(Blinky) Palermo Born 1943 in Leipzig, Germany

Total Page:16

File Type:pdf, Size:1020Kb

(Blinky) Palermo Born 1943 in Leipzig, Germany This document was updated on March 4, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. (Blinky) Palermo Born 1943 in Leipzig, Germany. Died 1977 in the Maldives. EDUCATION 1962-67 Kunstakademie Düsseldorf SELECTED SOLO EXHIBITIONS 1966 Palermo. Bilder und Zeichnungen, Galerie Friedrich & Dahlem, Munich, May 24 – July 4, 1966 1967 Palermo. Bilder und Objekte, Galerie Heiner Friedrich, Munich, June 13 – July 11, 1967 Palermo. Zeichnungen, Galerie Tangente, Stuttgart, opened August 15, 1967 Palermo and Reiner Ruthenbeck, Kunsthal Charlottenborg, Copenhagen, October 1967 1968 Palermo. Stoffbilder, Galerie Konrad Fischer, Düsseldorf, February 6 – March 1, 1968 Palermo. Bilder und Objekte, Von der Heydt-Museum, Wuppertal, September 1-30, 1968 [catalogue] Palermo. Wandzeichnung, Galerie Heiner Friedrich, Munich, December 12, 1968 – January 20, 1969 1969 Palermo. Wandzichnung (Eröffnung zu Musik von Henning Christiansen: Modell op. 33) Kabinett für Aktuelle Kunst, Bremerhaven, February 22 – March 14, 1969 Blinky Palermo. Blockade ’69, Galerie René Block, Berlin, March 28 – April 15, 1969 [catalogue] Blinky Palermo—2 Räume (Tuchverspannung und Wandzeichnungen) mit Gerhard Richter, Galerie Ernst, Hannover, June 6-29, 1969 1970 Blinky Palermo, Gerhard Richter, und Günter Uecker. Wandmalerei, Palais des Beaux- Arts, Brussels, February 12 – March 1, 1970 Palermo. Bilder, Zeichnungen, Objekte, Galerie Rudolf Zwirner, Cologne, February 13 – end of March 1970 [catalogue] Palermo. Treppenhaus (Wandmalerei), Galerie Konrad Fischer, Düsseldorf, April 17 – May 2, 1970 Palermo. Zeichnungen und Aquarelle, Galerie Thomas Borgmann, Cologne, September 4-30, 1970 Palermo und Gerhard Richter. Diese Ausstellung widmen wir Salvadore Dali, Galerie Ernst, Hannover, October 10 – November 6, 1970 Palermo. Wandmalrei, Kabinett für Aktuelle Kunst, Bremerhaven, December 19, 1970 – January 13, 1971 1971 Palermo. Projekte 68/70, Galerie Heiner Friedrich, Cologne, January 15-30, 1971 Palermo. Fenster II, Maximilianstraße, commissioned by Kunstforum, Munich, February 15 – March 3, 1971 Palermo. Wandmalerei auf gegenüberliegenden Wänden, Galerie Heiner Friedrich, Munich, February 15 – March 3, 1971 1 Palermo und Gerhard Richter. Wandmalerei und Skulptur, Galerie Heiner Friedrich, Cologne, April 21 – May 15, 1971 Palermo. Grafik/Judd. Zeichnungen, Galerie Diogenes im Cubus, Berlin, September 14 – October 16, 1971 Palermo. Wandmalerei und Wandzeichnung, de Utrechtse Kring, Utrecht, October 3-24, 1971 Palermo. Wandmalerei, Kabinett für Aktuelle Kunst, Bremerhaven, November 20, 1971 – January 9, 1972 1972 Palermo. Gesamtgrafik, Galerie Klein, Bonn, February 2 – March 18, 1972 Palermo. Grafik, Galleria Diagramma, Milan, February 10 – March 2, 1972 Palermo und Gerhard Richter, Galerie Heiner Friedrich, Cologne, March 18 – May 12, 1972 Palermo. Grafik, Glaerie Klaus Lüpke, Frankfurt am Main, August 17 – September 9, 1972 Palermo. Objekte (Tür, Wand, Wand), Galerie Heiner Friedrich, Munich, December 5, 1972 – January 15, 1973 1973 Palermo. Objekte, Städtisches Museum Mönchengladbach, Mönchengladbach, January 22 – February 25, 1973 [catalogue] Palermo. Objekte/Gesamtgrafik, Galerie Heiner Friedrich, Cologne, April 1-30, 1973 Palermo. Wandmalerei, Hamburger Kunstverein, Hamburg, March 10-18, 1973 [catalogue] 1974 Palermo. Mappenwerke, Künstlersiedlung Halfmannshof, Gelsenkirchen, April 4 – May 4, 1974 [catalogue] Palermo. Gesamtgrafik, Galerie Heiner Friedrich, Munich, July-August 1974. [catalogue] Palermo. Zeichnungen 1963-1973, Kunstraum München, Munich, November 13 – December 21; traveled to Institut für moderne Kunst, Nuremburg, January 16 – February 28, 1975; Städtisches Kunstmuseum Bonn, Bonn, March 11 – April 13, 1975 [catalogue] 1975 Palermo. Zeichnungen 1963-1973, Schmidt Bank Galerie, Nuremberg, January 16 – February 28, 1975 Palermo. Druckgrafik 1970-1974, Städtisches Museum Schloß Morsbroich, Leverkusen, January 31 – March 2, 1975 [catalogue] Palermo. Zeichnungen, Heiner Friedrich, New York, September – October 1975 XIII. Bienal de São Paulo. Palermo. Metallbilder, São Paulo, October 17 – December 15, 1975; traveled to Bonner Kunstverein im Rheinischen Landesmuseum, Bonn, May 21 – June 20, 1976 [catalogue] Palermo. Multiples, Lithographien, Aquarelle, Handzeichnungen. Arbeiten zum Thema ‘Happier than the Morning Sun’ gewidmet Stevie Wonder, Galerie Heiner Friedrich, Munich, November 13 – December 30, 1975 1976 Palermo. Zeichnungen, Galerie Heiner Friedrich, Cologne, May 4 – July 4, 1976 Palermo. Metallbilder, Galerie Heiner Friedrich, Cologne, September 17 – October 20, 1976 1977 Palermo. To the People of New York City, Heiner Friedrich, New York, May 7 – June 25, 1977 Palermo. Druckgrafik 1970-1974, Galerie Centro, Oldenburg, October 30 – November 2 26, 1977 [catalogue] Palermo. Stoffbilder 1966-1972 and Malerei auf Papier 1974-1977, Museum Haus Lange and Kaiser Wilhelm Museum, Krefeld, November 13, 1977 – January 1, 1978 [catalogue] 1978 Palermo. Dokumentation zu den Wandzeichnungen, Galerie Heiner Friedrich, Munich, April 1978 Palermo. Times of the Day I-VI, Heiner Friedrich, New York, April 8 – May 13, 1978 Palermo. Works on Paper, Heiner Friedrich, New York, July 8 – August 5, 1978 Beuys und Palermo, Galerie Klein, Bonn, December 4, 1978 – January 14, 1979 1979 Palermo. Grafik und Multiples, Galerie Förster, Münster, February 9 – March 16, 1979 Palermo. Die gesamte Grafik, Galerie Heiner Friedrich, Cologne, April 6-16, 1979 1980 Palermo. Druckgrafik und Multiples, Kunstverein Bremerhaven, Bremerhaven, January 6 – February 3, 1980 Blinky Palermo 1964 – 1976, Galerie-Verein München im Haus der Kunst, Munich, July 30 – September 21, 1980; traveled to Dia Art Foundation, Cologne, October 1980 – February 1981 [catalogue] Blinky Palermo 1964-1976, Staatsgalerie Moderner Kunst, Munich, July 30 – September 21, 1980 [catalogue] Palermo. Wandzeichnungen und Wandmalereien, Galerie art in progress, Düsseldorf, September 3-27, 1980 Palermo. Grafik, Galerie Kubinski, Stuttgart, December – January 1981 1981 Palermo (Peter Heisterkamp), Städtisches Kunstmuseum, Bonn, September 22 – November 1, 1981 [catalogue] 1983 Palermo. Die Gesamte Grafik und Auflagenobjekte 1966-1975. Sammlung J.W. Froehlich, Städtisches Museum Abteiberg, Mönchengladbach, March 13 – April 17, 1983; traveled to Rijksmuseum Kröller-Müller, Otterlo, June 11 – September 4, 1983; Ostdeutsche Galerie, Regensburg, February 2 – April 23, 1984 [catalogue] 1984 Palermo: Werke 1963-1977, Kunstmuseum, Winterthur, September 18 – November 11, 1984; traveled to Kunsthalle Bielefeld, Bielefeld, January 27 – March 17, 1985; Stedelijk Van Abbemuseum, Eindhoven, March 30 – May 12, 1985; traveled as Palermo: Œuvres 1963-1977 to Centre Georges Pompidou Musée national d’art modern, Paris, May 28 – August 19, 1985 [catalogue] Palermo. Editionen, Galerie Heinrich Ehrhardt, Frankfurt am Main 1985 Palermo und Jean Pierre Bertrand, Galerie Contemoraine, Paris, May 29 – August 19, 1985 Palermo. Bilder, Objekte, Zeichnungen, Marian Goodman Gallery, New York, November 5-23, 1985 Palermo, Galerie Heinrich Ehrhardt, Frankfurt am Main 1987 Unzugänglich-Zugänglich: Frühe Arbeiten, 1959-61 von Peter Heisterkamp (Sammlung Roedeske), Akademieforum Münster, February 17 – March 22, 1987 Blinky Palermo (1943-1977), Westfälischer Landesmuseum, Münster, February 17 – March 22, 1987 3 Blinky Palermo, Sperone Westwater Gallery, New York, September 18 – October 13, 1987 [catalogue] Blinky Palermo: To the People of New York City, Dia Art Foundation, New York, October 9, 1987 – June 19, 1988 [catalogue] 1988 Blinky Palermo. Leipzig 1943-1977 Îles Maldivesi, Galerie des Beaux-Arts and Galerie Marie-Puck Broodthaers, Brussels, February 1988 [catalogue] Palermo. Das gesamte grafische Werk und alle Multiples, Galerie Daniel Buchholz, Cologne, September – October 1988 1989 Palermo: Printed Works 1968-1975, Daniel Newburg Gallery, New York, closed March 15, 1989 Blinky Palermo: To the People of New York City, The Menil Collection, Houston, June 7 – August 13, 1989 Kiecol und Palermo. Druckgrafik, Kaiser Wilhelm Museum, Krefeld, December 3, 1989 – January 14, 1990. 1990 Palermo, Shigeru Yokota Gallery, Tokyo, July 8-27, 1991 Palermo. Metall- und Stoffbilder, Objekte, Siebdrucke, ar/ge kunst Galerie Museum, Bolzano, November 1990 – January 18, 1991 Ulrich Rückriem, Blinky Palermo, Galerie Sven Heier, Cologne 1991 Palermo. Wandmalerei (Blaue Dreiecke), Galerie des Beaux-Arts, Brussels, January 31 – March 9, 1991 Palermo. Bilder, Zeichnungen, Graphik, Galerie Thaddaeus Ropac, Paris, October 3 – early November 1991 1992 Die Zweite Chance—Blinky Palermo, Hamburger Kunstverein, Hamburg, June 5-30, 1992 1993 Palermo. Grafik, Galerie Monika Sprüth, Cologne, March 13 – May 29, 1993 Blinky Palermo, Galerie für Zeitgenössiche Kunst and Museum der bildenden Künste, Leipzig, June 6 – August 15, 1993; traveled to Kunstraum München, Munich, September 9 – November 20, 1993 [catalogue] Palermo. Die gesamte grafik, Landesmuseum für Kunst und Kulturgesichte, Münster, September 3 – November 28, 1993 Palermo. Das graphische Werk und Auflagen-Objekte, Galerie Daniel Blau, Munich 1994 Blinky Palermo. Graphik aus der Sammlung Grothe, Neues Museum Weserburg, Bremen, February 5 – May 1, 1994 Palermo. Bilder, Objekte, Zeichnungen, Kunstmuseum Bonn, November 4, 1994 – January 29, 1995 [catalogue] 1995 Blinky Palermo—Editioned Work, Brooke Alexander Editions, New York, March 11 – May 6, 1995 Palermo: To the People
Recommended publications
  • Download Article (PDF)
    Müller, Dominikus. “In Through the Out Door” frieze d/e (no. 21, Sept– Nov 2015) In Through the Out Door MONOGRAPH A look back at the extraordinary work of Michael Buthe by Dominikus Müller There’s a scene in Amelie von Wulffen’s pencil-drawn comic book At the Cool Table (2014) where the protagonist accompanies a friend to see an exhibition by Michael Buthe. Standing before five of Buthe’s assemblage-paintings, Von Wulffen’s protagonist (recognizable as her alter ego) says: ‘I used to hate Michael Buthe – I thought it was the kitschiest shit ever. It’s crazy how a little time can change that. Now it looks totally cool in a neo-hippie way. Suddenly you see it’s formally very precise. I’m trying, right now, to bring something similar into my paintings, like bad taste. But seeing this here, I think the way I employ style and aesthetics is kind of dumb. I mean Buthe really lived it – Morocco, Udo Kier, communes, the Dionysian – there isn’t any space in our goal oriented world for that anymore. Here it’s about overcoming easel portraiture defined by the commercial and by bourgeois taste.’ Cushioned in ambiguity as this statement might be in the context of a comic strip about life as an artist, it captures a genuine fascination with – and amusing ambivalence over – Buthe’s work. This complexity of feeling apparently derives from that which, for the past two decades, no one wanted to venture near: mystical, near-kitsch ‘hippie’ art. Yet all of a sudden Buthe’s work is seen to carry a formal precision and sensuous daring.
    [Show full text]
  • MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY Edited by John C
    KELLEY MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY edited by John C. Welchman What John C. Welchman calls the “blazing network of focused conflations” from which Mike Kelley’s styles are generated is on display in all its diversity in this second volume of his writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley’s writings into five sections. “Statements” consists of twenty pieces produced MINOR between 1984 and 2002 (most of which were written to accompany exhibitions), including “Ajax,” which draws on MIKE KELLEY Homeric epic, Colgate-Palmolive advertising, and Longinus to present its eponymous hero; “Some Aesthetic High Points,” an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of “creative writings” that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visu- MINOR HISTORIES al styles that characterize Kelley’s artwork. “Video Statements and Proposals” are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. “Image-Texts” offers writings that accom- Statements, Conversations, Proposals pany or are part of artworks and installations. This section includes “A Stopgap Measure,” Kelley’s zestful millennial essay in social satire, and “Meet John Doe,” a collage of appropriated texts. The section “Architecture” features a discussion of Kelley’s Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work.
    [Show full text]
  • 8. Dez. 2018 Ketterer Contemporary
    8. DEZ. 2018 KETTERER CONTEMPORARY 478. AUKTION Ketterer Contemporary Auktion | Auction Weitere Auktionen | Further Auctions Los 700 – 761 Ketterer Contemporary (478) Los 1 – 332 Klassiker des 20. Jahrhunderts und Samstag, 8. Dezember 2018, ab 15 Uhr | from 3 pm on Contemporary Art III (476) Donnerstag, 6. Dezember 2018, ab 13 Uhr | from 1 pm on Ketterer Kunst München Los 400 – 595 Klassiker des 20. Jahrhunderts II (477) Joseph-Wild-Straße 18 Freitag, 7. Dezember 2018, ab 15 Uhr | from 3 pm on 81829 München Los 800 – 889 Klassiker des 20. Jahrhunderts I (479) Samstag, 8. Dezember 2018, ab ca. 16 Uhr | from 4 pm on Vorbesichtigung | Preview Hamburg Berlin Ketterer Kunst, Holstenwall 5, 20355 Hamburg Ketterer Kunst, Fasanenstraße 70, 10719 Berlin Do. 1. November 17 – 20 Uhr | 5 pm – 8 pm Fr. 23. November 10 – 20 Uhr | 10 pm – 8 pm Fr. 2. November 11 – 17 Uhr | 11 am – 5 pm Sa. 24. November 10 – 18 Uhr | 10 am – 6 pm Sa. 3. November 11 – 17 Uhr | 11 am – 5 pm So. 25. November 10 – 18 Uhr | 10 am – 6 pm Mo. 26. November 10 – 18 Uhr | 10 am – 6 pm Zürich Di. 27. November 10 – 18 Uhr | 10 am – 6 pm Fabian & Claude Walter Galerie/Römerapotheke, Mi. 28. November 10 – 18 Uhr | 10 am – 6 pm Rämistrasse 18, 8001 Zürich, Schweiz Do. 29. November 10 – 20 Uhr | 10 am – 8 pm Di. 6. November 17 – 20 Uhr | 5 pm – 8 pm Mi. 7. November 11 – 18 Uhr | 11 am – 6 pm München Do. 8. November 11 – 18 Uhr | 11 am – 6 pm Ketterer Kunst, Joseph-Wild-Straße 18, 81829 München So.
    [Show full text]
  • Sigmar Polke Born 1941 in Oels, Silesia
    This document was updated on March 4, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Sigmar Polke Born 1941 in Oels, Silesia. Died 2010 in Cologne, Germany. EDUCATION 1959-1967 Trained as a glass painter 1961-67 Staatliche Kunstakademie Düsseldorf SELECTED SOLO EXHIBITIONS 1966 Sigmar Polke, Galerie René Block, Berlin, May 11 – June 10, 1966 [catalogue] Sigmar Polke on December 10, 1966 in homage to Schmela with Otto Piene, Konrad Lueg, John Latham, Heinz Mack, Gerhard Richter, Galerie Schmela, Düsseldorf, December 9-15, 1966 1967 Sigmar Polke. Zeichnungen und Ölbilder, Galerie Heiner Friedrich, Munich, January – February 1967 Sigmar Polke: Neue Bilder, Galerie Heiner Friedrich, Munich, April 4 – 23, 1967 [catalogue] 1968 Sigmar Polke, Galerie René Block, Berlin, as part of Art Cologne, October 1968 Sigmar Polke. Moderne Kunst, Galerie René Block, Berlin, December 14, 1968 – January 16, 1969 1969 Sigmar Polke, Galerie Rudolf Zwirner, Cologne 1970 Sigmar Polke. 24 Hefte, Kabinett für aktuelle Kunst, Bremerhaven, April 25 – May 20, 1970 Sigmar Polke, Konrad Fischer Galerie, Düsseldorf, June 9 – July 2, 1970 Sigmar Polke. Bilder und Zeichnungen, Galerie Toni Gerber, zu Gast im Möbelhaus Teo Jakob, Bern, September – October 1970 Sigmar Polke, Galerie Thomas Borgmann, November – December 1970 Sigmar Polke. Bilder, Galerie Michael Werner, Cologne, November 20, 1970 – January 10, 1971 1971 Sigmar Polke, Galerie Ernst, Hannover, May – June 1971 Sigmar Polke, Konrad Fischer Galerie,
    [Show full text]
  • Bonner Museen Inklusiv
    Bonner Museen inklusiv Beethoven-Haus Bonn Bundeskunsthalle Deutsches Museum Bonn Haus der Geschichte Kunstmuseum Bonn LVR-LandesMuseum Bonn Museum August Macke Haus StadtMuseum Bonn Zoologisches Forschungs- museum Alexander Koenig Herzlich willkommen in den Bonner Museen! Bitte informieren Sie sich vor Ihrem Besuch über aktuelle Änderungen auf der Homepage. Es gibt auch Sonderausstellungen und Veranstaltungen. Sehr geehrte Bonn-Besucherinnen und Besucher, wir freuen uns, dass Sie sich für unsere Museen und Ausstellungen interessieren. In diesem Heft finden Sie erste Informationen, die Ihnen bei der Planung helfen. Bitte rufen Sie uns an, wenn Sie weitere Fragen haben. Wir beraten Sie gerne. Den jeweiligen Kontakt mit Telefonnummer und Schwarz / Weiß Schwarz / Weiß Schwarz / Weiß E-MailadresseSchwarz / Weiß finden Sie im Heft. Sie sind bei uns herzlich willkommen! Schwarz / Weiß Schwarz /Schwarz Weiß /Schwarz Weiß / Weiß Invertiert Invertiert Invertiert Invertiert Invertiert Invertiert Invertiert Invertiert Glossy / RGB Glossy / RGB Glossy / RGB Glossy / RGB Glossy / RGB Glossy / RGBGlossy / RGBGlossy / RGB Beethoven-Haus Bonn Das Museum befindet sich im Geburtshaus von Ludwig van Beethoven. Viele Ausstellungs- stücke erzählen vom Leben und Arbeiten des Komponisten. Öffnungszeiten Täglich von 10–18 Uhr Eintritt (mit Multimediaguide) Erwachsene 10 €, ermäßigt 7 €, bis 6 Jahre Eintritt frei Adresse Beethoven-Haus Bonn, Bonngasse 20 53111 Bonn www.beethoven.de Haltestellen Bertha-von-Suttner-Platz / Beethoven-Haus Parken Stiftsgarage, Marktgarage,
    [Show full text]
  • Contemporary Contemporary
    10 . D E Z . 2 0 16 KETTERER CONTEMPORARY CONTEMPORARY 440. AUKTION Contemporary Art Auktion | Auction Weitere Auktionen | Further Auctions Los 650 – 722 Contemporary Art Los 1 – 192 Klassische Moderne – Teil II Samstag, 10. Dezember, ab 14.30 Uhr | from 2.30 pm on Donnerstag, 8. Dezember, ab 13 Uhr | from 1 pm on Los 300 – 610 Kunst nach 1945 / Contemporary Art – Teil II Ketterer Kunst München Freitag, 9. Dezember, ab 13 Uhr | from 1 pm on Joseph-Wild-Straße 18 81829 München Los 200 – 274 Klassische Moderne – Teil I Samstag, 10. Dezember, ab 13 Uhr | from 1 pm on Los 750 – 797 Good Taste – Eine private Sammlung Samstag, 10. Dezember, ab 15.45 Uhr | from 3.45 pm on Los 800 – 894 Kunst nach 1945 – Teil I Samstag, 10. Dezember, ab 16.45 Uhr | from 4.45 pm on Vorbesichtigung | Preview Hamburg Berlin Ketterer Kunst, Holstenwall 5, 20355 Hamburg Ketterer Kunst, Fasanenstraße 70, 10719 Berlin Do. 3. November 17 – 20 Uhr | 5 pm – 8 pm Fr. 25. November 10 – 20 Uhr | 10 am – 8 pm Fr. 4. November 10 – 18 Uhr | 10 am – 6 pm Sa. 26. November 10 – 18 Uhr | 10 am – 6 pm Sa. 5. November 10 – 16 Uhr | 10 am – 4 pm So. 27. November 10 – 18 Uhr | 10 am – 6 pm Mo. 28. November 10 – 18 Uhr | 10 am – 6 pm Zürich Di. 29. November 10 – 18 Uhr | 10 am – 6 pm Elten & Elten, Galerie am Hottingerplatz, Mi. 30. November 10 – 18 Uhr | 10 am – 6 pm Wilfriedstrasse 19, 8032 Zürich, Schweiz Do. 1. Dezember 10 – 18 Uhr | 10 am – 6 pm Mi.
    [Show full text]
  • Pressemappe BTHVN2020 – 3. Presse-Talk 6. Juni 2019, Bonn
    Pressemappe BTHVN2020 – 3. Presse-Talk 6. Juni 2019, Bonn Inhalte _Beethoven Jubiläums Gesellschaft _LVR LandesMuseum Bonn _Bundeskunsthalle _Beethoven-Haus Bonn _Kunstmuseum Bonn _Bonner Kunstverein _Haus der Geschichte _Frauenmuseum Bonn _August-Macke-Haus _Beethoven Orchester Bonn _Theater Bonn _Beethovenfest Bonn _Presseamt Stadt Bonn Beethoven Jubiläums Gesellschaft Beethoven Jubiläums Gesellschaft gGmbH Loggia am Stadthaus Thomas-Mann-Straße 4 D – 53111 Bonn bthvn2020.de Dr. Claudia Weller +49 228 976650-22 [email protected] Karoline Gaudian +49 228 976650-24 [email protected] Pressemitteilung Kaleidoskop Ausstellungen Bonner Ausstellungen zum Beethoven Jubiläumsjahr Bonn, 6. Juni 2019 Die Beethoven Jubiläums Gesellschaft fördert neben Aufführungen der Sparten Musik, Theater, Oper und Tanz auch zahlreiche bedeutende Ausstellungen, die sich inhaltlich von Beethovens Zeit bis in zeitgenössische digitale Kunst erstrecken. So entsteht über das ganze Jahr 2020 ein vielfältiges visuelles und edukatives Angebot, das die Konzerte und Events als „Tagesprogramm“ unterstützt, aber auch neue Zielgruppen aller Generationen mit Beethoven und seiner Zeit in Berührung bringt. Die hohe Qualität und Bandbreite der BTHVN2020-geförderten Ausstellungen tragen wesentlich zur Sichtbarkeit des Jubiläumsjahres für die Menschen aus Bonn und der Region sowie für Gäste und Besucher aus Deutschland und aller Welt bei. Im Zentrum des dritten BTHVN2020 Presse-Talks steht die Ausstellung des Gastgebers LVR-LandesMuseum Bonn: Musik! Hören, Machen, Fühlen. Eine Mitmachausstellung. Sie wird in engem Miteinander unter anderem mit dem Beethoven Orchester Bonn umgesetzt. Nach dem Überblick über diese, gezielt für Kinder und Jugendliche ausgerichtete interaktive Ausstellung schließt sich ein kaleidoskopischer Blick zu acht weiteren Ausstellungen an, die mit einem Kurzstatement vorgestellt und im Gespräch mit den jeweiligen Vertretern der ausstellenden Institutionen näher beleuchtet werden können.
    [Show full text]
  • Be the Dead Tree on Albert Oehlen's Paintings
    Be the Dead Tree On Albert Oehlen’s Paintings Daniel Baumann The table is well covered, but the interpretation and discourse are running towards desserts and love. And we? We keep reading, because in the past fifteen years alone more than twenty exhibition catalogues on the work of Albert Oehlen have appeared, and each one includes at least one essay with at least one pronouncement or explanation. This artist has been relentlessly pursued by a wave of interpretations that he himself has encouraged. At times he rides it, at other times he ignores it; he has been known to play with it and then to disperse it again—preferably all at once, so that a sense of autonomy sets in, not for the art but for the artist. “I am not willing to be a pawn of the art market, theorists, or curators.” 1 “Albert Oehlen is a difficult artist to pin down. This is deliberate on his part.” 2 True, yet it is generally agreed that he makes paintings. These are described as varied and unpredictable, which may explain the nervous search for interpretations. Two different approaches seem to prevail. The first one attempts to place Oehlen in a kind of genealogy by comparing him with other artists. With more or less success he is associated with and discussed in relation to Salvador Dalí, Willem de Kooning, Philip Guston, Anselm Kiefer, Francis Picabia, Sigmar Polke, Jackson Pollock, Robert Rauschenberg, Julian Schnabel, and so on. In some cases he has triggered these comparisons himself by mentioning Dalí or Picabia in interviews.
    [Show full text]
  • ITB NOW 2021 Bonn Region PRESS RELEASE.Pdf
    TOURISMUS & CONGRESS GMBH Region Bonn / Rhein-Sieg / Ahrweiler www.bonn-region.de PRESS RELEASE March 9th 2021 Bonn and the region at the virtual ITB NOW 2021 One year of the Corona pandemic and tourism is looking ahead In 2020, the ITB in Berlin was the first big travel trade show to be cancelled due to the Corona pandemic. Even now, one year later, ITB 2021 cannot take place in Berlin’s exhibition halls as usual with thousands of visitors from all over the world. Thanks to the good networking mechanisms in the tourism industry, however, it was possible to react quickly and use digital means to maintain and further develop the fair continuously. Thus, the world's leading travel trade show will celebrate its premiere in virtual form this year from 09 to 12 March 2021 under the title "ITB NOW 2021". The Tourismus-& Congress GmbH Bonn/Rhein-Sieg/Ahrweiler will be maintaining numerous online meetings and talks with partners from the tourism industry during the days of the online fair to discuss the future plans and opportunities for the Rhine region. The virtual walks and tours already created during the pandemic situation, the concerts, events and exhibitions planned in the course of 2021 according to the hygiene concept as well as the day- trip tourist destinations will be presented. The year 2019 brought a new record for the region with more than 3.1 million visitors and the world-renowned travel guide "Lonely Planet's Best in Travel 2020" positioned Bonn in the top 5 city travel destinations worldwide.
    [Show full text]
  • Now! Painting in Germany Today 14 February – 17 May 2020 Deichtorhallen Hamburg
    NOW! PAINTING IN GERMANY TODAY 14 FEBRUARY – 17 MAY 2020 DEICHTORHALLEN HAMBURG With the exhibition project »Now! Painting in Germany Today«, the Kunstmuseum Bonn, the Museum Wiesbaden, the Kunstsammlungen Chemnitz – Museum Gunzenhauser and the Deichtorhallen Hamburg are engaged in an endeavor to determine the current status of the medium painting. The goal is to present a valid cross section of the painting produced in Germany by young artists, while giving consideration to all the forms in which it appears. Even before the dawn of Romanticism in the 1800s, painting has been seen as the foremost art form in Germany. A nation of celebrated painters at the close of the 19th century, Germany continues to be a driving force in the art of painting around the world to this day, boasting such internationally renowned painters as Gerhard Richter, Anselm Kiefer, Georg Baselitz and Albert Oehlen. This museum collaboration sharing an ardent commitment to the art of painting will present the next generation of important painters in Germany. The exhibition will include about 500 works by 53 artists, belonging to the “40-something” generation. The Kunstmuseum Bonn, the Museum Wiesbaden, and the Kunstsammlungen Chemnitz – Museum Gunzenhauser will simultaneously present three or more works by each artist from 19 September 2019 – 19 January 2020. A comprehensive selection of these works will be on display at the Deichtorhallen Hamburg from 14 February to 17 May 2020. Selected artists are those who are currently advancing painting in the classical sense, as panel painting, or picture on the wall. A list of nearly 200 artists reflecting the diversity and quality of artistic production in Germany was created in a selection process that lasted over a year and took curators into the studios of painters throughout the Republic.
    [Show full text]
  • MARCEL ODENBACH Group Exhibitions 2021 Werden
    MARCEL ODENBACH Group Exhibitions 2021 werden/ become, Düsseldorfer Kunstakademie in cooperation with l´Accademia delle Arti del Disegno di Firenze, Tiroler Landesmusem Ferdinandeum, Innsbruck 70 Jahre Kunst am Bau in Deutschland (organized by BMI and BBR), Rathaushalle Rostock; Händelhaus, Halle; Hochschule Bremen; Musiktheater im Revier, Gelsenkirchen, Volkshochschule Hannover Der Katalysator. Joseph Beuys und Demokratie heute (curated by Ania Czerlitzki), Museum Morsbroich, Leverkusen Tense Conditions. A Presentation of the Contemporary Art Collection, Staatsgalerie Stuttgart, Stuttgart John Heartfield – Photography plus Dynamite, Museum de Fundatie, Zwolle; NS Dokumentationszentrum München, Munich 2020 Au rendez-vous des amies. Klassiche Moderne imDiaog mit der Gegenwartskunst aus der Sammlung Goetz (curated by Oliver Kase), Pinakothek der Moderne, Munich Paradise. Werke von und um Michael Buthe, Kleiner Von Wiese, Berlin 1+1+1+1+1+1+1+1 Art. 8 GG, Villa Schöningen, Potsdam John Dewey, Who? New Presentation oft he Collection of Contemporary Art, Museum Ludwig, Cologne Dialektik der Bilder. Das Medium Fotografie in der ungarischen Kunst 1970 – 2000 (curated by Zsuzsanna Petró), Collegium Hungaricum, Berlin On everyone’s lips. From Pieter Bruegel to Cindy Sherman, Kunstmuseum Wolfsburg, Wolfsburg Turning Points. Works from the Collection von Kelterborn, Kunsthalle Gießen, Giessen Collection, Museum für Moderne Kunst, Frankfurt Hans Blumenberg. Denken in Metaphern, LWL - Museum für Kunst und Kultur, Westfälischer Kunstverein, Münster room enough for former teasers (curated by Marcel Hiller, Christof Lötscher and Marco Zeppenfeld), Galerie Gisela Capitain, Cologne Art Cologne at Galerie Gisela Capitain, Galerie Gisela Capitain, Cologne Shipwreck (curated by Alfons Hug), Goethe-Zentrum Eriwan, Yerevan vielfalt!, Jenaer Kunstverein, Jena John Heartfield – Photography plus Dynamite, Akademie der Künste, Berlin 2019 Die Spitze des Eisbergs, Museum der Moderne, Salzburg Magic Media – Media Magic.
    [Show full text]
  • Publishers Spring 2018 Painting 3
    1 HIRMERPUBLISHERS SPRING 2018 PAINTING 3 » Exclusive authorised publication: a first stock-taking of the Gurlitt art trove » For the first time: a presentation of 450 works from the spectacular Gurlitt estate » Showcase example of the topical subject of the present-day treatment of stolen and looted art GURLITT Status Report Otto Dix, Franz Marc, Emil Nolde, Paul Cézanne, Vasily Kandinsky and Claude Monet – Ed. Kunst- und Ausstellungs- halle der Bundesrepublik when over 1,000 artworks by outstanding artists of the modern era appeared on the scene Deutschland GmbH, in 2012, the find was celebrated as a sensation, though the suspicion that it might be art Kunstmuseum Bern looted by the Nazis also reared its head. This extensive, lavishly illustrated publication 348 pages, 480 colour documents for the first time a selection of works from the estate of the art dealer Hildeb- illustrations rand Gurlitt and examines the turbulent story of the ‘Gurlitt art trove’. 24 × 30 cm, hardcover In addition to the presentation of the pictures, the estate of Cornelius Gurlitt (1932–2014), £ 28.00 978-3-7774-2963-2 the son of the art dealer Hildebrand Gurlitt, is set in its historical context by a prestigious list of authors, thereby ensuring transparency and enlightenment. One important topic is the provenance of the works, which in some cases were vilified by the National Socialist regime as “degenerate art”. Which works in this collection are looted art? Which ones were pur- EXHIBITION chased legally, and which ones were acquired in forced sales? Another area of focus will be Bundeskunsthalle, Bonn the biographies of Jewish collectors and artists who were the victims of art theft and the 03.11.2017 - 11.03.2018 Kunstmuseum Bern Holocaust.
    [Show full text]