DOCSLIB.ORG

Conference Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Conference Program “GIVE ME LIBERTY, OR GIVE ME DEATH!”: The High Stakes Dark Sides Children’s Literature & of JUNE 18-20, 2015 OMNI RICHMOND HOTEL, RICHMOND, VA "GIVE ME LIBERTY, OR GIVE ME DEATH!”: The High Stakes and Dark Sides of Children’s Literature This year’s conference, themed “Give me liberty, or give me death!”: The High Stakes and Dark Sides of Children’s Literature, will examine the many ways in The Children’s which authors, artists, publishers, and scholars Literature Association of contemporary children’s and young adult WELCOME literature and culture are addressing the not-so-cute, not-so-safe, but oh-so-intriguing Longwood University aspect of children’s and young adult literature - Tand culture. This year, papers will explore the & darker sides of children’s stories—stories of death, ghosts, hauntings, monsters—and the Welcome you to the more liberating sides as well. Set in historic Richmond, where America’s 42nd Annual most troubled past meets some of its greatest Children’s Literature future ambitions, this conference explores how Association Conference stories for young readers offer promise and hope while tackling what waits in the shadows. As always, the conference features papers from across disciplinary boundaries and theoretical perspectives, historical periods and genre interests, demonstrating the breadth and depth of the conversation to which we all gladly contribute. We welcome old friends, new colleagues, mentors, students, and members, both international and local, who are here to celebrate the vitality of children’s literature. The 42nd Annual Children’s Literature Association Conference | June 18-20, 2015 3 SPECIAL OFFICERS THANKS BOARD & MAJOR- SPONSORS: - CONTRIBUTING SPONSOR: University of Richmond OFFICERS: Kara Keeling, CHRISTOPHER NEWPORT UNIVERSITY, PRESIDENT CONFERENCE PLANNING CHAIR: Annette Wannamaker, UNIVERSITY OF EASTERN MICHIGAN, VICE-PRESIDENT/PRESIDENT-ELECT Claudia Mills, UNIVERSITY OF COLORADO AT BOULDER, PAST PRESIDENT Jennifer M. Miskec Jennifer M. Miskec, LONGWOOD UNIVERSITY, SECRETARY 2015 CONFERENCE Jackie Stallcup, CALIFORNIA STATE UNIVERSITY-NORTHRIDGE, TREASURER PLANNING COMMITTEE: BOARD MEMBERS: Rhonda Brock-Servais Chris McGee Karen Coats, ILLINOIS STATE UNIVERSITY, 2012-2015 Brooke Vaughan Michael Joseph, RUTGERS, THE STATE UNIVERSITY OF NEW JERSEY, 2012-2015 Amanda Thompson Margaret Mackey, UNIVERSITY OF ALBERTA, 2012-2015 Joel Chaston, MISSOURI STATE UNIVERSITY, 2013-2016 2015 CONFERENCE PAPER June Cummins, SAN DIEGO STATE UNIVERSITY, 2013-2016 SELECTION COMMITTEE: Christine Doyle, CENTRAL CONNECTICUT STATE UNIVERSITY, 2013-2016 Rhonda Brock-Servais Kenneth Kidd, UNIVERSITY OF FLORIDA, 2014-2017 Chris McGee Philip Nel, KANSAS STATE UNIVERSITY, 2014-2017 Claudia Mills Sara L. Schwebel, UNIVERSITY OF SOUTH CAROLINA, 2014-2017 Jennifer M. Miskec Roberta Seelinger Trites INCOMING OFFICERS: Kenneth Kidd, UNIVERSITY OF FLORIDA, VICE PRESIDENT/PRESIDENT-ELECT Roberta Seelinger Trites, ILLINOIS STATE UNIVERSITY, TREASURER Special thanks from the conference organizing team to all who made this conference possible: Kristi Olson, ChLA MANAGER INCOMING BOARD MEMBERS: Wade Edwards, CHAIR, EML, LONGWOOD UNIVERSITY Marah Gubar, MASSACHUSETTS INSTITUTE OF TECHNOLOGY, 2015-2018 Lisa Seamster, ADMINISTRATIVE ASSISTANT, EML, LONGWOOD UNIVERSITY Joe Sutliff Sanders, KANSAS STATE UNIVERSITY, 2015-2018 Ken Perkins, PROVOST, LONGWOOD UNIVERSITY Gwen A. Tarbox, WESTERN MICHIGAN UNIVERSITY, 2015-2018 Jeannine Perry, DEAN, COLLEGE OF GRADUATE AND PROFESSIONAL STUDIES, LONGWOOD UNIVERSITY Eric Tribunella, UNIVERSITY OF SOUTHERN MISSISSIPPI, 2015-2018 Elisabeth Gruner, ASSOCIATE DEAN, SCHOOL OF ARTS AND SCIENCES, UNIVERSITY OF RICHMOND 4 The 42nd Annual Children’s Literature Association Conference | June 18-20, 2015 5 CONFERENCE SPEAKERS AT-A-GLANCE - - THURSDAY, JUNE 18 PHOENIX 7:30-5:00 Registration and Bookstore Open, Omni Richmond Hotel AWARD RECIPIENT 9:00-10:15 Concurrent Sessions #1 Kyoko Mori will receive the Phoenix Award for One Bird (1995), the story 10:30-11:45 Concurrent Sessions #2 of fifteen-year-old Megumi’s self-discovery after her mother leaves her 11:45-1:30 Lunch on your own 1:30-2:45 Concurrent Sessions #3 with her philandering and mostly absent father and cranky grandmother. 3:00-4:15 Concurrent Sessions #4 In addition to One Bird, Mori is the author of novels, essays, short stories, 5:30-7:00 Welcome Reception and a memoir: Yarn: Remembering the Way Home. Mori is a Professor of 7:00 Dinner on your own Creative Writing at George Mason University. FRIDAY, JUNE 19 FRANCELIA BUTLER 8:00-5:00 Registration and Bookstore Open 8:00-9:15 Concurrent Sessions #5 LECTURE 9:30-10:45 Concurrent Sessions #6 Cinderella's Stepsisters, Traumatic Memory, and Young People's Writing 11:00-12:15 Concurrent Sessions #7 Dr. Adrienne Kertzer, Professor of English at the University of Calgary 12:15-1:30 Lunch on your own or Genre-Themed Group Lunch (pre-registration required) and past president of ChLA, will deliver the Francelia Butler Lecture. Her 1:30-2:45 Concurrent Sessions #8 book My Mother’s Voice: Children, Literature, and the Holocaust won the 3:00-4:15 Concurrent Sessions #9 Canadian Jewish Book Award and ChLA’s Honor Book Award. In addition 4:30-5:45 Concurrent Sessions #10 6:30 Bus transportation from the Omni Richmond Hotel to the University of Richmond to further work on Holocaust representation, she is currently engaged in a 7:00 Phoenix Reception at University of Richmond (pre-registration required) or Dinner on your own study of memory and trauma in young adult literature. SATURDAY, JUNE 20 8:30-11:00 Registration and Bookstore Open 8:30-9:30 Francelia Butler Lecture, Adrienne Kertzer, Ph.D. PURCHASING BOOKS 9:45-11:00 Concurrent Sessions #11 AT THE CONFERENCE 11:15-12:30 Concurrent Sessions #12 12:30-2:00 Lunch on your own or Career-Themed Group Lunch (pre-registration required) THE SCHOLAR’S CHOICE will be on site at the Omni Richmond Hotel 2:00-3:15 Membership Meeting (all members encouraged to attend) and will carry scholarly books in children’s literature and culture. 3:30-4:45 Concurrent Sessions #13 5:00-6:15 Concurrent Sessions #14 6:30-7:00 Reception HOURS: 7:00-9:00 Awards Banquet Thursday 7:30-5:00 9:00- The Tobacco Company Club – 1201 E. Cary Street (directly across from hotel) Friday 8:00-6:00 (attendees are invited for an informal get together following the banquet) Saturday 8:00-11:30 6 The 42nd Annual Children’s Literature Association Conference | June 18-20, 2015 7 SESSION 1 1C. We Are Family 9:00-10:15 A.M. POTOMAC E CHAIR: KATY LEWIS, LONGWOOD UNIVERSITY 1A. The Gothic JENN COLETTA, JAMES RIVER A Hollins University CHAIR: REBECCA WIGGINTON, “John Green Tramples Tropes: UNIVERSITY OF PITTSBURGH Examining Functional Parents’ Roles in Resolving Trauma in The Fault ALYCE BAKER, in Our Stars, Paper Towns, and Will Lock Haven University of Grayson, Will Grayson” Pennsylvania “Gothic Sensibilities in Ransom Riggs’ Peculiar Children Series: ERIC PRESS, University of Virginia Where and Why?” “Reconfiguring the Family: Kindship in Dystopian Novels” KRISTA AHLBERG, Independent Scholar “Gothic Elements and the Power 1D. Revolutionary War of the Gothic Heroine in the Harry POTOMAC G Potter Series” SCHEDULE CHAIR: JESSICA STANLEY, LONGWOOD UNIVERSITY REBECCA WIGGINTON, University of Pittsburgh MARY COUZELIS, “‘People aren’t born good or Morgan State University IN DETAIL bad’: Religious Syncretism and “Uncanny Doubles: Two Christian Spiritual Freedom in Cassandra ‘Gothic’ Young Adult Novels” Clare’s The Mortal Instruments” TERESA MICHALS, - 1B. War and Trauma George Mason University “‘Useless to Himself and Others’: JAMES RIVER B Children’s Literature, War, and CHAIR: ANUJA MADAN, Disability” UNIVERSITY OF FLORIDA KEVIN SHORTSLEEVE, ANUJA MADAN, Christopher Newport University University of Florida “Rebellion, Children’s Books, “Children’s War Trauma and the and the American Revolution: The Fissures in the Collective in When Cases of Isaiah Thomas and Francis the Emperor was Divine” Hopkinson” DAN HADE, Pennsylvania State University “Learning to Forget: Memory and Amnesia in American Children’s Books about War” ASHLEY O’DONNELL, Central Michigan University “The Affects of Trauma on Adolescent Relationships in Patrick Ness’s Monsters of Men” Illustration by Fabian Negrin THURSDAY THURSDAY 06.18.15 The 42nd Annual Children’s Literature Association Conference | June 18-20, 2015 9 1E. Imaginary Worlds SESSION 2 2C. Goodness 2E. Reading and Literacy JILL COSTE, 3B. Latin American San Diego State University Children’s Literature SHENANDOAH H 10:30-11:45 A.M. POTOMAC E SHENANDOAH H “Enchanting the Masses: Fairy CHAIR: TAMMY MIELKE, CHAIR: CAROLINE WEBB, CHAIR: NAOMI LESLEY, COASTAL Tale Dystopias and Allegorical JAMES RIVER B UNIVERSITY OF WYOMING THE UNIVERSITY OF NEWCASTLE, CAROLINA COMMUNITY COLLEGE Diversity” Aftermath of the CHAIR: ANN GONZÁLEZ, UNIVERSITY 2A. AUSTRALIA OF NORTH CAROLINA CHARLOTTE JOSHUA ANDERSON, Afterlife NAOMI LESLEY, MEGHAN GILBERT-HICKEY, University of California at Berkeley CAROLINE WEBB, Coastal Carolina Community MARÍA LAMARQUE, JAMES RIVER A St. John’s University “Margaret Wise Brown’s The University of Newcastle, College “White Mothers, Lost Fathers: Texas A&M University- Commerce Goodnight Moon: Possibility and CHAIR: CRISTINA RHODES, Australia “Tropes of Illiteracy: Desire and The Biological Lineage of YA “Carmen Boullosa’s Children and Pessimism in the Here and Now” TEXAS A&M- CORPUS CHRISTI “Oppression, Resistance, and Resistance in Young Adult Novels”
Load more

Recommended publications
  • Friday Night Biggest Evening in Years Bookbinding * 'LA RONDE', the Multipart Ner at Hart House
    Ontario Library SUPtER EWS Special Members' Edition OLITA announces Canadian scientist to give Super Session PROGRAM Paul Hoffert get~ national aHention CHANGES and Super Conference berth • ~'(] ffi (was Session #902). PAUL HOFFERT is the latest FROM SilliER BIRCH TO BLUE major name to be added to the HERON TO RED MAPLE roster of Super Conference '99. MOVED to Friday, 8:45 a.m. The popular scientist, A BIG THANK YOU researcher and professor from to the sponsors of this great • 7J~'(] (was 5:15 Friday York University is making a Super Conference '99! BUSINESS MEETING). splash with his new book, The ONTARIO PUBLIC LIBRARY Bagel Effect. He takes over * GUIDELINES ACCREDITATION Micromedia OLITA's Saturday Super Micromedia/Silver Platter PROGRAM Session (#1102) from Bill Joy MOVED to Friday, 2:30 p.m. Ameritech Library who was forced to withdraw. Services Hoffert is Director of • ffi'(] ~ (speaker change) CulTech Collaborative Research IN CONVERSAnON WITH Advantage* Learning Centre at York University. He is PETER sis Bestseller Inc. Award-winning author/illustrator the mastermind behind the Brodart Co. world's first totally wired, of Starry Messenger Canebsco interactive community, a $100 John Coutts million project which The • ffi'(] ~ ABFO (nouvelle) important interactive multime­ Library Services Financial Post described as trial." 16:00-17:15 dia He is past Chair of the The Bibliocentre SALON DU UVRE DE TORONTO "quite possibly the world's most Ontario Arts Council. FAXON* • CHILDREN'S AWARD New block of dinner tickets released WNCHEON (speaker change) Wallaceburg Speaker: PmR Sis Friday night biggest evening in years Bookbinding * 'LA RONDE', the multipart ner at Hart House.
    [Show full text]
  • Socialist Realism Seen in Maxim Gorky's Play The
    SOCIALIST REALISM SEEN IN MAXIM GORKY’S PLAY THE LOWER DEPTHS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By AINUL LISA Student Number: 014214114 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 SOCIALIST REALISM SEEN IN MAXIM GORKY’S PLAY THE LOWER DEPTHS AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By AINUL LISA Student Number: 014214114 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 i ii iii HHaappppiinneessss aallwwaayyss llooookkss ssmmaallll wwhhiillee yyoouu hhoolldd iitt iinn yyoouurr hhaannddss,, bbuutt lleett iitt ggoo,, aanndd yyoouu lleeaarrnn aatt oonnccee hhooww bbiigg aanndd pprreecciioouuss iitt iiss.. (Maxiim Gorky) iv Thiis Undergraduatte Thesiis iis dediicatted tto:: My Dear Mom and Dad,, My Belloved Brotther and Siistters.. v vi ACKNOWLEDGEMENTS Firstly, I would like to praise Allah SWT for the blessings during the long process of this undergraduate thesis writing. I would also like to thank my patient and supportive father and mother for upholding me, giving me adequate facilities all through my study, and encouragement during the writing of this undergraduate thesis, my brother and sisters, who are always there to listen to all of my problems. I am very grateful to my advisor Gabriel Fajar Sasmita Aji, S.S., M.Hum. for helping me doing my undergraduate thesis with his advice, guidance, and patience during the writing of my undergraduate thesis. My gratitude also goes to my co-advisor Dewi Widyastuti, S.Pd., M.Hum.
    [Show full text]
  • Winter 2015 Vol
    $4.95 WINTER 2015 VOL. 38 NO. 1 RECOMMENDED BOOKS + OPINIONS + PROFILES + NEWS + REVIEWS Let Books Be Books Reviews of A Canadian Conversation over 30 books by Amy Bright, Jon Klassen, William Bell, Andrea Beck and more 80% 1.5 BWR ND 7-25274-86123-1 01 01 PLUS Tanya Lloyd Kyi, Always a Writer Meet Book Week artist Julie Flett Bookmark! World Religions 7125274 86123 First Nation Communities READ & Periodical Marketers of Canada CONGRATULATE Julie Flett Author / Illustrator of the 2014 – 2015 First Nation Communities READ title selection Wild Berries / Pakwa che Menisu published by Simply Read Books and first recipient of the Aboriginal Literature Award sponsored by Periodical Marketers of Canada FIRST NATION FIRST NATION COMMUNITIES COMMUNITIES READ READ English, with Cree, edition Swampy Cree edition First Nation Communities READ Your Go-to Resource for First Nations, Métis and Inuit Reading Recommended by First Nation Librarians www.sols.org/firstnationcommunitiesread FIRST NATION COMMUNITIES READ CONTENTS THIS ISSUE booknews Winter 2015 Volume 38 No. 1 7 Seen at ... Editor Gillian O’Reilly Copy Editor and Proofreader Mary Roycroft Ranni At Ben McNally’s Bookstore in Toronto, Paul Yee celebrates the publication Design Perna Siegrist Design of Chinese Fairy Tale Feasts (Tradewind Books) with guest Wayson Choy Advertising Michael Wile This informative magazine published quarterly by the Canadian Children’s Book Centre is available by yearly subscription. Single subscription – $24.95 plus sales tax (includes 2 issues of Best Books for
    [Show full text]
  • Soviet-Indian Coproductions: Ali Baba As Political Allegory
    Soviet-Indian Coproductions: Ali Baba as Political Allegory by MASHA SALAZKINA Abstract: This essay considers the history of Soviet Indian coproductions focusing on Ali Baba and 40 Thieves (1980) as a political allegory over the fate of the multination state. It addresses the formal utopian character of the fi lm and the excessive threat of sexual violence in the song-and-dance numbers. he subject of this essay is the little studied phenomenon of the Soviet-Indian cinematic coproductions. While giving a general outline of the history of these coproductions, I focus primarily on the most commercially successful of these joint efforts, Ali Baba and 40 Thieves (Alibaba Aur 40 Chor/Priklyucheniya Ali-Baby Ti soroka razboinikov, Latif Faiziyev and Umesh Mehra, 1980), henceforward Alibaba. I argue that the fi lm contains a political allegory expressing anxiety over the fate of the multination state; that anxiety lies beneath the formal utopian character of the fi lm, which attempts to show the constitution of a new community on the screen and to defi ne the role of its political subject in the face of crime and governmental corruption. I will address these issues through discussing the directors’ choice of the material (a story from One Thousand and One Nights, or The Arabian Nights, as it is better known in English); the narrative structure of the fi lm; performance histories of the Indian and Soviet actors; and, fi nally, through a reading of the excessive threat of sexual violence concentrated in the fi lm’s song-and-dance numbers. Alibaba, I con- tend, is of interest not only due to the formal and institutional hybridization of two autonomous cinematic traditions, Indian and Soviet, but also as a cultural object which displays a shared anxiety over the role of the state as its existing political and economic order moves palpably toward the brink of collapse.
    [Show full text]
  • The Strange Afterlife of Stalinist Musical Films
    THE STRANGE AFTERLIFE OF STALINIST MUSICA L FILM S Rimgaila Salys University of Colorado — Boulder The National Council for Eurasian and East European Research 910 17 th Street, N .W . Suite 300 Washington, D .C. 20006 TITLE VIII PROGRAM Project Information* Principal Investigator: Rimgaila Salys Council Contract Number : 817-08 Date : March 12, 2003 Copyright Information Individual researchers retain the copyright on their work products derived from research funde d through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicat e and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract o r Grant Agreements either (a) for NCEEER's own internal use, or (b) for use by the United State s Government, and as follows: (1) for further dissemination to domestic, international, and foreig n governments, entities and/or individuals to serve official United States Government purposes or (2 ) for dissemination in accordance with the Freedom of Information Act or other law or policy of th e United States Government granting the public access to documents held by the United State s Government. Neither NCEEER nor the United States Government nor any recipient of thi s Report may use it for commercial sale . The work leading to this report was supported in part by contract or grant funds provided by th e National Council for Eurasian and East European Research, funds which were made available b y the U.S. Department of State under Title VIII (The Soviet-East European Research and Trainin g Act of 1983, as amended) .
    [Show full text]
  • Soviet Cinema: Art and Politics from the Avant-Garde to the Return of the Stalinist Repressed
    SOVIET CINEMA: ART AND POLITICS FROM THE AVANT-GARDE TO THE RETURN OF THE STALINIST REPRESSED PROF. DANIEL SCHWARTZ RUSS 395 WINTER 2021 COURSE DESCRIPTION The history of Soviet cinema traces the conflicting ideologies and social anxieties of the USSR. This course aims to acquaint students with these ideologies and anxieties through the films of major and minor Soviet directors. It offers a broad survey of the pivotal transformations of Soviet cinema from the pre-Soviet silent era through the Russian avant- garde (1920s), Socialist Realism (1930s and 40s), New Wave (1950s and 60s), Stagnation (1970s), Perestroika and the fall of communism (1980s). Special attention will be given to women and minority filmmakers including Larissa Shepitko, Kira Muratova, and Sergei Parajanov. Key questions we will ask include: How does film function as propaganda or entertainment? How does it foster a multi-ethnic Soviet community? What are the political implications of a film’s stylistic choices? By the end of the course, students will be able to situate Soviet films in their cultural, historical, and theoretical contexts. BASIC INFORMATION Professor: Daniel Schwartz ([email protected]) Office Hours: Thursday, 17:30 – 19:30, or by appointment. REQUIRED READING All Readings will be made available on My Courses Students must have read the readings before class meets / as necessary to complete assignments. REQUIRED FILMS Film for this class are available on various streaming platforms including Kanopy, YouTube, and Amazon. McGill has a subscription to Kanopy that is available to all students. Login at https://mcgill.kanopy.com. Unfortunately, McGill does not have online access to every film I wish to show for this course.
    [Show full text]
  • UC Berkeley UC Berkeley Electronic Theses and Dissertations
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s Permalink https://escholarship.org/uc/item/74g4p86x Author Erley, Laura Mieka Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s by Laura Mieka Erley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Irina Paperno, Chair Professor Olga Matich Professor Eric Naiman Professor Jeffrey Skoller Fall 2012 Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and its Eastern Borderlands from the 1840s to the 1930s © 2012 by Laura Mieka Erley Abstract Reclaiming Native Soil: Cultural Mythologies of Soil in Russia and Its Eastern Borderlands from the 1840s to the 1930s By Laura Mieka Erley Doctor of Philosophy in Slavic Languages and Literatures and the Designated Emphasis in Film Studies University of California, Berkeley Professor Irina Paperno, Chair This dissertation explores the cultural topos of soil in Russian and early Soviet culture. Centered on the Soviet project of land reclamation in Central Asia in the 1930s, this dissertation traces the roots of Soviet utopian and dystopian fantasies of soil to the ideological and discursive traditions of the 19th century. It considers how Soviet cultural, scientific, and political figures renovated and adapted 19th-century discourse in order to articulate for their own age the national, revolutionary, and utopian values attached to soil.
    [Show full text]
  • Art in Europe 1945
    Facing the Future Art in Europe 1945 - 1968 Facing the Future Art in Europe 1945 - 1968 1945 - 1968 After the liberation View of the ruined British Prime Minister of the Auschwitz centre of Warsaw after Winston Churchill, US concentration camp by the retreat of the President Franklin D. the Red Army, German troops, Roosevelt and Soviet leader children show January 1945 Joseph Stalin during the photographers the © BPK Three Power Conference at prisoner numbers Yalta, February 1945. Photo: tattooed into their arms, Samary Gurary February 1945. © MAMM/MDF COLLECTION, MOSCOW © BPK 1945 27/01/1945. Jan 1945. 04-11/02/1945. Liberation of the The name “auschwitz” victims came from Warsaw, Poland, in Yalta Conference surviving prisoners has become a byword Belgium, Germany, ruins, January 1945 The three main Allies from the Auschwitz for the Holocaust. France, Greece, Italy, of World War II (USA, concentration camp There were over 5.6 Yugoslavia, Luxembourg, UK, USSR) discuss Auschwitz-Birkenau million victims of the the Netherlands, the denazifi cation, was the biggest German Holocaust, of whom Austria, Poland, demilitarization, death camp during the around 1.1 million Romania, the Soviet democratization and Nazi era. It was located people, including Union, Czechoslovakia partition of Germany, near the Polish town of a million Jews, and Hungary. along with the distribution Oświęcim, which was were murdered at of power in Europe after renamed Auschwitz. Birkenau. Most of the the end of the war. timeline I 1945-1950 ➤ Poster from the Fantasten exhibition, Galerie Gerd Rosen, Berlin, February 1946 © BPK 1945 15/06/1945. 03/07/1945.
    [Show full text]
  • Khrushchev and Socialist Realism: a Study Op the Political Control Op Soviet Literature, 1960-1963
    KHRUSHCHEV AND SOCIALIST REALISM: A STUDY OP THE POLITICAL CONTROL OP SOVIET LITERATURE, 1960-1963 APPROVED: Major Professor linor Professo '\ OLSMI DirectoJMr of the Department of Government ,!»».!ui * Deait of the Graduate School KHRUSHCHEV AND SOCIALIST REALISM: A STUDY OP THE POLITICAL CONTROL OP SOVIET LITERATURE, 1960-1963 THESIS Presented to the Graduate Council of the North Texas State University In Partial Fulfillment of the Requirements For the Degree of MASTER OP ARTS BY Harold R. Sanders, B. A, Denton, Texas August, 1969 TABLE OP CONTENTS Page LIST OP ILLUSTRATIONS Iv Chapter I. INTRODUCTION 1 II. METHODS OP POLITICAL CONTROL OP LITERATURE. 11 III. SOCIALIST REALISM: AN APPRAISAL 28 IV. KHRUSHCHEV AND SOCIALIST REALISM, 1960-1963: A CASE STUDY 38 V. A SYSTEMS ANALYSIS OP THE KHRUSHCHEV PERIOD . 57 VI. CONCLUSION 71 BIBLIOGRAPHY . 81 iii LIST OP ILLUSTRATIONS Figure Pag® 1. The Political System 7 2. Representative Model of a Political System 58 3. Political Socialization as a Viable Function of the Whole Political System 64 4. The System in Perspective 66 5. Khrushchev's Response to the Writers' Demands ... 69 iv CHAPTER I INTRODUCTION The purpose of this thesis is to examine the topic of political control of literature within the Soviet Union. The specific scope of this examination includes an investi- gation of Nikita S. Khrushchev and his utilization of socialist realism as one of the primary methods of literary control during the period, I96O-I963. A study of literature and its political control will demonstrate the important and dynamic roles which the political control of literature fulfills in the political system.
    [Show full text]
  • A Historical Analysis of the Films of Andrei Tarkovsky in Relation to the Post-Thaw Soviet Moment
    A Historical Analysis of the Films of Andrei Tarkovsky in Relation to the Post-Thaw Soviet Moment Gus Helbock Haverford College Class of 2017 History Thesis Professor Linda Gerstein Professor James Krippner April 21, 2017 Helbock i Acknowledgements First, I would like to thank the professors at Haverford College who guided me through my educational experience, especially in the History Department. Specifically, I am grateful for the help that Professor Linda Gerstein and Professor James Krippner provided as my first reader/advisor and second reader, respectively. The advice they gave me and the historical insight they provided were integral in the completion of this thesis. I would also like to thank my family and friends who have given me love and support throughout the entirety of the thesis process. Helbock ii Abstract During the latter half of the twentieth century, Andrei Tarkovsky received arguably more critical admiration for his films than any Soviet director. During his filmmaking career, the Soviet Union experienced a tumultuous socio-cultural, as well as political, moment. After the death of Stalin, the Khrushchev Thaw of the late 1950s and early 1960s allowed for significantly more freedom of expression. It was at this time that Tarkovsky’s career began. However, through the 1960s and 1970s, a reactionary period in Soviet politics led to a return of stringent censorship, making Tarkovsky’s filmmaking process difficult. In the early 1980s, Tarkovsky emigrated to Western Europe, where he completed his final two films before his death in 1986. Due to his contentious relationship with the Soviet state, this thesis will attempt to analyze Tarkovsky and assess his relationship to the Russian intelligentsia and the dissident movements of the late twentieth century, as well as his relationship with spirituality and religion.
    [Show full text]
  • H-France Review Vol. 20 (August 2020), No. 151 Catherine Dossin
    H-France Review Volume 20 (2020) Page 1 H-France Review Vol. 20 (August 2020), No. 151 Catherine Dossin, ed., France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art. New York and London: Bloomsbury Visual Arts, 2019. $130.00 U.S. (hb). ISBN 9781501341526; $39.95 U.S. (pb). ISBN 9781501355752; $35.95 U.S. (eb). ISBN 9781501341533. Review by Natalie Adamson, School of Art History, University of St Andrews, Scotland. French art (or rather, art made in France) holds a highly privileged place in the broader field of study of Western modernity, modernism and the avant-gardes. But for the “postwar” decades after 1945, it has been persistently defined as the weak and decidedly un-heroic contrast to the power and innovation of American art and its histories. France and the Visual Arts since 1945: Remapping European Postwar and Contemporary Art aims to redress that imbalance. Indeed, editor Catherine Dossin suggests “another template” is needed in order to “rewrite the whole story” (p.13). That said, the overall narrative largely amplifies the general routes taken by a socially oriented modernist art history with its avant- and neo-avant-gardes, its rejection of painting after 1960 and the move to postmodernist practices, this time placing France and French art firmly at the centre. As such, the volume as a whole makes an invaluable contribution to our knowledge of French art worlds. The seventeen compact essays are founded upon richly informative archival research and pay attention to many little-known artists, groups and artworks. It is obviously impossible for a single volume, even with such a number of essays, to encompass every artistic medium, artist or event between 1945 and the present day.
    [Show full text]
  • Redplenty.Pdf
    The Red Plenty Book Event — a round-table discussion of Francis Spufford’s novel, Red Plenty — ran on Crooked Timber from May 29 to June 14, 2012. online permalink: http://www.crookedtimber.org/categories/red_plenty_seminar The Book Event was organized by Henry Farrell. The book was edited by Henry Farrell and John Holbo, and designed by John Holbo. The Red Plenty Book Event is CC licensed: Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. iii Contents Red Plenty is a Novel Kim Stanley Robinson 1 Red Plenty or Red Poverty? Reality versus ‘Psychoprophyilaxis’: Reflections on Spufford’s Vision of The Rise And The Decline of The Communist System Antoaneta Dimitrova 3 To market, to market … or not? George Scialabba 11 In Soviet Union, Optimization Problem Solves Yo u Cosma Shalizi 21 On Narrating a System Carl Caldwell 47 Red Plenty – My Brush With Brezhnevism John Holbo 53 You Are Alone, In A Dark Wood. Now Cope. Henry Farrell 57 New Ideas From Dead Political Systems Daniel Davies 67 Worlds of Yesterday Felix Gilman 73 Good and Plenty Rich Yeselson 79 Will we ever know what otherwise is? Did we ever?Life, Fate and Irony Niamh Hardiman 85 Red Plenty:What WereThey Thinking? Maria Farrell 91 Red Plenty - or - Socialism Without Doctrines John Quiggin 97 Response Francis Spufford 101 Contributors 127 Red Plenty is a Novel Kim Stanley Robinson I loved Francis Spufford’sRed Plenty, which is a very beau- tiful novel. There seems to be some unnecessary confusion as to its form or genre. You can see that in the front matter of the American edition, in which it is described as “like no other history book,” “a collection of stories,” “faction,” “part detective story,” “a set of artfully interwoven genres,” “the least promis- ing fictional material of all time,” “reverse magical realism,” and “half novel/half history”.
    [Show full text]