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© Gurlitt Provenance Research Project Object Record Excerpt for Lost Art ID: 532984 30 June 2017 (Interim Results)

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© Gurlitt Provenance Research Project Object Record Excerpt for Lost Art ID: 532984 30 June 2017 (Interim Results) © Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 532984 Greek, Late Fourth Century BCE Tanagra figurine Clay, mold-cast, polychromed, 128 x 48 x 30 mm Provenance: (…) Hildebrand Gurlitt, Dusseldorf (per Gurlitt Papers) Thence by descent to Cornelius Gurlitt, Munich/Salzburg From 6 May 2014: Estate of Cornelius Gurlitt Primary sources: Hildebrand Gurlitt and Cornelius Gurlitt Papers: Photographs: BArch, N 1826 Bild-20741 [=7.1_F17135], [n.d.] Hildebrand Gurlitt and Cornelius Gurlitt Papers – possible reference: Correspondence: BArch, N 1826/177, fol. 191-194 [=vol. 6, fol. 157–160]. Wallraf- Richartz-Museum to Hildebrand Gurlitt, 29 May 1946 Register of Salzburg works, 2014, no. Wien 068_6 30 June 2017 (interim results) www.lostart.de/EN/Fund/532984 © Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 532984 Further sources consulted: Kölner Jahrbuch für Früh- und Vorgeschichte. Vols. 1933–1960. Kleiner, Gerhard. Tanagrafiguren: Untersuchungen zur hellenistischen Kunst und Geschichte. Berlin: de Gruyter, 1942. Faiences et porcelaines anciennes; objets de vitrine, tapisseries anciennes, tapis. Auct. cat., Hôtel Drouot, Paris, 24 December 1942. [possibly no. 52?] Eberhard, Paul. Tanagra Figuren aus den Staatlichen Museen zu Berlin. Leipzig: Prisma, 1962. Zink, Antoine and Elsa Porto. “Luminiscence dating of the Tanagra terracottas of the Louvre collections”, pp. 21─26. In: Geochronometria, vol. 24 (2005). bpk-Bildagentur Bundesarchiv, Koblenz Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg: Database of Art Objects at the Jeu de Paume Database “Central Collecting Point München” Database “Kunstsammlung Hermann Göring” Galerie Heinemann Online Getty Provenance Index, German Sales Catalogs Heidelberger Digitale Bibliothek (Auktionskataloge; Heidelberger Historische Bestände) Lootedart.com Lost Art Ministère des Affaires étrangères, Archives diplomatiques (Achats allemands en France, Base Achats Gurlitt) Répertoire des Biens Spoliés Rijksbureau voor Kunsthistorische Documentatie, The Hague Zentralarchiv der Staatlichen Museen zu Berlin – Preußischer Kulturbesitz Note: The personal papers found in Cornelius Gurlitt’s Salzburg home include a collection of about 2,400 photographs of artworks. Photograph no. 17.1_F17135 shows a display of five artefacts, including this work; inscribed on verso: “39”. This object has sustained extensive fire damage, as have many of the ancient artefacts in the Schwabing Art Trove. Time and circumstances of this damage are currently unknown (cf. Lost Art ID nos. 521787–521799, 521805, 521806, 521814, 521815, 532938). The photograph shows the pre-fire state. Rights: All rights to this report belong to the German Lost Art Foundation under whose administration the Gurlitt Provenance Research Project operates. Disclaimer: The Gurlitt Provenance Research Project, as the successor to the Task Force Schwabing Art Trove, focused exclusively on the provenance of the artwork described in this report. This report does not purport to make pronouncements on any legal claims and legal positions. Where individuals are referred to as descendants, this term is not legally binding. No liability will be accepted for conclusions drawn by third parties based on this report. 30 June 2017 (interim results) www.lostart.de/EN/Fund/532984 © Gurlitt Provenance Research Project Object record excerpt for Lost Art ID: 532984 The Gurlitt Provenance Research Project endeavoured to ensure the accuracy and reliability of the information provided in this report. No liability will be accepted, in particular, for the accuracy of the used sources; the facts, analyses and conclusions contained therein; the exhaustiveness of research and evaluation of the available source material; any analyses or conclusions drawn from the sources in the course of research; the findings on the subject of the report and how they were derived; the authenticity of the artwork, its attribution to a particular artist, and/or its monetary value. The conclusions drawn in this report may be revised, should additional relevant material be discovered. The Gurlitt Provenance Research Project welcomes any information that may augment or clarify the provenance of this work. 30 June 2017 (interim results) www.lostart.de/EN/Fund/532984 .
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