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Knihovny Současnosti 2016
Sdružení knihoven ČR Ústřední knihovnická rada ČR Knihovny současnosti 2016 Sborník z 24. ročníku knihovnické konference, konané pod záštitou Mgr. Daniela Hermana, ministra kultury ČR, a Ing. Jiřího Rozbořila, hejtmana Olomouckého kraje, pořádané ve dnech 6.–8. září 2016 v areálu Univerzity Palackého v Olomouci Prosinec 2016 Vydáno za finanční podpory Ministerstva kultury v rámci dotačního programu Knihovny 21. století. © Sdružení knihoven ČR, Praha 2016 Konference se konala pod záštitou Mgr. Daniela Hermana, ministra kultury ČR, a Ing. Jiřího Rozbořila, hejtmana Olomouckého kraje. OBSAH Úvodní slovo .......................................................................................... 8 Jak to vidí jinde .......................................................................................... 9 Úvod ...................................................................................................... 10 Inga Lundén: Všechno je o důvěře. Knihovny tvoří kompaktní města ...................................................................................................... 11 Knihovna jako vzdělávací instituce ...................................................... 21 Úvodní slovo k sekci „Knihovna jako vzdělávací instituce“ ......... 22 Mgr. Pavlína Mazáčová, Ph.D.: Inkluzivní přístup k edukaci informační gramotnosti v praxi učícího knihovníka ...................... 24 PhDr. Martin Krčál: Spolupráce knihoven a středních škol .......... 38 Mgr. et Mgr. Zuzana Teplíková: Vzdělávací aktivity Citace.com pro knihovny ....................................................................................... -
Defining the Digital Services Landscape for the Middle East
Defining the Digital Services landscape for the Middle East Defining the Digital Services landscape for the Middle East 1 2 Contents Defining the Digital Services landscape for the Middle East 4 The Digital Services landscape 6 Consumer needs landscape Digital Services landscape Digital ecosystem Digital capital Digital Services Maturity Cycle: Middle East 24 Investing in Digital Services in the Middle East 26 Defining the Digital Services landscape for the Middle East 3 Defining the Digital Services landscape for the Middle East The Middle East is one of the fastest growing emerging markets in the world. As the region becomes more digitally connected, demand for Digital Services and technologies is also becoming more prominent. With the digital economy still in its infancy, it is unclear which global advances in Digital Services and technologies will be adopted by the Middle East and which require local development. In this context, identifying how, where and with whom to work with in this market can be very challenging. In our effort to broaden the discussion, we have prepared this report to define the Digital Services landscape for the Middle East, to help the region’s digital community in understanding and navigating through this complex and ever-changing space. Eng. Ayman Al Bannaw Today, we are witnessing an unprecedented change in the technology, media, and Chairman & CEO telecommunications industries. These changes, driven mainly by consumers, are taking Noortel place at a pace that is causing confusion, disruption and forcing convergence. This has created massive opportunities for Digital Services in the region, which has in turn led to certain industry players entering the space in an incoherent manner, for fear of losing their market share or missing the opportunities at hand. -
The Culture of Wikipedia
Good Faith Collaboration: The Culture of Wikipedia Good Faith Collaboration The Culture of Wikipedia Joseph Michael Reagle Jr. Foreword by Lawrence Lessig The MIT Press, Cambridge, MA. Web edition, Copyright © 2011 by Joseph Michael Reagle Jr. CC-NC-SA 3.0 Purchase at Amazon.com | Barnes and Noble | IndieBound | MIT Press Wikipedia's style of collaborative production has been lauded, lambasted, and satirized. Despite unease over its implications for the character (and quality) of knowledge, Wikipedia has brought us closer than ever to a realization of the centuries-old Author Bio & Research Blog pursuit of a universal encyclopedia. Good Faith Collaboration: The Culture of Wikipedia is a rich ethnographic portrayal of Wikipedia's historical roots, collaborative culture, and much debated legacy. Foreword Preface to the Web Edition Praise for Good Faith Collaboration Preface Extended Table of Contents "Reagle offers a compelling case that Wikipedia's most fascinating and unprecedented aspect isn't the encyclopedia itself — rather, it's the collaborative culture that underpins it: brawling, self-reflexive, funny, serious, and full-tilt committed to the 1. Nazis and Norms project, even if it means setting aside personal differences. Reagle's position as a scholar and a member of the community 2. The Pursuit of the Universal makes him uniquely situated to describe this culture." —Cory Doctorow , Boing Boing Encyclopedia "Reagle provides ample data regarding the everyday practices and cultural norms of the community which collaborates to 3. Good Faith Collaboration produce Wikipedia. His rich research and nuanced appreciation of the complexities of cultural digital media research are 4. The Puzzle of Openness well presented. -
Teaching in the Fandom Realm Through Literacy: an Approach for English Teachers in Medellín, Colombia
TEACHING IN THE FANDOM REALM THROUGH LITERACY: AN APPROACH FOR ENGLISH TEACHERS IN MEDELLÍN, COLOMBIA MARÍA ELÍZABETH AGUDELO RAMÍREZ UNIVERSIDAD PONTIFICIA BOLIVARIANA ESCUELA DE EDUCACIÓN Y PEDAGOGÍA FACULTAD DE EDUCACIÓN LICENCIATURA INGLÉS - ESPAÑOL MEDELLÍN 2020 TEACHING IN THE FANDOM REALM THROUGH LITERACY: AN APPROACH FOR ENGLISH TEACHERS IN MEDELLÍN, COLOMBIA MARÍA ELÍZABETH AGUDELO RAMÍREZ Trabajo de grado para optar al título de Licenciatura Inglés - Español Asesor RAÚL ALBERTO MORA VÉLEZ Doctor of Philosophy in Secondary and Continuing Education UNIVERSIDAD PONTIFICIA BOLIVARIANA ESCUELA DE EDUCACIÓN Y PEDAGOGÍA FACULTAD DE EDUCACIÓN LICENCIATURA INGLÉS - ESPAÑOL MEDELLÍN 2020 Mayo 25 de 2020 María Elízabeth Agudelo Ramírez “Declaro que este trabajo de grado no ha sido presentado con anterioridad para optar a un título, ya sea en igual forma o con variaciones, en ésta o en cualquiera otra universidad”. Art. 92, parágrafo, Régimen Estudiantil de Formación Avanzada. Firma del autor: iii AGRADECIMIENTOS This undergraduate thesis is dedicated to my beloved parents, my brother, my grandmother, and my aunt Rosa. Thanks for your unwavering support. iv TABLE OF CONTENTS INTRODUCTION 1 SITUATING THE PROBLEM 2 CONCEPTUAL FRAMEWORK 7 APPROACHING FANDOM IN THE ELT CLASSROOM: A PROPOSAL 12 Group Work- Fandom in the classroom 12 Fandom and Wikis 13 Fanfiction in Fandom 17 Fandom and Literacy 19 My experience as a fan 21 Conclusion 24 BIBLIOGRAPHY 26 v ABSTRACT This critical literature review is part of a larger research geared to people’s second languages appropriation, led by the group Literacies in Second Languages Project (LSLP), of which the author is a member. The article first situates the problem of pursuing new approaches that foster students’ literacy practices in second languages within (and outside) the classroom. -
How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content
Everything I Need To Know I Learned from Fandom: How Existing Social Norms Can Help Shape the Next Generation of User-Generated Content ABSTRACT With the growing popularity of YouTube and other platforms for user-generated content, such as blogs and wikis, copyright holders are increasingly concerned about potential infringing uses of their content. However, when enforcing their copyrights, owners often do not distinguish between direct piracy, such as uploading an entire episode of a television show, and transformative works, such as a fan-made video that incorporates clips from a television show. The line can be a difficult one to draw. However, there is at least one source of user- generated content that has existed for decades and that clearly differentiates itself from piracy: fandom and “fan fiction” writers. This note traces the history of fan communities and the copyright issues associated with fiction that borrows characters and settings that the fan-author did not create. The author discusses established social norms within these communities that developed to deal with copyright issues, such as requirements for non-commercial use and attribution, and how these norms track to Creative Commons licenses. The author argues that widespread use of these licenses, granting copyrighted works “some rights reserved” instead of “all rights reserved,” would allow copyright holders to give their consumers some creative freedom in creating transformative works, while maintaining the control needed to combat piracy. However, the author also suggests a more immediate solution: copyright holders, in making decisions concerning copyright enforcement, should consider using the norms associated with established user-generated content communities as a framework for drawing a line between transformative work and piracy. -
Supporting Sensemaking by the Masses for the Public Good
Supporting Sensemaking by the Masses for the Public Good Derek L. Hansen Assistant Professor, Maryland’s iSchool Director of CASCI (http://casci.umd.edu) Introduction One of the marvels of our time is the unprecedented use and development of technologies that support social interaction. Recent decades have repeatedly demonstrated human ingenuity as individuals and collectives have adopted and adapted these technologies to engender new ways of working, playing, and creating meaning. Although we already take for granted the ubiquity of social-mediating technologies such as email, Facebook, Twitter, and wikis, their potential for improving the human condition has hardly been tapped. There is a great need for researchers to 1) develop theories that better explain how and why technology-mediated collaborations succeed and fail, and 2) develop novel socio-technical strategies to address national priorities such as healthcare, education, government transparency, and environmental sustainability. In this paper, I discuss the need to understand and develop technologies and social structures that support large-scale, collaborative sensemaking. Sensemaking Humans can’t help but try to make sense of the world around them. When faced with an unfamiliar problem or situation we instinctively gather, organize, and interpret information, constructing meanings that enable us to move forward (Dervin, 1998; Lee & Abrams 2008; Russell, et al., 2008.). Individuals engage in sensemaking activities when we create a presentation, come to grips with a life-threatening illness, decide who to vote for, or produce an intelligence report. As collectives we engage in collaborative sensemaking activities at many levels of social aggregation ranging from small groups (e.g., co-authors of a paper) to hundreds (e.g., the scientific community developing a cure for cancer) to millions (e.g., fans of ABC’s Lost making sense of the complex show). -
A Portrait of Fandom Women in The
DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day. -
Universidade Federal De Goiás Faculdade De Informação E Comunicação Graduação Em Publicidade E Propaganda
UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE INFORMAÇÃO E COMUNICAÇÃO GRADUAÇÃO EM PUBLICIDADE E PROPAGANDA NATÁLIA SANTOS DIAS ANÁLISE NARRATIVA E INTELIGÊNCIA COLETIVA: UM ESTUDO DAS PRÁTICAS DA WIKI TV TROPES GOIÂNIA 2018 NATÁLIA SANTOS DIAS ANÁLISE NARRATIVA E INTELIGÊNCIA COLETIVA: UM ESTUDO DAS PRÁTICAS DA WIKI TV TROPES Trabalho apresentado à Banca Examinadora do Curso de Comunicação Social - Publicidade e Propaganda, da Faculdade de Informação e Comunicação da Universidade Federal de Goiás, como exigência parcial para a Conclusão de Curso. Orientação: Prof. Dr. Rodrigo Cássio Oliveira GOIÂNIA 2018 NATÁLIA SANTOS DIAS ANÁLISE NARRATIVA E INTELIGÊNCIA COLETIVA: UM ESTUDO DAS PRÁTICAS DA WIKI TV TROPES Monografia defendida no curso de Bacharelado em Comunicação Social - Publicidade e Propaganda da Faculdade de Informação e Comunicação da Universidade Federal de Goiás, para a obtenção do grau de Bacharel, defendida e aprovada em 26/11/2018, pela Banca Examinadora constituída pelos seguintes professores: ______________________________________________________ Prof. Dr. Rodrigo Cássio Oliveira (UFG) Presidente da Banca ______________________________________________________ Prof. Drª. Lara Lima Satler (UFG) Membro da Banca ______________________________________________________ Prof. Dr. Cleomar de Sousa Rocha (UFG) Membro da Banca AGRADECIMENTOS Agradeço aos meus pais Cleoneide Dias e Júlio Cézar, pelo incentivo, o apoio e por me ensinarem desde cedo a amar as histórias; À Rodrigo Cássio Oliveira, orientador e professor exemplar, por me -
SOCIAL MEDIA MAP 2013 a Snapshot of the Evolving Landscape
SOCIAL MEDIA MAP 2013 A Snapshot of the Evolving Landscape Social Networks Podcasting Photo Sharing Social Commerce Video Sharing URL Shorteners facebook itunes podcasts pinterest eversave youtube tinyurl google plus librivox picasa groupon vimeo bitly path podbean tinypic google offers dailymotion goo.gl meet-up snapchat saveology vevo ow.ly tagged International Social photobucket scoutmob vox is.gd gather Networks pingram livingsocial qik snipurl bu.mp vk pheed plumdistrict telly badoo smile polyvore blip.tv E-Commerce Platforms Professional Social odnoklassniki.ru flickr yipit videolla shopify Networks skyrock kaptur vine volusion linkedin sina weibo fotolog Social Gaming ptch ecwid scribd wretch.cc imgur zynga nexternal docstoc qzone instagram the sims social graphite issuu studivz fotki habbo Social Q&A wanelo plaxo 51 second life quora etsy telligent iwiw.hu xbox live Private Social Networks answers fancy slideshare hyves.nl smallworlds ning stack exchange gilt city xing migente battle net yammer yahoo answers doximity cyworld playstation network hall wiki answers naymz cloob imvu convo allexperts Websites gaggleamp mixi.jp salesforce chatter gosoapbox viadeo renren Product/Company Reviews glassboard answerbag Mobile Apps doc2doc yelp swabr ask.com Microblogging angie's list spring.me Social Recruiting communispace Tools & Platforms twitter bizrate blurtit indeed tumblr buzzilions fluther freelancer disqus epinions glassdoor plurk Social Bookmarking consumersearch SHARE THE MAP elance storify & Sharing insiderpages Wikis odesk digg -
Religion and the Pathologization of Fandom: Religion, Reason and Controversy in My
Religion and the Pathologization of Fandom: Religion, Reason and Controversy in My Little Pony fandom In both academic studies of fandom and popular media reporting, the linking of fandom and religion has often been part of what Henry Jenkins has called the “pathologization” of fandom (Jenkins 2013). The idea that fandom is a form of pseudo- religion, particularly in media reporting, not only makes assumptions about what fandom is like, but also about the nature of religion. Such reporting tends to suggest that religion is emotional rather than rational, that it becomes the focus of an individual’s world to the exclusion of all else and that it is used to justify bizarre, irrational behaviour which makes no sense outside of the religious worldview. While such criticisms of religious behaviour may be fair in some instances, more often than not the religious comparison aims to “other” both religion and fandom. In particular, a concentration on their supposed irrationality suggests that neither have any place within the empirical space of the public sphere in which the “public use of reason” is often seen as a prerequisite to entry (Habermas 2006). Due to this, fans often attempt to demonstrate their rational nature and positive role within the public sphere – whether politically, socially, or educationally. This is seen, in part, through an attempt to disavow the religious comparison. While this strategy could be traced in a number of larger fandoms, when a new fandom emerges which is potentially open to pathologization by non-fans, the need to claim a rational basis for that fandom becomes more urgent. -
20 Jahre Wikipedia Pressemappe
20 Jahre Wikipedia Pressemappe Inhalt Pressemitteilung 2 Facts & Fun 4 Geburt einer Online-Enzyklopädie 4 Eine niemals fertige Enzyklopädie 4 Wer schreibt Wikipedia 6 Real Life 7 Von Mängeln zu Exzellenz 8 Sprachvielfalt 9 Mehr als Worte 10 Freies Wissen: die Idee dahinter 11 Kontakt & Gesprächspartner*innen 12 Datum: 17. Dezember 2020 Pressemitteilung Wikipedia wird 20 Aktivitäten rund um den Enzyklopädie-Geburtstag am 15. Jänner mit Österreich-Bezug Die Online-Enzyklopädie Wikipedia feiert am 15. Jänner 2021 einen runden Geburtstag. An diesem Tag vor zwanzig Jahren ging die englische Sprachversion online, die deutsche folgte bereits am 16. März 2001. Seitdem wurden fast 52 Millionen Wikipedia-Artikel veröffentlicht und der freie Zugang zu Wissen revolutioniert. In Österreich wird das Jubiläumsjahr mit einer Reihe von Aktivitäten begangen. Während der deutschsprachige Wikipedia-Artikel zur COVID-19-Pandemie inzwischen weit über 5,3 Millionen Seitenaufrufe verzeichnet, setzt die Online-Enzyklopädie bei ihren Feierlichkeiten auf einen Remote-Zugang. Die Wikipedia-Aktiven beschenken sich gegenseitig bei einem Engerl-Bengerl-Spiel. Dabei dürfen sie sich bestimmte neue oder überarbeitete Wikipedia-Artikel wünschen und erfahren am 15. Jänner, wer den Wunsch erfüllt hat – vorausgesetzt eigener Wikipedia-Beiträge für jemand anders. Auch ohne jede aktive Wikipedia-Erfahrung lässt es sich am 15. Jänner ab 17 Uhr mitteleuropäischer Zeit bei einem globalen YouTube-Livestream mitfeiern, bei dem Wikipedia-Gründer Jimmy Wales die letzten zwanzig Jahre Revue passieren lässt und einen Blick in die Zukunft wagt. Eine virtuelle Ausstellung der Deutschen Digitalen Bibliothek, die am 16. März veröffentlicht wird, versammelt zwanzig Objekte aus der Wikipedia-Geschichte in Deutschland, Österreich und der Schweiz und dazugehörige persönliche Geschichten. -
Public Wikis: Sharing Knowledge Over the Internet
Technical Communication Wiki : Chapter 2 This page last changed on Apr 15, 2009 by kjp15. Public Wikis: Sharing Knowledge over the Internet What is a public wiki? A public wiki refers to a wiki that everyone can edit, that is, it is open to the general public on the Internet with or without a free login. Anyone is welcome to add information to the wiki, but contributors are asked to stay within the subject area, policies, and standards of the particular wiki. Content that does not relate to the subject or is not of good quality can and will be deleted by other users. Also, if a contributor makes a mistake or a typo, other users will eventually correct the error. Open collaboration by anyone means that multiple articles can be written very fast simultaneously. And, while there may be some vandalism or edit wars, quality of the articles will generally improve over time after many editors have contributed. The biggest public wiki in the world, with over 75,000 contributors, is Wikipedia, "the free encyclopedia that anyone can edit" [1]. Wikipedia has over 2.8 million articles in the English version, which includes over 16 million wiki pages, and is one of the top ten most popular websites in the United States [2]. There are versions of Wikipedia in ten different languages, and articles in more than 260 languages. Wikipedia is operated by the non-profit Wikimedia Foundation [3] which pays a small group of employees and depends mainly on donations. There are also over 1,500 volunteer administrators with special powers to keep an eye on editors and make sure they conform to Wikipedia's guidelines and policies.