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Home , Auf meinen lieben Gott, Chorale setting, Christus (Mendelssohn), Christ ist erstanden, Herzliebster Jesu, Hymn tune

Catalog 47

Opus 21-64 composed in America. Sept. 1960-Aug. 1976 Opus 21-40 at Seward, Neb. 1960-65

Opus 21 Herr Jesu Christ, meins Salvation Unto Us Has Come Herr, wie du willst (Aus tiefer Not) Concordia, 1962. 97-6390, Herzlich lieb (instr. parts): 97-6421—97-6422 SATB, strings and keyboard Heut triumphieret Gottes Sohn cantata Hyfrydol Tune: Es ist das Heil Ich dank dir schon 4 settings (intrada and 5 strophes) In dich hab ich gehoffet Composed: Oct. 1960. Jesu, meine Freude First performance: Nov. 1960. Christus, unser Heiland Dedicated to Paul Rosel. Komm, Gott Schöpfer Komm, Heiliger Geist, Herre Gott Opus 22 - Tabulatura Americana Kommt her zu mir Opus 22 No. 1 Lasset uns mit Jesu ziehen The of the Week Lobe den Herren, o meine Seele Tabulatura Americana, Pars Prima Lobet den Herrn, ihr Concordia, 1961. 97-1444 Machs mit mir, Gott 71 organ settings Composed: Dec. 1960 Nun bitten wir Dedicated to Matthias Bender Nun freut euch (2 settings) Contents: Nun komm, der Heiden Heiland Ach bleib bei uns Nun lob, mein Seel Ach Gott vom Himmel O Jesu Christ, mein's Ach Gott vom Himmelreiche Old Hundredth All' Ehr' und Lob Puer nobis nascitur Allein zu dir St. Columba An Wasserflüssen Babylon (Ein Lämmlein St. George geht) Sollt ich meinem Gott nicht singen Angelus Such, wer da will Auf diesen Tag bedenken wir Vater unser Aurelia Veni, Emmanuel Aus meines Herzens Grunde Vexilla Regis Aus tiefer Not (Herr, wie du willst) Vom Himmel hoch (2 tunes) Aus tiefer Not (Phrygian) Vom Himmel kam der Engel Schar Christ lag in Todesbanden Von Gott will ich nicht lassen Divinum mysterium Wachet auf Eins ist not Was frag ich nach der Welt Erhalt uns, Herr Was mein Gott will Es ist das Heil (2 settings) Wenn wir in höchsten Nöten Es ist gewißlich Wie schön leuchtet (3 settings) Es wolle Gott uns gnädig sein Winchester New Gelobet seist du, Jesu Zeuch ein Gelobt sei Gott Gott der Vater Herr, ich habe mißgehandelt

48 Catalog

Opus 22 No. 2 Opus 22 No. 3 New Organ Settings for and vol. 1 New Organ Settings for Hymns and Chorales vol. 2 Tabulatura Americana, Pars Secunda Tabulatura Americana, Pars Secunda Concordia, 1963. 97-1454 Concordia, 1963. 97-1461 46 organ chorale settings 48 organ chorale settings Composed: April 1962 Composed: April 1962 Contents: Contents: Adeste fideles Ach Gott und Herr Christus, der ist mein Leben Allein Gott in der Höh Dir, dir, Jehovah Alles ist an Gottes Segen Dix Es ist ein Ros entsprungen Christe, du Beistand Freu dich sehr Darwall's 148th Freuet euch, ihr Christen alle Die helle Sonn leucht Fröhlich soll mein Herze springen Duke Street Gott sei Dank Dundee Gottes Sohn ist kommen Hymn Gott sei gelobet Ein feste Burg Helft mir Gott's Güte preisen Es ist genug Herr Jesu Christ, dich zu uns wend Erschienen ist der herrlich Tag Herr Jesu Christ, du hast bereit't Fahre fort Ich dank dir, lieber Herre Gott des Himmels Herzlich tut mich verlangen Jesaia, dem Propheten Ich singe dir , Gott Vater Ich will dich lieben Liebster Jesu Italian Hymn Lobe den Herren, den , du hochgebaute Stadt Lobt Gott, ihr Christen Jesu Kreuz, Leiden und Pein Macht hoch die Tür () Jesu, meines Lebens Leben Macht hoch die Tür (Halle) Jesus, meine Zuversicht Macht hoch die Tür (Lemke) Kirken den er et Mit Fried und Freud Komm, o komm, du Geist des Lebens Neander Laßt uns erfreuen Nun danket all O daß ich tausend (Dretzel) Nun danket alle Gott O du Liebe Nun preiset alle O Gott, du frommer Gott O daß ich tausend (König) O heilige Dreifaltigkeit (2 versions) Quem pastores O Herre Gott St. Anne O Lamm Gottes, unschuldig St. Michael O Traurigkeit Schmücke dich O Welt, ich muß dich lassen (2 versions) Southwell Old 124th Valet will ich dir geben Sine nomine Wie soll ich dich empfangen Straf mich nicht Wo Gott zum Haus Tallis' Canon Wunderbarer König Warum sollt' ich mich denn gramen Was Gott tut Wer nur den lieben Gott Werde munter, mein Gemüte Wir glauben all an einen Gott

Catalog 49

Opus 23 - for Male Choir Opus 23 No. 1 Opus 24 No. 4 Have Mercy upon Me If God were Not Upon Our Side unpublished (as of September 2005) Chantry, 1975. COA 7349 choir TTBB choir SATB Text: Psalm 51 and Composed: Dec. 1960 for Loui Nowak, English text Wartburg Seminary, Dubuque, Iowa. Later Tune: Wo Gott der Herr revised for a male choir in Pasadena. Composed: May 1973 Revised version was often performed by Dedicated to Rev. Dr. John W. Rilling on Herbert Nuechterlein at Concordia College, the occasion of his retirement as President Fort Wayne, IN. of the Ohio Synod A new autograph manuscript was written Contents: for Krieg Library at Wittenberg University, Chorale setting (Strophes 1, 6 --tr. Catherine Springfield, OH, 1972. Winkworth) Motet (paraphrase of :1, 2, 8 from Opus 23 No. 2 Bay Psalm Book) Magnificat unpublished (as of September 2005) Opus 24 No. 5 choir (male?) Magnificat 1532 Composed: 30. June 1983 Chantry, 1974. Written for Larry Houff choir SATB Tune: Tonus Peregrinus Opus 24 - Motets for mixed-choir Opus 24 No. 1 Whom Have I in Heaven But Thee Concordia Motet Series Concordia, 1962. 98-1637 choir SATB Text: Psalm 73:25-26, 28 and Composed: Feb. 1961 Dedicated to Paul Rosel, for his choir tour to Europe. Bender heard this motet for the first time in St. Johannis, Lüneburg, sung by the Concordia Seward choir in summer, 1961, after which he took his family to join him in America.

Opus 24 No. 2 God is our Refuge and Strength Choral Settings of the Augsburg, 1963. PS 608 choir SATB Text: Composed: January 1962

Opus 24 No. 3 O Sing Unto the Lord a New Song Bethel Luth. Ch., Madison WI, 1964. (new publication by Concordia, 1982. 98-2557, instr. part 97-5699) choir SATB, clarinet or violin, keyboard Bender at Seward Text from Composed: March 1962 written for Loui Nowak

50 Catalog

Opus 24 No. 6 Opus 26 In Peace and Joy I Go to Rest (Mit Fried und Freud) with Festival Preludes on Six Chorales Concordia, 1963. 97-4608 German Version: Embühren, Renaissance Musik (The chorale preludes from this opus were also Verlag, 8/94, Ed. No. 10504 (This publication omits published in The Master Organ Works of Jan Bender, the text of Strophe 2) ed. Fienen. Concordia 2005. No. 2 in vol. 1 choir SATB, organ 97-7098 and the others in vol. 4 97-7101.) and motet canticle 6 organ chorale preludes and 7 accompaniments English and German text versions Composed: 1961 Composed: May 1977 This collection originally included op. 29 English version (translation by Dr. John Rilling, no. 3f-g (according to the ’s President of Ohio Synod) “In memoriam Annie Lytle Werkverzeichnis 1 ) Miller” Contents: German version “für meinen lieben Freund Dr. Lobe den Herren, den mächtigen König der Hermann Zietz, Organist in Garstedt” Ehren (no. 1) Contents: (composed: Aug. 61) In Peace and Joy I go to rest (Mit Fried und [The composer told me once that he didn’t Freud) [Strophe 1-a cappella] like the chords he had written at the repeat For Christ is Lord of death and life (Das macht in this and I have Christus wahr’ Gottes Sohn) [Strophe 2- subsequently uncovered two different same setting] corrections he made in printed versions Nunc dimittis: Lord, now lettest Thou Thy (see below). However, I have always servant depart in peace (Herr, nun lässest preferred the printed versions and when Du Deiner in Frieden fahren) [with organ] Bender borrowed my score to use to play He is the true and saving light (Er ist das Heil for chapel at Gustavus, it came back with und selig Licht) [Strophe 4-same setting as fingering and pedalings marked in his own Strophes 1 & 2 but with organ accomp.] hand, but no corrections. Therefore, in my The German version of this motet was sung by the new edition published by Concordia, I did cappela piccola from Hohenwestedt for the composer’s not include either of these corrections.] funeral in St. Severin in Hademarschen on Jan. 4, 1995, Lobe den Herren, o meine Seele (no. 2) conducted by Norbert Klose, with Wilfrid Myles at the Nun lob, mein Seel, den Herren (no. 3) organ. Ein feste Burg ist unser Gott (no. 4) includes two accompaniments Opus 25 (composed: Sept. 61) Our Father, Thou in Heaven Above (also publ. in Augsburg Organ Library: Augsburg, 1969. 11-829 November. Augsburg Fortress 2000. 11- organ partita 11035) Tune: Vater unser Nun freut euch, lieben Christen g'mein (no. 5) 9 movements (composed: Sept. 61) Composed: 1968 Erhalt uns, Herr, bei deinem Wort (no. 6) Dedicated to Hugo Gehrke Written as a contribution to the first Ecumenical Festival in St. Mary Catherdal, Tokyo on June 9, 1968. Commissioned by Kanzaburo Hasegawa, Koinonia Lutheran , Tokyo.

Catalog 51

Correction to measures 29-30 of chorale prelude Lobe den Herren, den (opus 26 no. 1) These corrections were marked (and signed) by Bender himself in a student’s copy in 1963.

Correction to measure 30 of chorale prelude Lobe den Herren, den (opus 26 no. 1) This correction is from Bender’s own Desk Copy

52 Catalog

Correction to Chorale Accompaniment Lobe den Herren, den (opus 26 no. 1) These corrections are from Bender’s own Desk Copy and reflect his adaptation to the differences found in the melody in most modern in America. His original version was based on the melody as included in The Lutheran , 1941.

Correction to measure 6 of Chorale Accompaniment Erhalt uns, Herr (opus 26 no. 6) This is from Bender’s own Desk Copy.

Catalog 53

Opus 27 Opus 28 No. 3 From Heaven High I Come to Earth Magnificat Concordia, 1963. 97-6399, unpublished (as of September 2005) (instr. parts): 97-6401—97-6403 treble choir and choir SA and/or TB, cong., violin, oboe, organ Composed: 1955 (German text) Commissioned by Walther Rogge and premier Tune: Vom Himmel hoch performance conducted by him for 550-year festival of 13 settings (Intrada and 15 strophes) St. Nikolai, Berlin. Composed: Nov. 1961. Rewritten in Jerusalem in 1972 with English text. Premier performance: in Seward, Dec. 1961, conducted by Carlos Messerli. Opus 29 - Settings in Collections Dedicated to Carlos Messerli Opus 29 No. 1 following compositions included in: Opus 28 – Three Cantatas The Hymn of the Week Opus 28 No. 1 Opus 29 No. 1a Concertato Let Us Ever Walk with Jesus Augsburg, 1968. 11-9140, instr. pts. 11-9141 The Hymn of the Week SATB vol. 2 SATB/SAB, STB solos, trumpet, flute, Concordia, 1961. 97-7604 oboe, bassoon, organ choir SATB 7 movements Tune: Lasset uns mit Jesu ziehen Composed: Sept. 1961, for Paul Rosel. Composed: 1960 First performance: Dec. 3, 1961 Opus 29 No. 1b Dedicated to Frederick Jackisch Christ Jesus Lay in Death's Strong Bands Outline: The Hymn of the Week SATB vol. 3 Part I Concordia, 1961. 97-7605 Intrada (tr, org) choir SATB "Der Tag, der ist" st. 1 (Choir I) and Tune: Christ lag in Todesbanden Is. 9:2,6 (STB solos) Composed: 1960 Opus 29 No. 1c-d Part II Creator Spirit, by Whose Aid "In dulci jubilo" st. 1, 2 (Choir II, fl, ob, Tune: All’ Ehr’ und Lob bassoon) Lord, to Thee I Make Confession Intrada (repeated) Tune: Herr, ich habe mißgehandelt Part III The Hymn of the Week SATB vol. 4 "Der Tag, der ist" st. 2 (Choir I) and Concordia, 1961. 97-7606 Matt. 3:17, 1:21, John 14:6 (STB solos) choir SATB Matt. 11:28-29 (STB solos) Composed: 1960 Part IV Opus 29 No. 1e "In dulci jubilo" st. 3 (both choirs) Lord God, We All to Thee Give Praise "In dulci jubilo" st. 4 (both choirs, solos and The Hymn of the Week SAB vol. 5 instruments) Concordia, choir SAB Opus 28 No. 2 Tune: Old Hundredth The Lord is My — — — — — — — — — — — — — unpublished (as of September 2005) treble choir, 2 trpts, bassoon, SATB, str, hpschd Psalm concertato Text: , 117 Composed: Dec. 1962 for Paul Rosel. First Performance: Mar. 17, 1963 (later became part of op. 34 no. 1)

54 Catalog

Opus 29 No. 2 Opus 29 No. 3h following compositions included in: Morning Star Organ Music for the Communion Service vol. 11. Concordia, 1966. 97-4758 Concordia, 1956. 97-1395 (also publ. in The Concordia Hymn Prelude Series Jesus Christus, unser Heiland vol. 6. Concordia, 1982. 97-5612) 3 settings (also publ. in The Master Organ Works of (also publ. in The Master Organ Works of Jan Bender, vol. 3, ed. David Fienen. Jan Bender, vol. 4, ed. David Fienen. Concordia 2005. 97-7100) Concordia 2005. 97-7101) Opus 29 No. 3i O esca viatorum Stuttgart 2 settings vol. 12. Concordia, 1966. 97-4759 — — — — — — — — — — — — — — — — — — — — — — — — — — Opus 29 No. 3 Opus 29 No. 4 following compositions included in: This opus number was used by the composer to list The Parish Organist three motets republished in: The Morning Star Choir Opus 29 No. 3a-b Book. Concordia, 1957. 97-6287 St. Michael (No. 3a) Contents: (also publ. in The Master Organ Works of Jan opus 12, no. 9, 10, Bender, vol. 3, ed. David Fienen. Concordia 2005. opus 6, no. 5, 97-7100) opus 32, no. 10 O heilige Dreifaltigkeit (No. 3b) — — — — — — — — — — — — — Concordia, 1953. 97-1437 Opus 29 No. 5a-d Opus 29 No. 3c following compositions included in: Macht hoch die Tür (Halle) Free Organ Accompaniments to Festival Hymns vol. 5. Concordia, 1955. 97-1382 vol. 1. (also publ. in Vierundvierzig Choralvorspiele Augsburg, 1963. 11-9192 Ev.-Luth. Landeskirche Hanover, [1966]) Miles Lane (No. 5a) (also publ. in The Master Organ Works of Jan Schönster Herr Jesu (No. 5b) Bender, vol. 3, ed. David Fienen. Concordia 2005. Vom Himmel hoch (No. 5c) 97-7100) Wie schön leuchtet (No. 5d) Opus 29 No. 3d 3 settings of each tune Valet will ich dir geben Opus 29 No. 5e vol. 7. Concordia, 1956. 97-1403 Antioch (also publ. in The Master Organ Works of Jan Free Organ Accompaniments to Hymns vol. 2 Bender, vol. 3, ed. David Fienen. Concordia 2005. Augsburg, 1965. 11-9187 97-7100) 3 settings Opus 29 No. 3e Opus 29 No. 5f Gelobt sei Gott Winchester Old vol. 8. Concordia, 1956. 97-1404 Free Organ Accompaniments to Hymns vol. 3 (also publ. in The Master Organ Works of Jan Augsburg, 1966. 11-9189 Bender, vol. 2, ed. David Fienen. Concordia 2005. 3 settings 97-7099) — — — — — — — — — — — — — Opus 29 No. 3f-g Opus 29 No. 6 Wie schön leuchtet (No. 3f) Lobe den Herren Nun danket alle Gott (No. 3g) Voluntaries for the Christian Year vol. 1 vol. 9. Concordia, 1962. 97-1445 Abingdon, 1965. APM 526 (also publ. in The Master Organ Works of Jan organ Bender, vol. 4, ed. David Fienen. Concordia 2005. 97-7101) Opus 29 No. 7 Composed: Sept. 59 This Night did God Become a Child (These two pieces were originally intended Christmas Annual 1968 as part of opus 26.) Augsburg, 1968. (also publ. in Contemporary Worship I: Hymns, Augsburg, Board of Publication, Concordia, 1969.) hymn with organ accompaniment

Catalog 55

Opus 29 No. 8 Opus 29 No. 10i Nun danket alle Gott Alles ist an Gottes Segen The Sacred Organ Journal, Nov. 1969 Contemporary Worship 4: Hymns for Baptism and Lorenz, 1969. SOJ-11-69 Holy Communion organ chorale prelude and accompaniment Augsburg, Board of Publication, Concordia, 1972. for Rebecca Mitchell (also published in , Augsburg and Board of Publication, 1978.) Opus 29 No. 9 organ accompaniment From East to West, from Shore to Shore — — — — — — — — — — — — — Sing Glorias! Opus 29 No. 11 Concordia, 1971. 97-5029 following compositions included in: choir SATB Preludes for the Hymns in Worship Supplement chorale motet Concordia. Tune: Christum wir sollen loben schon organ chorale preludes — — — — — — — — — — — — — Christum wir sollen loben schon Opus 29 No. 10a-g vol. 1, 1971. 97-4960 following compositions included in: The King's Majesty Contemporary Worship I: Hymns (also publ. in The Master Organ Works of Jan Augsburg, Board of Publication, Concordia, 1969. Bender, vol. 1, ed. David Fienen. Concordia 2005. Earth and All Stars (No. 10a) 97-7098) and accompaniment Sonne der Gerechtigkeit Earth and All Stars (No. 10b) vol. 2, 1972. 97-5035 organ accompaniment for David N. Johnson's tune (also publ. in The Master Organ Works of Jan (also published in Songs of Praise, Prayers for Peace Bender, vol. 1, ed. David Fienen. Concordia 2005. [Devotions & Worship Resources for the 1984 97-7098) Summer Olympics], Lutheran Olympic Ministry, Wittenberg New 1984., and in Lutheran Book of Worship, vol. 3, 1973. 97-5036 Augsburg and Board of Publication, 1978.) (also publ. in The Master Organ Works of Jan God, Who Stretched the Spangled Heavens (No. 10c) Bender, vol. 3, ed. David Fienen. Concordia 2005. hymn tune and accompaniment 97-7100) Great God, Our Source (No. 10d) Wie lieblich ist der Maien organ accompaniment vol. 4, 1973. 97-5037 Lord, Receive This Company (No. 10e) (also publ. in The Master Organ Works of Jan hymn tune and accompaniment Bender, vol. 1, ed. David Fienen. Concordia 2005. Das neugeborne Kindelein (No. 10f) 97-7098) organ accompaniment — — — — — — — — — — — — — This Night Did God Become a Child (Op. 29 No. 7) Opus 29 No. 12 following compositions included in: Opus 29 No. 10h New Organ Accompaniments for Selected Hymns of The Beatitudes Contemporary Worship 5: Services of the Word Concordia, 1976. 97-5369 (instr. 97-5370) Augsburg, Board of Publication, Concordia, 1972. O Sacred Head, Now Wounded (also published in Lutheran Book of Worship, 2 accompaniments for organ and flute Accompaniment Edition Liturgy, Augsburg and Tune: Herzlich tut mich Board of Publication, 1978.) Rejoice, My Heart, Be Glad and Sing tune and accompaniment 2 accompaniments for organ and trumpet Tune: Ich singe dir

Opus 29 No. 13 Organ Processional for Manuals 74.1 Concordia, 1974. (also publ. separately by Concordia, 1978. 97-5470) organ

56 Catalog

Opus 29 No. 14 Opus 29 No. 18 Little Postlude following compositions included in: Preludes and Postludes vol. 4 The Organist's Companion Augsburg, 1976. 11-9323 Belwin-Mills. organ organ Dedicated to Dorothy Richterkessing Opus 29 No. 18a Mendelssohn Opus 29 No. 15 vol. 3 #1, 1980. Here, O My Lord, I See Thee Opus 29 No. 18b Hymn Preludes for Holy Communion vol. 2 Hyfrydol Concordia, 1979. 97-5487 vol. 3 #4, 1981. organ chorale prelude Tune: Farley Castle Composed: 1979 2 preludes and 2 accompaniments (with instr.) Opus 29 No. 18c Composed: Nov. 1978 Schönster Herr Jesu — — — — — — — — — — — — — vol. 3 #2, 1981. Opus 29 No. 16 — — — — — — — — — — — — — following compositions included in: Opus 29 No. 19a-f The Concordia Hymn Prelude Series following compositions included in: Concordia, 1982. The Organist's Companion organ Belwin-Mills. (In addition to the original titles below, this organ series includes several previously published Opus 29 No. 19a chorale preludes.) America Veni, Emmanuel vol. 4 #5, 1982. vol. 2. 97-5537 Opus 29 No. 19b chorale prelude and intonation Piece for Easter (also publ. in The Master Organ Works of vol. 4 #3, 1982. Jan Bender, vol. 3, ed. David Fienen. chorale prelude Concordia 2005. 97-7100) Tune: Christ ist erstanden Det kimer nu til Julefest Composed: 1980 vol. 3. 97-5538 Dedicated to Richard Elvee chorale prelude and intonation Opus 29 No. 19c Christ, unser Herr Passion Chorale vol. 5. 97-5611 vol. 5 #2, 1983. chorale prelude and intonation Tune: Herzlich tut mich verlangen An additional setting appears in the Opus 29 No. 19d autograph draft Palestrina (chorale prelude also publ. in The Master vol. 5 #3, 1983. Organ Works of Jan Bender, vol. 1, ed. Tune: Victory ("The Strife is O'er") David Fienen. Concordia 2005. 97-7098) Opus 29 No. 19e Ack, vad är dock livet här Wedding March vol. 7. 97-5614 vol. 5 #5, 1983. chorale prelude and intonation Opus 29 No. 19f th Laßt uns erfreuen Old 100 vol. 10. 97-5617 vol. 6 #3, 1984. chorale prelude and intonation composed: 1979 (chorale prelude also publ. in The Master Opus 29 No. 19g Organ Works of Jan Bender, vol. 1, ed. Komm, Gott Schöpfer David Fienen. Concordia 2005. 97-7098) vol. 6 #4, 1984. Wächterlied composed: 1981 vol. 40. 97-5858 Opus 29 No. 19h chorale prelude and intonation Ein feste Burg vol. 6 #6, 1984. — — — — — — — — — — — — — — — — — — — — — — — — — —

Catalog 57

Opus 29 No. 21 Opus 30 No. 1b Prelude and Fugue in the lydian Mode Awake Thou Spirit, Who Didst Fire unpublished (as of September 2005) Concordia Chorale Concertatos organ Concordia, 1963. 98-1699 (instr. 98-1700) In Werkverzeichnis 3, listed as “In ‘The Organist’s choir SATB, organ, 4 pt. brass Comp.’ McAffee. Publ. House 10.8.80.” Tune: All' Ehr' und Lob — — — — — — — — — — — — — 3 movements Opus 29 No. 22 Revised from op. 30 no. 1a, Jan. 1962 Once again my heart rejoices — — — — — — — — — — — — — The Master Organ Works of Jan Bender, vol. 1, ed. Opus 30 No. 2 David Fienen. Concordia 2005. 97-7098. Christ is Arisen organ chorale prelude Easter Music Tune: Fröhlich soll mein Herze springen Concordia, 1963. 98-1657. (instr. 98-1688) choir SATB, 4 pt. brass, cong., organ Opus 29 No. 23 chorale concertato Voluntary for or Funeral Tune: Christ ist erstanden The Organist's Companion 4 movements Belwin-Mills. 1983. Composed: June 1962 organ Tune: Herzlich tut mich verlangen Opus 30 No. 3 God the Father Be Our Stay Opus 29 No. 24 Concordia Chorale Concertatos Ein feste Burg Concordia, 1963. 98-1727 unpublished (as of September 2005) choir SATB, 4 pt. brass, organ brass Tune: Gott der Vater wohn uns bei 2 settings, one for 5-part brass, second for 4-part 4 movements low brass Composed: Sept. 1962 Publisher’s Agreement signed August, 1984 with Strube Opus 30 No. 4 Verlag for inclusion in Lass dir unser Lob gefallen, Band A Mighty Fortress III. printed proof copy attached, but no record of unpublished (as of September 2005) publication in Bender’s Werkverzeichnisse or extant in 5-part choir, 2 trumpets, organ the Bender Archive (as of September 2005). cantata [pencil draft of second setting is on the back of Tune: Ein feste Burg “Belmont” No. 10-without opus] Composed: Dec. 1963 for Paul Rosel's Choir Tour Opus 30 - Little Cantatas Opus 30 No. 1a Opus 30 No. 5 Awake Thou Spirit, Who Didst Fire O God, O Lord of Heaven and Earth unpublished (as of September 2005) Augsburg, 1969. 11-1554 children's choir SA, organ, choir SATB, 6 pt. (republished: Augsburg, 1994. 11-10481. Combines brass opus 30 No. 5 & 6, using revised text from concertato Book of Worship) Tune: All' Ehr' und Lob choir SATB, organ, congregation, two trumpets 5 movements chorale concertato Completed: 31. Dec. 1961. For Lutheran Tune: Wittenberg New Hour 30th Anniversary at Ft. Wayne, IN, 3 movements Sept. 1962

58 Catalog

Opus 30 No. 6 Opus 32 - Motets O God, O Lord of Heaven and Earth In the composer’s Werkverzeichnis 2, 30 titles were Augsburg, 1969. 11-827 entered with a total of 65 liturgical designations listed (republished: Augsburg, 1994. 11-10481. Combines (only nos. 1-25 on this list were actually written). opus 30 No. 5 & 6, using revised text from Lutheran Opus 32 No. 1-25 Book of Worship) compositions included in series: organ chorale prelude Gospel Motets for Equal Voices Tune: Wittenberg New Opus 32 No. 1 Do Not Be Amazed Opus 31 - Brevarium musicum Concordia, 1969. 98-1966 Opus 31 No. 1 choir SA, keyboard XIII Service Pieces for the Church Pianist Text: Mark 16:6,7 (Easter Sunday) Brevarium Musicum Opus 32 No. 2 Abingdon, 1963. APM 281 I Am the 13 short piano pieces Concordia, 1970. 98-1992 Contents: choir SA, organ Prelude No. 1 Text: :14-16 (Misericordias Domini) Fugue No. 1 Opus 32 No. 3 Prelude No. 2 If You Ask Anything of the Father Fugue No. 2 Concordia, 1970. 98-1991 Toccata No. 1 choir SA, organ Toccata No. 2 Text: John 16:23-24 (Rogate) Voluntary No. 1 Opus 32 No. 4 Voluntary No. 2 Go into All the World Passacaglia Concordia, 1970. 98-1990 Postlude No. 1 choir SA, keyboard Postlude No. 2 (mirror of No. 1) Text: Mark 16:15-16 (Ascension) All Glory Be to God on High (12-tone) Opus 32 No. 5 Tune: Allein Gott in der Höh When the Counselor Comes Canon Concordia, 1973. 98-2055 choir SA, organ Opus 31 No. 2 Text: John 15:26-27 (Exaudi) XIII Voluntaries for the Church Pianist Opus 32 No. 6 Brevarium Musicum to the Son of David Abingdon, 1964. APM 383 Concordia, 1969. 98-1964 13 short piano pieces choir SA, organ “Dedicated to my godson Sebastian Pflugbeil” Text: Matt. 21:9 (Palm Sunday) Contents: Opus 32 No. 7 Advent (Nun komm, der Heiden Heiland) Fear Not, for Behold, I Bring Good Tidings Christmas (Gelobet seist du) Concordia, 1969. 98-1962 (Wie schön leuchtet) choir SA, organ Lent (Ein Lämmlein geht) also known as (An Text: Luke 2:10-14 (Christmas Day) Wasserflüssen Babylon) Dedicated to Ann H. Jones and Wittenberg Easter (Christ lag in Todesbanden) Univ. Choristers Pentecost (Komm, Heiliger Geist) Opus 32 No. 8 Trinity (Komm, Gott Schöpfer) Son, Why Have You Treated Us So? Prelude Concordia, 1969. 98-1963 Fugue with a Classic Theme (J. S. Bach) choir SA, keyboard Fugue with a Romantic Theme (Mendelssohn) Text: Luke 2:48 (Epiphany I) Fugue with a 12-tone Theme Opus 32 No. 9 Fugue with a Modern Theme (from op. 31 No. Jesus, Son of David, Have Mercy on Me 1: "Canon") Concordia, 1969. 98-1965 Postlude (double mirror of Prelude) choir SA, organ Text: Luke 18:38-42 (Quinquagesima

Catalog 59

Opus 32 No. 10 Opus 32 No. 19 Begone, Satan Unless One Is Born Anew Concordia, 1966. 98-1848 Concordia, 1974. 98-2056 (also publ. in A Third Morning Star Choir Book. unison, organ Concordia, 1970. 97-4972) Text: John 3:3,5-6,8 () unison, organ Opus 32 No. 20 motet and chorale setting Lord, Lord, Open to Us Text: Matt. 4:10 (Invocavit) and Concordia, 1966. 98-1833 Gott der Vater (st. 2) (English) unison, keyboard Tune: Gott der Vater Text: Matt. 25:11-13 (Trinity XXVII) 2 movements Opus 32 No. 21 Opus 32 No. 11 And There Will Be Signs If a Man Loves Me Concordia, 1971. 98-2082 Concordia, 1963. 98-1697 unison, organ unison, keyboard Text: Luke 21:25, 26, 33 (Advent II) Text: John 14:23 (Pentecost) (republished for solo voice in large format: Opus 32 No. 12 Concordia, 1971. 97-5947.) Tell Those Who Are Invited Opus 32 No. 22 Concordia, 1963. 98-1687 Peace Be With You choir SA, keyboard Concordia, 1974. 98-2086 Text: Matt. 22:4 (Trinity XX) choir SA, organ Opus 32 No. 13 Text: John 20:19-31 (2nd Sunday of Easter) It Is Not Fair Opus 32 No. 23 Concordia, 1966. 98-1847 Father , Have Mercy upon Me choir SA, organ Concordia, 1976. 98-2084 Text: Matt. 15:26-28 (Reminiscere) choir SA, organ Opus 32 No. 14 Text: Luke 16:24-26 (Pentecost 19 C) Sir, Come Down Before My Child Dies Tune: Herzlich lieb Concordia, 1966. 98-1835 Dedicated to church choir, St. Matthew choir SA, keyboard Luth. Church, Huber Heights, Ohio Text: John 4:49-50 (Trinity XXI) Opus 32 No. 24 Opus 32 No. 15 You Wicked Servant Come, O Beloved of My Father Concordia, 1974. 98-2085 Concordia, 1966. 98-1834 choir SA, keyboard choir SA, keyboard Text: Matt. 18:32-35 (Trinity XXII) Text: Matt. 25:34 (Trinity XXVI) Opus 32 No. 25 Opus 32 No. 16 Three Prophecies He Who Is Not With Me Is Against Me Concordia, 1973. 98-2133 Concordia, 1973. 98-2058 choir SSA, organ, reader choir SA, organ Text: Matt. 2:13-23 (Sunday after New Year) Text: Luke 11:23 (Oculi) 3 movements Tune: Komm, Gott Schöpfer — — — — — — — — — — — — — Opus 32 No. 17 Opus 32 No. 26 This Is Indeed the Prophet Father, I Have Sinned Concordia, 1972. 98-2054 Gospel Motets choir SA, organ Concordia, 1984. 98-2614 Text: John 6:14 (Laetare) and choir SATB, TB solos, organ Opus 32 No. 18 Text: Luke 15:21-24 (Lent 4 C) If Anyone Keeps My Word Commissioned by Ed Klammer, Concordia, 1976. 98-2057 Resurrection Luth. Church choir SA, organ — — — — — — — — — — — — — Text: John 8:51,54,55b (Judica)

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Opus 32 No. 27 Opus 33 I Am the Resurrection and the Life Triptych for organ Gospel Motet Series Concordia, 1965. 97-4721 Concordia, 1983. 98-2615 (also publ. in The Master Organ Works of Jan choir SATB Bender, vol. 5, ed. David Fienen. Concordia 2005. Text: John 11:25-26 (Lent 5 A) and Gloria Patri 97-7102) (English) 3 movements: “Dedicated to Rev. William Otte and his Toccata--The World choir at St. Matthew Luth. Church, Fugue--The Adoration of the Crucified Minneapolis Minn.” (Tune: Herzlich tut mich) Aria--Song of the Redeemed Soul Composed: Jan. 1964 Premier performance: by the composer, Concordia Seminary, St. Louis, MO, Apr. 18, 1964

Bender at the console, Concordia Seminary, St. Louis

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Opus 34 - Two Cantatas Aria: “You shall go out in joy” Opus 34 No. 1 S solo, cl, kbd, cont Saint Louis Cantata Text: Is. 55:12 unpublished (as of September 2005) Chorus: “Arise, shine, for your light has come” (autograph manuscript score in possession of SSATB w/ 2 ob, 2 cl, bsn, 3 tpts, hn, trb, tuba Fuerbringer Library, Concordia Seminary, St. Louis, Text: Is. 60:1-3 MO, USA) Duet: “How Beautiful upon the mountains” choir, with instruments SB solo, ob, bsn, kbd, vcl cantata Text: Is. 52:7 Text by Walter Buszin (from RSV and TLH) Chorus: “Thine over all shall be the praise” Composed: 1964 Prelude: 3 tpts, hn, trb, tuba Commissioned by Robert Bergt for the 125th Chorus: SATB (w/ WW doubling ad lib.) Anniversary of Concordia Theological Seminary, St. Text: st. 2 of TLH 500-”May God bestow Louis. Premier performance: conducted by Robert Bergt on Us His Grace” for dedication of Luther Tower, Concordia Seminary, St. Tune: Es woll’ uns Gott genädig sein Louis, May 2, 1966. (A recording of this premier is Recit: “I charge you in the presence of God” housed in the Stadtbibliothek Lübeck.) B solo, tpt, kbd, cont (or WW replace kbd if Outline: not used in previous movement) Ouverture Text: 2 Tim. 4:1-5 I: 2 tpts, 2 cl, trb, tuba, bass cl Cong: “Lord Keep Us Steadfast” II: 2 tpts, 2 ob, hn, trb, bsn, timp, kbd, cont Intro: ob, cl, bsn, 2 tpts, trb (cont=string bass in first performance, but 1 st.: UN choir/cong, ob, cl, 2 bsns, tpts, hn, part is missing) trb, tuba Chorus: + 23 (=op. 28 no. 2) 2 st.: SATB, timp, cymbel I: SA choir, 2 tpts, bass cl 3 st.: SATB choir, cong, dbl instr II: SATB choir, 2 ob, cl, bsn, kbd Text: TLH 261-”Lord Keep Us Steadfast Gloria patri adds 2 tpts, hn, trb, timp to II Tune: Erhalt uns, Herr Text: Psalm 23, Psalm 117 Chorus: “Grow in the grace” Recit.: “Be strong in the Lord” SATB, ob, 2 cl, bsn, 2 tpts, hn, 2 trb, tuba, B solo, timp, kbd, cont kbd, timp Text: Eph. 6: 10-13, 16-17 Text: 2 Peter 3:18 Cong.: “Rise! To Arms!” Cong: “All Blessing, Honor, Thanks and Praise” prelude: 3 tpts Intro: ob, cl, hn, bsn stanzas: SA(T)B choir, Cong, 2 ob, cl, bsn, 2 stanza: Cong, 3 discant tpts, SATB choir w/ tpts, trb, kbd, timp ob, 2 cl, 2 bsn, 2 tpts, hn, 2 trb, tuba, cont Text: st. 1, 4 of TLH 444- Rise! To Arms! Text: st. 10 of TLH 377-”Salvation unto us (Rüstet euch, ihr Christenleute) has come Tune: Wachet auf Tune: Es ist das Heil Recit.: “At the name of Jesus” Postlude B solo, kbd, cont I: obs, cls, bsns, 2 tpts, hn, trb Text: Phil. 2:10-11 II: 2 tpts, 2 trbs, tuba, kbd, cont, timp Chorus: “Thou art the King of Glory” SSATB choir, 2 tpts, 2 hns, trbs, 2 ob, 2 cl, bsn, kbd, cont, timp Text: st. 7 from Te deum (TLH tr.) Cong.: “With might of ours” Prelude: 2 ob, cls, hn, bsn Chorale: Un choir/Cong, w/ WW, brass, cont Text: st. 2 of TLH 262 (“A Mighty Fortress”) Tune: Ein feste Burg Recit: “Ho, ev’ry one that thirsts” S solo, kbd, cont Text: Is. 55:1

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Opus 34 No. 2 Opus 36 No. 2a Houghton Cantata Christ ist erstanden unpublished (as of September 2005) Varia vol. 1, ed. Otto Brodde choir, orchestra Hänssler, 1964. 241 Composed: 1968. (also publ. separately, No. H5775H) Commissioned by Mitsuo Kitamura for a music festival choir SAB at Houghton College in May 1969. 2 settings First performance: May 8, 1969 at Houghton College, Composed: 1963 conducted by the composer. Opus 36 No. 2b Title page of photocopy of autograph fair copy: Christ is Arisen “Praise to the Lord, the almighty King” for 2 Solo Concordia, 1977. 98-2339 voices, Mixed Choir, and Youth by Jan choir SATB and SAB Bender, Op. 34;2 1968. genannt “Houghton-Cantata” (slightly altered English version of op. 36 with corrections. no. 2a) (Later incorporated into opus 85) Tune: Christ ist erstanden 9 movements: 2 settings Intrada (orch) Composed: 1963 Stanza 1 "Lobe den Herrn" — — — — — — — — — — — — — Ps. 103:1-5 (S solo, fl, str) Opus 36 No. 3 Stanza 2 "Lobe den Herrn" Lobt Gott, ihr Christen alle gleich Ps. 103:6-12 (B solo, cl, hn, viola, fag) Varia vol. 1, ed. Otto Brodde Stanza 3 "Lobe den Herrn" Hänssler, 1964. 241 Ps. 103:13-19 (SB solos, fl, ob, cl, hn, fag, str) choir SAB, trumpet Stanza 4 (same as stanza 2) 2 settings Ps. 103:20-22 (B solo, brass) Stanza 5 "Lobe den Herrn" (Choir, orch) with Opus 36 No. 4 Ps. 103:2 (SB solos) Ich habe dich einen kleinen Augenblick verlassen Neue Geistliche Chormusik No. 107

Hänssler, 1964. H.6207 H. Opus 35 choir SAATTB The Beatitudes motet Concordia, 1966. 97-4742, (instr. parts) 97-4743 Text: Is. 54:7, 8, 10 choir SA, oboe, viola, organ, (cello) Composed: 1948 Text: Matt. 5:3-12 (English) “Für Wilhelm Dignus. Januar 1954.” 6 movements --autograph score Commissioned by Otto Brodde (with German text)- (later used as second movement of op. 85) manuscript in his possession.

First performance (with English text): Mar. 14, 1965 at Opus 36 No. 5 Seward. (A recording of this performance is on deposit following compositions included in: in the Stadtbibliothek Lübeck.) Quempasbuch 1964 Bärenreiter, 1964. BA-4998 Opus 36 - Works for Germany Freut euch, ihr lieben Christen all Opus 36 No. 1 choir SS, with treble instrument Herr Jesu, deine Angst und Pein Ein Kind ist uns geborn zu Bethlehem Varia vol. 1, ed. Otto Brodde choir SS (with treble instrument) Hänssler, 1964. 241

(also publ. separately, No. H5769H) choir SAB Tune: Herr Jesu Christ, du höchstes Gut 2 settings Composed: 1963 — — — — — — — — — — — — —

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Opus 36 No. 6 Opus 36 No. 9 Psalm 84 Ach Gott, wie lieblich und wie fein Embühren, Renaissance Musik Verlag, 9/94, Ed. No. Chorbuch 1968 des Schweizerischen 10503 (Norbert Klose) Kirchengesangsbundes SSA, organ Krumpholz & Cie, Bern, 1968. Ausgabe Nr. 169 Text: Wie lieblich sind Deine Wohnung-Psalm 84 choir SAB “für 3-stimmigen Frauenchor mit Klavier= oder Text based on Psalm 84 by Burkhard Waldis Orgelbegleitung, geschrieben für Pastor Jess (strophes 1 & 2), and (strophe 3) Christophersen und seine Diakonissen in Hamburg- (from Kleine Bärenreiter-Ausgabe 1493, publ. 1959) Alteneichen.” --manuscript Composed: 1967 Opus 37a (original German version of Opus 42) 12 Mission Hymns A recording of the premier performance is on deposit in unpublished (as of September 2005) the Stadtbibliothek Lübeck. stereo recording 33 1/3 rpm S, B solos and organ Opus 36 No. 7 Texts by Gottlieb Schmidt following compositions included in: Performed by Byron L. Swanson, bar., Doris M. Vierundvierzig Choralvorspiele zu gebräuchlichen Swanson, organ, Betty Kintschi, sopr. Kirchenliedern 12 hymn settings: Hortheim (Han), Ludwig Hueg, [1966]. Christ is Christmas organ chorale preludes God's Grace freed me Edited by Gerhard von Schwartz for the God gave us Jesus Vereinigung hauptamtlicher Oh God, whom Heaven once contained Kirchenmusiker der Ev.-luth. Landeskirche Remember me Hannovers. Table-prayer Es kommt ein Schiff, geladen Easter morn' Gottes Sohn ist kommen Dark clouds hung over me Ihr lieben Christen, freut euch nun God's song of adoration Lobe den Herren, den mächtigen König Jesus is Lord Lobe den Herren, o meine Seele Camp Holden Macht hoch die Tür (Halle) (from op. 29 no. 3c) Table-prayer Nun komm, der Heiden Heiland — — — — — — — — — — — — — O Heiland, reiß die Himmel auf Opus 37b No. 1-3 Opus 36 No. 8 following published in the series: following compositions included in: German Carols Bläservorspiele Opus 37b No. 1 Merseburger, 1970. Prayer to the Child Jesus (Gebet an den heiligen Christ) Allein zu dir, Herr Jesu Christ Augsburg, 1962. GC 402 3 pt. brass choir SA, keyboard prelude and accompaniment English and German text Christ ist erstanden Tune: Du lieber, heil'gen, frommer Christ 4 pt. brass Opus 37b No. 2 Erschienen ist der herrlich Tag As Candles Glow 4 pt. brass Augsburg, 1963. GC 403 prelude and 2 accompaniments unison, keyboard Von Gott will ich nicht lassen Tune: Am Weihnachtsbaum die Lichter brennen 4 pt. brass Opus 37b No. 3 O Come, All Ye Children (Ihr Kinderlein, kommet) Augsburg, 1963. GC 405 unison, instrument, keyboard English and German text — — — — — — — — — — — — —

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Opus 37b No. 4-7 Premier performance: July 27, 1965 at following compositions published in series: Concordia Seminary, St. Louis, by the Augsburg Choral Library composer. Opus 37b No. 4 “Dedicated to Dr. Kurt von Schuschnigg, who All My Heart This Night Rejoices spoiled Hitlers victorious entrance at Vienna.” Augsburg, 1964. ACL-1375 --Jan Bender Werkverzeichnis 6 unison, instrument, keyboard [Schuschnigg had been federal chancellor of Austria Tune: Warum sollt ich mich denn grämen immediately prior to the Anschluss. He was teaching at (According to the Publishing Agreement, this piece was Washington University in 1965 and attended the premier supposed to include both a unison setting with of this piece.] instrumental accompaniment and an SAB arrangement. “The theme of Hugo Distler is a secular one. The See no. 7 below.) Naze-regime had expected Distler to write a melody for Opus 37b No. 5 a poem which lauded the annexation of Austria. The All the Earth Today Rejoices Third Reich passed away, the composer died, the melody Augsburg, 1963. ACL-1347 was lost and forgotten. But it was kept in the memory of unison, keyboard a musician [Bender] who was Distler’s friend, and who Opus 37b No. 6 now composed a series of variations on it. The militant Be Ye Joyful, Earth and Sky character of the theme is well suited for a hymn of the Augsburg, 1963. ACL-1357 militant Church.” choir SATB, organ (or 2 instruments and organ --program notes, April 23, 1966 pedal) A manuscript copy in Bender’s hand of the Distler Tune: Narodil se Kristus Pan tune with Distler’s harmonization and three strophes of Opus 37b No. 7 the text “Deutschland und Deutsch-Österreich” is on All My Heart This Night Rejoices deposit in the Stadtbibliothek Lübeck with the Bender Augsburg, 1964. ACL-1376 Archives. choir SATB The text for which Distler wrote this tune is as follows: Tune: Warum sollt ich mich denn grämen 1. Deutschland und Deutsch-Österreich, — — — — — — — — — — — — — einem Stamm entsprossen, Opus 37b No. 8 D. u. D.-Ö., In Thee, O Lord, Do I Put My Trust ihr wart kampfgenossen! Choral Settings of the Psalms Euch zerklüftet ein Verrat, Augsburg, 1964. PS 611 Euch brennt eine Wunde! unison, organ Seid Ihr treu in Wort u. Tat, Text: Ps. 31:1-3 schlägt die Freiheitsstunde! — — — — — — — — — — — — — 2. Brüder in dem Bruderland, Opus 37b No. 9 hebt das Sonnenzeichen! Nunc Angelorum Vor des Morgens Purpurbrand Chantry, 1965. muss die Nacht erbleichen! choir SSA(T) Von der höchsten Zipfelwand — — — — — — — — — — — — — lass die Feuer brennen! Opus 37b No. 12 Österreich und Deutsches Land Have you ever just stopped? sind nicht mehr zu trennen. unpublished (as of September 2005) 3. Fürchtet kerker nicht, noch Bann, voice, keyboard lasst die Fahnen fliegen, Text by Harland A. Gottula wenn Ihr treu bleibt Mann für Mann, muss die Freiheit siegen. Opus 38 Von Tirol zum Nordseedeich Variations for Organ on a Theme by Hugo Distler lodern bald die Flammen! Chantry, 1966. D. u. D.-Ö. Tune: Deutschland und Deutsch-Österreich finden doch zusammen, Melody by Hugo Distler, 1934 6 variations Composed: Spring 1965 for the “Kulturwerk Nordhessen”

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Opus 38b Wittenberg New (tune and 2 settings) Weary of All Trumpeting (also published in Songs of Praise, Prayers for Peace Chantry, 1972 [Devotions & Worship Resources for the 1984 (also published in many new hymnals) Summer Olympics], Lutheran Olympic Ministry, Harmonization 1984.) Tune: Deutschland und Deutsch-Österreich Zeuch ein zu deinen Toren (2 settings) Melody by Hugo Distler, 1934 Text by Martin Franzmann, 1971 Opus 40 No. 2 [Jan Bender commissioned Franzmann to following compositions included in: write this text for the Distler tune.] Lutheran Book of Worship Augsburg and Board of Publication, 1978. Opus 39 keyboard accompaniment Sonatina for Violoncello and Piano Allein zu dir unpublished (as of September 2005) (also in , Concordia, 1982.) 3 movements Alles ist an Gottes Segen (op. 29 no. 10i) Dedicated to Friedemann Bender, then to Earth and All Stars (op. 29 no. 10b) Eric Lutz Erschienen ist der herrlich Tag (from op. 40 no. 1) One MS dated July 19th 1965, another (In his personal copy of LBW, Jan corrected the tenor dated June 12, 1967. voice in the penultimate measure. The second tenor First performance: July 26, 1965 at note should be e instead of c') Concordia Seminary, St. Louis, Judy Isaac, Gelobet seist du (revision of op. 40 no. 1 setting) vcl., Jan Bender, pno. Gottes Sohn ist kommen Herr Christ, der einig Gotts Sohn (also in Lutheran Worship, Concordia, 1982.) Opus 40 - Hymn settings for Worship Supplement In dir ist Freude (revision of op. 40 no. 1 setting) and Lutheran Book of Worship (also in Lutheran Worship, Concordia, 1982.) 110 Hymnsettings written between Jan. 1963 and June Nun komm, der Heiden Heiland 1965, originally for the projected new Missouri Synod (revision of op. 40 no. 1 setting) Hymnal. He wrote up to 4 settings each for many of the Nun laßt uns den Leib begraben (from op. 40 no. 1) tunes he was assigned, not all of which were (also in Lutheran Worship, Concordia, 1982.) subsequently used. This represents much of the work he Sonne der Gerechtigkeit (from op. 40 no. 1) did for the Commission on Worship of the Missouri (also in Lutheran Worship, Concordia, 1982.) Synod and then for the ILCW (Inter-Lutheran Wie lieblich ist der Maien Commission on Worship). The settings became the (revision of op. 40 no. 1 setting) property of the Missouri Synod. The titles listed below (also in Lutheran Worship, Concordia, 1982.) are only those 28 settings that were published in these Wittenberg New (from op. 40 no. 1) two hymnals. (See also opus 29 no. 10) (also in Lutheran Worship, Concordia, 1982.)

Opus 40 No. 1 following compositions included in: Worship Supplement Accompaniment Edition Concordia, 1969. 97-4945 organ accompaniments Erschienen ist der herrlich Tag (2 settings) Erstanden ist der heilig Christ (2 settings) Gelobet seist du, Jesu Christ (2 settings) In dir ist Freude (2 settings) Nun bitten wir (2 settings) Nun komm, der Heiden Heiland (2 settings) Nun laßt uns den Leib begraben (2 settings) Sonne der Gerechtigkeit (2 settings) Te Deum The King's Majesty Wie lieblich ist der Maien

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