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El Cuervo (The Raven)

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DRACULA NEGRO Blacula TÍTULO ORIGINAL: 1972 AÑO: 92 min. DURACIÓN: William Crain DIRECTOR: Joan Torres y Raymond Boeing GUIÓN: Les Baxter MÚSICA: Floyd Crosby FOTOGRAFÍA: Denise Nicholas, Thalmus Rasulala, Vonetta McGee y William Marshall REPARTO: American International Picture PRODUCTORA: Terror GÉNERO: El príncipe africano Mamuwalde y su esposa Luva, recorren Europa en busca de influyentes SINOPSIS: personalidades que firmen un documento a favor de la abolición de la esclavitud. El conde Drácula los recibe pero condena al príncipe a una eternidad de sufrimiento al convertirlo en vampiro y dejarlo encerrado en un ataúd del que no puede salir para saciar su sed de sangre. Dos siglos después una pareja de decoradores de interiores, que han adquirido un lote de antigüedades, liberan accidentalmente a Blácula, insaciable de sangre y deseoso de venganza. Un título legendario del cine de terror que surgió en pleno auge de la blackxploitation en los inicios de los 70. LA INVASIÓN DE LOS LADRONES DE CUERPOS Invasion of the body snatchers TÍTULO ORIGINAL: 1956 AÑO: 80 min. DURACIÓN: Don Siegel DIRECTOR: Daniel Mainwaring (basado en un relato de Jack Fenney) GUIÓN: Carmen Dragon MÚSICA: Ellsworth J. Fredericks (B&W) FOTOGRAFÍA: Kevin McCarthy, Dana Wynter, Larry Gates, Carolyn Jones, King Donovan, Virginia REPARTO: Christine, Tom Fadden, Guy Way, Sam Peckinpah Allied Artist Picture Corporation PRODUCTORA: Ciencia ficción GÉNERO: Unos seres extraterrestres, que se desarrollan en unos capullos, de los que salen unas SINOPSIS: larvas, van asesinando personas y suplantando su lugar. Los suplentes son exactamente iguales que los humanos a excepción de su falta de sentimientos. Varias personas descubren lo ocurrid, pero se encuentran con que aquellos a los que piden ayuda, han sido ya suplantados. El avance de la invasión es imperceptible pero parece imparable. No sólo es un maravilloso clásico de varios géneros a la vez (fantástico, terror y ciencia-ficción) sino una interesante denuncia política de la paranoia anticomunista de los años cincuenta. DETOUR Detour TÍTULO ORIGINAL: 1945 AÑO: 64 min. DURACIÓN: Edgar G. Ulmer DIRECTOR: Martin Goldsmith GUIÓN: Leo Erdody MÚSICA: Benjamin H. Kline (B&W) FOTOGRAFÍA: Tom Neal, Ann Savage, Claudia Drake, Tim Ryan, Edmund MacDonald, Esther Howard, REPARTO: Pat Gleason Producer Releasing Corporation PRODUCTORA: Cine negro GÉNERO: Después de que su novia Sue se fuera a Hollywood, el pianista Al Roberts dedice ir tras SINOPSIS: ella y comienza un viaje en autostop hacia el oeste. Recogido por un viajante de comercio, éste le pide que conduzca él. Poco después y mientras conduce se da cuenta de que éste está muerto y no dormido como creía. Decide deshacerse del cuerpo y usurpar su personalidad y así evitar problemas con la policía. ARENAS SANGRIENTAS Sands of Iwo Jima TÍTULO ORIGINAL: 1949 AÑO: 90 min. DURACIÓN: Allan Dwan DIRECTOR: James Edward Grant & Harry Brown (Historia: Harry Brown) GUIÓN: Victor Young MÚSICA: Reggie Lanning (B&W) FOTOGRAFÍA: John Wayne, John Agar, Adele Mara, Forrest Tucker, Wally Cassell, James Brown, Richard REPARTO: Webb, Arthur Franz, Julie Bishop, James Holden, Richard Jaeckel, William Murphy, George Tyne, Hal Baylor, John McGuire, Martin Milner, Ira H. Hayes, Don Haggerty Republic Pictures PRODUCTORA: Bélica GÉNERO: Después de ser abandonado por su mujer y su hijo, el Sargento John Stryker se SINOPSIS: transforma en un amargado y solitario que descarga sus miserias y su furia en los hombres que tiene a su mando. Como instructor, su misión es entrenar a los jóvenes marines para combatir en la Guerra del Pacífico. Al final, después de muchos sufrimientos, sus tropas descubrirán que su supervivencia dependerá de las lecciones del Sargento y comprenderán así, que todo los que les enseñó puede salvarles la vida. Nominada a un Oscar en 1950. EL FANTASMA INVISIBLE Invisible ghost TÍTULO ORIGINAL: 1941 AÑO: 64 min. DURACIÓN: Joseph H. Lewis DIRECTOR: Al Martin y Helen Martin GUIÓN: Johnny Lange, Lew Porter MÚSICA: Harvey Gould, Marcel Le Picard (B&W) FOTOGRAFÍA: Bela Lugosi, Polly Ann Young, John McGuire, Clarence Muse, Terry Walker, Betty REPARTO: Compson, Ernie Adams Monogram Pictures Corporation PRODUCTORA: Terror GÉNERO: La mujer de un respetado y adinerado ciudadano, Charles Kessler muere en un accidente SINOPSIS: de tráfico tras abandonarlo por otro hombre. Derrumbado y desesperado ante este hecho, pierde la razón, creyendo que el espíritu de la difunta esposa se le aparece, impulsándole a cometer terribles asesinatos. Cuando la policía descubre que una de las victimas de los crímenes, la doncella de la casa, resulta ser la antigua amante del prometido de su hija (John McGuire) éste es declarado culpable y condenado a muerte. Sin embargo, tras su ejecución, las muertes continúan produciéndose, lo que hace que el hermano gemelo del ajusticiado, trate de descubrir la autoría real de los crímenes. YO ANDUVE CON UN ZOMBIE I walked with a zombie TÍTULO ORIGINAL: 1943 AÑO: 69 min. DURACIÓN: Jaques Tourneur DIRECTOR: Curt Siodmak, Inez Wallace y Ardel Wray GUIÓN: Roy Webb MÚSICA: J. Roy Hunt (B&W) FOTOGRAFÍA: James Ellison, Frances Dee, Tom Conway, Edith Barrett, Christine Gordon, James Bell, REPARTO: Richard Abrams, Teresa Harris, Darby Jones. RKO PRODUCTORA: Terror GÉNERO: Betsy una joven enfermera acepta un trabajo en unas plantaciones de azúcar en San SINOPSIS: Sebastián, en las Antillas, donde deberá cuidar a la esposa del poderoso hacendado Paul Holland, que padece una misteriosa enfermedad que la condena a una vida vengativa. El exotismo y la belleza del lugar cautivan a Betsy. Pero el oscuro pasado que rodea a la mansión y afecta a Holland como a su hermanastro Wesley Rand, ambos enamorados de Betsy, pondrá una nota de inquietud en su plácida vida, agravada por las supersticiones locales, los ritos vudú y la cada vez más palpable constatación de la existencia de muertos vivientes. EL INCREIBLE HOMBRE MENGUANTE The incredible shrinking man TÍTULO ORIGINAL: 1957 AÑO: 81 min. DURACIÓN: Jack Arnold DIRECTOR: Richard Matheson GUIÓN: Joseph Gershenson MÚSICA: Ellis W. Carter (B&W) FOTOGRAFÍA: Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey, William Schallert, REPARTO: Billy Curtis Universal Pictures PRODUCTORA: Ciencia ficción GÉNERO: Scott Carey se encuentra con una misteriosa niebla radioactiva cuando navega con su mujer SINOPSIS: en el barco de un amigo. Sin conocer lo perjudicial que será para él, empieza a notar extraños cambios en su cuerpo. Su altura, peso y hasta sus órganos empiezan a disminuir hasta quedarse en dos meros centímetros. De pronto, una situación de su vida cotidiana amenazará con una intensidad letal: su gato juguetón se convertirá en un demonio para él, y la araña en su peor enemigo. Carey aprenderá que su supervivencia en el nuevo mundo reducido dependerá de él y de su ingenio... LA MARCA DEL VAMPIRO The mark of the vampire TÍTULO ORIGINAL: 1935 AÑO: 58 min. DURACIÓN: Tod Browning DIRECTOR: Guy Endore, Bernard Schubert GUIÓN: Edward Ward, Herbert Stothart MÚSICA: James Wong Howe (B&W) FOTOGRAFÍA: Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill, Jean Hersholt, Henry REPARTO: Wadsworth, Donal Meek Metro Goldwin Mayer PRODUCTORA: Terror GÉNERO: Una historia de asesinatos, que tiene lugar en un pequeño pueblo checo, al parecer SINOPSIS: realizada por vampiros porque los cuerpos de las victimas aparecen desangrados y con dos marcas punzantes en el cuello. El inspector Neumann investiga el primer caso, la muerte de un hombe rico, y debe apresurarse en la captura de los responsables del crimen, antes de que una vampiresa se apodere de la hija huérfana del noble, Irena. El inspector pide ayuda al excéntrico profesor Zelen, quien confirma que la causa de la muerte se debe al ataque de un vampiro, y hace que recaiga la sospecha en el vecino de la victima, el Conde Mora. JASON Y LOS ARGONAUTAS Jason and the argonauts TÍTULO ORIGINAL: 1963 AÑO: 104 min. DURACIÓN: Don Chaffey DIRECTOR: Beverley Cross y Jan Read GUIÓN: Bernard Herrmann MÚSICA: Wilkie Cooper FOTOGRAFÍA: Todd Armstrong, Nancy Kovack, Gary Raymond, Michael Gwynn, Laurence Naismith, Niall REPARTO: MacGinnis, Douglas Wilmer, Honor Blackman, Patrick Troughton, Nigel Green Columbia Pct. PRODUCTORA: Aventuras GÉNERO: Jasón, a quien la profecía anuncia como futuro rey del reino de Tesalia, reúne a los más SINOPSIS: destacados hombres de Grecia (entre ellos, al legendario Hércules) para viajar a Colchis, en busca de un fantástico tesoro. Jasón ha decidido hacer este viaje tras la recomendación de Pelias, quien anteriormente había asesinado en secreto al padre del héroe. EL DEMONIO DE LAS ARMAS Gun Crazy (Deadly is the female) TÍTULO ORIGINAL: 1949 AÑO: 87 min. DURACIÓN: Joseph H. Lewis DIRECTOR: MacKinlay Kantor, Millard Kaufman GUIÓN: Víctor Young MÚSICA: Russell Harlan (B&W) FOTOGRAFÍA: Peggy Cummins, John Dall, Berry Kroeger, Morris Carnovsky, Annabel Shaw, Harry Lewis, REPARTO: Nedrick Young United Artist PRODUCTORA: Cine negro GÉNERO: Cuando el pistolero Bart Tare ve como Anne Laurie Starr efectúa un disparo perfecto en SINOPSIS: una competición de tiros, se da cuenta de que está en las últimas. Ambos sellan una alianza, como diría Bart: “como pistolas y municiones”. Los dos se convierten en ladrones de banco, eludiendo los obstáculos del camino, y entrando en la historia del cine como uno de los referentes del cine negro. Joseph H. Lewis dirige este feroz thriller seleccionado por el Nacional Film Registry y convertido en precursor de Bonnie and Clyde. Entre Peggy
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    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2000 Seeing the Past: Jesse James and American History in Motion Pictures Clinton S. Loftin Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, and the Film and Media Studies Commons Recommended Citation Loftin, Clinton S., "Seeing the Past: Jesse James and American History in Motion Pictures" (2000). Electronic Theses and Dissertations. 206. http://digitalcommons.library.umaine.edu/etd/206 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. SEEING THE PAST: JESSE JAMES AND AMERICAN HISTORY IN MOTION PICTURES By Clinton Scott Loftin Thesis Advisor: Dr. Nathan Godfried An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in History) May, 2000 Historically-based films often reveal more about the time in which they were made than about their historical subjects. Three motion pictures about Jesse James made in three very different eras reveal more about contemporary history than they do about the facts surrounding the legendary outlaw’s life. While each film, in some way, purports to tell the “true” story of Jesse James’ life, each offers a different history of that life. In order to understand the reasons for this it is necessary to examine the events that surrounded the making of each picture. More specifically, there are four major forces that must be examined in order to understand Jesse James’ transformation in the three pictures: the socio-political environment at the time each film was made, the state of the motion picture industry, developments within the genre to which the films belong (the Western), and the unique contributions of individual filmmakers.

  • Commissary to Be Open Sundays by Linda Lee Explained Smith

    Inside ECTO update....................... Page 2 'I remember the captain.'... Page 3 Rabies can be deadly........ Page 6 How safe is marijuna?...... Page 9 Sports..................................... Page 10 7 Commissary to be open Sundays By Linda Lee explained Smith. And, when Col. schedule changes are several of the adding that the commissary will working mother, thinks the idea is and it gives us an opportunity to do Fredrick Cart, the post's director of major ones, but Smith thinks these provide an equal level of service on super. "It's really good. If you run the shopping together, if we want." A major change affecting the logistics, voiced the wish of many of will be worked out soon after the Sunday as it does on Tuesday or out of something, you don't have to "It's fine as long as they don't commissary and Fort Leonard Wood Fort Leonard Wood's advisory commissary has been open on Wednesday. "We don't want to fall wait or go off post." She added, close any other day," said SFC Sundays. was announced Tuesday. Beginning councils concerning a Sunday on our faces." A challenge, he said, "there's someone home to watch the Peter Swearingen, while 1st Lt. John "I don't believe in operating Moran believes the Sunday on March 1, the commissary will be opening to him in November, he will be to keep the shelves stocked. baby. We don't have to rearrange opening anything second class," he stressed, Army wife and to be" open for business on Sunday. decided to look into the feasibility of Linda Carter, an our schedules or find a babysitter, a step In the right direction." Hours for operation on Sundays doing it.