5 0T H International Film Festival Nyon

Total Page:16

File Type:pdf, Size:1020Kb

5 0T H International Film Festival Nyon 50 INDUSTRY — VISIONSRÉEL DU 5 0 TH INTERNATIONAL FILM FESTIVAL NYON 5 13 APRIL 2019 MAIN PARTNER MEDIA PARTNER INSTITUTIONAL PARTNERS EDITION NO 50 SUMMARY EDITORIAL 5 DAY BY DAY 6 JURY & AWARDS 8 PITCHING DU RÉEL 15 DOCS IN PROGRESS 59 ROUGH CUT LAB 79 SUMMARY PRIX RTS: PERSPECTIVES D’UN DOC 93 SWITZERLAND MEETS... QUÉBEC 103 OPENING SCENES LAB 115 DOC & ART 127 INDUSTRY TALKS 129 IMMERSIVE & INTERACTIVE 132 MEDIA LIBRARY 133 NETWORKING 134 SPECIAL EVENTS 136 MAP & INFORMATION 137 INDUSTRY TEAM 138 SPECIAL THANKS & PARTNERS 139 PROJECTS’ INDEX 142 3 EDITORIAL EMILIE BUJÈS GUDULA MEINZOLT ARTISTIC DIRECTOR HEAD OF INDUSTRY This year, the Festival is celebrating its selected by the Festival’s programmers; 50th edition. Fifty years during which Switzerland meets… Québec, which will Visions du Réel has taken many forms be the occasion for coproduction meet- and directions, has played an essen- ings between producers and institutions EDITORIAL tial role in the festival landscape, both aiming to network; the Opening Scenes in Switzerland and abroad. Revisiting Lab, a programme made for 16 filmmak- and celebrating history on the Festival ers taking part in the Opening Scenes side and with an ofcial selection to be Competition, that allows them to get proud of (no less than 90 films presented better acquainted with the market and as world premieres), the Industry aims to decision makers. bear witness of richness and strength of cinema of the real, not only for today but Several conferences, panels, debates, also in the years to come. work sessions and case studies will take place and are possible thanks to collab- We have selected 27 strong, provoca- orations and partnerships with organisa- tive and diverse projects for our three tions and institutions we are very happy diferent sections: Pitching du Réel, Docs and proud to be working with: On & For in Progress and Rough Cut Lab. All the Production and Distribution (Brussels), projects will be presented here for the id w - interactive documentary workshop first time at their current stage of devel- (SUPSI), ACE, EAVE and Eurodoc, among opment. Our ambition is to compose a others. To all of them, we ofer our deep- wide and rich spectrum of practices, est gratitude. approaches, countries and subjects, so that professionals attending the Industry We would like to specially thank our jury, may find attractive cinematic pieces as well as our new awarding and sup- and, hopefully, initiate collaborations porting partners, for their commitment and partnerships with the projects’ rep- and generosity. Many thanks as well to resentatives. Visions du Réel Industry is our tutors, speakers and moderators. a pivotal platform for future films to find And most of all, of course, to the filmmak- supporting structures in every stage of ers and producers who are entrusting us their development. with their projects and films. In addition to these three programmes, Welcome to the 17th edition of Visions du Visions du Réel 2019 Industry includes Réel Industry! a large number of activities, such as: the Media Library, giving access to We wish you a pleasant and very pro- more than 400 finished films carefully ductive stay in Nyon. 5 DAY BY DAY FR 5 SA 6 SU 7 MO 8 APRIL APRIL APRIL APRIL 14:00 - 20:00 I ML 09:00 - 20:00 I ML 09:00 - 20:00 I ML 09:00 - 20:00 I ML MEDIA LIBRARY MEDIA LIBRARY MEDIA LIBRARY MEDIA LIBRARY page 133 page 133 page 133 page 133 09:00 - 12:15 I SR1 10:30 - 13:30 I SR1 10:00 - 13:30 I SR2 PRIX RTS: PERSPECTIVES THE FUTURE OF CREATIVE ROUGH CUT LAB 1 D’UN DOC DOCUMENTARY FILMS page 79 page 93 page 129 10:00 - 11:30 I SR1 SR1 Industry (la Mobilière) 12:30 - 14:00 I CAF 13:30 - 14:30 I CAF CAST YOUR STORY Screening Room 1 ROMANDIE LUNCH ARF/FDS APERITIF page 130 page 134 page 134 SR2 Industry (la Mobilière) 10:00 - 11:30 I LAB Screening Room 2 17:30 - 19:00 I LC 16:00 - 18:00 I LAB OPENING SCENES LAB: CINÉFOROM / ZÜRCHER INTRODUCTION TO FESTIVAL STRATEGY OS Industry (la Mobilière) FILMSTIFTUNG OPENING SCENES LAB page 115 Open Space page 136 page 115 15:00 - 18:30 I SR2 ML Industry (la Mobilière) 16:00 - 17:30 I FOR ROUGH CUT LAB 2 Media Library GENDER EQUALITY IN SWISS page 79 FILM PRODUCTION CAF Industry (la Mobilière) page 129 15:00 - 17:00 I SR1 Café DIGITAL FILM PUBLISHING DAY BY DAY BY DAY 16:30 - 18:00 I SR2 page 130 CLM Industry (la Mobilière) ROUGH CUT LAB PREP Cafétéria la Mobilière page 79 16:00 - 18:00 I OS MEET THE FESTIVALS LAB Industry (la Mobilière) 17:30 - 18:00 I FOR page 134 Lab SWAN PLEDGE SIGNING page 136 18:30 - 19:30 I TF LC Village du Réel MAGIC HOUR Le Club 18:30 - 19:30 I TF HOSTED BY MAGIC HOUR HEAD - GENEVA TF Village du Réel HOSTED BY JURY page 134 The Factory INTERRELIGIEUX page 134 FOR Village du Réel Forum 20:00 - 21:30 I FOR NEW GENERATION DRINKS CH Château de Nyon page 134 CF Capitole Salle Fellini OPEN TO THE PUBLIC ALL ACCREDITED WELCOME BY INVITATION ONLY INDUSTRY ACCREDITED ONLY 6 TU 9 WE 10 TH 11 FR 12 APRIL APRIL APRIL APRIL 09:00 - 20:00 I ML 09:00 - 20:00 I ML 09:00 - 20:00 I ML 09:00 - 17:00 I ML MEDIA LIBRARY MEDIA LIBRARY MEDIA LIBRARY MEDIA LIBRARY page 133 page 133 page 133 page 133 09:00 - 10:30 I OS 09:00 - 10:30 I OS 09:00 - 17:30 I SR1 09:00 - 12:30 I SR1 OPENING SCENES LAB: OPENING SCENES LAB: PITCHING DU RÉEL PITCHING DU RÉEL BREAKFAST WITH THE BREAKFAST WITH THE page 15 page 15 PRODUCERS SHORT FILM EXPERTS page 115 page 115 17:45 - 18:30 I SR1 11:00 - 12:30 I SR1 COPRODUCTION CASE DOC & ART: AMI PROJECTS 09:30 - 13:00 I SR2 10:00 - 16:00 I SR2 STUDY WITH ACE, EAVE, PRODUCTION ROUGH CUT LAB 3 SWITZERLAND MEETS EURODOC page 127 page 79 QUÉBEC PART 2 & 3 page 131 page 103 13:45 - 17:00 I OS 11:00 - 13:00 I SR1 18:30 - 19:30 I TF PITCHING DU RÉEL SWITZERLAND MEETS... 10:30 - 12:30 I CAF MAGIC HOUR ONE-ON-ONE QUÉBEC PART 1 VR PROJECT: AFROROUTES HOSTED BY page 15 DAY DAY BY DAY page 103 page 132 POLISH TV page 134 14:00 - 16:45 I SR2 14:30 - 16:00 I OS 11:30 - 15:30 I SR1 DOC & ART ARTISTS’ WORK MEET THE DISTRIBUTORS DOCS IN PROGRESS 19:30 - 21:30 I CH SESSION page 134 page 59 PITCHING DU RÉEL page 127-128 RECEPTION 14:30 - 19:00 I SR2 14:00 - 18:00 I SR2 page 135 17:00 - 18:30 I CAF ROUGH CUT LAB 4 & PITCHING DU RÉEL PREP DEBRIEFING page 15 INDUSTRY AWARDS & page 79 CLOSING DRINKS 14:00 - 16:00 I FOR HOSTED BY CHILEDOC page 135 16:00 - 18:00 I CF VR PROJECT: AFROROUTES SWISS FILMS MARKET page 132 PREVIEW page 136 16:00 - 18:00 I OS DOCS IN PROGRESS 16:00 - 18:00 I CAF & ROUGH CUT LAB: VR PROJECT: AFROROUTES ONE-ON-ONE page 132 page 59/79 16:30 - 18:00 I OS 16:30 - 18:00 I FOR PROJECT AND FILM NEW FORMS OF IMMERSIVE MARKETING NARRATIVES page 131 page 132 18:30 - 19:30 I TF 18:30 - 19:30 I TF MAGIC HOUR MAGIC HOUR HOSTED BY HOSTED BY SWISS FILMS FREESTUDIOS page 134 page 134 20:00 - 22:00 I LC INDUSTRY AWARDS & CELEBRATING QUÉBEC / CANADA PARTY page 135 7 AWARDS PITCHING DU RÉEL DOC & FILM INTERNATIONAL DOK LEIPZIG TALENT DEVELOPMENT DISTRIBUTION AWARD AWARD Acquisition of international rights Accreditation and accomodation to DOK Leipzig 2020 for the filmmaker and HEAD – GENEVA producer of the awarded project and POSTPRODUCTION AWARD access to DOK CO-PRO MARKET Colour grading and creation of the files Awarded by Brigid O’Shea (Dok Leipzig) for difusion THESSALONIKI DOCUMENTARY MFI SCRIPT2FILM WORKSHOPS FESTIVAL AWARD PROJECT DEVELOPMENT AWARD Accreditation and accomodation to Script workshop’s participation TDF 2020 of the winner and access to tuition fees covered AGORA Awarded by Yanna Sarri (Thessaloniki DOC CORNER, MARCHÉ DU FILM - Documentary Festival) FESTIVAL DE CANNES AWARD The filmmaker and producer of the awarded project receive two accredita- tions for the Marché du Film, to partici- pate in the Doc Corner Awarded by Pierre-Alexis Chevit (Doc Corner) DOCS IN PROGRESS ASTERISK* FREESTUDIOS DIGITAL MARKETING AWARD DCP DELIVERY PACKAGE AWARD Digital marketing and social media Creation of a DCP package curation JURY & AWARDS & JURY 8 JURY: PITCHING DU RÉEL & DOCS IN PROGRESS BRUNI BURRES PETER METTLER CHRISTOPH TERHECHTE PRODUCER /SENIOR DIRECTOR ARTISTIC DIRECTOR CONSULTANT CANADA / SWITZERLAND MARRAKECH INTERNATIONAL FILM SUNDANCE INSTITUTE FESTIVAL USA MOROCCO JURY & AWARDS & JURY DANIELA ELSTNER CEO DOC & FILM SPECIAL PITCHING DU RÉEL JURY FRANCE 9 JURY: VISIONS SUD EST THIERRY JOBIN JULIAN ROSS MERET RUGGLE DIRECTOR PROGRAMMER PUBLIC RELATIONS, VOD FESTIVAL INTERNATIONAL DE LOCARNO FILM FESTIVAL TRIGON-FILM FILMS DE FRIBOURG SWITZERLAND SWITZERLAND SWITZERLAND AWARDS JURY & AWARDS & JURY PITCHING DU RÉEL VISIONS SUD EST AWARD 10’000 CHF DOCS IN PROGRESS Best project from a country in Africa, Middle East, Asia, Latin America or ROUGH CUT LAB the Caribbean 10 JURY: ROUGH CUT LAB GION-RETO KILLIAS ISABELLE INGOLD EDITOR EDITOR SWITZERLAND FRANCE JURY & AWARDS & JURY AWARD ROUGH CUT LAB RAGGIOVERDE SUBTITLING AWARD Subtitle creation in one language 11 OPENING SCENES AWARDS OPENING SCENES IDFA TALENT AWARD TËNK AWARD One of the film directors of the Opening Purchase of broadcasting rights for one Scenes section will be invited to IDFA’s film and editing residency next edition to participate in a tailor Awarded by Jean-Marie Barbe, Alizée made program within the IDFA Industry Mandereau & Eva Tourrent and training activities (travel & accomo- dation included) Awarded by Orwa Nyrabia & Laurien Ten Houten META CULTURAL FOUNDATION AWARD Slon Residency, invitation to a creative film residency in Slon (Romania) Awarded by Eva Pervolovici JURY & AWARDS & JURY 12 JURY: PRIX PERSPECTIVES D’UN DOC STEVEN ARTELS ISABELLE CHRISTIAENS PHILIPPA DE ROTEN HEAD OF THE DOCUMENTARY HEAD OF DOCUMENTARY HEAD OF CULTURAL, MUSICAL UNIT COPRODUCTIONS AND ENTERTAINMENT PROGRAMS RTS RTBF RTS SWITZERLAND BELGIUM SWITZERLAND JURY & AWARDS & JURY ANTOINE DUPLAN GASPARD LAMUNIÈRE FILM CRITIC / JOURNALIST PRODUCER / COMMISSIONING LE TEMPS EDITOR SWITZERLAND RTS SWITZERLAND AWARD PRIX RTS: PERSPECTIVES D’UN DOC PRIX RTS CHF 10’000 Best feature film project 13 PITCHING DU RÉEL THE PITCHING DU RÉEL IS VISIONS DU RÉEL’S INTERNATIONAL COPRODUCTION FORUM FOR CREATIVE DOCUMENTARIES INTENDED FOR THEATRICAL DISTRIBUTION AND TV BROADCASTING.
Recommended publications
  • 68 National Film Awards 2020
    th 68 NATIONAL FILM AWARDS 2020 Part A GENERAL INFORMATION SHORT TITLE AND COMMENCEMENT: 1. These Regulations may be called the National Film Awards Regulations, and will come into force with immediate effect. AIM 2. The Awards aim at encouraging the production of films of aesthetic & technical excellence and social relevance contributing to the understanding and appreciation of cultures of different regions of the country in cinematic form, thereby also promoting unity and integrity of the nation. The awards also aim at encouraging the study and appreciation of cinema as an art form and dissemination of information and critical appreciation of this art form through publication of books, articles, reviews etc. DEFINITIONS 3. In these Regulations, unless the context otherwise requires, (a) "Board" means the Central Board of Film Certification, (b) "Directorate" means the Directorate of Film Festivals under the Ministry of Information & Broadcasting, (c) "Awards" mean National Film Awards, (d) "Producer" includes an individual producer, a production company, a Government Department or a Government recognized institute, (e) "Right Holder" means the owner of the negative who is authorized to order prints of cinematographic films from the lab for a particular film and copyright holder of the film (in case of digital films). ORGANISERS 4. The Awards will be organized by the Directorate of Film Festivals, or such other organization as may be notified from time to time, on behalf of the Government of India. SECTIONS 5. The Awards will have the following sections:- (i] Feature Films (ii] Non-Feature Films (iii] Best Writing on Cinema 6. AWARD FOR GROWTH AND DEVELOPMENT OF INDIAN CINEMA 6.1 In addition to the awards for Feature Films (Schedule I), Non-Feature Films (Schedule II), and Best Writing on Cinema, the Government of India will give an award called the Dadasaheb Phalke Award to a film personality for his/her outstanding contribution to the growth and development of Indian Cinema.
    [Show full text]
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
    AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition.
    [Show full text]
  • Film Notes: Three Romanian Movies (On Belonging and Corporeality in the New Wave of Romanian Cinema)
    Film Notes: Three Romanian Movies (On Belonging and Corporeality in the New Wave of Romanian Cinema) by Denise Roman 4 months, 3 weeks, & 2 days (i) Fears are colorless and odorless in of ampicillin, a plastic bag, and towels (2007), Cristian Mungiu, for the possible hemorrhage and to wrap the dim light of a Romanian winter. Mobra Films Gabita and her fellow student, Otilia, up the dead fetus and dispose of it in a who wants to help Gabita end her un- garbage chute. wanted pregnancy, know this well. They We see it all, and the merciless light of know how dangerous it is to escape the the hotel room cuts into the senses like a vigilant, panoptical eye of the Ceauşescu knife. There is no escape. The long takes regime. They find a man, Bebe—not a and real-time scenes are devoid of melo- doctor—eager to help them. They rent a drama. We enter into the lives of these room in a hotel. The man comes and asks women via light, an odorless and colorless for a shocking price in order to perform light, a light that penetrates through to the terrifying procedure. (I am not talking the heart of a closed regime. about money here….) This is not a hos- The body is at the center of Cristian pital, and the only things available in the Mungiu’s film, 4 Months, 3 Weeks, and 2 sordid adventure are a probe, an ampoule Days, winner of the Palme d’Or at the APR08 15 CSupdateW Cannes Film Festival in 2007.
    [Show full text]
  • Chansons Malgaches Modernes : Avant-Gardisme Ou Derive Des Valeurs ?
    UNIVERSITE D’ANTANANARIVO ECOLE DOCTORALE SCIENCES HUMAINES ET SOCIALES EAD ROUAGES DES SOCIETES ET DEVELOPPEMENT LABORATOIRE DE RECHERCHE INTERDISCIPLINAIRE SUR LA COGNITION, LA CULTURE ET LES INTERACTIONS SOCIALES (LARICOCIS) FACULTE DE DROIT, D’ECONOMIE, DE GESTION ET DE SOCIOLOGIE MENTION SOCIOLOGIE MEMOIRE DE MASTER CHANSONS MALGACHES MODERNES : AVANT-GARDISME OU DERIVE DES VALEURS ? Présenté par : RAKOTONIRINA Harivelo Eliane Membre de jury Président : Monsieur RANDRIAMASITIANA Gil Dany, Professeur Titulaire. Juge : Monsieur RANOVONA-ANDRIAMARO, Maître de Conférences. Directeur de recherche : Monsieur ANDRIAMALALA Misah Ny Aina, Maître de Conférences. Année universitaire : 2015-2016 Date de soutenance : 22 Septembre 2016 CHANSONS MALGACHES MODERNES : AVANT-GARDISME OU DERIVE DES VALEURS ? REMERCIEMENTS Ce présent mémoire n’aurait pas attenu son terme sans la santé et la force que m’a accordées le Seigneur. Sur ce, je Lui rends grâce. J’adresse mes gratitudes à Monsieur ETIENNE Stéfano Raherimalala, notre Responsable de Mention. Je remercie sincèrement Monsieur ANDRIAMALALA Misah Ny Aina, mon directeur de recherche, pour son aide, ses conseils ainsi que son soutien. Mes reconnaissances vont également au Professeur RANDRIAMASITIANA Gil Dany qui a accepté de présider ce mémoire. Je souhaite à exprimer ma profonde gratitude à Monsieur RANOVONA- ANDRIAMARO mon juge. Vos critiques et remarques sont vivement souhaitées pour la reconstruction de ce travail. Je tiens à adresser mes remerciements aux quatre artistes, Dama, Erick Manana, Princio et La Sainte, qui m’ont accordé leurs précieux temps à répondre à toutes les questions que je leur ai posées. Aussi, un grand merci à Monsieur RAZAFIMAMONJY Jean Baptiste, l’archiviste du groupe « Mahaleo », qui a facilité notre contact avec ces artistes.
    [Show full text]
  • Big Hits Karaoke Song Book
    Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09
    [Show full text]
  • The Nexus of Illegal Gold Mining Supply Chains Lessons from Latin America GOLD PRODUCTION Gold Is an Extremely Scarce Commodity
    The Nexus of Illegal Gold Mining Supply Chains Lessons from Latin America GOLD PRODUCTION Gold is an extremely scarce commodity. The amount of gold swimming pools,1 and almost three-quarters of all of the world’s gold deposits have already been exhausted.2 Due to increasing the world now consumes more gold than ever before, leading to the production of 3,000 tons of gold per year, twice what was produced in 1970. The diminishing supply and increasing demand, combined with criminal and armed groups’ quest for new sources of illicit revenue, has contributed to a surge in illegal extraction of gold from increasingly remote and lawless regions.3 Introduction In-depth research carried out by Verité has found that Latin American countries export reputational risks for major companies with gold in their supply chains. The Global Initiative Against Transnational Organized Crime, with which Verité has been closely collaborating, recently released an in-depth report thoroughly documenting the close link between illegal gold mining and organized crime, which fuels violence, environmental damage, corruption, money Verité publications include a research report focusing on illegal gold mining in Colombia and Latin American countries, a white paper with detailed recommendations for companies and along with Canada other stakeholders to ensure that illegally mined gold does not (which is a major conduit enter into company supply chains and the vaults of central banks. for Latin American gold), constitute all top ten exporters of gold to the research carried out by Verité in Peru in 2012-2013 and in Colombia United States. in 2015, and desk research carried out across the Latin American region.
    [Show full text]
  • Injustice Challenging
    Oxfam ExchSPRINGa 2006 nge CHALLENGING INJUSTICE R HEALTH CRISIS SPURS CAMPAIGN R COFFEE FARMERS DEMAND FOR ENVIRONMENT IN PERU ROLE IN INTERNATIONAL COFFEE ORGANIZATION R CONTROVERSY SURROUNDING GOLD MINING GROWS AS JEWELERS SPEAK OUT R CITIZENS WORK FOR PEACE IN AFRICA s 3 RIGHT NOW: AMPLIFYING A GLOBAL VOICE t 4 POLICY UPDATE: FAILING TO BE FAIR AT THE n WORLD TRADE ORGANIZATION e OXFAM EXCHANGE t 5-14 CHALLENGING INJUSTICE Volume 6, Number 2 R n Controversy Surrounding Gold Mining Grows as Spring 2006 Jewelers, Indigenous Community Leaders Speak Out DIANE SHOHET o Managing Editor R From One Voice to a Chorus: Residents Organize CHRIS HUFSTADER c COCO McCABE in the Gulf Coast ANDREA PERERA Writers R Health Crisis Spurs Campaign for Environment in Peru STEPHEN GREENE R Copy Editor Coldplay Campaigns to Make Trade Fair JEFF DEUTSCH R Coffee Farmers Demand Role in International Graphic Designer MAIN OFFICE Coffee Organization 26 West Street Boston, MA 02111-1206 USA R Citizens Work for Peace and Justice in Africa 800/77-OXFAM [email protected] WASHINGTON OFFICE 1112 16th St. NW Washington, DC 20036 USA [email protected] Announcing a New Organization: OXFAM AMERICA BOARD OF DIRECTORS Janet A. McKinley Chair We are pleased to announce the Oxfam America Advocacy Fund. Raymond C. Offenheiser President The Oxfam America Advocacy Fund is a new nonprofit organization that Kapil Jain was founded by Oxfam America to support advocacy efforts that are L. David Brown David Doniger essential to our efforts to overcome poverty, hunger and injustice. Peter C. Munson Kitt Sawitsky The Oxfam America Advocacy Fund is a 501c(4) organization that does Roger Widmann Akwasi Aidoo not have any dollar restrictions on lobbying, so it will enable Oxfam to carry The Honorable Chester Atkins David Bryer out all of the advocacy and lobbying actions that we feel are necessary to John Calmore Michael Carter achieve our mission.
    [Show full text]
  • Transnational Habitus: Mariem Hassan As the Transcultural Representation of the Relationship Between Saharaui Music and Nubenegra Records
    Transnational Habitus: Mariem Hassan as the transcultural representation of the relationship between Saharaui music and Nubenegra records Luis Gimenez Amoros Submitted in partial fullfilment of the requirements for the degree of Doctor of Philosophy, Rhodes University PhD (thesis) Department of Music and Musicology Supervisor: Dr Lee Watkins I Abstract This thesis expands on primary field research conducted for my MMus degree. Undertaken in the Saharaui refugee camps of southern Algeria (2004-2005) that research - based on ethnographic data and the analysis of Saharaui music, known as Haul 1- focussed on the musical system, the social context of musical performance and the music culture in Saharaui refugee camps. This doctoral research examines Saharaui Haul music as practised in Spain and is particularly focussed on its entry, since 1998, into the global market by way of the World Music label, Nubenegra records. The encounter between Saharaui musicians and Nubenegra records has created a new type of Saharaui Haul which is different to that played in the refugee camps. This phenomenon has emerged as a result of western music producers compelling Saharaui musicians to introduce musical changes so that both parties may be considered as musical agents occupying different positions on a continuum of tradition and change. Nubenegra undertook the commodification of Saharaui music and disseminated it from the camps to the rest of the world. A musical and social analysis of the relationship between Nubenegra and Saharaui musicians living in Spain will form the basis of the research in this thesis. In particular, Mariem Hassan is an example of a musician who had her music disseminated through the relationship with Nubenegra and she is promoted as the music ambassador of the Western Sahara.
    [Show full text]
  • List of Films Considered the Best
    Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics.
    [Show full text]
  • An Advanced Songwriting System for Crafting Songs That People Want to Hear
    How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big
    [Show full text]
  • Healing for the Wounded Heart Devotions
    100 Devotions for Survivors of Abuse © 2007, 2009, Kerry Decker. All rights reserved. Second Edition Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved. The “NIV” and “New International Version” trademarks are registered in the United States Patent and Trademark Office by International Bible Society. Use of either trademark requires the permission of International Bible Society. Scripture quotations marked NLT are taken from the Holy Bible, New Living Translation, copyright 1996. Used by permission of Tyndale House Publishers, Inc., Wheaton, Illinois 60189. All rights reserved. Scriptures marked as “(CEV)” are taken from the Contemporary English Version Copyright © 1995 by American Bible Society. Used by permission. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. The Living Bible. Copyright © 1987 by Tyndale House Publishers, Inc., Wheaton, Illinois 60189. All rights reserved. Rapha House Freedom Foundation 6755 Victoria Ave. Riverside, CA 92506 Rapha is the Hebrew word for “healing.” Rapha House in Cambodia provides shelter and care for girls who have survived human trafficking and sexual exploitation. The “Healing for the Wounded Heart” resources, including these devotions, were developed to help these girls with their emotional and spiritual recovery. Many survivors of abuse may not have experienced sexual slavery, but they know what it’s like to be prisoners in dysfunctional families or relationships. And they know what it’s like to be prisoners of their own guilt and shame. All abuse wounds the heart, whether it involves a single incidence or sexual enslavement.
    [Show full text]