DOCSLIB.ORG

How the West Was Once Tour from Phoenix | 4-Days, 3-Nights

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

HOW THE WEST WAS ONCE TOUR FROM PHOENIX | 4-DAYS, 3-NIGHTS BISBEE • TOMBSTONE • TUBAC • TUCSON Tombstone TOUR HIGHLIGHTS Travel back to the 19th century, a time when Why DETOURS? cowboy rivals held gunfights in the streets of Tombstone and outlaws made the west wild. • Small group tour with up to 12 passengers – no crowds! • The best historical lodging available – no lines! Tales of conquest and survival come to life on a 4-day, 3-night • Custom touring vehicles with comfortable, individual guided tour from Phoenix. This western trip of a lifetime captain’s chairs, plenty of legroom, and large picture explores several historic Southern Arizona locations like Fort windows to enjoy the views Bowie, San Xavier del Bac mission, the Amerind Museum, and the old mining town of Bisbee. Small group tour • Expert guides who are CPR and First Aid certified dates coincide with Wyatt Earp Days or Helldorado Days in Tombstone for a truly immersive experience. Tour Dates & Pricing Fall 2020: November 6th - 9th $1,195 per person for double occupancy $1,620 per person for single occupancy PACKAGES START AT $1,195* * Double Occupancy. Includes guided tour, lodging, some meals, entrance fees, and taxes BOOK NOW AT DETOURSAMERICANWEST.COM/HWWOT Fort Bowie TOUR ITINERARY DAY ONE DAY TWO the most beautiful vineyards in the region for a flight of wine tasting. After enjoying the After an early breakfast, our tour heads Known as the “Town Too Tough to Die”, delicious drinks, we continue west to Tubac, south into the heart of Arizona’s Sonoran Tombstone was home to famous outlaws, where an incredible collection of artists and Desert, surrounded by towering saguaro, pioneers, miners, cattlemen, and cowboys craftspeople have created the world famous volcanic peaks, and endless horizons. The of the old West. The most famous were Tubac Artist’s Colony. From coppersmiths to first stop on this western trip is the Amerind Wyatt Earp and his brothers, who originally hand-crafted jewelers, this small community Museum. This hidden gem was established came as mining investors but soon became is where art meets history – don’t worry, they in 1937 to foster and promote knowledge lawmen to protect their investment. Big Nose ship worldwide! and understanding of the Native Peoples of Kate’s Saloon and the Bird Cage Theatre After wine tasting and modern art, we will the Americas through research, education, were the “wickedest” nightspots in the West. step back in time and visit the Mission of San and conservation. Located among the Our expert guide will tour you through the Xavier del Bac, a National Historic Landmark wonderful rock formations of Texas Canyon, Tombstone Courthouse and the famous Boot which was founded as a Catholic mission by the Amerind Museum enhances our Native Hill Cemetery. Father Eusebio Kino in 1692. Construction American experience with native plants and of the current church began in 1783 and birds in the solitude of the high desert. As we The day ends with a return to Bisbee, but was completed in 1797. It’s the oldest intact continue the day, our next highlight will be a not before a visit to Fairbank, the hub European structure in Arizona and its interior tour of Fort Bowie. Fort Bowie Historical Site for trains bringing supplies to and from is filled with marvelous original statuary and commemorates the bitter conflict between Tombstone. Silver and other valuable ore mural paintings. After exploring San Xavier, Chiricahua Apaches and the U.S. calvary. This from the Tombstone mines were delivered we will check into our historic Tucson hotel, 19th century outpost provides insight into the via Fairbank to the stamp mills at Contention the Arizona Inn. A hosted farewell dinner will “clash of cultures,” a young nation in pursuit City and Charleston. By 1886, the town had be shared to celebrate How The West Was of “manifest destiny”, and the foraging culture only a steam quartz mill, general store, Once and reflect on the events that shaped butcher shop, restaurant, saloon, Wells Fargo fighting to preserve its existence. For more the colorful history of the Southwest. than 30 years, Fort Bowie and Apache Pass office, railroad depot, stage coach station, and were the focal point of military operations about 100 residents. Abandoned a hundred Stay Tucson Inn & Suites, or nearby Tucson, AZ eventually culminating in the surrender of years, it is now a desert ghost town. hotel Geronimo in 1886 and the banishment of the Overnight at historic Copper Queen Hotel, or Chiricahuas to Florida. DAY FOUR nearby Bisbee, AZ hotel Your expert guide will greet you in the Our day ends in the historic mining town When visiting in May, our group will morning to explore Tucson, also referred of Bisbee. Nestled 6,000 feet in the Mule experience “Wyatt Earp Days”, where the to as “The Old Pueblo”. Derived from the Mountains, Bisbee is the picturesque streets of Tombstone come to life with O’odham Cuk Son, the Spanish word Tucsón county seat of historic Cochise County. It gunfights, western skits, and an 1880’s fashion means “at the base of the black hill”. This was founded in 1880 and quickly became show to celebrate the legendary Wyatt Earp. historical meaning points to volcanic rock a prosperous urban center, driven by a that covers the hill known as Sentinel Peak; booming mining industry that thrived on the When visiting in October, Tombstone will locals call it “A” Mountain. We’ll have time area’s rich reserves of copper and precious be celebrating its annual Helldorado Days to visit the Arizona-Sonora Desert Museum, metals. Despite becoming the most cultured where our small group will be treated to an interactive outdoor museum, zoo, and city in the Southwest, the rough edges of Wild West shows, live music, and Old West garden that combines live animal exhibits the mining camps could still be found in reenactments and demonstrations with botanical gardens. notorious Brewery Gulch, with its booming Afterwards, you can enjoy a leisurely lunch in saloons and shady ladies. DAY THREE Old Tucson. In the afternoon, we’ll begin our return back to the Valley of the Sun. Overnight at historic Copper Queen Hotel, or Today will showcase Southern Arizona’s nearby Bisbee, AZ hotel emerging wine production, with some of the best wines of the West. We’ll visit two of * All multi-day lodging and activities are based on availability. WHAT’S INCLUDED WHAT’S NOT INCLUDED • Lodging for three nights • Additional third party tours and activities not listed above • Three breakfasts, one lunch, and two dinners • Meals not listed above • Entrance fees to Amerind Museum, Fort Bowie, • Incidental hotel fees Arizona-Sonora Museum and other named activities • Travel insurance • Unlimited bottled water • Guide gratuities.
Recommended publications
  • Lexicon of Geologic Names of Southern Arizona Larry Mayer, 1978, Pp

    Lexicon of Geologic Names of Southern Arizona Larry Mayer, 1978, Pp

    New Mexico Geological Society Downloaded from: http://nmgs.nmt.edu/publications/guidebooks/29 Lexicon of geologic names of southern Arizona Larry Mayer, 1978, pp. 143-156 in: Land of Cochise (Southeastern Arizona), Callender, J. F.; Wilt, J.; Clemons, R. E.; James, H. L.; [eds.], New Mexico Geological Society 29th Annual Fall Field Conference Guidebook, 348 p. This is one of many related papers that were included in the 1978 NMGS Fall Field Conference Guidebook. Annual NMGS Fall Field Conference Guidebooks Every fall since 1950, the New Mexico Geological Society (NMGS) has held an annual Fall Field Conference that explores some region of New Mexico (or surrounding states). Always well attended, these conferences provide a guidebook to participants. Besides detailed road logs, the guidebooks contain many well written, edited, and peer-reviewed geoscience papers. These books have set the national standard for geologic guidebooks and are an essential geologic reference for anyone working in or around New Mexico. Free Downloads NMGS has decided to make peer-reviewed papers from our Fall Field Conference guidebooks available for free download. Non-members will have access to guidebook papers two years after publication. Members have access to all papers. This is in keeping with our mission of promoting interest, research, and cooperation regarding geology in New Mexico. However, guidebook sales represent a significant proportion of our operating budget. Therefore, only research papers are available for download. Road logs, mini-papers, maps, stratigraphic charts, and other selected content are available only in the printed guidebooks. Copyright Information Publications of the New Mexico Geological Society, printed and electronic, are protected by the copyright laws of the United States.
  • Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall

    Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall

    Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U.
  • Nebraska's Unique Contribution to the Entertainment World

    Nebraska's Unique Contribution to the Entertainment World

    Nebraska History posts materials online for your personal use. Please remember that the contents of Nebraska History are copyrighted by the Nebraska State Historical Society (except for materials credited to other institutions). The NSHS retains its copyrights even to materials it posts on the web. For permission to re-use materials or for photo ordering information, please see: http://www.nebraskahistory.org/magazine/permission.htm Nebraska State Historical Society members receive four issues of Nebraska History and four issues of Nebraska History News annually. For membership information, see: http://nebraskahistory.org/admin/members/index.htm Article Title: Nebraska’s Unique Contribution to the Entertainment World Full Citation: William E Deahl Jr, “Nebraska’s Unique Contribution to the Entertainment World,” Nebraska History 49 (1968): 282-297 URL of article: http://www.nebraskahistory.org/publish/publicat/history/full-text/NH1968Entertainment.pdf Date: 11/23/2015 Article Summary: Buffalo Bill Cody and Dr. W F Carver were not the first to mount a Wild West show, but their opening performances in 1883 were the first truly successful entertainments of that type. Their varied acts attracted audiences familiar with Cody and his adventures. Cataloging Information: Names: William F Cody, W F Carver, James Butler Hickok, P T Barnum, Sidney Barnett, Ned Buntline (Edward Zane Carroll Judson), Joseph G McCoy, Nate Salsbury, Frank North, A H Bogardus Nebraska Place Names: Omaha Wild West Shows: Wild West, Rocky Mountain and Prairie Exhibition
  • Camp Chiricahua July 13-25, 2021 © 2020

    Camp Chiricahua July 13-25, 2021 © 2020

    CAMP CHIRICAHUA JULY 13-25, 2021 © 2020 Red-faced Warbler © Michael O’Brien Camp Chiricahua, co-sponsored by Black Swamp Bird Observatory (Ohio), the American Birding Association, and Leica Sport Optics, offers young naturalists between the ages of 14 and 18 the opportunity to explore the biologically rich ecosystems of Southeast Arizona, centering on the famed Chiricahua Mountains. The primary focus is on the birdlife of the Chiricahuas (pronounced Cheer-ick-ow-wahs) and other important sites in Southeast Arizona, but we will take time to observe all facets of nature and emphasize patient field observation, note taking, and learning bird sounds. The camp is set in a productive learning environment in which participants are educated on ecology, habitats, and ecosystems, and on increasing observation skills. Daily activities are based on thorough exploration of each of the distinct regions we visit. Hikes, field trips, and discussions will complement free time, during which campers will have the luxury of exploring their natural surroundings in small groups. Camp Chiricahua, Page 2 Starting in Tucson, we will first do some desert birding on the east side of town before ascending Mount Lemmon in the Catalina Mountains. Two nights of camping in the forested highlands will acquaint us with the “sky islands” so very characteristic of the borderlands of Southeast Arizona. Cave Creek Ranch © Michael O’Brien Much of our time is spent in the Chiricahuas, an 80-mile long mountain range rising out of the Chihuahuan Desert to nearly 10,000 feet, and encompassing five distinct life zones. Long famous amongst naturalists for its biological diversity and rich assortment of “Mexican” type birds that inhabit these mountains, the Chiricahuas are also a place of considerable scenic grandeur.
  • The Synopsis Was Written to Make Researchers Aware of the Amerind

    The Synopsis Was Written to Make Researchers Aware of the Amerind

    Amerind Amerind Foundation Collection Synopsis This synopsis was written to make researchers aware of the Amerind Foundation’s holdings. Our cataloged collection consists of over 21,000 objects and tens of thousands of bulk sherd samples. This synopsis is not an exhaustive list. For more information, please contact Chief Curator Dr. Eric Kaldahl at Amerind Foundation, PO Box 400, Dragoon, AZ 85609, (520) 586- 3666, or [email protected]. Archaeological Collections Excavated Collections The Amerind conducted several excavations at prehistoric sites in southeastern Arizona. These excavations were detailed in early Amerind publications. The sites include the Gleeson Site, the Tres Alamos site, Winchester Cave, and Babocomari Village. There were also excavations conducted on Amerind Foundation property in Texas Canyon. Ceramics recovered from these sites suggest a range of periods contemporaneous with the Hohokam Sedentary through Classic periods. Archaeological Notes on Texas Canyon, by William Shirley Fulton. Museum of the American Indian, Heye Foundation, Vols. 1-3. 1934-1938. New York. An Archaeological Site near Gleeson, Arizona, by William Shirley Fulton and Carr Tuthill. Amerind Foundation Publication No. 1. 1940. A Ceremonial Cave in the Winchester Mountains, by William Shirley Fulton. Amerind Foundation Publication No. 2. 1941. The Tres Alamos Site on the San Pedro River, Southeastern Arizona, by Carr Tuthill. Amerind Foundation Publication No. 4. 1947. The Babocomari Village Site on the Babocomari River, Southeastern Arizona, by Charles C. Di Peso. Amerind Foundation Publication No. 5. 1951. The Amerind Foundation excavated at southern Arizona ancestral pueblo migrant sites known as Davis Ranch Ruin and Reeve Ruin. Ceramics recovered from these sites suggest that they are contemporaneous with the later Hohokam Classic period.
  • Frontier Identity in Cultural Events in Holmes County, Florida

    Frontier Identity in Cultural Events in Holmes County, Florida

    University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2011 Frontier Identity in Cultural Events in Holmes County, Florida Tyler Dawson Keith Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Keith, Tyler Dawson, "Frontier Identity in Cultural Events in Holmes County, Florida" (2011). Electronic Theses and Dissertations. 163. https://egrove.olemiss.edu/etd/163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. FRONTIER IDENTITY IN CULTURAL EVENTS IN HOLMES COUNTY, FLORIDA A Thesis Presented in partial fulfillment of requirements For the degree of Master of Arts In the Department of Southern Studies The University of Mississippi by TYLER D. KEITH May 2011 Copyright Tyler D. Keith 2011 ALL RIGHTS RESERVED ABSTRACT Holmes County, Florida plays host to several cultural events that perpetuate a frontier identity for its citizens. These events include the dedication of a homesteading cabin, which serves as the meeting place for other ―pioneer days‖ events; ―Drums along the Choctawhatchee‖, an event put on by a local Creek Indian tribe that celebrates the collaborative nature of pioneer and Native Americans; the 66th annual North West Florida Championship Rodeo; and a local fish-fry. Each of these events celebrates the frontier identity of the county in unique and important ways. Using the images of the frontier created by William ―Buffalo Bill‖ Cody‘s Wild West show and the ideas championed by Fredrick Jackson Turner in his famous essay ―The Importance of the Frontier in American History‖ as models, Holmes County constructs its own frontier image through the celebration of these combined cultural events.
  • Arizona, Southwestern and Borderlands Photograph Collection, Circa 1873-2011 (Bulk 1920-1970)

    Arizona, Southwestern and Borderlands Photograph Collection, Circa 1873-2011 (Bulk 1920-1970)

    Arizona, Southwestern and Borderlands Photograph collection, circa 1873-2011 (bulk 1920-1970) Collection Number: Use folder title University of Arizona Library Special Collections Note: Press the Control button and the “F” button simultaneously to bring up a search box. Collection Summary Creator: Various sources Collection Name: Arizona, Southwestern and Borderlands Photograph collection Inclusive Dates: 1875-2011 Bulk Dates: (bulk 1920-1970) Physical Description: 95 linear feet Abstract: The Arizona, Southwestern and Borderland photograph collection is an artificially created collection that consists of many folders containing photographs, from various sources, of Arizona, New Mexico, and Mexico arranged by topics including places, people, events and activities, and dating from about 1875 to the present, but mostly after 1920. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, view books, photograph albums, panoramas and photoprints. Collection Number: Use folder title Language: Materials are in English and Spanish. Repository: University of Arizona Libraries, Special Collections University of Arizona PO Box 210055 Tucson, AZ 85721-0055 Phone: 520-621-6423 Fax: 520-621-9733 URL: http://speccoll. library.arizona.edu/ E-Mail: [email protected] Historical Note The Photograph subject files were created and added to by Special Collections staff members, over the years, from donations received from various sources, in order to provide subject access to these photographs within Special Collections holdings. Scope and Content Note The files generally fall into the categories of Arizona and New Mexico cities and towns, military posts, and other places; Tucson, Ariz.; Indians of Arizona, New Mexico and Mexico; Mexico; and individual people. Formats include postcards, stereographs, cartes-de-visite, cabinet cards, cyanotypes, viewbooks, and photoprints.
  • THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index

    THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index

    THE WALTER STANLEY CAMPBELL COLLECTION Inventory and Index Revised and edited by Kristina L. Southwell Associates of the Western History Collections Norman, Oklahoma 2001 Boxes 104 through 121 of this collection are available online at the University of Oklahoma Libraries website. THE COVER Michelle Corona-Allen of the University of Oklahoma Communication Services designed the cover of this book. The three photographs feature images closely associated with Walter Stanley Campbell and his research on Native American history and culture. From left to right, the first photograph shows a ledger drawing by Sioux chief White Bull that depicts him capturing two horses from a camp in 1876. The second image is of Walter Stanley Campbell talking with White Bull in the early 1930s. Campbell’s oral interviews of prominent Indians during 1928-1932 formed the basis of some of his most respected books on Indian history. The third photograph is of another White Bull ledger drawing in which he is shown taking horses from General Terry’s advancing column at the Little Big Horn River, Montana, 1876. Of this act, White Bull stated, “This made my name known, taken from those coming below, soldiers and Crows were camped there.” Available from University of Oklahoma Western History Collections 630 Parrington Oval, Room 452 Norman, Oklahoma 73019 No state-appropriated funds were used to publish this guide. It was published entirely with funds provided by the Associates of the Western History Collections and other private donors. The Associates of the Western History Collections is a support group dedicated to helping the Western History Collections maintain its national and international reputation for research excellence.
  • Horses in the Southwest Tobi Taylor and William H

    Horses in the Southwest Tobi Taylor and William H

    ARCHAEOLOGY SOUTHWEST CONTINUE ON TO THE NEXT PAGE FOR YOUR magazineFREE PDF (formerly the Center for Desert Archaeology) is a private 501 (c) (3) nonprofit organization that explores and protects the places of our past across the American Southwest and Mexican Northwest. We have developed an integrated, conservation- based approach known as Preservation Archaeology. Although Preservation Archaeology begins with the active protection of archaeological sites, it doesn’t end there. We utilize holistic, low-impact investigation methods in order to pursue big-picture questions about what life was like long ago. As a part of our mission to help foster advocacy and appreciation for the special places of our past, we share our discoveries with the public. This free back issue of Archaeology Southwest Magazine is one of many ways we connect people with the Southwest’s rich past. Enjoy! Not yet a member? Join today! Membership to Archaeology Southwest includes: » A Subscription to our esteemed, quarterly Archaeology Southwest Magazine » Updates from This Month at Archaeology Southwest, our monthly e-newsletter » 25% off purchases of in-print, in-stock publications through our bookstore » Discounted registration fees for Hands-On Archaeology classes and workshops » Free pdf downloads of Archaeology Southwest Magazine, including our current and most recent issues » Access to our on-site research library » Invitations to our annual members’ meeting, as well as other special events and lectures Join us at archaeologysouthwest.org/how-to-help In the meantime, stay informed at our regularly updated Facebook page! 300 N Ash Alley, Tucson AZ, 85701 • (520) 882-6946 • [email protected] • www.archaeologysouthwest.org Archaeology Southwest Volume 18, Number 3 Center for Desert Archaeology Summer 2004 Horses in the Southwest Tobi Taylor and William H.
  • Frederick Jackson Turner and Buffalo Bill Richard White

    Frederick Jackson Turner and Buffalo Bill Richard White

    Frederick Jackson Turner and Buffalo Bill Richard White Americans have never had much use for history, but we do like anniversaries. In 1893 Frederick Jackson Turner, who would become the most eminent historian of his generation, was in Chicago to deliver an academic paper at the historical congress convened in conjunction with the Columbian Exposition. The occasion for the exposition was a slightly belated celebration of the four hundredth anniversary of Columbus's arrival in the Western Hemisphere. The paper Turner presented was "The Significance of the Frontier in American History." 1 Although public anniversaries often have educational pretensions, they are primarily popular entertainments; it is the combination of the popular and the educational that makes the figurative meeting of Buffalo Bill and Turner at the Columbian Exposition so suggestive. Chicago celebrated its own progress from frontier beginnings. While Turner gave his academic talk on the frontier, Buffalo Bill played, twice a day, "every day, rain or shine," at "63rd St—Opposite the World's Fair," before a covered grandstand that could hold eighteen thousand people.2 Turner was an educator, an academic, but he had also achieved great popular success because of his mastery of popular frontier iconography. Buffalo Bill was a showman (though he never referred to his Wild West as a show) with educational pretensions. Characteristically, his program in 1893 bore the title Buffalo Bill's Wild West and Congress of Rough Riders of the World (Figure 1).3 In one of the numerous endorsements reproduced in the program, a well-known midwestern journalist, Brick Pomeroy, proclaimed the exhibition a ''Wild West Reality .
  • Tombstone Arizona Trivia

    Tombstone Arizona Trivia

    Tombstone Arizona Trivia HTTP://TOMBSTONETRAVELTIPS.COM/TOMBSTONETRIVIA.HTML Karen McGowan A PRODUCTION OF PICTURE ROCKS NETWORKING LLC | [email protected] ©2017 Picture Rocks Networking LLC / TombstoneTravelTips.com All Rights Reserved Tombstone Arizona Trivia Tombstone Movies • In the Movie Tombstone: William Dafoe had been considered to play Doc Holliday, Richard Gere was considered for Wyatt Earp, & Mickey Rourke was first offered the role of Johnny Ringo – he turned it down • The 1971 movie called Doc stars Stacy Keach as Doc Holliday. The whole Tombstone & O.K. Corral gunfight story takes place from Doc’s viewpoint, with him as the most important and leading character. • The filming locations for the 1993 movie Tombstone were: Old Tucson, Mescal AZ, Babacomari Ranch in Elgin AZ, Patagonia AZ, Empire Ranch in Sonoita AZ, Texas Canyon off Interstate 10, Little Dragoon Mountains, other areas around Elgin AZ, Skeleton Canyon 30 miles NE of Douglas AZ, San Simon Valley in SE AZ, Harshaw AZ, Fort Crittenden near Sonoita & along the San Pedro River. Texas Canyon San Pedro River • Hour of the Gun released in 1967 stars James Garner as Wyatt Earp and Jason Robards as Doc Holliday. Based on the novel Tombstone’s Epitaph by D.D. Martin, it essentially begins with the O.K. Corral shootout. Then moves on to subsequent results between the Earps, and Clanton sympathizing cowboys. • There’s an imitation Boothill cemetery & “Here Lies Lester Moore” tombstone at Knott’s Berry Farm’s “Wild West” theme section in Buena Park, California. Several Tombstone movie intro scenes were shot there & thanks appear in the credits.
  • Wild West Canada: Buffalo Bill and Transborder History

    Wild West Canada: Buffalo Bill and Transborder History

    Wild West Canada: Buffalo Bill and Transborder History A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of History University of Saskatchewan Saskatoon Adam Grieve Copyright Adam Grieve, April, 2016. All Rights Reserved Permission to Use In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 i Abstract Canadians continue to struggle with their western identity. For one reason or another, they have separated themselves from an Americanized “blood and thunder” history.