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David Lockington
SPOKES NEWSLETTER DISTRICT 5300 * Rotary Club 794 * January 29, 2021 * #21-5 Stay up-to-date at www.pasadenarotary.com This Week's Program DAVID LOCKINGTON Pasadena Symphony & Pops Introducer: MARY WILSON A native of Great Britain, David Lockington began his career as a cellist and was the Principal with the National Youth Orchestra of Great Britain. After completing his BA at the University of Cambridge, Lockington received his Master's degree in cello performance at Yale, where he also studied conducting with Otto Werner Mueller. He was a member of the New Haven Symphony Orchestra and served as assistant principal cellist with the Denver Symphony Orchestra before turning to conducting. Lockington was appointed Music Director of the Pasadena Symphony in 2013 and holds the same position with the Modesto Symphony. He served as Music Director of the Grand Rapids Symphony from 1999 to 2015, and is currently the orchestra's Conductor Laureate. Lockington is also Principal Guest Conductor of the Orquesta Sinfonica del Principado de Asturias in Spain and is an Artistic Partner with Northwest Sinfonietta in Tacoma, Washington. 11:45 am: Greeters Scott Carlson - Jane Waas - Elisabeth Browne Song Leader: Mary Lou Byrne - Inspiration: Christle Balvin Scoot Zone Reporter: Mary Lou Byrne Tech Team: Frank Fish - Robert Lyons - Don Andrues Zoom Team: Scott Carlson - Kat Rogers - Frank Fish -Tammy Silver Elisabeth Browne - Wendy Anderson ** NEED HELP WITH ZOOM** Tammy Silver - [email protected] - 626-744-9533 Pasadena Rotary invites you to its Weekly Wednesday Meeting February 3, 2020 at 12:00pm - 1:15pm * All or part of our weekly Rotary meeting may be recorded to assist with documenting donations, input, or other Pasadena Rotary business. -
PENSION FUND BENEFIT CONCERT TUESDAY EVENING 5 AUGUST 1980 at 8:30 Flute Concerto, And, Most Recently, a Violin Concerto
PENSION FUND BENEFIT CONCERT TUESDAY EVENING 5 AUGUST 1980 at 8:30 flute concerto, and, most recently, a violin concerto. Mr. Williams has composed the music and served as music director for approximately sixty films, including lane Eyre, Goodbye, Mr. Chips, The Poseidon Adventure, The Towering Inferno, Earthquake, Jaws, Star Wars, Close Encounters of the Third Kind, Superman, and Dracula. He has recently completed his latest score for the sequel to Star Wars, The Empire Strikes Back, and recorded it with the London Sym- phony Orchestra. For his work in films, Mr. Williams ha& received fourteen Academy Award nominations, and he has been awarded three Oscars: for his filmscore arrangement of Fiddler on the John Williams Roof, and for his original scores to Jaws John Williams was named the nine- and Star Wars.This year, he has won his teenth Conductor of the Boston Pops seventh and eighth Grammys: the on 10 January 1980. Mr. Williams was soundtrack of his score for Superman born in New York in 1932 and moved was chosen as best album of an original to Los Angeles with his family in 1948. movie or television score, and the He studied piano and composition at Superman theme was cited as the year's the University of California in Los best instrumental composition. In addi- Angeles and privately with Mario tion, the soundtrack album to Star Castelnuovo-Tedesco; he was also a Wars has sold over four million copies, piano student of Madame Rosina more than any non-pop album in Lhevinne at the Juilliard School in recording history. -
Acknowledgments
Albany Symphony | David Alan Miller, conductor Tessa Lark, violin | Peter Kolkay, bassoon Ryan Roberts, oboe | Weixiong Wang, clarinet ACKNOWLEDGMENTS Producer: Silas Brown, Michael Torke Session Producer for West, East, South: Doron Schachter Mastering: Silas Brown Recorded at the Troy Savings Bank Music Hall Michael Torke March 6, 2017 (West, South, and East) SKY January 7, 2019 (Sky) Publisher: Adjustable Music; Bill Holab Music, Modern Works Music Publishing, agents. West, South, and East commissioned by Paul Underwood. This recording was made possible by a generous gift from Marsha Nickerson, a former member of the Albany Symphony Photo of Michael Torke: Bryan Hainer WWW.ALBANYRECORDS.COM TROY1784 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2019 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. for less obvious solo instruments. This collection of concertos is my attempt to explore those THE COMPOSER options. Michael Torke’s music has been commissioned by such orchestras as For Sky, a concerto for violin, I took Bluegrass, a style I was not familiar with, studied its The Philadelphia Orchestra, the New York Philharmonic, and the San vernacular, and then imposed classical forms onto it. In the solo part, you hear banjo picking, Francisco Symphony; by such ballet companies as New York City Ballet, a slow Irish reel (harkening back to the music of those who settled Kentucky), and triple time Alvin Ailey, and the National Ballet of Canada; by such opera companies fiddle licks. -
BRETT MITCHELL Biography
BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. Mr. Mitchell also regularly collaborates with the world’s leading soloists, including Yo-Yo Ma, Renée Fleming, Rudolf Buchbinder, Kirill Gerstein, James Ehnes, Augustin Hadelich, Leila Josefowicz, and Alisa Weilerstein. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. -
Cbarber Repertoire 2020.Pdf
Carolyn A. Barber University of Nebraska-Lincoln Conducting Repertoire, 2001-present UNL Wind Ensemble 2020 [April 28 concert cancelled due to COVID-19 precautions on campus] March 11, Kimball Recital Hall Joan Tower, Fanfare for the Uncommon Woman No. 1 (1987) Victoria Bond, The Indispensable Man (2010) *Nebraska premiere performance Felicia Sandler, Rosie the Riveter (2000) *Nebraska premiere performance Jonathan Newman, Symphony No. 1: My Hands Are a City (2009) 2019 December 11, Kimball Recital Hall https://youtu.be/4HBj7rIC6vk Gustav Holst, Suite in E-flat (1909) Percy Grainger, arr. Perna, Mock Morris (1910/2016) Joshua Cutting, doctoral associate conductor J.S. Bach, arr. N. Falcone, Passacaglia and Fugue in C minor (1712/1969) Gustav Holst, Bach’s Fugue à la Gigue (1707/1928) Rubén Gómez, doctoral associate conductor Percy Grainger, Colonial Song (1919/1997) Paul Hindemith, Symphony in B-flat (1951) October 2, Kimball Recital Hall https://youtu.be/RkzJB7msUuY Stephen Montague, Intrada 1631 (2003) Donald Grantham, Circa 1600 (2018) Kathryn Salfelder, Crossing Parallels (2011) Bob Margolis, Terpsichore (1981) Roberto Sierra, arr. Scatterday, Tumbao from Sinfonia No. 3 (2005/2009) *Nebraska premiere performance [Spring semester sabbatical – Newell Scholar at Georgia College] 2018 December 5, Kimball Recital Hall https://youtu.be/OwTWlg7jmiI Larry Tuttle, Across the Divide (2018) Carter Pann, The Three Embraces (2013) Cindy McTee, California Counterpoint: The Twittering Machine (1993) Carter Pann, My Brother’s Brain: A Symphony for Winds (2011) Carter Pann, Floyd’s Fantastic Five-Alarm Foxy Frolic (2009) October 3, Kimball Recital Hall Bernard Rogers, Three Japanese Dances: Dance with Pennons (1933/1956) Jennifer Jolley, The Eyes of the World Are Upon You (2017) *Nebraska premiere performance Frank Ticheli, Amazing Grace (1994) Rubén Gómez, doctoral associate conductor David Maslanka, Symphony No. -
BRETT MITCHELL Biography
BRETT MITCHELL Biography Hailed for presenting engaging, in-depth explorations of thoughtfully curated programs, Brett Mitchell began his tenure as Music Director of the Colorado Symphony in July 2017. Prior to this appointment, he served as the orchestra's Music Director Designate during the 2016-17 season. He leads the orchestra in ten classical subscription weeks per season as well as a wide variety special programs featuring such guest artists as Renée Fleming, Yo-Yo Ma, and Itzhak Perlman. Mr. Mitchell is also in consistent demand as a guest conductor. Highlights of his 2018-19 season include subscription debuts with the Minnesota Orchestra and Vancouver Symphony Orchestra, and return appearances with the orchestras of Cleveland, Dallas, and Indianapolis. Other upcoming and recent guest engagements include the Detroit, Houston, Milwaukee, National, Oregon, and San Antonio symphonies, the Grant Park Festival Orchestra, the Rochester Philharmonic, the Saint Paul Chamber Orchestra, and the New Zealand Symphony Orchestra. From 2013 to 2017, Mr. Mitchell served on the conducting staff of The Cleveland Orchestra. He joined the orchestra as Assistant Conductor in 2013, and was promoted to Associate Conductor in 2015, becoming the first person to hold that title in over three decades and only the fifth in the orchestra's hundred-year history. In these roles, he led the orchestra in several dozen concerts each season at Severance Hall, Blossom Music Center, and on tour. From 2007 to 2011, Mr. Mitchell led over one hundred performances as Assistant Conductor of the Houston Symphony. He also held Assistant Conductor posts with the Orchestre National de France, where he worked under Kurt Masur from 2006 to 2009, and the Castleton Festival, where he worked under Lorin Maazel in 2009 and 2010. -
LIU Post Chamber Music Festival 2014 33Rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL with the PIERROT CONSORT July 14 to July August 1, 2014
LIU Post Chamber Music Festival 2014 33rd Summer Season LIU POST CHAMBER MUSIC FESTIVAL WITH THE PIERROT CONSORT July 14 to July August 1, 2014 SUSAN DEAVER & MAUREEN HYNES, FESTIVAL FOUNDERS SUSAN DEAVER, FESTIVAL DIRECTOR DALE STUCKENBRUCK, ASSISTANT DIRECTOR chamber ensembles ♦ chamber orchestras festival artists & participants concert series ♦ conducting program concerto competition ♦ master classes DEPARTMENT OF MUSIC LIU Post 720 Northern Blvd., Brookville, New York 11548-1300 www.liu.edu/post/chambermusic Phone: (516) 299-2103 • Fax: (516) 299-2884 e-mail: [email protected] TABLE OF CONTENTS Mission Statement & History of the LIU Post Chamber Music Festival 3 Descriptions of Festival Programs 4-5 Credit Programs – Undergraduate, Graduate & High School Enrichment Artistry Program for young professionals & preformed chamber ensembles Performance Program for college & conservatory musicians Music Educator’s Program for Advancement of Chamber Music Advanced Program for students ages 15 to 18 Seminar Program for students ages 9 to 14 Conducting Program Classes Offered at the Festival 5 Musicianship Classes, Individual Master Classes, Chamber Music Performance Classes, Master Classes with Special Guest Artists and Educational Residencies Chamber Orchestras and Larger Ensembles 6-7 Concerto Competition 7 Festival Concerts 8 General Information 9 Facilities, Housing, Transportation, Food Service, Student and Faculty ID, Distribution of Orchestral and Chamber Music, Orientation and the Festival Office Tuition and Program -
Festival of Strings 2017 Flier
Festival of Strings 2017 Five Consecutive days of Concerts and Master Classes with Internationally Recognized Artists and our own SHSU faculty Dylana Jenson (violin), The Solera String Quartet with Josu de Solaun (piano), The Kolonneh String Quartet (SHSU faculty) • Thursday, October 5, Concert Hall, 2:30-5:00 pm Master class with Dylana Jenson • Friday, October 6, Recital Hall 1:00-3:00 pm Master class with Dylana Jenson • Friday, October 6, Concert Hall, 7:30 pm SHSU Symphony Orchestra Concert with guest soloist Daniel Saenz (cello) VENUE CHANGE! • Saturday, October 7, Recital Hall, 7:30 pm University Heights Baptist Church Guest Artist Recital 2400 Sycamore Ave, Huntsville, TX 77340 Dylana Jenson, (violin) with Josu de Solaun (piano) •Sunday, October 8, Recital Hall, 3:30 pm Guest Artist Recital The Solera String Quartet with Josu de Solaun (piano) • Monday, October 9, Recital Hall, 7:30 pm The Kolonneh String Quartet www.shsu.edu/music/events Sam Houston State University Festival of Strings 2017 Guest Artists DYLANA JENSON Dylana Jenson has performed with most major orchestras in the United States and traveled to Europe, Australia, Japan and Latin America for concerts, recitals and recordings. After her triumphant success at the Tchaikovsky Competi- tion, where she became the youngest and first American woman to win the Silver Medal, she made her Carnegie Hall debut playing the Sibelius Concerto with Eugene Ormandy and the Philadelphia Orchestra. Following her most recent Carnegie Hall performance, Jenson again electrified both audience and critics in her per- formance of Karl Goldmark's violin concerto. According to Strad Magazine, "In Jenson's hands, even lyrical passages had an intense, tremulous quality.. -
Dossier Concierto
A.E.A.T (ASOCIACIÓN ESPAÑOLA DE AMANTES DE LA TROMPA) C.I.F: G-14884266 PRESENTACIÓN. La A.E.A.T (Asociación Española de Amantes de la Trompa), surge con la idea difundir y promocionar todo lo relacionado con el mundo de la trompa; masterclases, cursos, encuentros, charlas, conferencias, conciertos, etc. Tiene su sede principal en Córdoba, debido a que los emprendedores de este proyecto educativo y musical, tienen su residencia de trabajo en la provincia de Andalucía, en diferentes escuelas, orquestas y conservatorios, dedicándose a este proyecto de forma totalmente altruista. La A.E.A.T, pretende ser la unión de un colectivo de personas, músicos y sobre todo de trompistas, que tienen un denominador común, este denominador común es su pasión por un la trompa; sus antecedentes históricos, su evolución, su literatura musical, el repertorio escrito para ella, los mas importantes interpretes históricos, los trompistas españoles destacados, etc. Este colectivo esta formado, tanto por trompistas profesionales, profesores de diferentes conservatorios y de escuelas de toda España, solistas de orquestas Españolas, estudiantes, etc. Así como por músicos amateurs, músicos aficionados, melómanos, etc. Es por esto que, entre sus premisas fundamentales está el no ser una asociación gremial, en la que solo tengan cabida los profesionales de este instrumento, sino todo lo contrario, el espíritu de este colectivo es acercar al público el instrumento de la trompa. La forma jurídica elegida, para organizar a este colectivo ha sido la de Asociación sin ánimo de lucro, regulada por la Ley Orgánica 1/2002, de 22 de marzo, reguladora del Derecho de Asociación. -
Program Book Final 1-16-15.Pdf
4 5 7 BUFFALO PHILHARMONIC ORCHESTRA TABLE OF CONTENTS | JANUARY 24 – FEBRUARY 15, 2015 BPO Board of Trustees/BPO Foundation Board of Directors 11 BPO Musician Roster 15 Happy Birthday Mozart! 17 M&T Bank Classics Series January 24 & 25 Alan Parsons Live Project 25 BPO Rocks January 30 Ben Vereen 27 BPO Pops January 31 Russian Diversion 29 M&T Bank Classics Series February 7 & 8 Steve Lippia and Sinatra 35 BPO Pops February 13 & 14 A Very Beary Valentine 39 BPO Kids February 15 Corporate Sponsorships 41 Spotlight on Sponsor 42 Meet a Musician 44 Annual Fund 47 Patron Information 57 CONTACT VoIP phone service powered by BPO Administrative Offices (716) 885-0331 Development Office (716) 885-0331 Ext. 420 BPO Administrative Fax Line (716) 885-9372 Subscription Sales Office (716) 885-9371 Box Office (716) 885-5000 Group Sales Office (716) 885-5001 Box Office Fax Line (716) 885-5064 Kleinhans Music Hall (716) 883-3560 Buffalo Philharmonic Orchestra | 499 Franklin Street, Buffalo, NY 14202 www.bpo.org | [email protected] Kleinhan's Music Hall | 3 Symphony Circle, Buffalo, NY 14201 www.kleinhansbuffalo.org 9 MESSAGE FROM BOARD CHAIR Dear Patrons, Last month witnessed an especially proud moment for the Buffalo Philharmonic Orchestra: the release of its “Built For Buffalo” CD. For several years, we’ve presented pieces commissioned by the best modern composers for our talented musicians, continuing the BPO’s tradition of contributing to classical music’s future. In 1946, the BPO made the premiere recording of the Shostakovich Leningrad Symphony. Music director Lukas Foss was also a renowned composer who regularly programmed world premieres of the works of himself and his contemporaries. -
Concert Features Violinist Anne Akiko Meyers Performing Adam Schoenberg’S Orchard in Fog Associate Conductor Sameer Patel Makes Jacobs Masterworks Debut
FOR IMMEDIATE RELEASE January 12, 2018 MEDIA CONTACT Carrie Jones MeadsDurket 619‐688‐5248 [email protected] San Diego Symphony Hosts World Premiere February 10 and 11; Concert Features Violinist Anne Akiko Meyers Performing Adam Schoenberg’s Orchard in Fog Associate Conductor Sameer Patel Makes Jacobs Masterworks Debut San Diego, Calif. – The San Diego Symphony will present the world premiere of Adam Schoenberg’s Orchard in Fog for Violin and Orchestra during the Jacobs Masterworks concert Preludes and Premiere. Adam Schoenberg, who was inspired in part by a photograph by Massachusetts graphic artist Adam Laipson, wrote this piece specifically for violinist Anne Akiko Meyers, who will perform the work. San Diego Symphony Associate Conductor Sameer Patel will make his Jacobs Masterworks debut conducting the San Diego Symphony Orchestra in two performances Saturday, February 10, 2018, at 8 p.m. and Sunday, February 11 at 2 p.m. “We are delighted to present this world premiere,” said Martha Gilmer, San Diego Symphony CEO. “Two years ago we performed Adam’s lovely work, Finding Rothko, so it is our great pleasure not only to present his new piece, but to have Anne Akiko Meyers, for whom it was commissioned, perform it with us.” Anne Akiko Meyers is one of the most in demand violinists in the world. Regularly appearing as guest soloist with the world’s top orchestras, she presents groundbreaking recitals and is a best‐selling recording artist with 35 albums. Ms. Meyers is known for her passionate performances, purity of sound, deeply poetic interpretations, innovative programming and commitment to commissioning significant new works from young composers. -
Funciones Para Público 25 Foro Internacional De La Cineteca Del 1° De Sptiembre Al 6 De Octubre
ÍNDICE INTRODUCCIÓN 3 HOTEL 7 NUEVE ORGASMOS / NINE SONGS 14 TRES PASOS DE BAILE / BALLO A TRE PASSI 24 VIAJE HACIA EL MAR 31 CAMINANDO SOBRE EL AGUA / LALEHET AL HAMAYIM 41 LOS POSEIDOS / JANG-HWA, HONG-RYUN 48 EN EL MUNDO A CADA RATO 58 HISTORIAS DEL DESENCANTO 74 EL OTRO MURO 80 LA NOVIA SIRIA / HA-KALA HA-SURIT 86 EL VIOLINISTA QUE LLEGÓ DEL MAR / LADIES IN LAVENDER 95 MOACIR ARTE BRUTO / MOACIR ARTE BRUTA 104 EL CIELO GIRA 111 MUXES: AUTÉNTICAS INTRÉPIDAS Y BUSCADORAS DEL PELIGRO 122 FARMINGVILLE 129 FUNCIONES PARA PRENSA E INVITADOS ESPECIALES 140 EXHIBICIÓN EN CINETECA NACIONAL 141 CIRCUITO DE EXHIBICIÓN EN EL ÁREA METROPOLITANA 142 CIRCUITO DE EXHIBICIÓN DE RED NACIONAL 143 2 25 Foro Internacional de la Cineteca 2005 Cerca de 400 películas conforman la lista de cintas que han participado en las veinticinco ediciones del Foro Internacional de la Cineteca Nacional, evento fílmico que este año llega a un cuarto de siglo. Nacido en 1980, respondió desde un inicio a la necesidad de abrir un espacio para las propuestas cinematográficas poco convencionales, innovadoras, pioneras en el uso de tecnologías de punta y formalmente arriesgadas, así como para el lanzamiento de directores y directoras debutantes. El Foro Internacional de la Cineteca Nacional se caracteriza por ser un mar propicio para la exploración. A contracorriente de las fórmulas probadas, de las miradas fáciles o de los autores consagrados, se distingue también por darle cabida a películas que no tienen lugar dentro de las clasificaciones ortodoxas. En el 2005, el 25 Foro Internacional de la Cineteca Nacional nos ofrece 15 magníficas propuestas, originarias de diversas regiones del mundo, que nos permiten sumergirnos en las aguas de la producción cinematográfica mundial.