DOCSLIB.ORG

El Cuervo (The Raven)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
El Cuervo (The Raven) DRACULA NEGRO Blacula TÍTULO ORIGINAL: 1972 AÑO: 92 min. DURACIÓN: William Crain DIRECTOR: Joan Torres y Raymond Boeing GUIÓN: Les Baxter MÚSICA: Floyd Crosby FOTOGRAFÍA: Denise Nicholas, Thalmus Rasulala, Vonetta McGee y William Marshall REPARTO: American International Picture PRODUCTORA: Terror GÉNERO: El príncipe africano Mamuwalde y su esposa Luva, recorren Europa en busca de influyentes SINOPSIS: personalidades que firmen un documento a favor de la abolición de la esclavitud. El conde Drácula los recibe pero condena al príncipe a una eternidad de sufrimiento al convertirlo en vampiro y dejarlo encerrado en un ataúd del que no puede salir para saciar su sed de sangre. Dos siglos después una pareja de decoradores de interiores, que han adquirido un lote de antigüedades, liberan accidentalmente a Blácula, insaciable de sangre y deseoso de venganza. Un título legendario del cine de terror que surgió en pleno auge de la blackxploitation en los inicios de los 70. LA INVASIÓN DE LOS LADRONES DE CUERPOS Invasion of the body snatchers TÍTULO ORIGINAL: 1956 AÑO: 80 min. DURACIÓN: Don Siegel DIRECTOR: Daniel Mainwaring (basado en un relato de Jack Fenney) GUIÓN: Carmen Dragon MÚSICA: Ellsworth J. Fredericks (B&W) FOTOGRAFÍA: Kevin McCarthy, Dana Wynter, Larry Gates, Carolyn Jones, King Donovan, Virginia REPARTO: Christine, Tom Fadden, Guy Way, Sam Peckinpah Allied Artist Picture Corporation PRODUCTORA: Ciencia ficción GÉNERO: Unos seres extraterrestres, que se desarrollan en unos capullos, de los que salen unas SINOPSIS: larvas, van asesinando personas y suplantando su lugar. Los suplentes son exactamente iguales que los humanos a excepción de su falta de sentimientos. Varias personas descubren lo ocurrid, pero se encuentran con que aquellos a los que piden ayuda, han sido ya suplantados. El avance de la invasión es imperceptible pero parece imparable. No sólo es un maravilloso clásico de varios géneros a la vez (fantástico, terror y ciencia-ficción) sino una interesante denuncia política de la paranoia anticomunista de los años cincuenta. DETOUR Detour TÍTULO ORIGINAL: 1945 AÑO: 64 min. DURACIÓN: Edgar G. Ulmer DIRECTOR: Martin Goldsmith GUIÓN: Leo Erdody MÚSICA: Benjamin H. Kline (B&W) FOTOGRAFÍA: Tom Neal, Ann Savage, Claudia Drake, Tim Ryan, Edmund MacDonald, Esther Howard, REPARTO: Pat Gleason Producer Releasing Corporation PRODUCTORA: Cine negro GÉNERO: Después de que su novia Sue se fuera a Hollywood, el pianista Al Roberts dedice ir tras SINOPSIS: ella y comienza un viaje en autostop hacia el oeste. Recogido por un viajante de comercio, éste le pide que conduzca él. Poco después y mientras conduce se da cuenta de que éste está muerto y no dormido como creía. Decide deshacerse del cuerpo y usurpar su personalidad y así evitar problemas con la policía. ARENAS SANGRIENTAS Sands of Iwo Jima TÍTULO ORIGINAL: 1949 AÑO: 90 min. DURACIÓN: Allan Dwan DIRECTOR: James Edward Grant & Harry Brown (Historia: Harry Brown) GUIÓN: Victor Young MÚSICA: Reggie Lanning (B&W) FOTOGRAFÍA: John Wayne, John Agar, Adele Mara, Forrest Tucker, Wally Cassell, James Brown, Richard REPARTO: Webb, Arthur Franz, Julie Bishop, James Holden, Richard Jaeckel, William Murphy, George Tyne, Hal Baylor, John McGuire, Martin Milner, Ira H. Hayes, Don Haggerty Republic Pictures PRODUCTORA: Bélica GÉNERO: Después de ser abandonado por su mujer y su hijo, el Sargento John Stryker se SINOPSIS: transforma en un amargado y solitario que descarga sus miserias y su furia en los hombres que tiene a su mando. Como instructor, su misión es entrenar a los jóvenes marines para combatir en la Guerra del Pacífico. Al final, después de muchos sufrimientos, sus tropas descubrirán que su supervivencia dependerá de las lecciones del Sargento y comprenderán así, que todo los que les enseñó puede salvarles la vida. Nominada a un Oscar en 1950. EL FANTASMA INVISIBLE Invisible ghost TÍTULO ORIGINAL: 1941 AÑO: 64 min. DURACIÓN: Joseph H. Lewis DIRECTOR: Al Martin y Helen Martin GUIÓN: Johnny Lange, Lew Porter MÚSICA: Harvey Gould, Marcel Le Picard (B&W) FOTOGRAFÍA: Bela Lugosi, Polly Ann Young, John McGuire, Clarence Muse, Terry Walker, Betty REPARTO: Compson, Ernie Adams Monogram Pictures Corporation PRODUCTORA: Terror GÉNERO: La mujer de un respetado y adinerado ciudadano, Charles Kessler muere en un accidente SINOPSIS: de tráfico tras abandonarlo por otro hombre. Derrumbado y desesperado ante este hecho, pierde la razón, creyendo que el espíritu de la difunta esposa se le aparece, impulsándole a cometer terribles asesinatos. Cuando la policía descubre que una de las victimas de los crímenes, la doncella de la casa, resulta ser la antigua amante del prometido de su hija (John McGuire) éste es declarado culpable y condenado a muerte. Sin embargo, tras su ejecución, las muertes continúan produciéndose, lo que hace que el hermano gemelo del ajusticiado, trate de descubrir la autoría real de los crímenes. YO ANDUVE CON UN ZOMBIE I walked with a zombie TÍTULO ORIGINAL: 1943 AÑO: 69 min. DURACIÓN: Jaques Tourneur DIRECTOR: Curt Siodmak, Inez Wallace y Ardel Wray GUIÓN: Roy Webb MÚSICA: J. Roy Hunt (B&W) FOTOGRAFÍA: James Ellison, Frances Dee, Tom Conway, Edith Barrett, Christine Gordon, James Bell, REPARTO: Richard Abrams, Teresa Harris, Darby Jones. RKO PRODUCTORA: Terror GÉNERO: Betsy una joven enfermera acepta un trabajo en unas plantaciones de azúcar en San SINOPSIS: Sebastián, en las Antillas, donde deberá cuidar a la esposa del poderoso hacendado Paul Holland, que padece una misteriosa enfermedad que la condena a una vida vengativa. El exotismo y la belleza del lugar cautivan a Betsy. Pero el oscuro pasado que rodea a la mansión y afecta a Holland como a su hermanastro Wesley Rand, ambos enamorados de Betsy, pondrá una nota de inquietud en su plácida vida, agravada por las supersticiones locales, los ritos vudú y la cada vez más palpable constatación de la existencia de muertos vivientes. EL INCREIBLE HOMBRE MENGUANTE The incredible shrinking man TÍTULO ORIGINAL: 1957 AÑO: 81 min. DURACIÓN: Jack Arnold DIRECTOR: Richard Matheson GUIÓN: Joseph Gershenson MÚSICA: Ellis W. Carter (B&W) FOTOGRAFÍA: Grant Williams, Randy Stuart, April Kent, Paul Langton, Raymond Bailey, William Schallert, REPARTO: Billy Curtis Universal Pictures PRODUCTORA: Ciencia ficción GÉNERO: Scott Carey se encuentra con una misteriosa niebla radioactiva cuando navega con su mujer SINOPSIS: en el barco de un amigo. Sin conocer lo perjudicial que será para él, empieza a notar extraños cambios en su cuerpo. Su altura, peso y hasta sus órganos empiezan a disminuir hasta quedarse en dos meros centímetros. De pronto, una situación de su vida cotidiana amenazará con una intensidad letal: su gato juguetón se convertirá en un demonio para él, y la araña en su peor enemigo. Carey aprenderá que su supervivencia en el nuevo mundo reducido dependerá de él y de su ingenio... LA MARCA DEL VAMPIRO The mark of the vampire TÍTULO ORIGINAL: 1935 AÑO: 58 min. DURACIÓN: Tod Browning DIRECTOR: Guy Endore, Bernard Schubert GUIÓN: Edward Ward, Herbert Stothart MÚSICA: James Wong Howe (B&W) FOTOGRAFÍA: Lionel Barrymore, Elizabeth Allan, Bela Lugosi, Lionel Atwill, Jean Hersholt, Henry REPARTO: Wadsworth, Donal Meek Metro Goldwin Mayer PRODUCTORA: Terror GÉNERO: Una historia de asesinatos, que tiene lugar en un pequeño pueblo checo, al parecer SINOPSIS: realizada por vampiros porque los cuerpos de las victimas aparecen desangrados y con dos marcas punzantes en el cuello. El inspector Neumann investiga el primer caso, la muerte de un hombe rico, y debe apresurarse en la captura de los responsables del crimen, antes de que una vampiresa se apodere de la hija huérfana del noble, Irena. El inspector pide ayuda al excéntrico profesor Zelen, quien confirma que la causa de la muerte se debe al ataque de un vampiro, y hace que recaiga la sospecha en el vecino de la victima, el Conde Mora. JASON Y LOS ARGONAUTAS Jason and the argonauts TÍTULO ORIGINAL: 1963 AÑO: 104 min. DURACIÓN: Don Chaffey DIRECTOR: Beverley Cross y Jan Read GUIÓN: Bernard Herrmann MÚSICA: Wilkie Cooper FOTOGRAFÍA: Todd Armstrong, Nancy Kovack, Gary Raymond, Michael Gwynn, Laurence Naismith, Niall REPARTO: MacGinnis, Douglas Wilmer, Honor Blackman, Patrick Troughton, Nigel Green Columbia Pct. PRODUCTORA: Aventuras GÉNERO: Jasón, a quien la profecía anuncia como futuro rey del reino de Tesalia, reúne a los más SINOPSIS: destacados hombres de Grecia (entre ellos, al legendario Hércules) para viajar a Colchis, en busca de un fantástico tesoro. Jasón ha decidido hacer este viaje tras la recomendación de Pelias, quien anteriormente había asesinado en secreto al padre del héroe. EL DEMONIO DE LAS ARMAS Gun Crazy (Deadly is the female) TÍTULO ORIGINAL: 1949 AÑO: 87 min. DURACIÓN: Joseph H. Lewis DIRECTOR: MacKinlay Kantor, Millard Kaufman GUIÓN: Víctor Young MÚSICA: Russell Harlan (B&W) FOTOGRAFÍA: Peggy Cummins, John Dall, Berry Kroeger, Morris Carnovsky, Annabel Shaw, Harry Lewis, REPARTO: Nedrick Young United Artist PRODUCTORA: Cine negro GÉNERO: Cuando el pistolero Bart Tare ve como Anne Laurie Starr efectúa un disparo perfecto en SINOPSIS: una competición de tiros, se da cuenta de que está en las últimas. Ambos sellan una alianza, como diría Bart: “como pistolas y municiones”. Los dos se convierten en ladrones de banco, eludiendo los obstáculos del camino, y entrando en la historia del cine como uno de los referentes del cine negro. Joseph H. Lewis dirige este feroz thriller seleccionado por el Nacional Film Registry y convertido en precursor de Bonnie and Clyde. Entre Peggy
Load more

Recommended publications
  • The Irlorehead Inde^Ificlent “ONE of KENTUCKY^ GREATER WEEKT.TES^
    I !2T ”'^ j—r . It- ‘ -,1 ^ ■■ !.' ' ..., ,, Wffcp CS rtSionOAU -PUbUC UkSAEIES. The irlorehead Inde^ificlent “ONE OF KENTUCKY^ GREATER WEEKT.TES^ VOLUME vn. MOREHEAD, KEhtUCKY, THURSDAY. FEBBUAST 29, IMO H. S. BASKETBALL TOURNEY SKED Crackeriburd CoBoncnts &mdyHoak Rowan Docket Light For {BrWm^rnrnm} March Term Of Court Affto with date ngret I wiah t» axOtr mr looker to any and an penoQS that I have oOaoded Francis M. Bnrke, Former Assistant Attorney- Ihroucb ttaia eoluiDB. UtmeaUte JenningsIs Nmned lurtber Out I know of oot oae General, May Be On Bench In White’s jti«le epamy In the world. I Full Time Geric h Position bava ahn^ triad to be a good etttan. aad a good nei«hix«. I Rowan County will have a light docket when the March do not wWi to enbatwa a Wed Conncil Move term of court convenes, according to Joe McKinney, circuit through Wa cohtaan, and any. tUagdwt I mightaaythat Final court clerk, who lists but a few important cases. Move To CoHirdmate, Unify «baaeajw come to me and County officiab state that Pranms M. Burke, forma- Saturday City’s Busiiiesg, Stales •- don't aend word Out youare mad. assistant attorneygeneralwill probablyoccupythe bench in 8:00 P. M. Mayor I will get down on my kneea and the absence of regular judge White. Judge White is ill at his otfer you my apology. The pur* ed to make home in Mt. Sterling. poaa of ttala columa ia to gat to the. 1^;„ly govern t of More- Among the cases to come before the people of thla and head more effideiit the City the courts are, first day: V« mendingcountiaa nawa from ^ FANS NEARLY RIOT Bowling, charged with shooting ^imd] at a special meeting Inddc, oewi that we couldn't have Wednesd^ night, electS AS STEAM “HISSES” and wounding with intent to kill; otberwtaa gotten.
    [Show full text]
  • MF2654 Protecting Your Nest Egg: Investigate Before You Invest
    Protecting Your Nest Egg Kansas State University Investigate before you invest Agricultural Experiment Station and Cooperative Theresa Foster, FCS Extension Agent, Wabaunsee County Extension Service Angela Cichocki, Dir. of Investor Education, Office of the Ks. Securities Commissioner Nothing But the Blue Sky 3) Companies and salespeople had to be honest and ethical. False and misleading Think back to the days of Jesse James and information intended to defraud investors lawlessness when it ran thick as bison over was not allowed. the prairies. Scoundrels like James weren’t the only thieves on the prowl. These clever Other states soon passed similar laws. The crooks looked professional, sounded U.S. Securities and Exchange Commission honest and claimed to represent solid was created in 1934 to regulate the national companies with legitimate investment securities markets. We now have a system of opportunities. state, federal, and industry regulation. There What trusting investors got is a securities regulator in each was nothing more than a of the 50 United States, the piece of the blue sky. The so- District of Columbia, Puerto called “investments” were Rico, Mexico and the Canadian worthless. The money provinces and territories. usually disappeared into thin air along with the State regulators are often the Fact Sheet salesperson. first to detect illegal and unethical activity through investigations and customer How Kansas Drove complaints. States may suspend and revoke Out a Set of Thieves securities licenses, order fines and sanctions The State of Kansas took action. In 1911, and pursue criminal prosecution in a court Kansas became the first state to enact a law of law.
    [Show full text]
  • Alleged Kidnappers Claim Innocence During Hearing Police Seek
    -~- '" _. ~, ,.-". 991231 3 44U8L1I·~HING INC ~# SOUTHWEST MICROP J ~ • ?6?7 E. YANDELL DRIVE ~L-PASO TX 79903- I _p. Crimestoppers Youngsters 1'1, spread the word perform 't ' See Page 2A ~ ", See Page lOA ., ' If' " .... {' · ~.: 4,• • .'.-,! ; ~,~:; :l" ~. : ~ 35c PER COpy T ..i NO. 66 IN OUR 42ND YEAR · , RUIDOSO, NM 88345 MONDAY, DECEMBER 21, 1987 ; Alleged kidnappers claim innocence during hearing by FRANKIE JARRELL dox, contacted Monday, said Wheeler said the charges could for hours before escaping to get a "fairly large, bunting-looking kidnappers was Mexican, one had News Staff Writer DeFranza was born February 16, result in fines of up to 18 months in help at the U.S. Border Patrol near knife." Vines said he then headed reddish hair and one had an earring 1966; while Kelly's date-of-birth is jail and/or $5,000 fipe for the false Oro Grande. for AlaJIlogordo, but was told to in one ear. He noted that neither of A case against two accused kid­ listed as June 10, 1957. He said imprisonment, and $10,000 fine Vines and Ruidoso Detective Lan­ stop near Mescalero, and the men the defendants are Mexican, have nappers is on hold while authorities DeFranza is from Florida, but and/or nine years in jail on the ro~ ny Maddox described how com­ tied him up, wrapped in him a reddish hair or have a pierced ear. investigate an alibi offered by one Kelly's last place of residence was bery charge. posite drawings were formed using sleeping bag and placed him in the Wheeler, leaning over the bench for of the two men during a unavailable.
    [Show full text]
  • The Dearborn Historian Quarterly of the Dearborn Historical Commission
    INSIDE: Dearborn’s Only WW1 Casualty The Dearborn Historian Quarterly of the Dearborn Historical Commission South End Starlet Dearborn’s Adele Mara appeared in nearly 100 films and TV shows. She joked with the Three Stooges, won renown as a pinup girl in World War II and taught John Wayne to jitterbug. SUMMER 2018 \ VOLUME 55, NUMBER 2 The New Editor David’s editing is a hard act to follow, but I will do my Bill McGraw best to maintain his standards and creativity. He will remain as contributing editor and will continue to write stories and Please Allow Me to contribute in other ways. Introduce Myself “The istorianH has a pretty impressive pedigree going back more than 50 years as a journal doing original research,” Good received some good news early this summer: The Dearborn told me. “And I’m grateful I had the chance to resurrect it as a Historian was looking for an editor. volunteer project in 2011 after the Historical Museum stopped I publishing for four years. I also appreciate the editorial freedom My friend David Good was retiring after putting out The that Jack Tate gave me after he took over as acting chief curator Historian for seven years as a volunteer. To make a long story in 2012. short, I got the job. This is my first issue. I couldn’t be happier. I’ve been a reader of The Historian since I moved to “During 34 years of writing and editing at the Detroit News, Dearborn 30 years ago August. Its I had a number of jobs I truly considered fun, but nothing was stories and photos supported my quite as rewarding as being editor of The Historian.” belief that Dearborn is the most As for me, I’m a local product: I was born in Detroit, and unique and interesting suburb prior to my 1988 move to Dearborn, I had lived in Grosse in metro Detroit, with the most Pointe, Detroit and St.
    [Show full text]
  • Film and Video Labelling Body Media Approved
    Film and Video Labelling Body Media Approved Video Titles Title Rating Source Time Date Format Applicant Point of Sales Approved Director Cuts 100 Songs 100 Movies M Contains violence and sex scenes FVLB 377.00 24/07/2007DVD Movie Zone NZ Ltd No cut noted Slick Yes 24/07/2007 3 Block Buster Singers M Contains sex scenes FVLB 422.00 24/07/2007DVD Movie Zone NZ Ltd Not stated No cut noted Slick Yes 24/07/2007 3 Days of the Condor (Special Edition 2 Disc) M Contains violence and sex scenes FVLB 112.00 18/07/2007DVD Universal Pictures Video Sydney Pollack No cut noted 300 (2 Disc Edition) R16 Contains graphic violence FVLB 112.00 09/07/2007DVD Warner Bros Video Zack Snyder No cut noted Slick Yes 08/08/2007 4 Classic Episodes of the Lone Ranger - Vol 1 PG Contains low level violence FVLB 93.00 17/07/2007DVD The Warehouse Various No cut noted Slick Yes 17/07/2007 40 Year Old Virgin/You, Me and Dupree/Let's Go To Prison R16 Contains offensive language,drug use and sexual content that may offend FVLB 317.41 19/07/2007DVD Universal Pictures Video Various No cut noted 4400 - The Third Season (4 Disc Set) M Contains medium level violence FVLB 538.00 12/07/2007DVD Roadshow Entertainment Various No cut noted 69 Fuck Street R18 Contains explicit sex scenes OFLC 74.03 12/07/2007DVD Calvista NZ Ltd Matthais Von Fistenberg No cut noted Slick Yes 12/07/2007 71 Fragmente Einer Chronologie Des Zufalls M Contains violence FVLB 95.00 05/07/2007DVD Gamewizz Digital Entertainment 2003 Michael Haneke No cut noted Slick Yes 05/07/2007 8mm/8mm 2 - Ultimate Collector's
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • New Route to Amboy
    ** "*^?^aj£ie>a<*«eui__.. Full Local Coverage RARITAN OWN SHIP Complete News, Pictures A Newspaper Devoted Presented Fairly, Clearly To the Community Interest And Impartially Each Week VOL. XIII—NO. 15 FORDS, N. J., THURSDAY, MARCH 22, 1951 PRICE FIVE CENTS New Route Veterans Bring Housing Condition Worries to Commissioners To Amboy Suggested ecis Clara Barton Man Asks? Study Isookiug to Use Of RR Right-of Way RAR'ITAN TOWNSHIP—Gilber: Turner, a resident of' the Clara .Barton section today urged that county planners include in then considerations for an alternate route from Perth Amboy to Me- tuchen the possible use of "the great idle space" on the present, right-of-way of the Lehigh Valley Railroad. The railroad, which now is a By MICHAEL J. GERMAK single spur conecting both these RARITAN TOWNSHIP—Local municipalities, is situated about political circles received a resound- 500 to 1000 feet south of Nev ing shock late last night when Brunswick Avenue, at present the Commissioner William P. Clarke. only complete vehicular thorough- Democrat, announced he will be a fare connecting approximately six candidate against the Fusion slate miles that separate Perth Amboy in the election May 3. Mr. Clarke and Metuchen* previously announced he would Turner's suggestion comes or not be a candidate. the heels of demands by official! The Fusion ticket, composed of of the county as well as Wood- three Republicans and two Demo- bridge township and other muni- crats.is complete. Mr. Clarke's new cipalities that immediate consider- plans to enter the race regardlsss ation be given to construction of of organization formula, were a an alternate route to relieve the -; • surprise although in an interview heavy congestion of traffic on New /.- :• :«/ •.
    [Show full text]
  • Courrier De France 1944, Un Certain Nombre De Familles N’Ont Pas Jugé À Truosités Philosophiques Dignes D’Un Musée Des Horreurs
    I **£• Chsada <«t ub« nation aouraralna at na peut avec aocillta accepter d« la Qrande-Breta* Montréal, samedi 4 janvier 1947 gna ou des Etats-Onu ou de qui eus ce soit d'autre, l'attitude qu’il lui faut prendre envers ~VOLUME XXXVm — ~n7 2 la monde La premier devoir de loyalUme d'un Canadien n'est pas envers la Commonwsaitb bri­ tannique des nations, mais envers la Canada et REDACTION El ADMINISTRATION son roi, et ceux qui contestent ceci rendent, à mon avU un mauvaU service au Commonwealth." 4M EST. NOTRE-DAME. MONTREAL She U a sovereign nation and cannot taka TELEPHONES *BEIair 3361 bar attitude to the world docilely from Britain or from the Onlted States or from anybody else. A Canadian's first loyalty Is not to the British sons dimanches et fetes Commonwealth of Nations but to Canada and to Canadas king and those who deny thU are Administration : BE. 3361 doing, to my mind, a great disservice to the Commonwealth.” Rédaction : BE. 3366 (l-X-37) Lord Tweedsmuir LE DEVOIR Gérant : BE. 3363 A.valerons-nous toutes les couleuvres d’un gouvernement impérialiste et socialisant? Il faudra muter la révolte en Inde-Chine C’est un fait admis à peu près partout aujourd'hui, et ser des gens et des choses, des personnes et des revenus, Conte des Rois... M. Marius Moutet en est venu à cette conclusion certains journaux comme le Dévoie et des revues comme selon le bon plaisir*d’un autocrate. C’est tout cela qu’on {’Action Nationale en ont marqué les traits au fut et à retrouve dans l’acceptation facile de notre loi d’allocations Paris, 4 (A.P.) — Selon l’agence j’étais venu au Viêt-Nam une quin­ mesure du déroulement des événements: le gouvernement familiales par la population et dans les principes que le France-Presse, M.
    [Show full text]
  • Columbia Pictures: Portrait of a Studio
    University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Jesse James and American History in Motion Pictures Clinton S
    The University of Maine DigitalCommons@UMaine Electronic Theses and Dissertations Fogler Library 2000 Seeing the Past: Jesse James and American History in Motion Pictures Clinton S. Loftin Follow this and additional works at: http://digitalcommons.library.umaine.edu/etd Part of the Cultural History Commons, and the Film and Media Studies Commons Recommended Citation Loftin, Clinton S., "Seeing the Past: Jesse James and American History in Motion Pictures" (2000). Electronic Theses and Dissertations. 206. http://digitalcommons.library.umaine.edu/etd/206 This Open-Access Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of DigitalCommons@UMaine. SEEING THE PAST: JESSE JAMES AND AMERICAN HISTORY IN MOTION PICTURES By Clinton Scott Loftin Thesis Advisor: Dr. Nathan Godfried An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in History) May, 2000 Historically-based films often reveal more about the time in which they were made than about their historical subjects. Three motion pictures about Jesse James made in three very different eras reveal more about contemporary history than they do about the facts surrounding the legendary outlaw’s life. While each film, in some way, purports to tell the “true” story of Jesse James’ life, each offers a different history of that life. In order to understand the reasons for this it is necessary to examine the events that surrounded the making of each picture. More specifically, there are four major forces that must be examined in order to understand Jesse James’ transformation in the three pictures: the socio-political environment at the time each film was made, the state of the motion picture industry, developments within the genre to which the films belong (the Western), and the unique contributions of individual filmmakers.
    [Show full text]
  • Commissary to Be Open Sundays by Linda Lee Explained Smith
    Inside ECTO update....................... Page 2 'I remember the captain.'... Page 3 Rabies can be deadly........ Page 6 How safe is marijuna?...... Page 9 Sports..................................... Page 10 7 Commissary to be open Sundays By Linda Lee explained Smith. And, when Col. schedule changes are several of the adding that the commissary will working mother, thinks the idea is and it gives us an opportunity to do Fredrick Cart, the post's director of major ones, but Smith thinks these provide an equal level of service on super. "It's really good. If you run the shopping together, if we want." A major change affecting the logistics, voiced the wish of many of will be worked out soon after the Sunday as it does on Tuesday or out of something, you don't have to "It's fine as long as they don't commissary and Fort Leonard Wood Fort Leonard Wood's advisory commissary has been open on Wednesday. "We don't want to fall wait or go off post." She added, close any other day," said SFC Sundays. was announced Tuesday. Beginning councils concerning a Sunday on our faces." A challenge, he said, "there's someone home to watch the Peter Swearingen, while 1st Lt. John "I don't believe in operating Moran believes the Sunday on March 1, the commissary will be opening to him in November, he will be to keep the shelves stocked. baby. We don't have to rearrange opening anything second class," he stressed, Army wife and to be" open for business on Sunday. decided to look into the feasibility of Linda Carter, an our schedules or find a babysitter, a step In the right direction." Hours for operation on Sundays doing it.
    [Show full text]