1

HIRMERPUBLISHERS SPRING 2018 PAINTING 3

» Exclusive authorised publication: a first stock-taking of the Gurlitt art trove

» For the first time: a presentation of 450 works from the spectacular Gurlitt estate

» Showcase example of the topical subject of the present-day treatment of stolen and looted art

GURLITT Status Report

Otto Dix, , , Paul Cézanne, Vasily Kandinsky and – Ed. Kunst- und Ausstellungs- halle der Bundesrepublik when over 1,000 artworks by outstanding artists of the modern era appeared on the scene Deutschland GmbH, in 2012, the find was celebrated as a sensation, though the suspicion that it might be art Kunstmuseum Bern looted by the Nazis also reared its head. This extensive, lavishly illustrated publication 348 pages, 480 colour documents for the first time a selection of works from the estate of the art dealer Hildeb- illustrations rand Gurlitt and examines the turbulent story of the ‘Gurlitt art trove’. 24 × 30 cm, hardcover

In addition to the presentation of the pictures, the estate of Cornelius Gurlitt (1932–2014), £ 28.00 978-3-7774-2963-2 the son of the art dealer Hildebrand Gurlitt, is set in its historical context by a prestigious list of authors, thereby ensuring transparency and enlightenment. One important topic is the provenance of the works, which in some cases were vilified by the National Socialist regime as “”. Which works in this collection are looted art? Which ones were pur- EXHIBITION chased legally, and which ones were acquired in forced sales? Another area of focus will be Bundeskunsthalle, the biographies of Jewish collectors and artists who were the victims of art theft and the 03.11.2017 - 11.03.2018 Kunstmuseum Bern Holocaust. A further topic of investigation is how stolen works were returned to the muse- 02.11.2017 - 04.03.2018 ums and private collections after 1945. The official catalogue of the Kunstmuseum Bern and Martin-Gropius-Bau, the Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Bundeskunsthalle) in 14.09.2018 - 07.01.2019 Bonn permits for the first time a nuanced understanding of this case which is unique in the postwar history of .

“Art from the vast trove hidden for decades” THE WASHINGTON POST “A compensation for the arts” “I was deeply sceptical about this exhibition from the very start. […] NEUE ZÜRCHER ZEITUNG But I also tell you that my opinion of the Gurlitt exhibition changed for I saw the decision to focus on the victims and their stories.” “First public showing of Monet, Rodin and Maillols from Gurlitt trove” RONALD LAUDER, PRESIDENT OF THE WORLD JEWISH CONGRESS “Praiseworthy and long-overdue” SÜDDEUTSCHE ZEITUNG PAINTING 5

» The distinguished collection of Klee’s works in Munich presented for the first time in con­ junction with some 120 international loans

» Painting as a mystery – a presentation of the secret of ’s works

» Major survey of all creative phases with an emphasis on the 1920s

» New angle on Klee’s abstract works during his period

PAUL KLEE Construction of Mystery

This opulent volume on Paul Klee celebrates one of the most important and productive Ed. Oliver Kase for Bayerische Staatsgemäldesammlungen artists of the twentieth century, whose work is as topical today as it ever was: growing out Contributions by R. Bonnefoit, of the inner conflict of modern man, Klee’s imaginative works provide a link between the N. Engel, S. Glasl, C. Heise, world of reason and the irrational “secrets” of human existence. C. Hopfengart, O. Kase, W. Kersten, C. Klingsöhr-Leroy, The works of Paul Klee (1879–1940) charm the viewer with their inventiveness, delight in A. Schalhorn, C. Wagner, S. Watson, G. Wedekind experimentation, subtle humour, and brilliant colour schemes. He contrasts the technical and rational tendencies of the 1920s with the significance of playfulness, intuition and ar- 400 pages, 320 colour illustrations tistic genius. Subdivided according to pictorial subjects of transcendental longing like lad- 23 × 30 cm, hardcover ders, mountains and stars as well as Bauhaus aspects of architecture and construction of space, the lavishly illustrated volume covering the period from 1905 until 1940 draws an £ 45.00 978-3-7774-2972-4 impressive picture of Klee as an original “thinking artist” who confronts the challenges fac- March 2018 ing man in the modern age and brilliantly permits rational methods of picture construction to be transformed into the open and mysterious.

EXHIBITION Pinakothek der Moderne, Munich 01.03.–10.06.2018

3 7 Paul Kleel, Colourful Lightning (bunter Blitz), 1927, Kunstsamm- lung Nordrhein-Westfalen, Düsseldorf © bpk / Kunstsamm- lung Nordrhein-Westfalen, Düsseldorf 7 Paul Klee, After the drawing (nach der Zeichnung), 1919, Zentrum Paul Klee, donated by Livia Klee © ZentrumPaul Klee, Bern, images archive 3Paul Klee, Chosen boy (Auserwählter Knabe), 1918, private collection, New York DRAWING 7

» Numerous unpublished Warhol drawings

» Newly discovered photographic sources

» A fascinating glance at New York drag culture in the closeted 1950s

ANDY WARHOL Drag & Draw – The Unknown Fifties

This book highlights two series of little known drawings from the 1950's, drawings where Nina Schleif

Andy Warhol first explored the controversial and for him deeply personal subject of drag. 144 pages, 112 illustrations His oeuvre during the first decade of his career, before he became the godfather of Pop, 24 × 29 cm, hardcover has proven to be enormously influential on his life's work, yet so far has not received due £ 32.00 attention. 978-3-7774-2977-9 February 2018 In 1953, Warhol created two unique series of drawings, quite different from his commis- sioned work. In one series, he developed an ensemble of spirited women that were derived from photographs of stage divas and—of men in drag. He delved deeper into the art of dressing as the opposite sex with his second series, a set of portraits of men posing in high and low drag. This book considers Warhol's work and its debt to newly discovered photo- graphs that his friend, photographer Otto Fenn, staged explicitly for Warhol’s purpose. Drag & Draw sheds light on New York's secret gay and drag scenes during the repressive 1950s.

7 Andy Warhol, Otto Fenn, c. 1953 © 2017 The Andy Warhol Foundation /ARS, New York. 3Otto Fenn, Self-Portrait in Drag, c. 1953 © 2017 D.Hallam holder of the Otto Fenn Personal Papers FASHION 9

» Explains key Dior signatures based on the use of innovative and historical dressmaking techniques

» Images by world-renowned Dior photographer Laziz Hamani

» Breaks new ground on research and technical analysis of one of the most important fashion houses ever created.

CHRISTIAN DIOR History and Modernity, 1947-1957

Arguably the most famous fashion designer of the 20th century, Christian Dior’s feminine Alexandra Palmer fashions were desired, worn, and emulated by women around the world. This new publica- 200 pages, 100 colour tion by ROM Press explores the brilliance behind Dior’s dramatic creations that revived the illustrations entire Paris haute couture industry after the devastation of World War II. In 1947, the open- 23 × 30.5 cm, hardcover ing of the new couture house and the revolutionary “New Look” swept away the wartime £ 39.95 masculine silhouette making Christian Dior’s postwar fashions desired, worn and copied 978-3-7774-3008-9 March 2018 by women around the world.

The publication features the Royal Ontario Museum’s collection of Christian Dior couture and is accompanied by sketches and material from Christian Dior Héritage, along with photo- graphs of the collection taken by world-renowned Dior photographer Laziz Hamani. The col- EXHIBITION lection features striking designs from daytime to evening wear. The book breaks new ground Royal Ontario Museum 25.11.2017–18.03.2018 as it explains key Dior signatures, based on the use of innovative and historical dressmaking techniques, which revived the Paris haute couture industry following the Second World War. The publication presents new information drawn from extensive research wedded with close examination of the designs within this catalogue, making it an essential read for those inter- ested in fashion, art, culture, and history.

7 Palmyre, Christian Dior. ROM 970.286.3. Photograph by Laziz Hamani 3 Tour Eiffel, Christian Dior. ROM 956.153.9. Photograph by Brian Boyle. TECHNIC & DESIGN 11

» The first volume for the general public on the subject of electro-mobility and auto­ nomous driving

» New close-up photographs, fascinating model drawings – a must for lovers of modern design

» A unique look behind the scenes: the complete development process from the first ideas to the BMW i3 and BMW i8 world premiere to the visionary cars

BMW i

Electro-mobility is the number one topic when it comes to our mobility in the future. What Ed. by A. Braun does the vision of the BMW Group, Germany’s main pioneer in the field, look like? For the first 240 pages, 175 illustrations time providing extensive insight into BMW’s workshop of ideas, this volume presents the in colour multi-faceted concept for sustainable and visionary mobility right up to autonomous driving. 32 x 27 cm, hardcover

In the spring of 2008, a think tank of engineers, designers, trend researchers, and financial £ 45.00 978-3-7774-3022-5 experts met on a factory floor of BMW’s parent plant in Munich to rethink mobility. This vol- March 2018 ume traces the exciting venture in its complex development, while also looking at the future. A main focus is on the major challenges of our time — climate change, scarcity of resources, megacities — and the solution approaches: technological innovations, networked mobility, and the use of renewable materials. Autonomous driving plays a particularly important role. EXHIBITION Terrific close-ups and design drawings present all models from the BMW i3 and the BMW i8 BMW Museum, Munich March 2018 – September 2019 to the BMW i Vision Future Interaction.

7 BMW i8 Concept 3Design drawing BMW i3 Both images © BMW AG, München. PRINTS & POSTERS 13

» Lithography and the Beginnings of modern mass media

» Landmarks of nineteenth-century French lithography by Théodore Géricault, Eugene ­Delacroix, Honoré Daumier, Edouard Manet, Jules Chéret, and Henri de Toulouse-Lautrec

» Fully illustrated catalogue of highlights from Zimmerli Art Museum’s renowned collection of French prints and posters

SET IN STONE: LITHOGRAPHY IN PARIS, 1815-1900 Prints and Posters from the Zimmerli Art Museum Collection

In the early 19th century, artists and printers embraced the new medium of lithography, an Christine Giviskos innovative method to mass-produce and distribute images. Known for its collection of 184 pages, 130 colour French prints and posters, the Zimmerli Art Museum at Rutgers University has rich hold- illustrations ings of lithographs made over the course of the 1800s, including examples from lithogra- 24 × 30 cm, hardcover phy’s early years in Paris to iconic color posters from the 1890s. £ 36.00 978-3-7774-2994-6 Invented around 1796, lithography introduced a new process and new opportunities for the January 2018 creation and circulation of printed images. Artists, printers, and publishers embraced the new medium for its relative ease and economic advantages as compared with the estab- lished printmaking media of woodcut, engraving, and etching. Taking root in Paris around

1815 after the fall of Napoleon’s empire, the art and industry of lithography grew in tandem EXHIBITION with the city, as it became Europe’s artistic and urban capital over the course of the nine- Zimmerli Art Museum, Rutgers University, New teenth century. Lithographs played a distinct role in both documenting and advancing (and Brunswick, NJ often satirizing) the various and competing art movements of the period as publishers re- 20.01.–29.07.2018 sponded to the unprecedented demand for printed images of all types.

7 Louis-Leopold Boilly Anger (La Colère), c. 1824, Museum purchase 3Marius Vachon, L’Impression des affiches illustrées en chromolithographie, Photomecha- nical illustration in Les Arts et les industries du papier en France, 1871–1894 All works © Collection Zimmerli Art Museum, Rutgers University. All photographs Peter Jacobs. 14 PAINTING PAINTING 15

» A fantastic visual journey through » The first in-depth study to focus on these ­nineteenth-century French art three artists together

» On the trail of the pioneers of » Highlights works drawn from collections across the U.S. » Over 100 illustrations from Corot to Renoir » Assembles a significant group of Pissarro’s little-known monotypes, some of which have rarely if ever been seen together

TOWARDS IMPRESSIONISM INNOVATIVE IMPRESSIONS Landscape Painting from Corot to Monet Prints by Cassatt, Degas, and Pissarro

Eds. S. Greub and Art Centre The catalogue of the exhibition to be shown at the Cornell Fine Arts Museum, Winter Park, Innovative Impressions explores an under-examined aspect of three Impressionists’ ca- S. Lees with an essay by Basel R. Brettell FL and the Frye Art Museum, Seattle, WA will present a choice selection of 19th century reers: their groundbreaking prints and the new techniques they developed through collab- 120 pages, 100 colour French paintings from the Musée des Beaux-Arts, Reims in order to trace the history of oration and experimentation. In 1879, Mary Cassatt, Edgar Degas, and Camille Pissarro 160 pages, 100 colour illustrations French art from the Romantics to the School of Barbizon, the circle of Honfleur, and up to formed the most active core of a group of artists planning a periodical to feature their illustrations 20 × 25 cm, hardcover 19.5 × 26 cm, hardcover Impressionism. prints. £ 24.95 £ 36.00 978-3-7774-2973-1 The Musée des Beaux-Arts, Reims owns the second largest collection of works by Jean-­ Through this collaborative effort they challenged each other to develop a new language of 978-3-7774-2978-6 January 2018 Baptiste Camille Corot after the Louvre as well as excellent landscape paintings by artists of printmaking whose visual and expressive potential went well beyond the traditional repro- June 2018 the Barbizon School. Corot was one of the most significant painters involved with the ductive purpose of the medium. Indeed, the intimacy of small-scale works on paper at times ­Barbizonists. Studying the Reims holdings further, it seemed evident to edit a catalogue and spurred the artists to be even more daringly creative than they were in their paintings. Their curate an exhibition that reaches from the romantic spirit in French landscape painting to interactions and engagement with printmaking varied over time, culminating in the 1890s, EXHIBITION the School of Barbizon on to the group of artists around Eugène-Louis Boudin at Honfleur— when each developed distinctive methods of introducing color into their work. For much of EXHIBITION Cornell Fine Arts Museum, Philbrook Museum of Art, Rollins College, Winter Park, FL the true cradle of Impressionism—and lastly to the Impressionists Claude Monet, Camille their careers this unlikely trio of artists inspired and challenged each other, and these dy- Tulsa 20.01.–08.04.2018 ­Pissarro and Pierre-Auguste Renoir. namics played a crucial role in their creative processes. 09.06.–09.09.2018 Frye Art Museum, Seattle Spring 2018

7 Mary Cassatt, Woman Bathing (La Toilette), 1890–91, Brooklyn Museum  Claude Monet, Les rochers de 3Camille Pissarro, View of Rouen Belle-Île (Rocks at Belle-Île), 1886, (Cours-la-Reine), 1884, Philbrook Legacy Henry Vasnier Museum of Art PAINTING 17

» An early history of modern landscape painting­

» Gainsborough’s most important landscapes

» New perspectives on an eminent master of the Rococo period

THOMAS GAINSBOROUGH The Modern Landscape

Thomas Gainsborough (1727–88) is one of the great European painters of the eighteenth Ed. by K. Hoins and Chr. Vogtherr on behalf of the Hamburger century. This volume is the first to present the English artist as a pivotal figure in the -de Kunsthalle velopment of “modern” landscape painting, a genre in which his experiments in painting Essays by M. Bills, B. Gockel, were particularly innovative. M. Hallett, K. Hoins, R. Jones, J. Karg, S. Pisot, Chr. Vogtherr Gainsborough himself favoured landscape painting, a field to which he made important contributions, over his well-known portraits. His works fascinate in their painterly subtlety 272 pages, 220 colour and technical variation. This volume brings together German and British traditions of view- illustrations 24 × 28 cm, hardcover ing, interpreting, and studying Gainsborough. It looks at the connections to the Dutch land- scapes, explains Gainsborough’s unusual and experimental techniques from an art techno- £ 39.95 logical point of view, and situates his landscapes in the context of the social tensions of 978-3-7774-2997-7 March 2018 early industrialisation.

EXHIBITION Hamburger Kunsthalle 02.03.– 27.05.2018

7 Thomas Gainsborough, The Watering Place, before 1777, London, National Gallery 3Thomas Gainsborough, Mr. and Mrs. Andrews, c. 1750, London, National Gallery both images: © The National Gallery, London CONTEMPORARY ART 19

» A compelling examination of contemporary landscapes

» Never before published artworks from the Hall Collection

» Featuring works from: , , Christo, Mary Corse, , Eric Fischl, Andreas Gursky, , Bruce Nauman, Raymond Pettibon, Hiroshi Sugimoto, Ai Weiwei and many more

LANDSCAPES AFTER RUSKIN Redefining the Sublime

John Ruskin was an influential English art critic and social thinker of the Victorian era, Ed. Hall Art Foundation with contributions by who famously argued that the principal concern of the artist is “truth to nature.” For L. Gumpert, D. Jamison, Ruskin, this truth entailed more than merely adept technical representation: artists J. Sternfeld, C. Wiley should, in fact, depict the natural world as mankind experiences it, with all the sensations 160 pages, 80 colour of both beauty and terror it elicits. illustrations 23 × 28 cm, hardcover Today, in a world overwhelmed by industrial development and environmental uncertainty, con- temporary artists are discovering new beauties and terrors associated with nature, invoking a £ 36.00 978-3-7774-2989-2 sense of the sublime that is uniquely modern. Landscapes after Ruskin explores how a joyful April 2018 experience of nature is now mixed with a particular dread, as the earth and its atmosphere are increasingly touched by human activity. This striking volume probes the contemporary sites of the new sublime—from a steel factory couched in a nature park to the aerial view of a bombed city, and from mutating chromosomes to construction sites in suburbia—through essays by EXHIBITION artists, photographers, and art historians, as well as experts in environmental studies and Grey Art Gallery, New York University philosophy. Featuring more than fifty awe-inspiring artworks, Landscape after Ruskin offers 17.04.–07.07.2018 compelling—and chilling—insight into the truth of the natural world today.

7 Serban Savu, They Cannot Hear Us, 2008, Hall Art Foundation © Serban Savu 7 Meerbusch Krefeld, 1989, Hall Collection © Andreas Gursky 3Installation View, Landscapes After Ruskin: Redefining the Sublime, Curated by Joel Sternfeld, Hall Art Foundation | Reading, Vermont PERFORMANCE ART 21

» One of the most internationally influential ­protagonists of video and performance art

» Jonas has exhibited regularly at documenta and the Venice Biennale

» Featuring new and classic interviews, including one with Hans Ulrich Obrist

JOAN JONAS

Since the 1960s, (b. 1936 in New York) has been one of the pioneers of perfor- Ed. Julienne Lorz With contributions by mance art. She was part of the New York art scene that included Richard Serra, Gordon M. Bayer-Wermuth, O. Enwezor, Matta-Clark, John Cage, Philipp Glass, and Merce Cunningham. Her experimental installa- J. Jonas, A. Lissoni, J. Lorz, tions involve projections, video, drawings, ambient sound, props, and masks. Based on a F. Morris, C. Wood number of interviews, the volume provides insights into her artistic oeuvre. Co-published with Haus der Kunst and Tate Modern Ever since she represented the United States at the 2015 Venice Biennale, Joan Jonas has been known to a wider European public. In selected conversations she talks about her inter- 288 pages, 60 colour illustrations disciplinary approach and about the influences and impulses she absorbed from literature, 15.5 × 20.5 cm, softcover with music, traditional Japanese Noh theatre, and the rituals of foreign cultures. The discussions flaps also touch on her collaborations with the experimental filmmaker Babette Mangolte and £ 30.00 the Jazz musician Jason Moran. Yet another focus of this catalogue is on her new works and 978-3-7774-2979-3 the live performances on the occasion of her exhibitions in London and Munich. March 2018

EXHIBITION Tate Modern, London 14.03.–05.08.2018 Haus der Kunst, Munich 09.11.2018–03.03.2019

7 Joan Jonas, They Come to Us without a Word II, performance at Teatro Piccolo Arsenale, Venice, Italy, 2015, © Joan Jonas / VG Bild-Kunst, Bonn 2017, photo by Moira Ricci 3Stream or River Flight or Pattern, 2016–2017, video still, © Joan Jonas / VG Bild-Kunst, Bonn 2017 22 SCULPTURE CONTEMPORARY ART 23

» Celebrates one of the most influential » A comprehensive discussion of the lesbian female sculptors working today filmmaker's work

» Features over 25 sculptures that highlight » An in-depth exploration of a feminist art the artist’s evolution and presents a window into pioneer the unique synthesis of emotional fragility and imposing scale in her work. » Featuring personal and artistic anecdotes

» With an extensive interview between noted guest curator Mark Rosenthal and Ursula von Rydingsvard

URSULA VON RYDINGSVARD BARBARA HAMMER The Contour of Feeling Evidentiary Bodies

Foreword by S. L. Talbott; This publication documents Ursula von Rydingsvard’s exhibition at The Fabric Workshop Barbara Hammer (b. 1939) is an American feminist artist known as a pioneer of queer ex- Eds. S. Bu Shea and C. Curtis “Why I Make Art” by Ursula von Rydingsvard; Interview of and Museum in Philadelphia, which features a large new leather work produced with the perimental and documentary film. The monograph accompanies an extensive exhibition at 104 pages, 75 colour Ursula von Rydingsvard by museum’s studio. The survey—guest curated by Mark Rosenthal—largely focuses on her the Leslie-Lohman Museum of Gay and Lesbian Art, celebrating the depth and expanse of illustrations M. Rosenthal artistic development since 2000 and reveals her predilection for emotionally-charged, vis- Hammer's five decades of art making. 24 × 28 cm, hardcover ceral art that is hand-wrought, richly complex, and monumentally scaled. 128 pages, 82 illustrations Evidentiary Bodies presents the reader with fascinating aspects of Hammer's practice, ex- £ 24.95 in colour 978-3-7774-2992-2 23 × 32 cm, hardcover Ursula von Rydingsvard is best known for her large-scale works and signature use of cedar amining her oeuvre in relationship to a wide range of topics including experimental queer January 2018 wood, which evokes the grandeur and power of nature. Her sculptures’ abstract shapes ref- cinema, lesbian sexuality, lesbian feminist history, haptics and wildness, viruses, medicine, £ 36.00 erence the mark of the human hand—evidence of the artist’s meticulous process of cutting, and the environment. This volume features responses to Hammer's work ranging from aca- 978-3-7774-2999-1 April 2018 shaping, and assembling her works from thousands of cedar blocks. The Contour of Feeling demic analysis to poetic interpretation, interspersed with personal and artistic anecdotes.

debuts a new sculpture created in collaboration with The Fabric Workshop and Museum. The monograph is a first of its kind comprehensive overview of Barbara Hammer - a stun- EXHIBITION Constructed from leather—a first for the artist—the new material represents an expansion ning celebration of feminist and queer art. Leslie-Lohman Museum of Gay and Lesbian Art, New York for von Rydingsvard’s practice. 08.10.2017–28.01. 2018 EXHIBITION The Fabric Workshop and Museum, Philadelphia 27.04.–26.08.2018

Ursula von Rydingsvard in collaboration with The Fabric Workshop and Museum Barbara Hammer, Schizy, 1968. Philadelphia, PODERWAC (detail), © Barbara Hammer. Image 2017, courtesy of the artist and courtesy the artist and Electronic Galerie Lelong, New York Arts Intermix, New York. 24 CULTURAL HISTORY CONTEMPORARY ART 25

» Marking the 150th birthday of the Ger- » The hidden legacy of work by California man-American collector, patron of the arts, and ­artists of Jewish ancestry philanthropist » Artists’ visions of the world as a gigantic » Founder of the Loeb Classical Library unexplained mechanism, complex, baffling and lovely. » “Wealth is to be achieved so that we can give it out abundantly to worthy people.” JAMES LOEB » A treasure trove of previously overlooked works by California modern and contemporary masters

JAMES LOEB CONTRAPTION Collector and Patron in Munich, Murnau and Beyond Rediscovering California Jewish Artists

Ed. H. Mayer, B. Salmen James Loeb (1867–1933), the son of a German-Jewish banker in New York, followed his The first book to examine the achievements of California artists of Jewish descent, Con- Eds. M. D. Johnson and R. Pritikin artistic and art historical inclinations and used his tremendous financial wealth for the traptions illustrates how sixteen artists use the metaphor of the machine to understand With essays by: R. Gross, M. D. English-German edition purpose of cultural and social philanthropism. This publication examines the patron’s life and depict how the individual aligns his or her identity with the workings of an at times Johnson, R. Pritikin and work and outlines his scholarly achievements. incomprehensible social system. The compelling works showcased in this catalog illumi- 240 pages, 130 colour nate the humor and drama of a century on the West coast. illustrations Classical scholar, art collector, and philanthropist – James Loeb is one of the impressive 96 pages, 50 colour illustra- 21 × 29.7 cm, hardcover tions personalities of the twentieth century. Coming from a well-off family, he lived for his artistic Cartoonist Rube Goldberg became a beloved humorist at the turn of the last century by 21,6 x 28 cm, hardcover £ 29.95 interests and owned an outstanding collection of Greek, Etruscan, and Roman artworks, drawing enormously complicated machines to accomplish wholly unnecessary jobs. Ned 978-3-7774-3026-3 £ 28.00 which nowadays is kept in the State Collection of Antiquities in Munich. He is the founder of Kahn, who invents machines that make visible otherwise invisible natural phenomena, is February 2018 978-3-7774-2976-2 the Loeb Classical Library and provided extensive support for educational and social insti- among America’s greatest artists working today in public places. Amid these towering fig- February 2018 tutions. In this publication, renowned German and American authors for the first time take ures are a hundred years worth of California Jewish artists, including standouts such as a comprehensive look at the life and work of the collector and patron who was active in acclaimed ceramicist Annabeth Rosen and gizmo matriarch Bella Feldman. These artists’ Munich and Murnau. works—and fourteen others—gracefully render the world as a gigantic unexplained mech- anism, complex, baffling, and lovely. EXHIBITION Contemporary Jewish Museum, San Francisco 22.02.–29.07.2018

3Bella Feldman Dark Noise,  James Loeb’s Office 2013, Courtesy of the artist ARCHITECTURE 27

» Revolutionary forms of living and the archi- tecture of the future – the new and intelligent volume on architecture by Niklas Maak

» Excellent artistic photographs by Johanna Diehl

» With works by Antti Lovag, Yona Friedman, Claude Parent, Dante Bini, Cini Boeri, Hans ­Walter Müller, Renée Gailhoustet, and Jean Renaudie­

EUROTOPIANS Fragments of a different future

How do we want to live? How shall we build? Where can we find ideas for the houses and Niklas Maak (text), Johanna Diehl (photographs) cities of the future? Niklas Maak and Johanna Diehl focus their attention on these highly topical questions in their joint project “Eurotopians”. In times of change, this volume casts 192 pages, 140 illustrations its backward gaze on the work of European utopians in order to find visions for the present. 17 x 24 cm, hardcover

During the 1960s and 1970s, visionary architecture was created in Europe which raised fun- £ 32.00 978-3-7774-2947-2 damental questions about our current ideas of how we should live. Many of these buildings are in ruins and their architects forgotten—although they still live there. Maak visited them and created an “archaeology of the utopian”, which shows that important ideas for the world of tomorrow can be found in the ruins. Johanna Diehl has taken impressive photographs of great intensity. In the ruins of these utopias of the modern age she discovered pictures of revolutionary approaches to life which seem surprisingly topical.

7 Top left: FRIEDMAN V, 2013; top right: BINI VIII, 2013; bottom left: RENAUDIE /GAILHOUSTET II, 2016, bottom right: BOERI III, 2013 3 MUELLER II, 2013 ARCHITECTURE / PHOTOGRAPHY 29

» International contemporary “starchitecture”

» Photographed by the award-winning artist Marcel Chassot

» With buildings by Frank Gehry, Norman Fos- ter, Daniel Libeskind, Zaha Hadid, Helmut Jahn, Mario Botta, Herzog & de Meuron, David Chip- perfield, Peter Zumthor, Renzo Piano, Santiago Calatrava, and many more

MARCEL CHASSOT Architecture and Photography — Amazement as Visual Culture

Assembling buildings designed by modern star architects from Tadao Ando- to Peter Text by Wolfgang Meisenheimer

Zumthor, this photography book is a total-work-of-art: its felicitous interplay of brilliant 374 pages, 256 colour architectural photography, exquisite book design, and texts approaching the subject from illustrations the angle of the history of thought places Marcel Chassot’s imagery within European cul- 23.5 x 33 cm, hardcover tural history. £ 64.00 978-3-7774-3006-5 Once it plunges into Chassot’s architectural photography, the eye feasts on a wealth of scenes March 2018 from the repertoire of outstanding international contemporary architecture. Each of the pho- tographs aptly captures a prototypical subject. Colouring, the arrangement of lines, lighting, as well as the photographic means are employed with such precision that viewers feel as if they are in a visual laboratory where photography interprets architecture in its particular language. In his essay the author Wolfgang Meisenheimer looks into the fundamental princi- ples of Chassot’s photographic world view and distinguishes between three layers of thought in which the work is rooted: the Euclidian orders, echoes of the modern philosophy of the lived body, and the legacy of from the beginnings of modern painting.

7 Zaha Hadid, Learning and Library Center Wirtschafts­ universität, Vienna 3Frank Gehry, Guggenheim Museum, Bilbao both images © Marcel Chassot 30 ARCHITECTURE / PHOTOGRAPHY CULTURAL HISTORY 31

» An outstanding example of a historically » African art which is both moving and informed interpretation of architecture ­powerful: the first publication of the Mack Collection­ » Brilliant presentation of Döllgast’s architec- tural visions » Magnificent pictures with numerous detail photos » Photography in an insightful dialogue with historically important buildings » A must for every lover of African art

HANS DÖLLGAST AFRICAN ART OF THE MACK COLLECTION Creative Reconstruction

80 pages, 55 illustrations The Bavarian architect Hans Döllgast (1891–1974) was accepted into the international Like many great artists, Heinz Mack also found inspiration in African art. His artistic expe- David Zemanek 21 × 31.5 cm, hardcover canon of modern architecture quite late, but then remained a part of it all the longer. His ditions into the African desert and his encounters with the special light, the people and 300 pages, 150 colour English-German edition most important achievements after 1945 were the “creative restorations” of buildings in the architecture have continued to influence his art to this day. His collection of African illustrations Munich that had been destroyed by war: the Alte Pinakothek, the Basilica of St. Boniface, art is being published for the first time. 24 x 32 cm, hardcover £ 32.00 and the major municipal cemeteries. 978-3-7774-3003-4 Since 1955, Heinz Mack has undertaken artistic expeditions into the deserts of Africa. It was English-German edition April 2018 The work of Döllgast, described by the architect himself as a “combination of undisputable here that he created his Sahara Project, which made him a pioneer of Land Art. During his £ 54.00 avant-garde and reserved rear guard”, has always fascinated the Munich-based architec- travels he purchased works by African artists which moved him, aroused his curiosity about 978-3-7774-2936-6 March 2018 tural photographer Klaus Kinold. Accordingly, the photographs in this richly illustrated vol- foreign objects, and which were then absorbed naturally into his life and work. The orna- ume were born of empathy and created as part of a personal project. Taken in the early mental, sculptural, and woven works by unknown African artists inspired Mack, and their 1980s, they are already historic due to the destruction of some of Döllgast’s work. They also power has been integrated into his own works on a subconscious level. The collection in- pay tribute to Döllgast the combative person, who with his controversially assessed resto- cludes sculptures and objects made of wood, clay, or metal—materials which are also char- rations realised exemplary solutions for new construction in historic surroundings. The bi- acteristic of the reception of Mack’s art. lingual volume includes the first English-language essays on Döllgast.

Alte Pinakothek, München 32 ­DECORATIVE ARTS ISLAMIC ART 33

» An essential contribution to the field of de- » One of the most important private collections corative arts. of Islamic and Asian art in Europe

» Reproduces many documented pieces from » Artworks that have never been seen outside the royal collection of Augustus II, founder of the Italy Meissen manufactory, including both Meissen and Asian works. » Stunning high quality reproductions throughout » Captures in the collector’s own voice his determined—at times painstaking—hunt for Meissen porcelain.

A PRINCELY PURSUIT ARTS OF THE EAST The Malcolm D. Gutter Collection of Early Meissen Porcelain Highlights from the Bruschettini Collection

Published with the Fine Arts A Princely Pursuit highlights more than seventy pieces from the Meissen porcelain col- The Bruschettini Foundation is world-renowned for its collection of Islamic and Asian art. Ed. F. Çakır Phillip Museums of San Francisco Contributions by M.Franses, Ed. Maria Santangelo lection of Malcolm D. Gutter. Promised to the Fine Arts Museums of San Francisco, the This fine publication reproduces a fascinating selection of 13th- to 17th-century carpets, C.-P. Haase, F. Çakır Phillip collection’s roughly 170 works focus on exemplary early examples from the German manu- textiles, polychrome Iznik wares, paintings, and precious inlaid metalwork chosen from 256 pages, 120 illustrations factory and trace the evolution and experimentation of Meissen wares. the collection, revealing the enduring allure of Islamic masterpieces. 248 pages, 114 illustrations 24 x 30 cm, hardcover 24 x 32 cm, hardcover Among the key pieces are a significant number of objects from Augustus II’s royal collection Handpicked by Alessandro Bruschettini in conversation with Aga Khan Museum curator £ 52.00 £ 52.00 978-3-7774-2984-7 intended for the Japanisches Palais, his pleasure palace in , either commissioned Filiz Çakır Phillip, this impressive array of works, each equally astonishing in vibrancy and 978-3-7774-2964-9 April 2018 from Meissen or imported from China and Japan. Other rare and important objects include technical perfection, has origins spanning the Islamic world from China to Spain. Bruschet- many examples of early red stoneware (Böttgersteinzeug) as well as numerous pieces creat- tini’s ongoing love of seeking out exquisite examples of such art represents the epitome of ed under the direction of Johann Höroldt (1696–1775). Curator of decorative arts Maria the collecting spirit and comprises the essence of the collection. This volume provides rich

­Santangelo provides a comprehensive history about this important collection and its key insight into the extraordinary aesthetics of Islamic and Asian art and introduces the reader EXHIBTION PERMANENT COLLECTION pieces while delineating the early development of the manufactory. A Princely Pursuit also to one of its most perceptive collectors. Aga Khan Museum, Toronto Fine Arts Museums of San 23.09.2017–21.01.2018 Francisco features a general history about Meissen collecting by Meissen specialist Sebastian Kuhn, as well as an introductory text and stories about individual pieces by the collector himself.

 Baluster vase, ca. 1722–1723 Painted by Johann Caspar Ripp Mounted coffee pot, ca. 1723–1724. Painting attributed to Johann Gregorius Höroldt  Castellani-Stroganoff Both images: © Fine Arts Museums Medallion Carpet, Ushak, Turkey, of San Francisco, photographs by ca. 1475–1525 Randy Dodson © The Bruschettini Collection 34 CONTEMPORARY ART £ 9.95 THE GREAT MASTERS OF ART SERIES

» One of the most extensive collections of contemporary Austrian art since 1945 Ernst Ludwig Kirchner (1880–1938) is one of the most im- » Supplemented by leading representatives of portant artist personalities of the twentieth century; classic modernism and works from international many of his works have become icons of . artists such as Tony Cragg, Robert Motherwell Vacillating between self-doubt and egocentricity, the and Georges Mathieu artist created an incomparably multi-faceted oeuvre with a remarkable instinct for the trends and imbalances » Awarded the Austrian Museums Prize 2011 of his time.

Thorsten Sadowsky 80 pages, 61 colour illustrations 14 × 20.5 cm, hardcover 978-3-7774-2958-8

MUSEUM LIAUNIG An Austrian Collector’s Museum

264 pages, ca. 250 colour Fully integrated into the nature of the Corinthian countryside, the Museum Liaunig is at illustrations 24 x 29 cm, hardcover once restrained and spectacular. An outstanding example of contemporary museum ar- chitecture, it creates spaces for the Liaunig collections whose focus is on Austrian art English-German edition from the post-war era to the present.

£ 39.95 “I am a collector by nature”, Herbert Liaunig says about his passion for collecting in an inter- 978-3-7774-3028-7 May 2018 view. Knowledgeable and passionate about art, Herbert Liaunig has assembled his collec- tions and has presented them in major theme-based exhibitions at his museum. Aside from EMIL NOLDE VINCENT VAN GOGH VASILY KANDINSKY the focus on Austrian art from the post-war era to the present, a high quality standard is The Great Colour Wizard Markus Müller Klaus Fußmann Hajo Düchting Christian Ring, Hans-Joachim Throl 80 pages, 76 illustrations 64 pages, 44 illustrations 80 pages, 51 illustrations also evident in the collections of portrait miniatures, glasses, and African gold. The richly 72 pages, 55 illustrations 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover illustrated catalogue presents his collecting in its full breadth. 14 x 20,5 cm, hardcover 978-3-7774-2757-7 978-3-7774-2758-4 978-3-7774-2759-1 978-3-7774-2774-4

HENRI MATISSE PAUL GAUGUIN RICHARD GERSTL Markus Müller Diethard Leopold Isabelle Cahn, Eckhard Hollmann Diethard Leopold 80 pages, 52 illustrations 80 pages, 59 illustrations 80 pages, 49 illustrations 80 pages, 52 illustrations 14 x 20,5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 14 x 20.5 cm, hardcover 978-3-7774-2848-2 978-3-7774-2852-9 978-3-7774-2854-3 978-3-7774-2622-8

Maria Lassnig, Bedrohung der Frau, 1962, Museum Liaunig 36 BACKLIST BACKLIST 37 RECENTLY PUBLISHED ART

RAPHAEL RUBENS PIETER BRUEGEL MEDUSA’S MENAGERIE HOKUSAI X MANGA MARIA THERESA AND THE ARTS FROM POUSSIN TO DAVID CANALETTO The Power of Transformation Drawing the World Otto Marseus van Schrieck Japanese Pop Culture since 1680 French Drawings at the Albertina Bernardo Bellotto paints Europe and the Scholars Ed. C. Whistler, B.Thomas Ed. Jochen Sander, Stefan Weppelmann, Ed. Eva Michel Ed. S. Schulze, N. v. Achenbach, Ed. Stella Rollig, Georg Lechner­ Ed. Christine Ekelhart Ed. A. Schumacher 448 pages, 280 illustrations Gerlinde Gruber 232 pages, 151 illustrations Ed. Gero Seelig, Staatliches Museum S.Klingler 260 pages, 176 pages,100 colour illustrations 360 pages, 311 colour illustrations 24 x 30 cm, hardcover 312 pages, 304 illustrations in colour 23.5 × 28.5 cm, hardcover Schwerin 240 pages, 231 illustrations 232 pages, 160 illustrations in colour 23.5 * 28.5 cm, hardcover 29 × 30 cm, hardcover 978-3-7774-2859-8 24 × 28 cm, hardcover 978-3-7774-2863-5 224 pages, 180 illustrations in colour 21 x 28 cm, softcover with flaps 23 × 29 cm, hardcover 978-3-7774-2836-9 978-3-7774-2247-3 £ 45.00 978-3-7774-2858-1 £ 38.00 24 × 27 cm, hardcover 978-3-7774-2667-9 978-3-7774-2923-6 £ 35.00 £ 39.00 £ 45.00 978-3-7774-2898-7 £ 24.00 £ 38.00 £ 38.00

SPLENDOR AND MISERY IN THE JEANNE MAMMEN. BLUE LAND AND CITY NOISE MEXICO MODERN PRAISED AND RIDICULED NORDIC ART WAYS OF POINTILLISM EGON SCHIELE WEIMAR REPUBLIC THE OBSERVER An Expressionist Stroll through Art Art, Commerce, and Cultural French Painting 1820-1880 The Modern Breakthrough Seurat, Signac, Van Gogh Ed. K. A. Schröder, and Literature Exchange 1860-1920 Johann Thomas Ambrózy From to Jeanne Mammen Retrospective 1910–1975 Ed. Zürcher Kunstgesellschaft / Ed. K. A. Schröder 380 pages, 328 illustrations Ed. Ingrid Pfeiffer Ed. Annelie Lügtens, Thomas Köhler Ed. Cathrin Klingsöhr-Leroy Ed. Thomas Mellins, Donald Albrecht Kunsthaus Zürich Ed. Groninger Museum, Kunsthalle 288 pages, 170 colour illustrations 25 x 29, hardcover 300 pages, 200 illustrations in colour 256 pages, 327 illustrations in colour 160 pages, 61 illustrations in colour 176 pages, 200 illustrations 248 pages, 212 illustrations ­München, D.Jackson, 260 pages, 23.5 x 28.5 cm, hardcover 978-3-7774-2764-5 24 × 29 cm, gebunden 23 x 27 cm, hardcover 19.5 × 25 cm, hardcover, bookmark 23 x 27 cm, hardcover 23 × 28 cm, softcover with flaps 154 mostly colour illustrations, 1 map 978-3-7774-2634-1 £ 42.00 978-3-7774-2933-5 978-3-7774-2912-0 978-3-7774-2906-9 978-3-7774-2856-7 978-3-7774-2946-5 29.5 x 28,5 cm, hardcover £ 28.00 £ 45.00 £ 39.95 £ 24.95 £ 34.00 £ 39.95 978-3-7774-7081-8 £ 45.00

FRAMING COMMUNITY SUBJECTIVE OBJECTIVE EXPERIMENT UNSETTLED PICASSO.MANIA NUDE MEN CHAGALL TO MALEVICH RICHARD GERSTL Magnum Photos, 1947 – Present A Century of Social Photography New Bauhaus Photography Chicago Picasso and the Contemporary from 1800 to the present day The Russian Avant-Gardes Ed. I. Pfeiffer, J. Lloyd, Ed. Joanne Northrup Masters Ed. Maria Antonella Pelizzari Ed. Donna Gustafson, Andrés Mario Ed. Bauhaus-Archiv, Museum für Ed. T. G. Natter, E. Leopold Klaus Albrecht Schröder R. Coffer 224 pages, 200 illustrations in colour 128 pages, 110 illustrations Zervigón Gestaltung Ed. D. Ottinger, D. Widmaier-Picasso, E. 348 pages, 291 colour illustrations, 52 in 312 pages, 194 illustrations, mostly in Ca. 192 pages, ca. 200 illustrations 25.4 × 33 cm, hardcover 20.3 x 25.4 cm, soft cover 368 pages, 229 illustrations 208 pages, 183 illustrations BouvardIn Association with Gagosian black and white colour 23.5 x 28 cm, hardcover 978-3-7774-2853-6 978-3-7774-2888-8 21.6 x 25.4 cm, hardcover 23 × 25 cm, Softcover with open spine Gallery, 340 pages, 394 colour illustra- 24.5 × 29 cm, hardcover 24.5 x 30 cm, hardcover 978-3-7774-2754-6 £ 50.00 £ 24.00 978-3-7774-2953-3 978-3-7774-2937-3 tions, 6 foldouts, 24,5 x 29 cm, hardcover 978-3-7774-5851-9 978-3-7774-2577-1 £ 42.00 £ 42.00 £ 38.00 978-3-7774-2520-7 £ 39.95 £ 39.95 £ 39.95 38 BACKLIST BACKLIST 39 ART ART

ANDY WARHOL WERNER GRAEFF VIBRANT METROPOLIS / ALLY KATHARINA SIEVERDING TONY CRAGG SHERRIE LEVINE The LIFE Years 1949 - 1959 Visions of a New World Recollections Of A Bauhaus Artist IDYLLIC NATURE Janine Antoni, Anna Halprin, Art and Capital Unnatural Selection After All Stephen Petronio Ed. Graphische Sammlung ETH Zürich Ed. Staatsgalerie Stuttgart, Ina Conzen Ed. Roman Zieglgänsberger, Kirchner. The Berlin Years Ed. Kunst- und Ausstellungshalle der Ed. Hessisches Landesmuseum Ed. Neues Museum, Staatliches 196 pages, 123 illustrations 300 pages, 352 colour illustrations Evelyn Bergner Ed. Zürcher Kunstgesellschaft / Ed. Adrian Heathfield Bundesrepublik Deutschland GmbH Darmstadt Museum für Kunst und Design Nürnberg 24 x 32 cm, hardcover 24 × 28 cm, hardcover English-German edition Kunsthaus Zürich 224 pages, 184 illustrations 256 pages, 300 illustrations 120 pages, 120 illustrations English-German edition 978-3-7774-2438-5 978-3-7774-2304-3 288 pages,105 illustrations 272 pages, 233 illustrations 24.5 x 29 cm, hardcover 24.5 × 28 cm, hardcover 21 x 28 cm, hardcover 192 pages, 129 illustrations £ 25.00 £ 45.00 19.5 x 25 cm, linen with dust jacket 23 × 29 cm, hardcover 978-3-7774-2952-6 978-3-7774-2808-6 978-3-7774-2707-2 24 × 30 cm, softcover with flaps 978-3-7774-2797-3 978-3-7774-2729-4 £ 35.00 £ 39.95 £ 28.00 978-3-7774-2802-4 £ 35.00 £ 42.00 £ 49.95

GRIMANESA AMORÓS. OCUPANTE JANAINA TSCHÄPE EVA & ADELE AN ARTIST´S LIFE HENRY MOORE HENRY MOORE RICHARD SERRA STELLA HAMBERG Ed. B. Reifenscheid Flatland You Are My Biggest Inspiration. by Eleanora Antinova A European Impulse Vision. Creation. Obsession Props, Films, Early Works Moritz Woelk English-German edition English-German edition Ed. Musée d'Art Moderne de la Ville de Eleanor Antin Ed. H. Arnhold, LWL-Museum für Ed. Oliver Kornhoff Ed. Alexander Klar, Jörg Daur 160 pages, 173 illustrations 128 pages, 60 illustrations 264 pages, 200 illustrations Paris 216 pages, 53 illustrations Kunst und Kultur, Westfälisches Landes- 192 pages, 172 illustrations English-German edition 21 x 29 cm, hardcover 24 x 28 cm, hardcover 26 x 30 cm, hardcover English-French edition 17 x 24 cm, hardcover with dustjacket museum, Münster 30 x 24 cm, hardcover 144 pages, 73 duplex illustrations 978-3-7774-2792-8 978-3-7774-2648-8 978-3-7774-2633-4 160 pages, 186 illustrations 978-3-7774-2538-2 258 pages, 240 illustrations 978-3-7774-2793-5 24 × 30 cm, hardcover £ 42.00 £ 24.00 £ 38.00 21 x 27 cm, hardcover £ 19.95 24 × 30 cm, hardcover £ 45.00 978-3-7774-2884-0 978-3-7774-2614-3 978-3-7774-2682-2 £ 34.00 £ 32.00 £ 38.00

GERHARD RICHTER MACK. HEINZ MACK. ZERO PAINTING MARIA LASSNIG ENCOUNTERS WITH ART RECONSTRUCTING THE MUSEUM ISLAND BERLIN THE CHASUBLE OF THOMAS About Painting LICHT / LIGHT / LUMIÈRE CATALOGUE RAISONNÉ 1956–1968 Dialogues LANSDOWNE COLLECTION OF Ed. M. Eissenhauer, A. Bähr, BECKET: A BIOGRAPHY Ed. Wolfgang Felten, Photographs by Ed. Christoph Schreier, Ed. Helmut Friedel Ed. Robert Fleck in cooperation with Ed. Anita Haldemann, Antonia CLASSICAL MARBLES E. Rochau-Shalem Ed. A. Shalem Hubertus Hamm Kunstmuseum Bonn 458 pages, 342 colour illustrations Beck & Eggeling International Fine Art ­Hoerschelmann Elizabeth Angelicoussis Ed. Staatliche Museen zu Berlin ca. 304 pages, ca 180 colour illustrations 232 pages, 190 illustrations in colour 128 pages, 68 illustrations 26 x 30 cm, hardcover with dust jacket 2 volumes, 428 pages, 520 illustrations 240 pages, 159 illustrations 624 pages (Volume I + II), 548 illustrations 416 pages, 254 illustrations mostly in and b/w 24 x 32 cm, linen binding with dust 24 × 32 cm, softcover 978-3-7774-2826-0 26.5 × 30 cm, linen, slipcase 24.5 x 28 cm, hardcover 23 × 28 cm, hardcover, linen with dust colour 22.5 x 30 cm, hardcover with dust jacket jacket 978-3-7774-2894-9 £ 60.00 978-3-7774-2818-5 978-3-7774-2877-2 jacket 25 x 32,5 cm, hardcover 978-3-7774-2519-1 978-3-7774-2902-1 £ 29.95 £ 89.00 £ 36.00 ISBN: 978-3-7774-2817-8 978-3-7774-4441-3 £ 85.00 £ 68.00 £ 60.00 £ 45.00 40 BACKLIST BACKLIST 41 ARCHITECTURE PHOTOGRAPHY

NEW MUSEUMS 3.5 SQUARE METERS NETWORKS OF CONSTRUCTION CARLO SCARPA STEFAN HUNSTEIN BENJAMIN KATZ: BENJAMIN KATZ: THE FILMMAKER'S VIEW Intentions, Expectations, Constructive Responses to Natural Ekaterina Nozhova La Tomba Brion San Vito D'Altivole In the Ice GEORG BASELITZ AT WORK GERHARD RICHTER AT WORK 100 Years of ARRI Challenges­ Disasters Ed. U. Hassler, Institut für Denkmalpflege Ed. H. M. Koetzle Ed. P. Giloy-Hirtz English-German editon English-French-German edition Ed. ARRI Ed. Art Centre Basel, Katharina Ed. Maya Vinitsky und Bauforschung der ETH Zürich Photography: Klaus Kinold 128 pages, 58 colour illustrations 144 pages, 93 full page colour photo- 144 pages, 94 B/W plates 9.4 × 11 in, 264 pages, 226 illustrations Beisiegel English-Hebrew edition 360 pages, 253 illustrations English-German Edition with Italian 11.4 × 11.8 in, hardcover graphs hardcover 21.5 x 28 cm, hardcover with 216 pages, 260 illustrations 248 pages, 186 illustrations 21 x 28,5 cm, hardcover with dust-jacket appendix, 72 pages, 55 illustrations 978-3-7774-2734-8 9.4 × 11 in, hardcover 978-3-7774-5311-8 dust jacket 24 × 30 cm, softcover 13 × 21 cm, softcover includes a construction plan 21.0 x 31.5 cm, linen with dust jacket £ 49.95 978-3-7774-2054-7 £ 34.95 978-3-7774-2857-4 978-3-7774-2724-9 978-3-7774-2886-4 978-3-7774-2539-9 978-3-7774-2737-9 £ 34.95 £ 45.00 £ 42.00 £ 17.95 £ 39.95 £ 32.00

FRAGMENTS OF METROPOLIS BERLIN FRAGMENTS OF METROPOLIS MODERNISM LONDON STYLE RUST RED THE EXPANDED SUBJECT JOSEF SUDEK CHRISTINE LJUBANOVIC MAURICE WEISS Expressionist Heritage in Berlin RHEIN & RUHR The Art Deco Heritage The Landscape Park Duisburg Nord New Perspectives in Photographic The Legacy of a Deeper Vision Conversation Portraits Facing Time Ed. C. Rauhut, N. Lehmann Portraiture from Africa Photo-Suites 1974-2014 Ed. C. Rauhut, N. Lehmann Ed. C. Rauhut Peter Latz Ed. M.-M. Sutnik Ed. Jürgen B. Tesch English-German edition English-German edition Text: English / German 288 pages, 300 color illustrations Ed. J. I. Cohen, S. Colard, G. Paoletti, The 288 pages, 210 photographs Ed. C.Ljubanovic English-German edition 256 pages, 150 colour illustrations, 256 pages, 140 colour illustrations, 216 pages, 379 b-w photographs, 123 as 22 x 28 cm, hardcover Miriam and Ira D. Wallach Art Gallery 12.6 ×10.3 in, hardcover English-French-German edition 128 pages, 55 colour illustrations 30 drawn-up maps 56 maps and sketches full-page plates 978-3-7774-2427-9 128 pages, 65 colour illustrations ISBN: 978-3-7774-5291-3 164 pages, 61 duplex illustrations 9.6 × 11.8 in, hardcover 15,5 x 24,5 cm, hardcover 15,5 × 24,5 cm, hardcover 24 x 27 cm, hardcover £ 45.00 8 × 10 in, hardcover £ 64.95 9.4 x 12 in, soft cover 978-3-7774-2242-8 978-3-7774-2772-0 978-3-7774-2678-5 978-3-7774-8031-2 978-3-7774-2632-7 978-3-7774-2528-3 £ 55.00 £ 24.00 £ 24.00 £ 39.95 £ 34.95 £ 39.95

LE CORBUSIER LIVING COMPLEX ROLAND FISCHER - FAÇADES ENGINEERING DESIGN GREY MATTER(S) BOXING CUBA ERIC CHMIL EXTRA! WEEGEE The Architect on the Beach From Zombie City Ed. P.Giloy-Hirtz Made in Wuhan – China Tom Jacobi From Backyards Solitude Ed. Daniel Blau to the New Communal to World Championship Niklas Maak English-German edition Ed. T. Herzog, Zhihong J., Baofeng L., Foreword by Bryan Adams Petra Giloy-Hirtz 336 pages., 361 illustrations Ed. M. Schleicher 208 pages, 74 b/w illustrations Niklas Maak 224 pages, 101 colour illustrations L. Wang English-German edition English-German Edition 11.8 × 9.5 in, hardocver with Photographs by Katharina Alt 12 × 20 cm, hardcover 240 pages, 117 illustrations 25 x 31,5 cm, softcover with flaps English-German-Chinese edition 144 pages, 73 illustrations 156 pages, 80 illustrations dust-jacket English-German edition 978-3-7774-3991-4 11,5 x 20 cm, hardcover 978-3-7774-2559-7 80 pages, 79 mostly colour photographs 13.4 x 11 in, hardcover 30 × 26 cm, hardcover in linen 978-3-7774-2813-0 184 pages, 102 illustrations £ 17.95 978-3-7774-2410-1 £ 22.00 28 x 30 cm, softcover 978-3-7774-2576-4 978-3-7774-2928-1 £ 55.00 9.4 x 11 in, hardcover £ 17.00 978-3-7774-2029-5 £ 65.00 £ 38.00 978-3-7774-2612-9 £ 19.95 £ 42.00 HIRMER PUBLISHERS HIRMER PUBLISHERS 43 AGENTS & DISTRIBUTORS AGENTS & DISTRIBUTORS

US & Canada UK Territory Managers Subsidiaries, Agents and Middle East Singapore and Southeast Asia Austrian Sales Office Sales Office Representatives Abroad APD Singapore Pte Ltd Gethyn Jordan Middle East incl. Egypt 52 Genting Lane Distribution Key Accounts Manager #06-05, Ruby Land Complex The University of Chicago Press Americas and Eastern Mediterranean Mohr Morawa Buchvertrieb GmbH National Wholesalers Stephen Embrey Singapore 349560 Sulzengasse 2 Chicago Distribution Center T: +44 20 78 455 000 T: +65 67 493 551 Sue Tranchita Central and South America, Mexico and E [email protected] A-1230 Wien F: +44 20 78 455 055 F: +65 67 493 552 Telefon: +43 (1) 680 14-0 11030 South Langley Avenue E: [email protected] The Caribean E: [email protected] Chicago, IL 60628 Natasha Ffrench Iran Telefax: +43 (1) 688 71 30 Book City Co.(PJS) [email protected] T: +1 773 702 4916 Michelle Strickland Export Sales Department India, Nepal, Bangladesh and Bhutan M: [email protected] Thames & Hudson Ltd P.O. Box 158757341 www.mohrmorawa.at Key Accounts Manager 743 Shariati St. Kapil Kapoor T: +44 20 78 455 000 E: [email protected] Tehran 16396 Roli Books Austria, South Tyrol Senior Editor F: +44 20 78 455 055 T: +(9821)88459950 T +91 11 4068 2000 Verlagsvertretung New York E: [email protected] Europe F: +(9821)88459949 F + 91 11 2921 7185 Bernhard Spiessberger E: [email protected] E: [email protected] Ursula Fuchs/Michaela Horvath David Howson Elisabeth Rochau-Shalem Belgium, Netherlands and ­Luxembourg Liechtensteinstraße 17/2 London Pakistan and Sri Lanka E: [email protected] Bas van der Zee Lebanon 1090 Wien T: +44 20 78 455 000 T: + 31 623 137 695 Levant Distributors Scipio Stringer Tel.: +43 1 907 86 41 F: +44 20 78 455 055 E: [email protected] PO Box 11-1181 Thames & Hudson Ltd Fax: +43 1 916 61 47 E: [email protected] Sin-El-Fil, Al Qalaa Area E: [email protected] http://www.spiessberger-­ Rest of the World: London: E1-E18, EC1-4, N1-22, SE1, SW3, Eastern Europe Sector No. 5 verlagsvertretung.at Trade Distribution & SW7, W1, W2, W8, W11, WC2 Sara Ticci Bldg #31, 53rd Street [email protected] T: +44 7952 919 866 Beirut Australasia Accounts Dawn Shield (except Germany, Austria and ) E: [email protected] T: +961 1 488 035 London F: +961 1 510 659 Australia, New Zealand, Switzerland Sales Office T: +44 20 78 455 000 Papua New Guinea & the Pacific Islands Thames & Hudson Ltd Eastern Mediterranean, Bulgaria, E: [email protected] Distribution F: +44 20 78 455 055 Thames & Hudson (Australia) Pty Ltd Littlehampton Book Services Romania AVA Verlagsauslieferung AG E: [email protected] 11 Central Boulevard Faraday Close Stephen Embrey Centralweg 16 London: NW1-NW11 Portside Business Park Durrington, Worthing T: + 44 7952 919866 Asia 8910 Affoltern am Albis Fisherman’s Bend West Sussex BN13 3RB E: [email protected] T: +41 44 762 4250 Leslie Bolt China (PRC), Hong Kong and Macau Victoria 3207 F: +41 44 762 4210 T: +44 7984 034 496 T: +61 3 96 467 788 Customer Services France Thames & Hudson China Ltd E: [email protected] E: [email protected] F: +61 3 96 468 790 T: +44 190 382 8501 Interart S.A.R.L. Units B&D 17/F www.ava.ch Bedfordshire, Berkshire, Cambridge­ E: [email protected] Direct Order Line 1 rue de l’Est Gee Chang Hong Centre shire, Dorset, Essex, Hampshire, Hert- T: +44 190 382 8511 75020 Paris 65 Wong Chuk Hang Road Switzerland fordshire, Kent, Middlesex, Norfolk, F: +44 190 382 8801 T : (1) 43 49 36 60 Aberdeen Ravasio GmbH Suffolk, Surrey, East Sussex, West Sus- E: [email protected] F: (1) 43 49 41 22 Hong Kong For countries not Verlagsvertretungen sex, Wiltshire, Worcestershire, Oxford, E: [email protected] E: [email protected] T: +852 2 553 9289 Giovanni Ravasio London SW4-6, SW8-20, SE2-26, W3-7, mentioned­ above, please­ F: +852 2 554 2912 Heliosstr. 18 W9-14­ Ireland E: [email protected] contact: CH 8032 Zürich Karim White Tel +41 44 260 61 31 UK Sales Office Karim White Ian Bartley, Head of Export Sales T: +44 7740 768 900 For China enquiries: Fax +41 44 260 61 32 T: +44 7740 768 900 Export Sales Department Christian Frederking E: [email protected] Marc Zhang,Beijing & Northern China [email protected] E: [email protected] Thames & Hudson Ltd Group Sales Director E: [email protected] Cheshire, Cleveland, Cumbria, Co. 181A High Holborn T: +44 20 78 455 000 Italy, Spain and Portugal Durham, Lancashire, Greater Manches- London WC1V 7QX F: +44 20 78 455 055 Natasha Ffrench Shanghai Press & Public Relations ter, Merseyside, Northumberland, Shef- UK E: [email protected] Export Sales Department Jiajin Chen, Shanghai T: +44 20 78 455 000 field, Tyne & Wear, Yorkshire, Ireland, Thames & Hudson Ltd E: [email protected] Eva-Maria Neuburger Scotland F: +44 20 78 455 055 Ben Gutcher E: [email protected] Press & Public Relations E: [email protected] Head of UK Sales Taiwan T: +49 89 12 151 663 Mike Lapworth T: 020 7845 5000 Scandinavia, Baltic States, Russia and Ms Helen Lee, Taipei E: [email protected] T: +44 7745 304 088 F: 020 7845 5055 the CIS E: [email protected] E: [email protected] German Sales Office E: [email protected] Per Burell Buckinghamshire, Derbyshire, Here- All prices and title details are subject to change T: +46 70 725 1203 Korea fordshire, Leicestershire, Lincolnshire, Christine Vorhoelzer without notice. Information correct­ as of Andrius Juknys E: [email protected] Zita Chan Northants, Nottinghamshire, Oxon. Head of Sales November 2017. Every effort has been made to Head of Distributed Books E: [email protected] (except Oxford), Shropshire, Stafford­ T: +49 89 12 151 661 contact ­copyright holders. Where the attempt T: +44 20 78 455 000 has been unsuccessful, the publisher­ would be shire, Warwickshire, West Midlands, F: +49 89 12 151 616 F: +44 20 78 455 055 Africa Japan pleased to hear from the person concerned. Worcestershire E: [email protected] E: [email protected] Scipio Stringer Africa (excluding south) Export Sales Department Illustration front page: Claude Monet, Waterloo Ian Tripp Ian Bartley Renate Ullersperger Mark Garland Thames & Hudson Ltd Bridge, 1903, Kunstmuseum Bern. Photograph: T: +44 7970 450 162 Export Sales Department Sales Manager, Distributed Books E: [email protected] Mick Vincenz © Kunst und Ausstellungshalle E: [email protected] Thames & Hudson Ltd T: +49 89 12 15 151 623 T: 020 7845 5000 der Bundesrepublik Deutschland GmbH, Bonn. Channel Islands, Cornwall, Devon, E: [email protected] F: +49 89 12 15 151 610 publication: Gurlitt: Status F: 020 7845 5055 Malaysia Taken from the E: [email protected] Report (see page 1) Gloucestershire, Somerset, Wales APD Kuala Lumpur Illustration back page: E: [email protected] Marcel Chassot, Oculus World Trade Center South Africa, Swaziland, Lesotho, No 22, 24 & 26 Jalan SS3/41 Distribution Transportation Hub (Architecture: Santiago Victoria Hutton Namibia, Botswana and Zimbabwe 47300 Petaling Jaya Koch, Neff & Oettinger Calatrava), New York, USA, 2016. Taken from the T: +44 7899 941 010 Peter Hyde Associates Selangor Darul Ehsan E: [email protected] 5 &7 Speke Street Verlagsauslieferung GmbH publication: Marcel Chassot: Architecture and T: (603) 7877 6063 Photography — Amazement as Visual Culture London Gift Accounts (Corner Nelson Street) Industriestraße 23 F: (603) 7877 3414 (see page 27) D-70565 Stuttgart Observatory 7925 E: [email protected] James Denton Cape Town Telefon +49-(0)711-7899-2010 T: +44 7765 403 182 T: +27 21 447 5300 Telefax +49-(0)711-7899-1010 E: [email protected] F: +27 21 447 1430 [email protected] South and South East Gift Accounts E: [email protected] HIRMER PUBLISHERS Nymphenburger Strasse 84 80636 Munich Germany T: +49 (0)89 12 15 16 0 F: +49 (0)89 12 15 16 10 E: [email protected] www.hirmerpublishers.co.uk www.hirmerpublishers.com www.hirmerverlag.de