Healing for the Wounded Heart Devotions
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Hello, My Name Is Igor and I Am a Russian by Birth. I Have Read A
Added 31 Jan 2000 "Hello, My name is Igor and I am a Russian by birth. I have read a lot about Islam, I have Arabic and Chechen friends and I read a lot about the Holy Koran and its teaching. I resent the drunkenness and stupidity of the Russian society and especially the gorrilla soldiers that are fighting against the noble Mujahideen in Chechnya. I would like to become a Muslim and in connection with this I would like to ask you to give me some guidance. Where do I go in Moscow for help in becoming a Muslim. Inshallah I can accomplish this with your help." [Igor, Moscow, Russia, 28 Jan 2000] "May Allah help you brothers. I am from Kuwait. All Kuwaitis are with you. We hope for you to win this war, inshallah very soon. If you want me to do anything for you, please tell me. I really feel ashamed sitting in Kuwait and you brothers are fighting the kuffar (disbelievers). Please tell me if we can come there with you, can we come?" [Brothers R and R, Kuwait, 30 Jan 2000] "Salam my Brave Mujahadeen who are fighting in Chechnya and the ones administrating this web site. Every day I come to this site several time just to catch a glimpse of the beautiful faces whom Allah has embraced shahadah and to get the latest news. I envy you O Mujahadeen, tears run into my eyes every time I hear any news and see any faces on this site. My beloved brothers, Allah has chosen you to reawaken Muslims around the world. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Big Hits Karaoke Song Book
Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09 -
UNCLE WICK Written by Gabe Delahaye
UNCLE WICK Written by Gabe Delahaye EXT. DUBAI - NIGHT The glittering skyscrapers of oil rich Dubai loom over the Arabian sea. We pass through them and down the coast... ...to a PALATIAL ESTATE: luscious green gardens in the middle of the desert, an olympic-sized swimming pool, ARMED GUARDS lining the roof and patrolling the perimeter... We push into... INT. LIBRARY - PALATIAL ESTATE - DUBAI - CONTINUOUS House music thuds in the background. There is a party happening at the house, but this BRASS AND LEATHER LIBRARY is where serious business happens. ANGLE ON: an IMPERIOUS CRIME LORD sipping tea at the head of a massive antique table, surrounded by his HENCHMEN. This is HAMZA (60s) head of “The Nizam,” a league of assassins. HAMZA We’re not having this discussion again. The peace with Skalnikoff and The Colony has been to everyone’s financial benefit. They take the lion’s share of western assignments, but the Nizam controls the east, and with it-- TARIK This isn’t peace. This is Skalnikoff waiting for our guard to drop, so he can strike. If you don’t come for him, he’ll come for you, father. ANGLE ON: TARIK (30s) at the opposite end of the table. He has the bearing of an ungrateful prince: controlled by his father and desperate to take his place. HAMZA I admire your ambition, my son, but you still have much to learn. In the background, the CLUB MUSIC cuts out and we hear SCREAMS. The men at the table perk up, on high alert. A HENCHMAN peaks out the window, shakes his head to signal: the roof is empty. -
An Advanced Songwriting System for Crafting Songs That People Want to Hear
How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big -
The Late Medieval Background
Chapter 1 The Late Medieval Background Introduction grasp of the European religious scene on the eve of the Reformation is absolutely indispens- A able to understanding the multiple crises that befell Western Christendom in the sixteenth century. For it was this scene that reformers of all types protested against. Only against this back- ground can we grasp the full impact of the new theologies and confessions that now sprang to life. And only against this foil can we make judgments about what was innovative and what was tradi- tional. It is not an exaggeration to say, therefore, that the more one knows about the late Middle Ages, the better one will understand the Reformation. Yet it is a notoriously difficult matter to accurately summarize the theology, piety, and practice of so extensive a period and so vast an area. Even if we restrict ourselves to Germanic lands in the fifteenth century, we find no consensus among scholars. Where some see an exuberant flourishing of religious forms, others see only decadence and decline. What some recognize as stagnation in sub-Christian superstition, others identify as a rich and highly developed religiosity. Such judg- ments depend of course to some extent on the point of view of the observer, and students of this period do well to acknowledge their own prejudices. What is undeniable to all, however, and this becomes increasingly evident the more one studies the material, is that we are dealing here with enormous variety and complexity. On the level of popular piety one finds manifestations ranging from the exalted spirituality of the mystics to the crude, and to us strange, pious practices of the illiterate peasants. -
Harris.Pdf (194.4Kb)
Interview No. SAS4.02.02 Mr. Charles P. Harris Interviewer: Elizabeth Schaaf Location: Baltimore, Maryland Date: April 2, 2002 Edited by: Elizabeth Schaaf Q: Were you born here in Baltimore? Harris: No. I was born at Alexandria, Virginia. Q: And how long were you in Alexandria? Harris: I think I was brought here when I was very, very young. In fact, I can’t remember anything about it that much, you know. Q: So you started your music training here in Baltimore? Harris: Oh yes. Q: Who was your first teacher? Harris: Oh, on the violin my first teacher was Lucien Odendh’al. In fact, I was introduced to him by a teacher up at Douglass High School, the music teacher. Q: Is that Mr. [W. Llewellyn] Wilson? Harris: Mr. Wilson, yes. Way back there. It’s been a good little while. Names evade me a little bit now, but I’m doing pretty well. Q: I think so. Mr. Wilson I think taught everybody who is anybody. Harris: That’s right. In the music field, yes. He was very, very, very good. He started me off, and I worked with him for a year, a year and a half, and he said, I can’t go any further with you. I will have to get a teacher. And so he got in touch with Lucien Odendh’al, and he started to teach me. And he was a very nice man to go to. Q: How did you and the bass get to be a pair? Harris: Well, in high school, in those days, they didn’t have too many musicians that played the bass and what not. -
The Immortal Actuary
THE IMMORTAL ACTUARY by Friday, December 13, 2165 Stacy Kunz hated the subway—a terrible juxtaposition of clean modernism and filthy dilapidation. She hated the LED lights that filled the walls and ceilings of the car, running ads nonstop. The city was quick to fix even a single diode that burned out, but yet slow to fix any of the crumbling infrastructure the cars ran on. At any turn on the centuries-old tracks, it seemed the train could tip over or fall off its rails. And then there were the people themselves—all broken. The world was broken. The modernist look promised a bright future, that everything would be all right, but it was all a lie. What was there to look forward to? Resources were running dry. Everything was becoming more and more expensive. World population was declining, and sicknesses ran rampant. If anything, the past proved that no one could rely on technology. A. I. turned out to be nothing. Forget the singularity; it never happened. Neural networks were cool and could outperform humans on specific tasks, but never delivered what really mattered. They certainly didn’t stop humans from destroying themselves slowly. At least I have a job. Stacy held on to the top rail as she stood inside the crowded car. She was a student actuary at Manhattan Mutual. My job sucks, but I’m surviving. Her only hope was to work her way to the top, else she’d be on the streets. Her thick coat was still zipped up, as she wasn’t yet warmed up from the bitter cold. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE WOMEN’S SHAME RESILIENCE: EXAMINING VARIOUS THEORETICAL ASSUMPTIONS OF SHAME RESILIENCE THEORY A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By JENNY M. BENDURE Norman, Oklahoma 2014 WOMEN’S SHAME RESILIENCE: EXAMINING VARIOUS THEORETICAL ASSUMPTIONS OF SHAME RESILIENCE THEORY A DISSERTATION APPROVED FOR THE DEPARTMENT OF EDUCATIONAL PSYCHOLOGY BY ______________________________ Dr. Melissa Frey, Chair ______________________________ Dr. Denise Beesley ______________________________ Dr. Lara Mayeux ______________________________ Dr. Laurette Taylor ______________________________ Dr. T. H. Lee Williams © Copyright by JENNY M. BENDURE 2014 All Rights Reserved. For Sophia Marie May you always know your worth. May you endeavor to challenge the messages that would threaten to tame your wild heart, stifle your bold creativity, and silence your authentic voice. May you never be afraid to fly on your own wings. And when you grow weary from the struggle, may you always know that your father and I are nearby to lighten your load, champion your cause, and celebrate your imperfections. Acknowledgements Behind every successful woman is herself … and along the way there also are those wholehearted souls who, through their generosity, strength of spirit, and authenticity, make the journey more rewarding than the destination. Michael, your devotion and courage are unequivocal. You enthusiastically paved the road, took up the slack, and set aside your own ambitions to support my aspirations. You are my best friend. Sophia, I am amazed by your self-assured nature, kind heart, and sense of humor. You are the coolest person I know. My worries were always for naught. -
5 0T H International Film Festival Nyon
50 INDUSTRY — VISIONSRÉEL DU 5 0 TH INTERNATIONAL FILM FESTIVAL NYON 5 13 APRIL 2019 MAIN PARTNER MEDIA PARTNER INSTITUTIONAL PARTNERS EDITION NO 50 SUMMARY EDITORIAL 5 DAY BY DAY 6 JURY & AWARDS 8 PITCHING DU RÉEL 15 DOCS IN PROGRESS 59 ROUGH CUT LAB 79 SUMMARY PRIX RTS: PERSPECTIVES D’UN DOC 93 SWITZERLAND MEETS... QUÉBEC 103 OPENING SCENES LAB 115 DOC & ART 127 INDUSTRY TALKS 129 IMMERSIVE & INTERACTIVE 132 MEDIA LIBRARY 133 NETWORKING 134 SPECIAL EVENTS 136 MAP & INFORMATION 137 INDUSTRY TEAM 138 SPECIAL THANKS & PARTNERS 139 PROJECTS’ INDEX 142 3 EDITORIAL EMILIE BUJÈS GUDULA MEINZOLT ARTISTIC DIRECTOR HEAD OF INDUSTRY This year, the Festival is celebrating its selected by the Festival’s programmers; 50th edition. Fifty years during which Switzerland meets… Québec, which will Visions du Réel has taken many forms be the occasion for coproduction meet- and directions, has played an essen- ings between producers and institutions EDITORIAL tial role in the festival landscape, both aiming to network; the Opening Scenes in Switzerland and abroad. Revisiting Lab, a programme made for 16 filmmak- and celebrating history on the Festival ers taking part in the Opening Scenes side and with an ofcial selection to be Competition, that allows them to get proud of (no less than 90 films presented better acquainted with the market and as world premieres), the Industry aims to decision makers. bear witness of richness and strength of cinema of the real, not only for today but Several conferences, panels, debates, also in the years to come. work sessions and case studies will take place and are possible thanks to collab- We have selected 27 strong, provoca- orations and partnerships with organisa- tive and diverse projects for our three tions and institutions we are very happy diferent sections: Pitching du Réel, Docs and proud to be working with: On & For in Progress and Rough Cut Lab. -
This Publication Is Dedicated to the Victims of Drunk Driving Crashes. Acknowledgements
Dedication This publication is dedicated to the victims of drunk driving crashes. Acknowledgements This edition of Shattered Lives is being printed by the New York State STOP-DWI Foundation, Inc and is funded by the National Highway Traffic Safety Administration with a grant from the New York Depraved Indifference Murder State Governorʼs Traffic Safety Committee. Shattered Lives was originally published by the Broome County STOP-DWI Program in 2003 in collaboration with MADD of Broome County, the Binghamton City School District, the Daniel K Run/Walk and the City of Binghamton Parks Department. Shattered Lives also received generous support from the New York Press Association, David Skyrca Design and Chris Heide, Broome County Department of Information Technology. Shattered Lives was adapted and reprinted in 2005 as a STOP-DWI New York publication reflecting the impact of impaired driving throughout New York State. This second revision in 2007 provides new and updated statewide information and perspectives. The most sincere acknowledgement goes to the courageous people who were wiling to share their painful stories with the reader to prevent future tragedies related to impaired driving. Denise Cashmere, Editor NYS STOP-DWI Foundation Board Each county in New York State has a STOP-DWI Program. These programs are funded by the fines paid by people convicted of impaired driving. To contact a county STOP-DWI Coordinator please visit www.stopdwi.org Introduction In my view, one of the greatest failing in our criminal justice system is its almost single-minded focus on the effect of arrest and prosecution upon the accused, along with its remarkable disregard for the impact of the crime upon the victim and the victim’s friends and family. -
Outside Voices: an Email Correspondence
Outside Voices: An Email Correspondence Jake Berry and Jeffrey Side Argotist Ebooks 2 Cover image by Jukka-Pekka Kervinen Copyright © Jake Berry & Jeffrey Side 2012 All rights reserved Argotist Ebooks First published by Otoliths in 2010 3 Outside Voices: An Email Correspondence 4 14 October 2006 Jeff, Good to hear from you. I’m glad you enjoyed the poem. If I had a choice I would publish every poem with a recorded version and every song with its lyrics. I am sending the print version to save you having to type it. And the lines are a little different than what you might imagine from hearing alone, though I try to get the music on the page. Please do put it up at the Argotist. I’d be honored. My American accent is only one of many. You might find many American accents quite plain. What you hear in my voice is a modified southern accent, ancestry from the Carolina and Tennessee mountains, which were Scotch-Irish originally, and there’s always something of the blues singer in my voice. Hilarious, your description of the contemporary English accent. Just the mixture of those two fellows Hugh Grant and Mick Jagger is an hilarious concept. The English accent we get here is mostly by way of BBC America television. It seems to vary, but the news sounds pretty tame (although much more balanced and with much less hype than American news) and I see some of the mystery programs because my wife enjoys them. I do know an English lady here.