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FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Clowning with Kids' Health – the Case for Ronald Mcdonald's
Brought To You By: and its campaign Clowning With Kids’ Health THE CASE FOR RONALD MCDONALD’S RETIREMENT www.RetireRonald.org Table of Contents FOREWORD ....................................................................................... Page 1 INTRODUCTION ................................................................................. Page 2 RONALD MCDONALD: A RETROSPECTIVE .......................................... Page 4 Birth of a pioneer…in marketing to kids ................................................ Page 5 Clown at a crossroads ........................................................................ Page 6 Where’s RONALD? ........................................................................... Page 7 What did Americans find? .................................................................... Page 8 Clowning around schools .................................................................... Page 8 McSpelling and Teaching .................................................................... Page 10 The Ironic Ronald McJock .................................................................... Page 11 Providing his own brand of healthcare ................................................... Page 12 Taking to the tube .............................................................................. Page 13 The McWorld Wide Web ....................................................................... Page 14 PUTTING RONALD ON KIds’ BraINS, PAST PARENTS ......................... Page 15 The power of getting the brand in kids’ hands -
Settlement of the West
Settlement of the West The Western Career of Wild Bill Hickok James Butler Hickok was born in Troy Grove, Illinois on 27 May 1837, the fourth of six children born to William and Polly Butler Hickok. Like his father, Wild Bill was a supporter of abolition. He often helped his father in the risky business of running their "station" on the Underground Railroad. He learned his shooting skills protecting the farm with his father from slave catchers. Hickok was a good shot from a very young age, especially an outstanding marksman with a pistol. He went west in 1857, first trying his hand at farming in Kansas. The next year he was elected constable. In 1859, he got a job with the Pony Express Company. Later that year he was badly mauled by a bear. On 12 July 1861, still convalescing from his injuries at an express station in Nebraska, he got into a disagreement with Dave McCanles over business and a shared woman, Sarah Shull. McCanles "called out" Wild Bill from the Station House. Wild Bill emerged onto the street, immediately drew one of his .36 caliber revolvers, and at a 75 yard distance, fired a single shot into McCanlesʼ chest, killing him instantly. Hickok was tried for the killing but judged to have acted in self-defense. The McCanles incident propelled Hickock to fame as a gunslinger. By the time he was a scout for the Union Army during the Civil War, his reputation with a gun was already well known. Sometime during his Army days, he backed down a lynch mob, and a woman shouted, "Good for you, Wild Bill!" It was a name which has stuck for all eternity. -
Off Camera 0210.P65
DIANE DONIAN PASKERIAN Class of 1989 Silver Circle Profile By: Kevin Wing “I was very excited about working with Frank Sinatra,” Paskerian recalls. “It was really a lot of fun When thumbing through the pages of Diane and exciting. His show included the Nelson Riddle Donian Paskerian’s professional portfolios and orchestra. At this time, Sinatra was going through a scrapbooks, one could say that her many years as a divorce with Ava Gardner, so he wasn’t in the television producer in Hollywood and the Bay Area happiest frame of mind. But, it was great to work were a colorfully unique tapestry of a life and career with a big star like him.” that only dreams are made of. Sinatra’s show ran for six months. But, when one For Paskerian, her tapestry was far from being door closed, another opened. And the next door for just a dream. She lived it, and as she has done with Paskerian was opened by none other than Liberace, anything she has ever been involved with in her life, who was starting a new variety series for ABC in the she gave it her all, and then some. late 1950s. Gil Rodin, the former producer of The Many may not know Paskerian’s name like they Bob Crosby Show on CBS, hired Paskerian. “He gave would a popular television news anchor’s, for in- me my big break,” she says. stance, or like the many world-renowned entertain- Liberace’s ABC variety show was a tremendously ers she worked for and became friends with wonderful experience for Paskerian. -
INSTITUTION Congress of the US, Washington, DC. House Committee
DOCUMENT RESUME ED 303 136 IR 013 589 TITLE Commercialization of Children's Television. Hearings on H.R. 3288, H.R. 3966, and H.R. 4125: Bills To Require the FCC To Reinstate Restrictions on Advertising during Children's Television, To Enforce the Obligation of Broadcasters To Meet the Educational Needs of the Child Audience, and for Other Purposes, before the Subcommittee on Telecommunications and Finance of the Committee on Energy and Commerce, House of Representatives, One Hundredth Congress (September 15, 1987 and March 17, 1988). INSTITUTION Congress of the U.S., Washington, DC. House Committee on Energy and Commerce. PUB DATE 88 NOTE 354p.; Serial No. 100-93. Portions contain small print. AVAILABLE FROM Superintendent of Documents, Congressional Sales Office, U.S. Government Printing Office, Washington, DC 20402. PUB TYPE Legal/Legislative/Regulatory Materials (090) -- Viewpoints (120) -- Reports - Evaluative/Feasibility (142) EDRS PRICE MFO1 /PC15 Plus Postage. DESCRIPTORS *Advertising; *Childrens Television; *Commercial Television; *Federal Legislation; Hearings; Policy Formation; *Programing (Broadcast); *Television Commercials; Television Research; Toys IDENTIFIERS Congress 100th; Federal Communications Commission ABSTRACT This report provides transcripts of two hearings held 6 months apart before a subcommittee of the House of Representatives on three bills which would require the Federal Communications Commission to reinstate restrictions on advertising on children's television programs. The texts of the bills under consideration, H.R. 3288, H.R. 3966, and H.R. 4125 are also provided. Testimony and statements were presented by:(1) Representative Terry L. Bruce of Illinois; (2) Peggy Charren, Action for Children's Television; (3) Robert Chase, National Education Association; (4) John Claster, Claster Television; (5) William Dietz, Tufts New England Medical Center; (6) Wallace Jorgenson, National Association of Broadcasters; (7) Dale L. -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
University of Nevada, Reno Cultural Landscape Development And
University of Nevada, Reno Cultural Landscape Development and Tourism in Historic Mining Towns of the Western United States A Thesis submitted in partial fulfilment of the requirements for the degree of Master of Science in Geography By Alison L. Hotten Dr. Gary J. Hausladen/Thesis Advisor May, 2011 © Copyrighted by Alison L. Hotten 2011 All Rights Reserved THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by ALISON L. HOTTEN entitled Cultural Landscape Development And Tourism In Historic Mining Towns Of The Western United States be accepted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Gary J. Hausladen, Ph.D., Advisor Paul F. Starrs, Ph.D., Committee Member Alicia Barber, Ph.D., Graduate School Representative Marsha H. Read, Ph. D., Associate Dean, Graduate School May, 2011 i Abstract This thesis examines the development of the cultural landscape of western mining towns following the transition from an economy based on mining to one based on tourism. The primary case studies are Bodie, California, Virginia City, Nevada, and Cripple Creek, Colorado. Each one is an example of highly successful tourism that has developed in a historic mining town, as well as illustrating changes in the cultural landscape related to this tourism. The main themes that these three case studies represent, respectively, are the ghost town, the standard western tourist attraction, and the gambling mecca. The development of the landscape for tourism is not just commercial, but relates to the preservation of history and authenticity in the landscape; each town was designated as a Historic District in 1961. -
The Electric Car: Dream Or Reality Silolh I>I.Olrkt
DECEMBER 1967 • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • we come to th e close of another yea r, we w ant to express our thanks and good w ishes to our members everywhere ............•.....•.................. May your Holidays be Happy and your New Year Bright ........•..................... PRE SIDE NT • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • EXECUTIVE OFFICERS THE GOIWON M FnEE~I.\N 1Io1'",<lI'''~~! 1· ...;d,,~1 !tOO 1:.lh Ill. N. \\ W,,~hlnIflO". n. Co ~\I'fIJ JO~t; I 'JI n... t:I:~,\S 1"''''R<lho''<l1 s,."r"., I~IIO 1:.lh ~1..!11 \\ W ..hlnl/lon. I). C. :"," Officiol Publicolion of Ihe Inlernolional BrDtherhood of Eleclricol WDrkers Jl:II~:"I.\III'. SUI.I.1V.\:>O I"'a... " ...,,, T .......... ISO L. ~·.Ih SI. GORDON M. FREEMAN, £d,'or N ... York. N".. York IOOIU vIer 'USIDENTS ~i,..~ l)i.uIM, WII.I.I.\)I 1.. \ 1l")I.\ N 8b l.'ni",·r0117 lUv,t. S ... I" MI, T",,,,,,,, I. On(.. (:/I".,L, "OU ' \II-: (,6. i\1I. 12 nELE\IBEH. 1967 &CO",1 m.triel. JOliN J. 111-:<:\1'0 II""", 2~3. I''''k S.,u"r~ 111,11/. 1I00t<»,. M".... d".. "u. O~ll'l Tltl.,l OI.lrkt. A. n. JOIIN:-;ON CONTEI\TS f,a7 HuH,II" ... \lOY'" :\01 M7 W".hh'l/t,," I(,! I' IU"I,(l rllh . !'h. IU~~ Christmas Spirit in Our l ocals Fourth Ol.triet. II. 0 UI.ANK1:S11IlIl' 2 ~;;~!i Vlrtnr7 I'kw)', Clnr;n"Rtl. flhlo First District Progress Meetings Firth I) lolrl~l . G. x. lJ\lIK~:1C 7 14!1 I·... c h!, .... III. N.K. -
Ballplayers from Cuba Are Now Flee Agents the 'Cottage Industry' of Smuggling Exposes Lax Rules in the Big Leagues
Los Angeles Times: Ballplayers from Cuba are now fle... http://www.latimes.com/news/printedition/front/la-sp-... http://www.latimes.com/news/printedition/front/la-sp-smuggle1jul01,1,5965297.story?track=crosspromo&coll=la-headlines-frontpage&ctrack=3&cset=true From the Los Angeles Times Ballplayers from Cuba are now flee agents The 'cottage industry' of smuggling exposes lax rules in the big leagues. By Kevin Baxter Times Staff Writer July 1, 2007 MIAMI — Three hours out of the Florida Keys, within wading distance of Cuba's north-central coast, a 28-foot speedboat slowed, its pilot cut the engine, and the sleek hull slid silently to a stop on an ink black sea. Rain squalls had passed, but a trailing band of storm clouds lingered, hiding the moon — perfect cover for the night's illicit mission: smuggling. The unusual contraband loaded aboard that night in 2004 wasn't dope; it wasn't even the typical, ragtag human cargo of desperate asylum seekers. But the value of even a small boatload of the smuggled goods could run into the millions of dollars. On Big Pine Key, a three-hour high-speed cruise across the Florida Straits, Ysbel Santos-Medina waited to take delivery along a stretch of beach about 30 miles north of Key West. The former truck driver and small-time drug trafficker, a mastermind of smuggling logistics, had arranged everything. His last responsibility would be forwarding the goods to California. Medina's contraband on that summer night represented the latest thing in Caribbean region smuggling — five Cuban baseball players. -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
1 Exploring Detective Films in the 1930S and 1940S: Genre, Society and Hollywood
Notes 1 Exploring Detective Films in the 1930s and 1940s: Genre, Society and Hollywood 1. For a discussion of Hollywood’s predilection for action in narratives, see Elsaesser (1981) and the analysis of this essay in Maltby (1995: 352−4). 2. An important strand of recent criticism of literary detective fiction has emphasised the widening of the genre to incorporate female and non-white protagonists (Munt, 1994; Pepper, 2000; Bertens and D’Haen, 2001; Knight, 2004: 162−94) but, despite Hollywood’s use of Asian detectives in the 1930s and 1940s, these accounts are more relevant to contemporary Hollywood crime films. 3. This was not only the case in B- Movies, however, as Warner’s films, includ- ing headliners, in the early 1930s generally came in at only about an hour and one- quarter due to budgetary restraints and pace was a similar neces- sity. See Miller (1973: 4−5). 4. See Palmer (1991: 124) for an alternative view which argues that ‘the crimi- nal mystery dominates each text to the extent that all the events in the narrative contribute to the enigma and its solution by the hero’. 5. Field (2009: 27−8), for example, takes the second position in order to create a binary opposition between the cerebral British whodunnit and the visceral American suspense thriller. 6. The Republic serials were: Dick Tracyy (1937), Dick Tracy Returns (1938), Dick Tracy’s G- Men (1939) and Dick Tracy vs Crime, Inc. (1941) (Langman and Finn, 1995b: 80). 7. The use of the series’ detectives in spy-hunter films after 1941, however, modifies this relationship by giving them at least an ideological affiliation with the discourses of freedom and democracy that Hollywood deploys in its propagandistic representation of the Allies in general and the United States in particular. -
![1941-08-24 [P F-2]](https://docslib.b-cdn.net/cover/1522/1941-08-24-p-f-2-2521522.webp)
1941-08-24 [P F-2]
To the Be Osborne 'Blues' Role for Carolyn Young They'll Will Osborne and his bend have Carolyn Lee. child star of "Vir- in been engaged by Warner Bros, for ginia" and "Birth of the Blues " Theaters This W eek musical In "New Orleans will next in "Out of the New on Photoplays Washington sequences appear Faces the Screen Blues." Another name band that Frying Pan," Paramount'* picturiza- will appear in the picture is that tion of the hit Broadway play by (Continued From First WEEK or AUG Page.) SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY of Jimmy Lunceford. which has al- Francis Swann. which Edward H. ' "Pet β' Geld" I "Pot o' Gold "That Uncertain "That Uncertain "M#et John Do# end Meet John Doe" end "The Or«t Swindl* ready done its studio stint. The Griffith will produce and direct. Vir- «Omen and their talents never were in the same and and and Feeling and "I Wis a Prisoner on I Wa« * Prisoner on • rid questioned. They appear Academy Feeling cast of the feature, directed Van wrote "Vir* ; 8th »nfl Ο Sts b e. "Hit the Road." I "Hit the Rond •father» Son." ''Father's De vils Isla nd." Devil's Island." Across the Sierra»." being ginia Upp, whc film. "They Died with Their Boots On." 6on^ bv Anatole is headed will Robert Montgomery 1 Robert Montgomery Robert Montgomery Robert Montgomery Robert Montgomery Err ο! Fi y η η end Errol Flynn and Litvak, by glnia." adapt the comedy, Most of the once-famous old timers, of course, never will rise to any- Ambassador in Here Comes Mr.