Wild West.” – the Omaha Daily Bee, May 21, 1883
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
AMERICAN EXPERIENCE Presents Custer's Last Stand
AMERICAN EXPERIENCE Presents Custer’s Last Stand New Two-Hour Documentary Explores the Life of One of the Most Controversial and Mythic Figures in American History Premieres Tuesday, January 17, 2012 8:00 p.m. - 10:00 p.m. ET on PBS America had just finished celebrating its 100th birthday, when, on July 6, 1876, the telegraph brought word that General George Armstrong Custer and 261 members of his Seventh Cavalry column had been massacred by Cheyenne and Lakota warriors along the Little Bighorn River in Montana Territory. The news was greeted with stunned disbelief. How could Custer, the “boy general” of the Civil War, America’s most celebrated Indian fighter, the avatar of western expansion, have been struck down by a group of warriors armed with little more than bows and arrows? Like everything else about Custer, his martyrdom was shrouded in controversy and contradictions, and the final act of his larger-than-life career was played out on a grand stage with a spellbound public engrossed in the drama. In the end, his death would launch one of the greatest myths in American history. Custer’s Last Stand, a new two-hour biography of one of the most celebrated and controversial icons of nineteenth-century America, paints a penetrating psychological portrait of Custer’s charismatic, narcissistic personality, and for the first time on television, explores the fateful relationships within the officers of the Seventh Cavalry that would lead him to his doom. This new biography allows viewers to take a fresh look at Custer’s passionate love affair with his wife Libbie, and their mutually ambitious partnership that made them the power couple of the 1870s. -
How the West Was Once Tour from Phoenix | 4-Days, 3-Nights
HOW THE WEST WAS ONCE TOUR FROM PHOENIX | 4-DAYS, 3-NIGHTS BISBEE • TOMBSTONE • TUBAC • TUCSON Tombstone TOUR HIGHLIGHTS Travel back to the 19th century, a time when Why DETOURS? cowboy rivals held gunfights in the streets of Tombstone and outlaws made the west wild. • Small group tour with up to 12 passengers – no crowds! • The best historical lodging available – no lines! Tales of conquest and survival come to life on a 4-day, 3-night • Custom touring vehicles with comfortable, individual guided tour from Phoenix. This western trip of a lifetime captain’s chairs, plenty of legroom, and large picture explores several historic Southern Arizona locations like Fort windows to enjoy the views Bowie, San Xavier del Bac mission, the Amerind Museum, and the old mining town of Bisbee. Small group tour • Expert guides who are CPR and First Aid certified dates coincide with Wyatt Earp Days or Helldorado Days in Tombstone for a truly immersive experience. Tour Dates & Pricing Fall 2020: November 6th - 9th $1,195 per person for double occupancy $1,620 per person for single occupancy PACKAGES START AT $1,195* * Double Occupancy. Includes guided tour, lodging, some meals, entrance fees, and taxes BOOK NOW AT DETOURSAMERICANWEST.COM/HWWOT Fort Bowie TOUR ITINERARY DAY ONE DAY TWO the most beautiful vineyards in the region for a flight of wine tasting. After enjoying the After an early breakfast, our tour heads Known as the “Town Too Tough to Die”, delicious drinks, we continue west to Tubac, south into the heart of Arizona’s Sonoran Tombstone was home to famous outlaws, where an incredible collection of artists and Desert, surrounded by towering saguaro, pioneers, miners, cattlemen, and cowboys craftspeople have created the world famous volcanic peaks, and endless horizons. -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Nebraska's Unique Contribution to the Entertainment World
Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition -
Settlement of the West
Settlement of the West The Western Career of Wild Bill Hickok James Butler Hickok was born in Troy Grove, Illinois on 27 May 1837, the fourth of six children born to William and Polly Butler Hickok. Like his father, Wild Bill was a supporter of abolition. He often helped his father in the risky business of running their "station" on the Underground Railroad. He learned his shooting skills protecting the farm with his father from slave catchers. Hickok was a good shot from a very young age, especially an outstanding marksman with a pistol. He went west in 1857, first trying his hand at farming in Kansas. The next year he was elected constable. In 1859, he got a job with the Pony Express Company. Later that year he was badly mauled by a bear. On 12 July 1861, still convalescing from his injuries at an express station in Nebraska, he got into a disagreement with Dave McCanles over business and a shared woman, Sarah Shull. McCanles "called out" Wild Bill from the Station House. Wild Bill emerged onto the street, immediately drew one of his .36 caliber revolvers, and at a 75 yard distance, fired a single shot into McCanlesʼ chest, killing him instantly. Hickok was tried for the killing but judged to have acted in self-defense. The McCanles incident propelled Hickock to fame as a gunslinger. By the time he was a scout for the Union Army during the Civil War, his reputation with a gun was already well known. Sometime during his Army days, he backed down a lynch mob, and a woman shouted, "Good for you, Wild Bill!" It was a name which has stuck for all eternity. -
Frontier Identity in Cultural Events in Holmes County, Florida
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2011 Frontier Identity in Cultural Events in Holmes County, Florida Tyler Dawson Keith Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Keith, Tyler Dawson, "Frontier Identity in Cultural Events in Holmes County, Florida" (2011). Electronic Theses and Dissertations. 163. https://egrove.olemiss.edu/etd/163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. FRONTIER IDENTITY IN CULTURAL EVENTS IN HOLMES COUNTY, FLORIDA A Thesis Presented in partial fulfillment of requirements For the degree of Master of Arts In the Department of Southern Studies The University of Mississippi by TYLER D. KEITH May 2011 Copyright Tyler D. Keith 2011 ALL RIGHTS RESERVED ABSTRACT Holmes County, Florida plays host to several cultural events that perpetuate a frontier identity for its citizens. These events include the dedication of a homesteading cabin, which serves as the meeting place for other ―pioneer days‖ events; ―Drums along the Choctawhatchee‖, an event put on by a local Creek Indian tribe that celebrates the collaborative nature of pioneer and Native Americans; the 66th annual North West Florida Championship Rodeo; and a local fish-fry. Each of these events celebrates the frontier identity of the county in unique and important ways. Using the images of the frontier created by William ―Buffalo Bill‖ Cody‘s Wild West show and the ideas championed by Fredrick Jackson Turner in his famous essay ―The Importance of the Frontier in American History‖ as models, Holmes County constructs its own frontier image through the celebration of these combined cultural events. -
University of Nevada, Reno Cultural Landscape Development And
University of Nevada, Reno Cultural Landscape Development and Tourism in Historic Mining Towns of the Western United States A Thesis submitted in partial fulfilment of the requirements for the degree of Master of Science in Geography By Alison L. Hotten Dr. Gary J. Hausladen/Thesis Advisor May, 2011 © Copyrighted by Alison L. Hotten 2011 All Rights Reserved THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by ALISON L. HOTTEN entitled Cultural Landscape Development And Tourism In Historic Mining Towns Of The Western United States be accepted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Gary J. Hausladen, Ph.D., Advisor Paul F. Starrs, Ph.D., Committee Member Alicia Barber, Ph.D., Graduate School Representative Marsha H. Read, Ph. D., Associate Dean, Graduate School May, 2011 i Abstract This thesis examines the development of the cultural landscape of western mining towns following the transition from an economy based on mining to one based on tourism. The primary case studies are Bodie, California, Virginia City, Nevada, and Cripple Creek, Colorado. Each one is an example of highly successful tourism that has developed in a historic mining town, as well as illustrating changes in the cultural landscape related to this tourism. The main themes that these three case studies represent, respectively, are the ghost town, the standard western tourist attraction, and the gambling mecca. The development of the landscape for tourism is not just commercial, but relates to the preservation of history and authenticity in the landscape; each town was designated as a Historic District in 1961. -
Arizona, Southwestern and Borderlands Photograph Collection, Circa 1873-2011 (Bulk 1920-1970)
Arizona, Southwestern and Borderlands Photograph collection, circa 1873-2011 (bulk 1920-1970) Collection Number: Use folder title University of Arizona Library Special Collections Note: Press the Control button and the “F” button simultaneously to bring up a search box. Collection Summary Creator: Various sources Collection Name: Arizona, Southwestern and Borderlands Photograph collection Inclusive Dates: 1875-2011 Bulk Dates: (bulk 1920-1970) Physical Description: 95 linear feet Abstract: The Arizona, Southwestern and Borderland photograph collection is an artificially created collection that consists of many folders containing photographs, from various sources, of Arizona, New Mexico, and Mexico arranged by topics including places, people, events and activities, and dating from about 1875 to the present, but mostly after 1920. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, view books, photograph albums, panoramas and photoprints. Collection Number: Use folder title Language: Materials are in English and Spanish. Repository: University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll. library.arizona.edu/ E-Mail: [email protected] Historical Note The Photograph subject files were created and added to by Special Collections staff members, over the years, from donations received from various sources, in order to provide subject access to these photographs within Special Collections holdings. Scope and Content Note The files generally fall into the categories of Arizona and New Mexico cities and towns, military posts, and other places; Tucson, Ariz.; Indians of Arizona, New Mexico and Mexico; Mexico; and individual people. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, viewbooks, and photoprints. -
Undressing an American Icon: Addressing the Representation of Calamity Jane Through a Critical Study of Her Costume
Undressing An American Icon: Addressing the Representation of Calamity Jane Through a Critical Study of Her Costume A Thesis Submitted to the Faculty of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In Interdisciplinary Studies Theatre and History University of Regina by Catherine Mary McComb Regina, Saskatchewan December, 2016 Copyright 2016, C.M. McComb UNIVERSITY OF REGINA FACULTY OF GRADUATE STUDIES AND RESEARCH SUPERVISORY AND EXAMINING COMMITTEE Catherine Mary McComb, candidate for the degree of Master of Arts in Interdisciplinary Studies, has presented a thesis titled, Undressing an American icon: Addressing the representation of Calamity Jane through a critical study of her costume, in an oral examination held on November 15, 2016. The following committee members have found the thesis acceptable in form and content, and that the candidate demonstrated satisfactory knowledge of the subject material. External Examiner: Dr. Troni Grande, Department of English Supervisor: Dr. Kathleen Irwin, Department of Theatre Committee Member: Prof. Wes Pearce, Department of Theatre Committee Member: Dr. Donica Belisle, Department of History Chair of Defense: Prof. Sara Schroeter, Faculty of Education Abstract This investigation studies Martha Jane Canary, known as Calamity Jane, with focus on her apparel, the buckskin outfit of a scout. This thesis looks at Calamity Jane’s costume because it was so seminal to her emergence as an American frontier icon. Unlike one-off costumes such as Dorothy’s ruby slippers or Marilyn Monroe’s JFK birthday dress, Calamity Jane’s costume re-occurred and was the determining factor in her rise to fame. -
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index
THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence. -
Seth Bullock Mt
Roosevelt’s death in January 1919 was a blow to his old friend. Bullock enlisted the help of the Society of Black Hills Pioneers to erect a monument to Theodore Roosevelt on Sheep Mountain, later renamed Mt. Roosevelt. It was the first monument to the president erected in the country, dedicated July 4, 1919. Bullock died just a few months later in September at the age of 70. His burial plot resides on a small plateau above Seth Bullock Mt. Moriah Cemetery, with a view of Roosevelt’s monument across the gulch. Photograph of Seth Bullock circa 1890-1900. Visit the grave of Seth Bullock at Mt. Moriah Cemetery in Deadwood, SD City of Deadwood Historic Preservation Office BLACK HILLS LAWMAN 108 Sherman Street Deadwood, SD 57732 Tel.: (605) 578-2082 www.cityofdeadwood.com The Friendship Tower, located on Mt. Roosevelt, was built to commemorate the friendship between Seth Bullock and Theodore Roosevelt. July 23, 1849 - September 23, 1919 Reproduced by the City of Deadwood Archives, March 2013. Images in this brochure courtesy of Deadwood Public Library - Centennial Archives and DHI - Adams Museum Collection, Deadwood, SD EDIT_SEth_01_2013.indd 1 3/15/2013 1:38:57 PM Seth Bullock and Sol Star posing on the 1849 - Seth Bullock - 1919 Redwater Bridge circa 1880s. The quintessential pioneer and settler of the preserve that magnificent land, protecting it he Bullocks were founders of the Round Table American frontier has to be Seth Bullock who, from settlement. His resolution was adopted and T Club, the oldest surviving cultural club in the ironically, was born in Canada. -
Horses in the Southwest Tobi Taylor and William H
ARCHAEOLOGY SOUTHWEST CONTINUE ON TO THE NEXT PAGE FOR YOUR magazineFREE PDF (formerly the Center for Desert Archaeology) is a private 501 (c) (3) nonprofit organization that explores and protects the places of our past across the American Southwest and Mexican Northwest. We have developed an integrated, conservation- based approach known as Preservation Archaeology. Although Preservation Archaeology begins with the active protection of archaeological sites, it doesn’t end there. We utilize holistic, low-impact investigation methods in order to pursue big-picture questions about what life was like long ago. As a part of our mission to help foster advocacy and appreciation for the special places of our past, we share our discoveries with the public. This free back issue of Archaeology Southwest Magazine is one of many ways we connect people with the Southwest’s rich past. Enjoy! Not yet a member? Join today! Membership to Archaeology Southwest includes: » A Subscription to our esteemed, quarterly Archaeology Southwest Magazine » Updates from This Month at Archaeology Southwest, our monthly e-newsletter » 25% off purchases of in-print, in-stock publications through our bookstore » Discounted registration fees for Hands-On Archaeology classes and workshops » Free pdf downloads of Archaeology Southwest Magazine, including our current and most recent issues » Access to our on-site research library » Invitations to our annual members’ meeting, as well as other special events and lectures Join us at archaeologysouthwest.org/how-to-help In the meantime, stay informed at our regularly updated Facebook page! 300 N Ash Alley, Tucson AZ, 85701 • (520) 882-6946 • [email protected] • www.archaeologysouthwest.org Archaeology Southwest Volume 18, Number 3 Center for Desert Archaeology Summer 2004 Horses in the Southwest Tobi Taylor and William H.