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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Songs on Streaming Server 1 TITLE NO ARTIST 50 SPECIAL LUNAPOP
TITLE NO ARTIST 50 SPECIAL 0001 LUNAPOP ACQUA AZZURRA, ACQUA CHIARA 0002 LUCIO BATTISTI ACQUA E SALE 14814 MINA & ADRIANO CELENTANO ADESSO TU 0003 EROS RAMAZZOTTI ALBACHIARA 0004 VASCO ROSSI ALLA MIA ETÀ 14815 RITA PAVONE ALMENO TU NELL’UNIVERSO 0005 MIA MARTINI ALTA MAREA 0006 ANTONELLO VENDITTI AMICO 14816 RENATO ZERO AMORE BELLO 14817 CLAUDIO BAGLIONI AMORE DI PLASTICA 0007 CARMEN CONSOLI AMORI ANFINITI 14818 LAURA PAUSINI ANCORA, ANCORA, ANCORA 0008 MINA ANGELICA 0009 LE VIBRAZIONI ANNA 14889 ATTENTI AL LUPO 14819 LUCIO DALLA AZZURRO 0010 ADRIANO CELENTANO BAILA MORENA 0011 ZUCCHERO BAILAMOS 14890 BALLA 0012 UMBERTO BALSAMO BAMBINA DALLO SPAZIO 0013 GIANLUCA GRIGNANI BAMBOLERO 14891 BELLA 0014 JOVANOTTI BELLA SENZ’ANIMA 14820 RICCARDO COCCIANTE BELLA SIGNORA 14821 GIANNI MORANDI BELLO E IMPOSSIBILE 0015 GIANNA NANNINI BENEDETTA PASSIONE 0016 LAURA PAUSINI BOCCA DI ROSA 14822 FABRIZIO DE ANDRÉ BOYBAND 0017 VELVET BRIVIDO CALDO 0018 MATIA BAZAR BRIVIDO FELINO 14823 MINA BUONA VITA 14892 CALMA E SANGUE FREDDO 0019 LUCA DIRISIO CAMBIARE 0020 ALEX BARONI CARUSO 14893 CERCAMI 0021 RENATO ZERO CERTE NOTTI 0022 LIGABUE CERVO A PRIMAVERA 14894 CI SARÀ 14824 AL BANO & ROMINA POWER CI VORREBBE UN AMICO 14825 ANTONELLO VENDITTI CI VUOLE UN FISICO BESTIALE 14826 LUCA CARBONI CIAO MAMMA 14827 JOVANOTTI CINQUE GIORNI 0023 MICHELE ZARRILLO IT - Songs on Streaming Server 1 TITLE NO ARTIST CLEPTOMANIA 0024 SUGARFREE COME MAI 14895 COME MONNA LISA 0025 MANGO COME SAPREI 0026 GIORGIA COME SE NON FOSSE STATO AMORE 0027 LAURA PAUSINI CON IL NASTRO ROSA -
Turismo Religioso La Fe Como Souvenir
Movilidad Amor para la cerebral calzada página 10 páginas 8-9 Lunes 7 de abril de 2008 año 6, edición 521 ejemplar gratuito de la Universidad de Guadalajara Turismo religioso la fe como souvenir 5 Foto: Francisco Quirarte pertenece, ya que es fruto del pago [email protected] de los impuestos de todos los habi- tantes de Jalisco y como tal debe ser Expresa tu opinión. Envía un mensaje a este correo con una gastado con toda conciencia y para el bienestar de toda la ciudadanía y no extensión máxima de 200 palabras. Debe incluir nombre completo y sólo en beneficio de unos cuantos. teléfono. La gaceta se reserva el derecho de edición y publicación Esperemos que la institución religiosa tenga un poquito de con- ciencia y honestidad, y devuelva la un nivel básico de emisión de opinio- donación que sin nuestra autoriza- Emos y tolerancia Recursos hídricos nes y recomendaciones sin ningún ción dimos todos los jaliscienses, a grado de vinculación. manos de “San Emilio benefactor”. ISMAEL HERNÁNDEZ BARRA Ahora sólo falta que los ciudadanos En los últimos días se ha escuchado El tema de los recursos hídricos, tengan que pagar por las indulgen- mucho sobre estos chicos que se ha- consensuado actualmente por to- cias de nuestros gobernantes. cen llamar “emos”, caracterizados dos los sectores -amén de eruditos ¿Gobernador o OSCAR O. HERNÁNDEZ PÉREZ por un atuendo entallado de color distinguidos, científicos e inves- negro y pelo largo cubriendo parte tigadores del mundo- como el re- santo? de su rostro, esta forma de andar curso estratégico, substituyendo Asesoría editorial por las calles por parte de los emos, al oro negro y convirtiéndose en el ha provocado la ira de otros grupos oro azul del presente. -
![[Data] JOHN HENRY RYAN](https://docslib.b-cdn.net/cover/2783/data-john-henry-ryan-62783.webp)
[Data] JOHN HENRY RYAN
JOHN HENRY RYAN III Freelance Sound Engineer Curriculum Vitae A dual citizen of Italy and the United States Of America, dual passport holder, fluent in English and Italian. Presently residing in Italy, but available to relocate temporarily or permanently if required. John’s interest in music started during his early childhood, listening and learning to appreciate music in every form and style. A self-taught guitar and electric bass player with an extraordinary musical ear, he soon found that the technical aspect of music reproduction was what would have led him to the present successful career, first by mixing for local bands in clubs, followed by 9 years in one of Southern Italy's busiest recording studios. After a long time sitting behind the studio mixer, John was missing some excitement, so he naturally went back to his initial interest; live sound mixing. After graduating at Forrest Sherman High School in Naples Italy in 1975, he worked in father's editorial distribution company, mainly involved with the US Military bases in Italy and part of the Mediterranean. In 1977, John happened to jump into the consumer audio world, hired by Germany based H.E.A.T. (Harman Europe Audio Team), as sales representative for 5 leading Hi-Fi brands, at the NATO audio retail store in Naples Italy, where he operated until 1979. In 1979, John was offered to go on tour with two of Italy's leading and top selling artists to this day; as FOH engineer for Italian pop star Pino Daniele (R.I.P.), followed by a tour in 1980 with Edoardo Bennato as monitor engineer. -
Al Di Meola: Morocco Fantasia (Blu-Ray)
DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 1 of 3 Blu Upcoming Home About - DVDs VOD Contest Podcast Releases ray Case Number 23186: Small Claims Court Al Di Meola: Morocco Fantasia (Blu-ray) MVD Visual // 2011 // 71 Minutes // Not Rated Reviewed by Judge Russell Engebretson // January 24th, 2012 • View Judge Engebretson's Dossier • E-mail Judge Engebretson • Printer Friendly Review Like Send 4 All Rise... Judge Russell Engebretson has almost mastered his handcranked Mickey Mouse guitar. The Charge Al Di Meola and his band play a rousing and warmly received set of jazz fusion tunes at the Mawazine Festival in The Case Al Di Meola is best known for his mid-Seventies electric guitar pyrotechnics in Chick Corea's jazz-rock fusion band Forever , and his acoustic collaboration with Paco De Lucia and John McLaughlin that led to the 1981 release of in San Francisco—Live . The latest release, Al Di Meola: Morocco Fantasia (Blu-ray) , is a showcase of tunes and arranged by Di Meola. The concert was recorded live in Rabat, Morocco, at the Mawazine Musique du Monde Festival and filmed by Cabras and Roberto Molinari. Al Di Meola was joined by fellow band mates Fausto Beccalossi (accordion), Pio Alfonsi (guitar), Gumbi Ortiz (percussion), Peter Kazas (drums), and Victor Miranda (bass), as well as guests Said Chraibi (oud), Abdellah Meri (violin), and Tarik Ben Ali (percussion). 59 Online Translate Link Menu Recent Reviews Videos Subscribe http://www.dvdverdict.com/reviews/moroccofantasybluray.php 3/23/2012 DVD Verdict Review - Al Di Meola: Morocco Fantasia (Blu -ray) Page 2 of 3 The song set: Recommended • "Misterio" • "Siberiana" • "Double Concerto" • "Michaelangelo's 7th Child" • "Gumbiero" • "Turquoise" • "Encore" • "Egyptian Danza" All the songs, with the exception of "Double Concerto," are original Di Meola compositions. -
Conditionality Impact and Prejudice in EU Turkey Relations
CONDITIONALITY, IMPACT AND PREJUDICE IN EU-TURKEY RELATIONS IAI-TEPAV REPORT edited by Nathalie Tocci Quaderni IAI ISTITUTO AFFARI INTERNAZIONALI This Quaderno has been made possible by the support of TEPAV and the Compagnia di San Paolo, IAI’s strategic partner. Quaderni IAI Direzione: Roberto Aliboni Redazione: Sandra Passariello Tipografia Città Nuova della P.A.M.O.M., Via S. Romano in Garfagnana, 23 - 00148 Roma - tel. 066530467 2 TABLE OF CONTENTS Preface, Nathalie Tocci 5 Report Unpacking European Discourses: Conditionality, Impact and Prejudice in EU-Turkey Relations, Nathalie Tocci 7 1. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Poland, Andrzej Ananicz 33 2. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Slovenia and ‘New Europe’, Borut Grgic 42 3. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Austria, Cengiz Günay 46 4. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Greece, Kostas Ifantis 58 5. Conditionality, Impact and Prejudice in EU-Turkey Relations: A ‘Northern’ View, Dietrich Jung 66 6. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from France, Anne-Marie Le Gloannec 75 7. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Brussels, Luigi Narbone 84 8. Conditionality, Impact and Prejudice in EU-Turkey Relations: A View from Finland, Hanna Ojanen 93 9. Turkey’s EU Bid: A View from Germany, Constanze Stelzenmüller 105 10. The United Kingdom and Turkish Accession: The Enlargement Instinct Prevails, Richard G. Whitman 119 11. Conditionality, Impact and Prejudice: A Concluding View from Turkey, Mustafa Aydin and Asli Toksabay Esen 129 Chronology, by Marcello Vitale 141 Glossary, by Marcello Vitale 147 Note on Contributors 152 3 4 PREFACE Since 1999, EU-Turkey relations have become the focus of growing aca- demic and policy interest in Europe. -
Enzo Avitabile Biografia
EENNZZOO AAVVIITTAABBIILLEE BIOGRAFIA Il Conservatorio. Il pop. Il ritmo afro-americano. La musica antica della pastellessa e della zeza e il canto sacro. Enzo Avitabile ha vissuto nella ricerca di un suono inedito, non solamente originale ma vitale ed essenziale. Demolendo ogni sovrastruttura mercantile, ogni moda. Queste le vere note biografiche del cantante, compositore e polistrumentista nato a Marianella, quartiere popolare di Napoli nel 1955 . Da bambino, Avitabile ha studiato il sassofono; da adolescente si esibito nei club napoletani affollati dai clienti americani. Quindi si è diplomato nella disciplina del flauto al Conservatorio di Napoli S. Pietro a Majella e ha iniziato a collaborare con artisti pop e rock di tutto il mondo, da James Brown a Tina Turner , ma muovendosi sempre sotto un cielo assolutamente personale, mai comune. Tra il 1982 ed il 1994 vengono pubblicati dall’ etichetta discografica EMI i suoi primi 8 Albums : 1982 “Avitabile” suo album di debutto. 1983 “Meglio soul” (qui va ricordata la presenza di Richie Havens ). 1984 “Correte in fretta” . 1986 “S.O.S. Brothers”. 1988 “Alta tensione” (con una provocatoria copertina che raffigura una sedia elettrica), produzione che seduce persino Afrika Bambaataa ,il quale dodici mesi dopo è felicissimo di partecipare alle incisioni di “Street Happiness”. 1990 “Stella dissidente” che evidenzia lo stile personale dell'artista. 1991 “Enzo Avitabile “ prodotto da Corrado Rustici. 1994 “Easy” disco di grande sperimentazione melodica che brilla anche per un duetto con Randy Crawford nel brano “Leave Me or Love Me”. Il 1996 costituisce una data che fa da spartiacque nella produzione di Avitabile. Una ritrovata fiducia nella sua lingua madre e nella sua prosodia dilatata grazie a suggestivi arrangiamenti – anche digitali – segna il ritorno ad un linguaggio originario arricchito da neologismi contemporanei, con albums come “Addò” e successivamente “Aizetè” (la cui title-track è la colonna sonora del film “Incantesimo napoletano” ). -
Flamenco Jazz: an Analytical Study
City University of New York (CUNY) CUNY Academic Works Publications and Research John Jay College of Criminal Justice 2016 Flamenco Jazz: an Analytical Study Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/jj_pubs/306 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Journal of Jazz Studies vol. 11, no. 2, pp. 29-77 (2016) Flamenco Jazz: An Analytical Study Peter Manuel Since the 1990s, the hybrid genre of flamenco jazz has emerged as a dynamic and original entity in the realm of jazz, Spanish music, and the world music scene as a whole. Building on inherent compatibilities between jazz and flamenco, a generation of versatile Spanish musicians has synthesized the two genres in a wide variety of forms, creating in the process a coherent new idiom that can be regarded as a sort of mainstream flamenco jazz style. A few of these performers, such as pianist Chano Domínguez and wind player Jorge Pardo, have achieved international acclaim and become luminaries on the Euro-jazz scene. Indeed, flamenco jazz has become something of a minor bandwagon in some circles, with that label often being adopted, with or without rigor, as a commercial rubric to promote various sorts of productions (while conversely, some of the genre’s top performers are indifferent to the label 1). Meanwhile, however, as increasing numbers of gifted performers enter the field and cultivate genuine and substantial syntheses of flamenco and jazz, the new genre has come to merit scholarly attention for its inherent vitality, richness, and significance in the broader jazz world. -
I Negramaro Vincono Il Premio Amnesty Per La Miglior Canzone Sui Diritti Umani
I Negramaro vincono il Premio Amnesty per la miglior canzone sui diritti umani AI NEGRAMARO IL PREMIO AMNESTY PER LA MIGLIOR CANZONE SUI DIRITTI UMANI: “DALLE MIE PARTI” VINCE NELLA SEZIONE ‘BIG’ LA PREMIAZIONE DURANTE IL FESTIVAL “VOCI PER LA LIBERTÀ” IN PROGRAMMA DAL 23 AL 25 LUGLIO A ROSOLINA MARE (ROVIGO) IN SCADENZA IL BANDO PER LA SEZIONE EMERGENTI DEL PREMIO “Dalle mie parti” dei Negramaro è la canzone vincitrice per il 2021 del Premio Amnesty International Italia nella sezione riservata ai big della canzone italiana, sezione creata nel 2003 da Amnesty International Italia e dall’associazione Voci per la Libertà per premiare il migliore brano sui diritti umani pubblicato nel corso dell’anno precedente. La canzone, scritta da Giuliano Sangiorgi, parla di immigrazione ed è all’interno dell’album “Contatto”, pubblicato a novembre 2020 da Sugar. La premiazione avverrà il 25 luglio durante la serata finale della 24a edizione di “Voci per la Libertà – Una canzone per Amnesty”, quest’anno legata al 60° anniversario di Amnesty International. Il festival si terrà dal 23 al 25 luglio a Rosolina Mare (Rovigo) con vari ospiti musicali, che saranno annunciati prossimamente, e con le semifinali e finali della sezione emergenti del Premio Amnesty, il cui bando rimane aperto fino al 3 maggio ed è reperibile sul sito www.vociperlaliberta.it. Nel frattempo è già stato annunciato il primo semifinalista: è la band napoletana degli Aftersat che con il brano “Sanpapiè” si è aggiudicata il Premio Web 2021 di Voci per la Libertà, assegnato tra i 64 artisti che si sono iscritti entro il 15 marzo. -
The Activities of the Institut Ramon Llull in the Con- Text of Multicultural Collaboration Between Spain and Russia
THE ACTIVITIES OF THE INSTITUT RAMON LLULL IN THE CON- TEXT OF MULTICULTURAL COLLABORATION BETWEEN SPAIN AND RUSSIA M. Moseykina, Y. Moseykin, E. Kargovskaia, V. Kuznetsova Peoples' Friendship University of Russia (RUDN University) (RUSSIAN FEDERATION) Abstract Language is the main means of communication between people. It allows us to express thoughts and emotions, helps us learn and teach. Language is a basic way of culture and traditions transmitting, as well as solving many other vital tasks. The official motto of the European Union is "United in diversity". This means that the multitude of cul- tures, traditions and languages in Europe is a positive capital for the continent. Undoubtedly European countries are a prime example of linguistic and cultural diversity. In Spain along with Spanish (Castilian) there are four co-official languages: Catalan, Galician, Basque and Aranese. It has not been an easy task to conserve multilingualism in Spain. This is the result of a complex process of deliberate saving of cultural and linguistic identity both between different regions and peoples of Spain and in the international scene. In the European Union, Catalan is the 14th language by the number of speakers, in the other words, it is spoken much more often than languages such as Slovakian, Lithuanian or Danish. Catalan is co- official language in the Spanish autonomous regions of Catalonia, Valencia and the Balearic Islands. Also, it is the only official language of the independent state of Andorra. Moreover, Catalan is spoken in the French department of Pyrénées Orientales and in the Italian city of Alghero in Sardinia. Today, the main instrument for popularizing Catalan culture and conducting activities to the spread of Catalan language abroad is the Institut Ramon Llull. -
January 1992
VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments -
CS Ilmareelastella 12.07.12
Comunicato Stampa UN MARE DI STELLE A TREMITI. VII Edizione del Festival “Il mare e la stella” dedicato al suo fondatore Lucio Dalla Il 10 luglio alle ore 12.00 si svolgerà presso la Sala stampa della Presidenza della Regione Puglia la conferenza di lancio della VII° edizione del Festival “Il mare e la stella” che si terrà alle Isole Tremiti il 12 luglio alle ore 21.00 presso l' Isola di San Domino Piazzetta Sandro Pertini . Un evento musicale articolato in una sola serata che si inserisce all’interno di una azione integrata per la promozione della conoscenza e la valorizzazione dell’offerta turistica e culturale delle Isole Tremiti. Negli anni passati il festival si chiamava “Il Mare e le Stelle”, da quest’anno il suo nome sarà “Il Mare e la Stella” è in memoria del suo fondatore il Maestro Lucio Dalla che è prematuramente scomparso il 1° marzo scorso. L’evento rientra tra gli spettacoli prodotti in Puglia e promossi nell’ambito del PO FESR Puglia 2007-2013 Asse IV – INVESTIAMO NEL VOSTRO FUTURO" ed è cofinanziato da Regione Puglia attraverso il Consorzio Teatro Pubblico Pugliese (TPP), dall’ Ente Parco Nazionale del Gargano , in qualità di soggetto gestore della Riserva Naturale Marina delle Isole Tremiti, dal Comune di Isole Tremiti ed è organizzato come lo scorso anno dall’ Associazione Punto e a Capo . Alla conferenza stampa di presentazione dell’evento saranno presenti l’ On.Nichi Vendola , Presidente della Regione Puglia, la Prof.ssa Silvia Godelli , Assessore regionale al Turismo, al Mediterraneo e alle Attività Culturali, l’ Avv.