Artists, 11:00 am, Composers Forum - Knapp (various locations) - Composers 3:00 pm, Burke Recital Hall Concert Seven ‘New American Music Project 3.
    [Show full text]
  • DIRECTOR of DEVELOPMENT KANSAS CITY SYMPHONY Kansas City, Missouri
    DIRECTOR OF DEVELOPMENT KANSAS CITY SYMPHONY Kansas City, Missouri http://kCsymphony.org The Aspen Leadership Group is proud to partner with the Kansas City Symphony in the search for a Director of Development. The Director of Development is the leader of the Symphony’s Development department and a member of the Orchestra’s senior-management team. The Director is responsible for establishing, facilitating, and evaluating a highly professional, ethical, and successful fundraising program. This person mentors and manages staff and volunteers in their design and implementation of annual, capital, endowment, and planned-giving programs. Major-gifts solicitation, stewardship, Board support, and a positive public presence are important facets of this position. The Director of Development will have a passion for symphonic music and be able to share her/his enthusiasm for the role of the symphony orchestra in a vibrant community. S/he will be able to articulate with personal conviction the mission and vision of the organization. The Director will appreciate and support the collaborative culture of the Kansas City Symphony, be comfortable sharing authority and delegate work accordingly, but will not hesitate to make decisions. The successful candidate will be a broad and disciplined thinker who identifies opportunities, prioritizes tasks in a demanding work environment, and overcomes obstacles. S/he will be proactive, solution-oriented and possess a balance of creativity and pragmatism. The Symphony places a premium on relationship-based fundraising and excellent stewardship of donors. The successful candidate will be an outstanding listener, a strategic fundraiser, and possess a warm and engaging public presence. The Director will be someone donors enjoy spending time with and will be perceived as an organizational leader.
    [Show full text]
  • Grammy® Awards 2018
    60th Annual Grammy Awards - 2018 Record Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall. http://www.tfront.com/p-449560-awaken-my-love.aspx Luis Fonsi $20.98 Despacito & Mis Grandes Exitos. Universal Records UNIV 5378012 UPC: 600753780121 Contents: Despacito -- Despacito (Remix) [Feat. Justin Bieber] -- Wave Your Flag [Feat. Luis Fonsi] -- Corazón en la Maleta -- Llegaste TÚ [Feat. Juan Luis Guerra] -- Tentación -- Explícame -- http://www.tfront.com/p-449563-despacito-mis-grandes-exitos.aspx Jay-Z. $13.98 4:44. Roc Nation Records ROCN B002718402 UPC: 854242007583 Contents: Kill Jay-Z -- The Story of O.J -- Smile -- Caught Their Eyes -- (4:44) -- Family Feud -- Bam -- Moonlight -- Marcy Me -- Legacy. http://www.tfront.com/p-449562-444.aspx Kendrick Lamar $13.98 Damn [Explicit Content]. Aftermath / Interscope Records AFTM B002671602 UPC: 602557611755 OCLC Number: 991298519 http://www.tfront.com/p-435550-damn-explicit-content.aspx Bruno Mars $18.98 24k Magic. Atlantic Records ATL 558305 UPC: 075678662737 http://www.tfront.com/p-449564-24k-magic.aspx Theodore Front Musical Literature, Inc. ● 26362 Ruether Avenue ● Santa Clarita CA 91350-2990 USA Tel: (661) 250-7189 Toll-Free: (844) 350-7189 Fax: (661) 250-7195 ● [email protected] ● www.tfront.com - 1 - 60th Annual Grammy Awards - 2018 Album Of The Year Childish Gambino $13.98 Awaken My Love. Glassnote Records GN 20902 UPC: 810599021405 Contents: Me and Your Mama -- Have Some Love -- Boogieman -- Zombies -- Riot -- Redbone -- California -- Terrified -- Baby Boy -- The Night Me and Your Mama Met -- Stand Tall.
    [Show full text]
  • Works by U.S. Composers – Group 2
    PERFORMANCES OF WORKS BY AMERICAN COMPOSERS GROUP 2 ORCHESTRAS Composer Work Total Perfs. First Perf. Conductor Orchestra Soloist(s) Perfs Barber, Samuel ADAGIO FOR STRINGS 1 Mar. 3, 2013 William Eddins Edmonton Symphony Orchestra 1 Barber, Samuel SYMPHONY NO. 1, OPUS 9 3 Oct. 5, 2012 Michael Stern Kansas City Symphony 3 Barber, Samuel TOCCATA FESTIVA FOR ORGAN AND 1 Nov. 10, 2012 William Eddins Edmonton Symphony Orchestra Cameron Carpenter, organ 1 ORCHESTRA Bernstein, Leonard CANDIDE SUITE (ARRANGED BY 3 Feb. 14, 2013 Thomas Wilkins The Naples Philharmonic 3 HARMON/RAMIN) Copland, Aaron LINCOLN PORTRAIT 1 Mar. 3, 2013 William Eddins Edmonton Symphony Orchestra 1 Copland, Aaron CONCERTO, PIANO AND ORCHESTRA 3 Feb. 8, 2013 Michael Stern Kansas City Symphony Garrick Ohlsson, piano 3 Copland, Aaron DANCE SYMPHONY 2 Feb. 1, 2013 JoAnn Falletta Buffalo Philharmonic Orchestra 2 Davidson, Randall YOUNG LUTHERAN'S GUIDE TO THE 1 Nov. 15, 2012 Lucas Waldin Edmonton Symphony Orchestra 1 ORCHESTRA , THE Ellington, Edward ARRANGEMENTS FOR JAZZ 3 May 16, 2013 Carl St. Clair Pacific Symphony 3 Kennedy ("Duke") ORCHESTRA AND SYMPHONIC ORCHESTRA (MARSALIS, WYNTON) Ellington, Edward IN A SENTIMENTAL MOOD 3 May 16, 2013 Carl St. Clair Pacific Symphony Daniel Schnyder, tenor 3 Kennedy ("Duke") saxophone Gershwin, George AMERICAN IN PARIS 3 Nov. 8, 2012 Carl St. Clair Pacific Symphony 3 Gershwin, George RHAPSODY IN BLUE 3 Feb. 8, 2013 Michael Stern Kansas City Symphony Garrick Ohlsson, piano 3 Gershwin, George I GOT RHYTHM 3 Nov. 8, 2012 Carl St. Clair Pacific Symphony Ute Lempur, vocalist 3 Gould, Morton TAP DANCE CONCERTO 1 Sep.
    [Show full text]
  • Marisa Mccarthy [email protected] (626) 793-7172 Ext
    FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 For artist bios and images visit: https://pasadenasymphony-pops.org/2020-21-classics-announcement/ February 27, 2020 PASADENA SYMPHONY ANNOUNCES 2020-21 CLASSICS SEASON Pasadena, CA – Music Director David LocKington and the Pasadena Symphony announce its 2020/21 season of seven concerts, beginning October 17, 2020 through April 24, 2021. Highlights include the second annual Composers Showcase, featuring contemporary works by five California-based composers, including a world premiere by Brett Banducci, a Baroque program partnering with young artists from the Colburn School, Los Angeles Children’s Chorus and the Pasadena Civic Ballet, and a line-up of celebrated guest artists and popular masterpieces. All concerts take place at Pasadena’s Ambassador Auditorium with both matinee and evening performances at 2pm and 8pm. The season also includes the annually sold-out Holiday Candlelight Concert on Saturday, December 19, 2020 with 4pm and 7pm performances at All Saints Church. LocKington kicks off the 2020-21 season on October 17th with the return of violinist Dylana Jenson performing Brahms Violin Concerto, for a program that shows off the orchestra’s might with Strauss’s thrilling Don Juan and Mahler’s Symphony No. 10. November 14th brings a portrait of American life to the stage through three different lenses with award-winning pianist Terrence Wilson performing Gershwin’s Rhapsody in Blue. The Jazz Age masterpiece roars alongside a contemplative work of Native American sounds in symphonic form with composer Brent Michael Davids’ Iroquois Creation Song, performed on his crystal flute, and DvořáK’s magnificent incarnation of the American West with his Symphony No.
    [Show full text]
  • A Comparative Study of Four American Professional Wind Bands
    A Comparative Study of Four American Professional Wind Bands Mark Tse A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington Reading Committee: Timothy Salzman, Chair David Rahbee Giselle Wyers Program Authorized to Offer Degree: Music © Copyright 2020 Mark Tse 2 University of Washington Abstract A Comparative Study of Four American Professional Wind Bands Mark Tse Chair of the Supervisory Committee: Timothy Salzman Music This study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” is defined as generating sufficient income to pay the performers. The Royal Hawaiian Band is an outlier of professional wind bands because of its history and function. The other three bands perform two to nine concerts per season like the first American orchestras. For these young professional bands to achieve comparable success as current professional orchestras, they should make similar revolutionary leaps (not evolutionary steps) that early American orchestras made to guarantee their performers a full season of concerts, enough to provide a livable income. 3 To 爸妈 4 Acknowledgements First, I would like to thank the chair of my committee, Professor Timothy Salzman, who graciously accepted me into the program and has taught me so much, both about the world of music and the world outside of music. I will be forever indebted. Thank you to Dr. David Rahbee for taking me on as a student of orchestral conducting, giving me the wonderful opportunity to conduct the UW Campus Philharmonia, and your help in preparing me for my recital.
    [Show full text]
  • AMERICAN SYMPHONIES Composers
    AMERICAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Composers P-Z JOHN KNOWLES PAINE (1839-1906) Born in Portland, Maine. He studied organ, piano, harmony and counterpoint with Hermann Krotzschmar as well as organ with Carl August Haupt and orchestration and composition with Wilhelm Wieprecht in Berlin, Germany. He then toured in Europe for three years. After returning to the U.S. and settling in Boston, he became a member of the faculty of Harvard where he remained for over 4 decades teaching composition to a whole generation of American composers. His catalogue includes operas, incidental music, orchestral, chamber and choral works. Symphony No. 1 in C minor, Op. 23 (1875) JoAnn Falletta/ulster Orchestra ( + The Tempest and As You Like It Overture) NAXOS 8.559747 (2013) Karl Krueger/American Arts Orchestra SOCIETY FOR THE PRESERVATION OF THE AMERICAN MUSICAL HERITAGE MIA-103 (LP) (1959) Zubin Mehta/New York Philharmonic ( + As You Like It Overture) NEW WORLD RECORDS NW 374-2 (1989) Symphony No. 2 in A major, Op. 34 "In Spring" (1879) JoAnn Faletta/Ulster Orchestra ( + Oedipus Tyrannus: Prelude and Poseidon and Amphitrite) NAXOS 8.559748 (2015) Karl Krueger/Royal Philharmonic Orchestra SOCIETY FOR THE PRESERVATION OF THE AMERICAN MUSICAL HERITAGE MIA-120 (LP) (1965) Zubin Mehta/New York Philharmonic NEW WORLD RECORDS NW 350-2 (1987) THOMAS PASATIERI (b. 1945) Born in New York City. He began composing at age 10 and, as a teenager, studied with Nadia Boulanger., before entering the Juilliard School at age 16. He has taught composition at the Juilliard School, the Manhattan School of Music, and the Cincinnati College-Conservatory of Music.
    [Show full text]
  • Adam Schoenberg, November 1, 2012
    A DAM S CHOENBERG American Symphony • Finding Rothko • Picture Studies MICHAEL STERN KANSAS CITY SYMPHONY A ‘PROF’ JOHNSON 24-BIT RECORDING Foreword I have dreamt of having an orchestral disc of my music since first becoming a composer. This is an extraordinary gift, and I am thrilled to be sharing my music with all of you. The three pieces that you will soon experience embody my growth from student to professional composer. They each explore different styles, but my artistic voice remains consistent throughout. Finding Rothko was written during my second year as a doctoral student at Juilliard. I was 25, and studying with John Corigliano. I spent six months writing the piece, and the experience forever shaped me as a composer. I’d show up early in the fall for lessons, wanting to discuss the work and show John material, but I was still grappling with my ideas and how to organize them. I didn’t realize until much later that John was intentionally staying out of my process. I had 2-3 months of lessons that lasted only 15-20 minutes each. We would talk, I would express my frustrations, and he would then tell me to go home and figure it out. It wasn’t until I completed a full draft that John began to weigh in. For four consecutive days, I spent hours in his studio while he asked me endless questions. We went over each measure linearly and vertically, and what I learned was immeasurable. Rothko embodies my first attempt at atmospheric and aleatoric music.
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3.
    [Show full text]
  • Social Consciousness in Wind Band Music of the Early 21St Century, Represented
    SOCIAL CONSCIOUSNESS IN WIND BAND MUSIC OF THE EARLY 21ST CENTURY, REPRESENTED THROUGH A STUDY OF THREE WIND BAND WORKS: SYMPHONY NO. 2-MIGRATION BY ADAM SCHOENBERG, SILVER LINING-CONCERTO FOR FLUTE AND WIND ENSEMBLE BY FRANK TICHELI, AND OF OUR NEW DAY BEGUN BY OMAR THOMAS Jack A. Eaddy Jr., B.M.E, M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2019 APPROVED: Eugene Migliaro Corporon, Major Professor Dennis Fisher, Committee Member Donna Emmanuel, Committee Member Nicholas E. Williams, Committee Member Warren Henry, Committee Member Richard Sparks, Chair of the Division of Conducting and Ensembles Felix Olschofka, Interim Director of Graduate Studies in the College of Music John W. Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Eaddy Jr., Jack A. Social Consciousness in Wind Band Music of the Early 21st Century, Represented through a Study of Three Wind Band Works: “Symphony No. 2-Migration” by Adam Schoenberg, “Silver Lining-Concerto for Flute and Wind Ensemble” by Frank Ticheli, and “Of Our New Day Begun” by Omar Thomas. Doctor of Musical Arts (Performance), August 2019, 196 pp., 2 tables, 9 figures, 167 musical examples, 6 appendices, bibliography, 87 titles. The wind band provides an outlet for composers to use their platform to reach performers, enlighten audiences, and heal communities. This document is an analysis of three composers’ approach to incorporate social consciousness in their wind band music. Adam Schoenberg, Omar Thomas, and Frank Ticheli work with specific social justice issues to respond to specific events, allowing them to reach and empower performers and audiences, to heal, thrive and build past these events.
    [Show full text]
  • Report Spring 2017 Scott S
    CBDNA REPORT SPRING 2017 SCOTT S. HANNA Editor REPORT SPRING 2017 IN THIS ISSUE From the Podium – 1 Commissions and Premieres - 2 News – 2 Programs – 4 FROM THE PODIUM Dear Colleagues, wider dissemination of our collective research activities, and finally, pointing the way forward to begin important As I write this first official communication to the collaborative efforts with other like-minded organizations membership as CBDNA President, my mind is still in the areas of professional leadership, service, and reeling at the memory of the incredible spectacle of a engagement. If I am feeling the uneasy sensation that I National Conference that we were treated to via the have very big shoes to fill, it is certainly understandable. many courtesies of Steven Davis, Joseph Parisi, and the Thanks Pat, from ALL of us! talents and seemingly inexhaustible energy and engagement of the students, administration, and Thanks also to the surprisingly large number of our technical support staff from the University of Missouri – CBDNA colleagues who have offered with such Kansas City Conservatory of Music and Dance. In my generosity and sincere motivations to serve our 30+ years of CBDNA membership, I have not seen or organization as committee members in this coming heard anything quite like the experience we all were biennium! I am so impressed with the enthusiasm, privileged to share. We owe these folks (and all our passion, and commitment from these folks, who talented colleagues and guests who conducted their represent a very wide and admirably diverse range of marvelous ensembles, spoke about the music they had ages, institutional program profiles and experiences, composed or analyzed, or served as presenters and genders, and ethnicities.
    [Show full text]