DOCSLIB.ORG

Dossier Concierto

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dossier Concierto A.E.A.T (ASOCIACIÓN ESPAÑOLA DE AMANTES DE LA TROMPA) C.I.F: G-14884266 PRESENTACIÓN. La A.E.A.T (Asociación Española de Amantes de la Trompa), surge con la idea difundir y promocionar todo lo relacionado con el mundo de la trompa; masterclases, cursos, encuentros, charlas, conferencias, conciertos, etc. Tiene su sede principal en Córdoba, debido a que los emprendedores de este proyecto educativo y musical, tienen su residencia de trabajo en la provincia de Andalucía, en diferentes escuelas, orquestas y conservatorios, dedicándose a este proyecto de forma totalmente altruista. La A.E.A.T, pretende ser la unión de un colectivo de personas, músicos y sobre todo de trompistas, que tienen un denominador común, este denominador común es su pasión por un la trompa; sus antecedentes históricos, su evolución, su literatura musical, el repertorio escrito para ella, los mas importantes interpretes históricos, los trompistas españoles destacados, etc. Este colectivo esta formado, tanto por trompistas profesionales, profesores de diferentes conservatorios y de escuelas de toda España, solistas de orquestas Españolas, estudiantes, etc. Así como por músicos amateurs, músicos aficionados, melómanos, etc. Es por esto que, entre sus premisas fundamentales está el no ser una asociación gremial, en la que solo tengan cabida los profesionales de este instrumento, sino todo lo contrario, el espíritu de este colectivo es acercar al público el instrumento de la trompa. La forma jurídica elegida, para organizar a este colectivo ha sido la de Asociación sin ánimo de lucro, regulada por la Ley Orgánica 1/2002, de 22 de marzo, reguladora del Derecho de Asociación. Por ello, la A.E.A.T necesita de la ayuda de los organismos públicos y empresas privadas para llevar a cabo muchos de sus proyectos. III Jornadas de trompa de la AEAT(Granada) 7 de Diciembre (viernes) 09 Recepción de participantes 09.30 Presentación del Workshop 09.45 Presentación Expositores( novedades) 10.30 Masterclases 11.30 Masterclass Mtro. Thatcher (colectiva) 12.30 Concierto 14.00 Almuerzo 16 Videoconferencia"Psicología del deporte aplicada a la música" (Dr. Bill Williams) 17 Masterclass( Maestro Thatcher)(colectiva) 18 Promociónate. Concurso de Padres. Concierto 8 de Diciembre (Sábado) 9.30 Warm up ( colectivo) Tutti 10.00 Masterclass prof. (José Luis Morató) 11.30 "Como hacer sonar una trompa" prof.(Luis Delgado) conferencia de interés general. 12.30 Concierto de clausura James Thatcher es " el trompista más escuchado en el mundo". James, tiene la envidiable posición de ser el primer trompa favorito de compositores como John Williams que son ganadores de Óscar en películas como Always, Jurassic Park,The Lost World, Sleepers (in which he received an on-screen credit), Nixon, Schindler's List, JFK, Sabrina, Home Alone, Rosewood, Seven Years in Tibet and The Patriot as well as the fanfare for the 1992 Olympics. También trabaja regularmente con otros grandes compositores de Hollywood como Jerry Goldsmith, James Newton Howard, Randy Newman,John Barry, James Horner y Alan Silvestri. Por nombrar otros trabajos Glory, The Rocketeer, Field of Dreams, Monster House, X-Men: The Last Stand, Robots, Spider-Man 3, Ice Age, Polar Express, Beowulf, Dances with Wolves, Toy Story, Cars, Maverick, Apollo 13,Forrest Gump, Titanic, Pearl Harbor, Constantine, National Treasure, Transformers, The Simpsons Movie, Night at the Museum, Dinosaur, Atlantis: The Lost Empire, King Kong, Signs, Lady in the Water, Peter Pan, First Knight, Hook as well as Independence Day, and the Star Trek. Durante los últimos 20 años ha realizado una media de 70 a 80 películas al año. Además también es trompa principal en Pasadena Symphony Orchestra. Actividades • Masterclasses: Durante las jornadas, podrán disfrutar todos los trompistas que lo deseen y dentro del tiempo destinado a esta actividad, de dar una clase con alguno de los profesionales invitados. •Masterclass colectiva: Todos podrán participar como oyentes o de forma activa, si procede. • Conferencias y Videoconferencia: Se realizaran charlas, conferencias de diferentes temas. •Conocer diferentes marcas de instrumentos: diferentes marcas de instrumentos, expondrán sus " novedades" o sus instrumentos estrella, para poder ser probados por los participantes y asistentes. •Warm Up colectivo: La mejor forma de conocer unos ejercicios rutinarios de preparación muscular y psicológica. Promociónate: espacio destinado a los instrumentistas, que han terminado sus estudios en el conservatorio y están a la espera de encontrar un trabajo. En esta sección les brindamos la oportunidad de poder exponer todas las cualidades que poseen, y posteriormente ayudarles a promocionar su exposición (previa reunión). Concurso de padres: juego constructivo y divertido, donde la familia puede demostrar conocimientos básicos del instrumento, o sobre las actividades acontecidas en "las jornadas". Iniciación para hacer sonar la trompa: iniciativa para dar a conocer la historia , los instrumentos y sobre todo, experimentar como hacer sonar la trompa. Esta actividad es general y específicamente para las personas no trompistas. • Concierto de clausura: Nuestro compositor en residencia: Steven Mahpar Bill Williams ha participado como trompeta principal y solista en orquestas y festivales en todos los EE.UU., Europa y Asia. Se realizó giras y grabaciones con la Sinfónica de San Francisco como trompeta principal a partir de 2004-2008. Su forma de tocar se puede escuchar en varias de las grabaciones Grammy premiados junto con SFS interpretando Mahler. Se le puede ver y escuchar también con SFS "Keeping Score" de la serie de televisión PBS, interpretando obras de Stravinsky, Copland, Shostakovich entre otros. Con anterioridad a su cargo en San Francisco, actuó como trompeta solista con orquestas como las de Berna, Suiza, Rochester (EE.UU.), Santa Fe Opera (EE.UU.), Syracuse (EE.UU.) y Barcelona. Como trompetista, ha dirigido clases magistrales en trompeta, música de cámara y el rendimiento de los metales en las instituciones de todo el mundo. Bill también es bien conocido por su trabajo con músicos en el área de la psicología y rendimiento, habiendo impartido clases en instituciones como la Juilliard School, la Universidad de Michigan y la Escuela Eastman de Música. Otras instituciones donde ha sido destacado como conferenciante cabe incluir el Curtis Institute of Music y la Universidad de Indiana, Desde 2009-presente, Bill ha desempeñado como decano de los músicos de la New World Symphony, un posgrado orquestal academico en Miami Beach, Florida. Como decano del programa, Bill tuvo un papel clave en la expansión del alcance y la escala de desarrollo de la carrera de la Sinfonía del Nuevo Mundo y los programas educativos. También ha desempeñado como líder de proyecto para una variedad de proyectos de colaboración interdisciplinar con instituciones líderes en las áreas de música, arte y tecnología. Además de su actuación y actividades educativas, Bill se desempeñó como Coordinador Artístico de la Orquesta Sinfónica de YouTube, en colaboración con YTSO director artístico Michael Tilson Thomas y YouTube para conceptualizar, crear y realizar presentaciones en vivo de la primera orquesta del mundo provienente de conciertos de vídeo en streaming. Después de un muy respetado rendimiento 2009 (Carnegie Hall), la Sinfónica de YouTube 2011 viajó a Sydney, Australia para una serie de conciertos durante una semana de marzo de 2011. La semana de residencia Sydney culminó en un programa de la orquesta, que fue el concierto de música más visto en streaming en la historia de YouTube, con más de 33 millones de espectadores en todo el mundo. Más de 11,1 millones de espectadores vieron la corriente inicial en directo del concierto YTSO Sydney, muy superior a la de la recordholder anterior, la banda U2. Un codiciado conferenciante, Bill ha sido ponente en numerosos lugares. También fue uno de los oradores en TEDx Miami. Obtuvo una Licenciatura en Música (con certificado del Modelo) de la Eastman School of Music y el grado de Maestría en Artes en Psicología por la New School for Social Research. Psicología del deporte aplicada a la música (I) Dr. Bill Williams ( International trumpet Soloist,Performer, Coache..) Granada, 7 de diciembre en el Auditorio Manuel de Falla. Http://jornadasaeat.wordpress.como Programa de concierto, día 7 de diciembre a las 12.30 h. Concierto día 7 alas 18.30 “MARCHA Y CACERÍA”, Noneto de trompas naturales de J.F. FRÖHLICH (1806-1860) Piezas concertantes a dos trompas de O. Nicolai Lamento D'Orfeo...........................................Kirchner Thoughtful wanderings".(horn & Tape).... Douglas Hill Fantasie for Horns II....................................H. Westerkamp Concierto día 8 a las 12.30( clausura) Temas de Titanic, Robín Hood, Independence Day, Cocoon, Jurassic Park, Regreso al Futuro, Piratas del Caribe, los 7 Magníficos.... ...y alguna sorpresa!!! ¿ Te lo vas a perder? Eugenio Pérez Luis Fco. Delgado David Estruch José L. Morató Miguel A. Ballesteros Vicente Berbegal Miguel A. Curiel Bernardo Cifres José L. De Miguel Mª Ángeles Gámez J.Antonio Cano Francisco Rodríguez Patricio Medina Bill Williams James Thatcher Óscar Sala Fermín Galduf Carlos Casero Francisco Martínez Colaboran: .
Load more

Recommended publications
  • Volunteers Help Clean Cemetery Professional Office Complex
    98 Years Old Support Your ... and NEW Every Thursday Volunteers OCEAN GROVE TIMES. TOWNSHIP OP NEPTll Mi. NEW JERSEY, THURSDAY. NOV. 8, 1973 T E N CENTS VOL. XCVIII NO. 45 ~ - ■■ = . :=. ------- Volunteers Help Professional Office Complex Adjacent To Medical Center Retires Democrats Win Clean Cemetery In State, County, NEPTUNE TVVPI — The weath­ Neptune Twp. er was perfect which helped make “Work Day” - October 27 - at Brendan T. Byrne, former. Mount Prospect Cemetery such a Superior Court-Judge, led the huge success. Democrat party to a statewide • Approximately 175 people at- landslide Tuesday, crurdihijr ended and many arrived, bringing his GOP opponent, Congress­ lwn mowers and grass cutting e- man Charles \V. Sandman, by quipment. over 750,000 voles.' Here’ Present were B oy Scouts and iNeptune Township tin: Gov- Scoutmasters, Unexcelled Firemen, ! ei'nor-Elect scored a plurality : Neptune First Aid with ambulance ' of nearly 2,0(i0 (4,670 to 2,- standing by, Neptune J.C.'s Ceme­ 700). y ,■/■:■ ;r, tery Trustees, many plot owners as I The Democrat candidates well' as-a lunch at noon. Most Df ■ rode the victory wave into .the; the food was donated. H. Y. Hall j township committee seats for Company, of' Manasquan, erected CLARENCE II. HILLMUTH, the first time in over '10 years, - a large tent, under which the JR., 140 Oxonia Ave., Nep­ . .vith Joseph M. Pope aild Gil- food was served,' with room for tune, retired October 31 from ■ bel t Melendez scoring 3,839 a registration booth. Jersey Central Power & Light ! and 3,801, respect ively, for - Two undertakers arrived with Company after 32 years serv­ .
    [Show full text]
  • International Index to Music Periodicals
    Print view - International Index to Music Periodicals http://ezproxy.gsu.edu:3329/citations/printCitation.do?QueryType=... Printed from International Index to Music Periodicals 18 May 2009 Print view McFarland, Mark An Interview with James Thatcher The Horn Call - Journal of the International Horn Society 32:3 (May 2002) p. 57-59 URL for this item: http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:iimp:& rft_dat=xri:iimp:article:citation:iimp00235226 Mark McFarland James Thatcher began his professional career at the age of 16 in Mexico City and has since played with a variety of orchestras, including the Los Angeles Philharmonic, Utah Symphony, Phoenix Symphony, Cincinnati Symphony, Los Angeles Music Center Opera, and Pacific Symphony. He is currently principal horn with the Pasadena and New West Symphonies in southern California. He is best known for his work in the Hollywood studios, where he is the first-call horn player and a recipient of the ''Most Valuable Player'' award from the National Academy of Recording Arts and Sciences (NARAS). Mr. Thatcher has worked with many of the current Hollywood composers and has played principal horn in a number of the Star Trek movies as well as in Forrest Gump, Independence Day, Dances with Wolves, Schindler's List, Jurassic Park, Hook, Field of Dreams, Titanic, and Toy Story I & II, to name but a few; he has even received on-screen credit for his playing in both Sleepers and Amistad. Mr. Thatcher took time recently to talk with one of his former students--currently Assistant Professor of horn at Southeastern Louisiana University--about topics ranging from the Hollywood horn sound to his recent solo recording Now Playing.
    [Show full text]
  • Marisa Mccarthy [email protected] (626) 793-7172 Ext
    FOR IMMEDIATE RELEASE Pasadena Symphony Association Pasadena Symphony & POPS Contact: Marisa McCarthy [email protected] (626) 793-7172 ext. 13 For artist bios and images visit: https://pasadenasymphony-pops.org/2020-21-classics-announcement/ February 27, 2020 PASADENA SYMPHONY ANNOUNCES 2020-21 CLASSICS SEASON Pasadena, CA – Music Director David LocKington and the Pasadena Symphony announce its 2020/21 season of seven concerts, beginning October 17, 2020 through April 24, 2021. Highlights include the second annual Composers Showcase, featuring contemporary works by five California-based composers, including a world premiere by Brett Banducci, a Baroque program partnering with young artists from the Colburn School, Los Angeles Children’s Chorus and the Pasadena Civic Ballet, and a line-up of celebrated guest artists and popular masterpieces. All concerts take place at Pasadena’s Ambassador Auditorium with both matinee and evening performances at 2pm and 8pm. The season also includes the annually sold-out Holiday Candlelight Concert on Saturday, December 19, 2020 with 4pm and 7pm performances at All Saints Church. LocKington kicks off the 2020-21 season on October 17th with the return of violinist Dylana Jenson performing Brahms Violin Concerto, for a program that shows off the orchestra’s might with Strauss’s thrilling Don Juan and Mahler’s Symphony No. 10. November 14th brings a portrait of American life to the stage through three different lenses with award-winning pianist Terrence Wilson performing Gershwin’s Rhapsody in Blue. The Jazz Age masterpiece roars alongside a contemplative work of Native American sounds in symphonic form with composer Brent Michael Davids’ Iroquois Creation Song, performed on his crystal flute, and DvořáK’s magnificent incarnation of the American West with his Symphony No.
    [Show full text]
  • Cruising "Alexander: the Other Side of Dawn" "Can We Talk" 31 Mins. By
    CANADIAN LESBIAN AND GAY ARCHIVES Moving Images Cruising •"Different from the others", starring Conrad Veidt Theme(s): Homophobia (German, 1919) Credits: Jerry Weintraub. USA 1980 video/VHS •)"Respect", music video by Erasure (1989) Accession: 2007-119 Theme(s): •Film •Music England video/Beta Accession: "Alexander: The other Side of Dawn" Theme(s): Gay Youth "Family Secrets" Eps#1 "Birth Mothers Never Forget" USA 1977 video/VHS Theme(s): Families Remarks: Taped from Television. TV-movie sequel to Credits: Makin' Movies Inc. Canada 2003 video/VHS•22:45 "Dawn: Portrait of a Teenage Runaway" with Accession: 2006-008 Leigh J. McCloskeyas a youth trying to escape the sordid world of male prostitution. Eve Plumb, Earl Holliman, Alan Feinstein, Juliet Mills. "I Believe in the Good of Life" West Wing footage. Accession: 2006-155 Dec. 2001. From West Wing Art Space. Many Art Fags including the debut of The Hidden Cameras. "Can We Talk" 31 mins. By Norman Taylor for the Theme(s): •Art Coalition for Lesbian/ Gay Rights in Ontario. •Parties Credits: Norman Taylor. video/VHS•30:55 Credits: Shot by Guntar Kravis. Canada Dec. 2001 video/VHS Remarks: Item is a slideshow video which discusses and Accession: 2006-053 debunks myths in the gay and lesbian community. Myths include the following: "Gay "Is He. ." can be spotted a mile away", "Homosexuals Theme(s): •Coming Out are known by the type of work they do", •Comedy "Homosexual is a sickness", "Homosexuals are Credits: Director: Linda Carter•Writer: Charlie David•Actor: Charlie child molesters", :Homosexuality is David. Canada 2004 other (see Form Details field)•Mini DV•9 min.
    [Show full text]
  • Marathon Hustings Fail to Separate Candidates
    Hubble’s last hurrah More from the jugglers American idiots? Catch it if you can The legendary telescope is set Learn your next party trick in Felix takes in a live performance Spectacular stuff from the Disc to be abandoned, page 5 five easy steps, page 20 from Green Day, page 26 Doctors, page 34 The student newspaper of Imperial College ● Established 1949 ● Issue 1315 ● Thursday 10 February 2005 ● www.felixonline.co.uk Against poverty Nelson Mandela’s speech in Trafalgar Square highlighted the issue of global poverty. Marathon hustings fail to The Make Poverty History campaign believes that 2005 offers an exceptional opportu- nity for the UK to take the lead in turning things around. separate candidates uCOMMENT page 10 By Dave Edwards money for clubs and socie- be less accountable and out Defected disaster Editor ties. Sameena Misbahuddin of touch with the students. Our reviewer’s experience told the audience that she Ms Misbahuddin, standing of one of the biggest house Students were given the had already delivered results for a second year in office, nights in London didn’t quite opportunity to ask questions as a Deputy President this rejected this, arguing that live up to his expectations. and hear speeches from this year. Morten Olesen called someone without her experi- uNIGHTLIFE page 29 year’s sabbatical election can- the low turnout “a joke” and ence would take too long to didates at South Kensington, said he was standing “to fight learn the role. Ready to read? Silwood Park and Wye earlier apathy”. Simon Rawson said The candidates for Felix Why reading an epic 20th cen- this week.
    [Show full text]
  • French Horn Solos in Film, 1954-2012 A
    UNIVERSITY OF CALIFORNIA Los Angeles A Lyrical Voice in Hollywood: French Horn Solos in Film, 1954-2012 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts by Erika Wilsen 2021 Ó Copyright by Erika Wilsen 2021 ABSTRACT OF THE DISSERTATION A Lyrical Voice in Hollywood: French Horn Solos in Film, 1954-2012 by Erika Wilsen Doctor of Musical Arts University of California, Los Angeles, 2021 Professor Jocelyn Ho, Co-Chair Professor Elisabeth Le Guin, Co-Chair This dissertation examines the French horn solo as a lyrical “voice” in non-diegetic Hol- lywood film music, 1954-2012. Through a series of case studies of longer solos (20+ seconds), I consider the changing use of the horn in film scores to show how horn solos evoke a specific range of emotions including nostalgia, melancholy, and profound loss. I also explore the lyrical horn voice’s function as it extends into shorter, meme-like moments, leitmotif iterations, and horn section work. The research draws on topic theory to place these contemporary emotive associations in historical context (Allanbrook, Hatten, Monelle); recent work on timbral meanings in orchestral music (Fales, van Elferen, Dolan, De Leeuw and De Groot); and a sizeable body of work by film scholars exploring musical narrative and characterization (Gorbman, Chion, Prendergast, ii Wierzbicki, Sbravatti, Lerner). In this way, my research will help create an innovative, cross-sec- tional approach, one suitable to analyzing the critical role of all instrumental solos in non-die- getic film music. iii The dissertation of Erika Wilsen is approved.
    [Show full text]
  • University of Cincinnati
    UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ The Examination of the Appearance and Use of the French Horn in Film Scores From 1977 to 2004 A Document submitted to the Division of Research and Advanced Studies of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Division of Performance Studies of the College-Conservatory of Music 2005 by Yi-Hsin Cindy Liu B.M., University of Auckland, 1997 M.M., Manhattan School of Music, 2000 Committee Chair: Dr. Hilary Poriss Abstract This document explores the essential reasons why and how the sound of the French horn has been adopted so prominently in symphonic film scores in Hollywood. The examination begins with discussions on how music functions in film music in general, why the sound of the French horn appeared frequently in films, and a general assessment of how the French horn was used in Hollywood films scores from 1977 to 2004. The document concludes with three case studies of three symphonic film scores composed by Hollywood film composer, James Horner. Acknowledgement I would like to thank my advisor, Dr. Hilary Poriss, who has been so patient with me throughout the whole process and is credited for thinking of this brilliant document idea. I would also like to thank my editor, Kevin Burke, without whose assistance, I would not have been able to complete this “impossible mission.” Many thanks to my film music advisor, Dr.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title A Lyrical Voice in Hollywood: French Horn Solos in Film, 1954-2012 Permalink https://escholarship.org/uc/item/6j60c1zq Author Wilsen, Erika Publication Date 2021 Supplemental Material https://escholarship.org/uc/item/6j60c1zq#supplemental Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles A Lyrical Voice in Hollywood: French Horn Solos in Film, 1954-2012 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Musical Arts by Erika Wilsen 2021 Ó Copyright by Erika Wilsen 2021 ABSTRACT OF THE DISSERTATION A Lyrical Voice in Hollywood: French Horn Solos in Film, 1954-2012 by Erika Wilsen Doctor of Musical Arts University of California, Los Angeles, 2021 Professor Jocelyn Ho, Co-Chair Professor Elisabeth Le Guin, Co-Chair This dissertation examines the French horn solo as a lyrical “voice” in non-diegetic Hol- lywood film music, 1954-2012. Through a series of case studies of longer solos (20+ seconds), I consider the changing use of the horn in film scores to show how horn solos evoke a specific range of emotions including nostalgia, melancholy, and profound loss. I also explore the lyrical horn voice’s function as it extends into shorter, meme-like moments, leitmotif iterations, and horn section work. The research draws on topic theory to place these contemporary emotive associations in historical context (Allanbrook, Hatten, Monelle); recent work on timbral meanings in orchestral music (Fales, van Elferen, Dolan, De Leeuw and De Groot); and a sizeable body of work by film scholars exploring musical narrative and characterization (Gorbman, Chion, Prendergast, ii Wierzbicki, Sbravatti, Lerner).
    [Show full text]
  • Summerskill's Dilemma Constant Crises
    CLASSROOM DISRUPTED First Year, No. 1 Thursday, The Twenty-ninth Day of February, MCMLXVIII Fight Pages BSU, History Dept. By Steve Toomajian ing and laughing. Black Student Union members “What do you know about Africa?” disrupted the first two class ses­ Summerskill’s dilem ma “ Africa?” sions this semester of a black history course being taught by a “Yeah, what do you know about Africa?” white professor. The class they disrupted was “Not a great deal. I’d like to know more.” History 198, “ Black People in “What’d he say? Man, what the U. S.,” taught by Jerald does that mean?” constant crises Combs, associate professor of his­ “I don’t know much about tory. African history...” The class was arranged through “Well, how can you say you’re the history department. It is not qualified to teach black history part of the BSU’s Black Studies if you don’t know anything about curriculum. Africa?” Everyone Not Accredited “I didn’t say I was qualified.” Criticized, A similar class, placirg more “What? You’re not qualified?” emphasis on Africa, had been “I didn’t say that either.” listed in the BSU’s Black Studies Laughter. condemned in the act brochure at the start of the “This cat’s really too much.” semester. Taught by Roland Snell- “I’m no expert in the field of By John Davidson Everyone will get into the act ings, the class met on schedule history. I admit I have limitations of choosing a successor to John but had still not been accredited. Condemned by the far left in the field of black history.
    [Show full text]