DOCSLIB.ORG

67Th National Film Awards, 2019

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
67Th National Film Awards, 2019 67th National Film Awards, 2019 Most Film Friendly State Award Sr. No. State Medal 1. Sikkim Rajat Kamal & Certificate 67th National Film Awards, 2019 Best Writing on Cinema Award for Best Book on Cinema: Sr. No. Title of the Book Language Name of the Name of the Medal and Author Publisher Cash prize 2. A GANDHIAN AFFAIR: English Sanjay Suri HarperCollins Swarna Kamal INDIA’S CURIOS Publishers India and Rs. PORTRAYAL OF LOVE 75,000/- IN CINEMA Special Mention: Sr. No. Title of the Book Language Name of the Award Author 1. CINEMA PAHANARA MANUS Marathi Ashok Rane Certificate 2. KANNADA CINEMA: Kannada P R Certificate JAGATHIKA CINEMA VIKASA- Ramadasa PRERANE- PRABHAVA Naidu Award for Best Film Critic: Sr. No. Name of Critic Language Medal and Cash Prize 1. Sohini Chattopadhyay English Swarna Kamal and Rs. 75,000/- 67th National Film Awards, 2019 Non-Feature Films Section 67th National Film Awards 2019 Non-Feature Films Results S.No. Category of Award Title of the Film Awardee Medal & Cash Prize 1. BEST NON-FEATURE AN ENGINEERED Producer & Director Swarna Kamal FILM DREAM (HINDI) : Hemant Gaba Rs. 1,50,000/- each 2. BEST DEBUT NON- KHISA Producer : P P Cine Rajat Kamal FEATURE FILM OF A (MARATHI) Production DIRECTOR Rs. 75,000/- Director : Raj Pritam each More 3. BEST ETHNOGRAPHIC CHARAN-ATVA Producer : Films Rajat Kamal FILM THE ESSENCE Division OF BEING A NOMAD Rs 50,000/- (GUJARATI) Director : Dinaz each Kalwachwala 4. BEST BIOGRAPHICAL ELEPHANTS DO Producer : Films Rajat Kamal FILM REMEMBER Division (ENGLISH) Rs 50,000/- Director : Swati Producer Pandey, Viplove Rai Bhatia & Manohar Singh Bisht Rs. 50,000/- (Shared) Directors 5. BEST ARTS and SHRIKSHETRA- Producer & Director : Rajat Kamal CULTURE FILM RU-SAHIJATA Ashutosh Pattnaik (ODIA) Rs 50,000/- each 6. BEST PROMOTIONAL THE SHOWER Producer : Little Lamb Rajat Kamal FILM (HINDI) Films Pvt. Ltd. Rs 50,000/- Director each : Bauddhayan Mukherji 7. BEST ENVIRONMENT THE STORK Producer: Rajiv Rajat Kamal FILM SAVIOURS Mehrotra, PSBT (HINDI) Rs 50,000/- Director : Ajay Bedi Producer & Vijay Bedi Rs 50,000/- Directors (Shared) 8. BEST FILM ON SOCIAL HOLY RIGHTS Producer: Priyanka Rajat Kamal ISSUES (HINDI) Pradeep More Rs. 50,000/- Director : Farha Producers Khatun (Shared) & & Rs. 50,000/- Directors Producer & Director : LADLI (HINDI) (Shared) Sudipta Kundu 9. BEST EDUCATIONAL APPLES AND Producer: LXL Ideas Rajat Kamal FILM ORANGES Private Limited (ENGLISH) Rs 50,000/- Director : Rukshana each Tabassum 10. BEST EXPLORATION WILD Producer: Rajat Kamal FILM KARNATAKA Amoghavarsha J S (ENGLISH) Rs 50,000/- Director : Producer Amoghavarsha JS, Kalyan Varma, Sarath Champati & Vijaya Rs. 50,000/- Mohan Raj Directors (Shared) 11. BEST INVESTIGATIVE JAKKAL Producer: Neon Reel RAJAT Kamal FILM (MARATHI) Creation Rs 50,000/- Director : Vivek Wagh each 12. BEST ANIMATION RADHA Producer : Fairy Cows Rajat Kamal FILM (MUSICAL) Director : Bimal Rs 50,000/- Poddar each Animator : Nitin Kharkar 13. SPECIAL JURY AWARD SMALL SCALE Director : Vipin Vijay Rajat Kamal SOCIETIES (ENGLISH) Rs 1,00,000/- 14. BEST SHORT FICTION CUSTODY Producer & Director : Rajat Kamal FILM (HINDI/ENGLISH) Ambiecka Pandit Rs 50,000/- each 15. BEST FILM ON ORU Producer: Satyajit Rajat Kamal FAMILY VALUES PAATHIRAA Ray Film & Rs. 50,000/- SWAPNAM POLE Television Institute each (MALAYALAM) Director : Sharan Venugopal 16. BEST DIRECTION KNOCK KNOCK Director : Sudhanshu Swarna Kamal KNOCK (ENGLISH/ Saria BENGALI) Rs. 1,50,000/- 17. BEST SONSI (HINDI) Cameraman: Savita Rajat Kamal CINEMATOGRAPHY Singh Rs. 50,000/- 18. BEST ON-LOCATION RAHAS (HINDI) On location sound Rajat Kamal SOUND RECORDIST recordist : Saptarshi Rs. 50,000/- Sarkar 19. BEST AUDIOGRAPHY RADHA (Musical) Re-recordist (final Rajat Kamal mixed track) : Allwin Rego & Sanjay Maurya Rs 50,000/- (Shared) 20. BEST EDITING SHUT UP SONA Editor : Arjun Rajat Kamal (HINDI/ENGLISH) Gourisaria Rs 50,000/- 21. BEST MUSIC KRANTI DARSHI Music Rajat Kamal, DIRECTION GURUJI-AHEAD Director: Bishakhjyoti Rs 50,000/- OF TIMES (HINDI) 22. BEST NARRATION/ WILD Voice Over : Sir Rajat Kamal VOICE OVER KARNATAKA David Attenborough Rs 50,000/- (ENGLISH) 67th National Film Awards, 2019 Feature Films Section 67th National Film Awards 2019 Feature Films - Results S.No. Category of Award Title Of The Film Awardee Medal & Cash Prize 1. Best Feature Film MARAKKAR- Producer: Aashirvad Swarna ARABIKKADALINTE- Cinemas Kamal and SIMHAM (Malayalam) Rs. 2,50,000 Director: Priyadarshan (each) 2. Indira Gandhi Award for HELEN Producer: Big Bang Swarna Best Debut Film of a Entertainments Kamal and (Malayalam) Director Rs.1,25,000 (each) Director: Mathukutty Xavier 3. Award for Best Popular MAHARSHI Producer: Sri Venkteswara Swarna Film Providing Creations Kamal and (Telugu) Wholesome Rs. Entertainment Director: Paidipally 2,00,000/- (each) Vamshidhar Rao 4. Nargis Dutt Award for TAJMAL Producer: Tuline Studios Rajat Best Feature Film on Pvt. Ltd. Kamal and (Marathi) National Integration Rs. 1,50,000/- Director: Niyaz Mujawar (each) 5. Best Film on Social Issues ANANDI GOPAL Producer: Essel Vision Rajat (Marathi) Productions Ltd., Freshlime Kamal and Films LLP & Namah Pictures Rs. Pvt. Ltd. 1,50,000/- (each) Director: Sameer Vidwans 6. Best Film on Environment WATER BURIAL Producer: Faruque Iftikar Rajat Conservation/Preservation (Monpa) Laskar Kamal and Rs. 1,50,000/- Director: Shantanu Sen (each) 7. Best Children's Film KASTOORI Producer : Insight Films Swarna Kamal and (Hindi) Director: Vinod Uttreshwar Rs. 1,50,000/- Kamble (each) 8. Best Direction BAHATTAR Director: Sanjay Puran Swarna HOORAIN (Hindi) Singh Chauhan Kamal and Rs. 2,50,000/- 9. Best Actor BHONSLE (Hindi) Actor : Manoj Bajpayee Rajat Kamal and Rs. & & 50,000/- (Shared) ASURAN (Tamil) Actor : Dhanush 10. Best Actress MANIKARNIKA-THE Actress : Kangana Ranaut Rajat QUEEN OF JHANSI Kamal and (Hindi) Rs. & 50,000/- PANGA (Hindi) 11. Best Supporting Actor SUPER DELUXE Supporting Actor: Vijaya Rajat (Tamil) Sethupathi Kamal and Rs. 50,000/- 12. Best Supporting Actress THE TASHKENT Supporting Actress: Pallavi Rajat FILES (Hindi) Joshi Kamal and Rs. 50,000/- 13. Best Child Artist KD(A) KARUPPU Child Artist : Naga Vishal Rajat DURAI (Tamil) Kamal and Rs. 50,000/- 14. Best Male Playback KESARI Singer : B Praak Rajat Singer Kamal and (Hindi) Song “Teri Mitti” Rs. 50,000/- 15. Best Female Playback BARDO Singer : Savani Ravindra Rajat Singer Kamal and (Marathi) Song “Raan Petala” Rs. 50,000/- 16. Best Cinematography JALLIKKETTU Cameraman: Gireesh Rajat (Malayalam) Gangadharan Kamal and Rs. 50,000/- 17. Best Screenplay JYESHTHOPUTRO Screenplay writer Rajat (Bengali) (original): Kaushik Ganguly Kamal and Rs. Screenplay writer 50,000/- (each) (adapted): Srijit Mukherji GUMNAAMI (Bengali) Dialogue Writer: Vivek Ranjan Agnihotri THE TASHKENT FILES (Hindi) 18. Best Audiography IEWDUH (Khasi) Location Sound Recordist Rajat (for sync sound films only) Kamal and : Debajit Gayan Rs. 50,000/- TRIJYA (Marathi) Sound Designer : Mandar (each) Kamalapurkar OTHTHA SERUPPU SIZE-7 (Tamil) Re- recordist of the final mixed track: Resul Pookutty 19. Best Editing JERSEY (Telugu) Editor: Navin Nooli Rajat Kamal and Rs. 50,000/- 20. Best Production Design ANANDI GOPAL Production Designer: Sunil Rajat (Marathi) Nigwekar & Nilesh Wagh Kamal and Rs. 50,000/- (Shared) 21. Best Costume Designer MARAKKAR- Costume Designer: Sujith Rajat ARABIKKADALINTE- Sudhakaran & Kamal and SIMHAM (Malayalam) Rs.50,000/- V. Sai (Shared) 22. Best Make-up Artist HELEN Make-up Artist: Ranjith Rajat Kamal and (Malayalam) Rs. 50,000/- 23. Best Music Direction VISWASAM (Tamil) Music Director (Songs): Rajat Kamal and D. Imman Rs. 50,000/- JYESHTHOPUTRO Music Director (each) (Bengali) (Background Music): Prabuddha Banerjee 24. Best Lyrics KOLAAMBI Lyricist: Prabha Varma Rajat (Malayalam) Kamal and Song “ Arodum Parayuka Vayya” Rs. 50,000/- 25. Special Jury Award OTHTHA SERUPPU Producer & Director Rajat SIZE-7 (Tamil) : Radhakrishnan Parthiban Kamal and Rs. 2,00,000/- 26. Best Special Effects MARAKKAR- Special Effects Creator Rajat ARABIKKADALINTE- : Siddharth Priyadarshan Kamal and SIMHAM (Malayalam) Rs. 50,000/- 27. Best Choreography MAHARSHI (Telugu) Raju Sundaram Rajat Kamal and Rs. 50,000/- 28. Best Action Direction AVANE Vikram Mor Rajat Award (Stunt SRIMANNARAYANA Kamal and Choreography) (Kannada) Rs. 50,000/- Best Feature Film in each of the language specified in the Schedule VIII of the Constitution 29. Best Assamese Film RONUWA - WHO Producer: Bornali Creative Rajat NEVER Vision Entertainment Kamal and SURRENDER Rs. 1,00,000/- Director: Chandra Mudoi (each) 30. Best Bengali Film GUMNAAMI Producer: SVF Entertainment Rajat Pvt. Ltd. Kamal and Rs. 1,00,000/- Director: Srijit Mukherji (each) 31. Best Hindi Film CHHICHHORE Producer: Nadiawala Grandsons Rajat Entertainment Pvt. Ltd. & Fox Kamal and Star Studios Rs. 1,00,000/- (each) Director: Nitesh Tiwari 32. Best Kannada Film AKSHI Producer: Kalaadegula Studio Rajat Kamal and Director: Manoj Kumar Rs. 1,00,000/- (each) 33. Best Konkani Film KAAJRO Producer: de Goan Studio Rajat Kamal and Rs. Director: Nitin Bhaskar 1,00,000/- (each) 34. Best Marathi Film BARDO Producer: Ritu Films Cut LLP Rajat Kamal and Rs. Director: Bhimrao Mude 1,00,000/- (each) 35. Best Malayalam Film KALLA NOTTAM Producer: First Print Studios Rajat Kamal and Rs. Director: Rahul Riji Nair 1,00,000/- (each) 36. Best Manipuri Film EIGI KONA Producer: Luwang Apokpa Rajat Mamikol Production Kamal and Rs. Director: Bobby Wahengham 1,00,000/- (Shared) & Maipaksana Haorongbam
Load more

Recommended publications
  • 68 National Film Awards 2020
    th 68 NATIONAL FILM AWARDS 2020 Part A GENERAL INFORMATION SHORT TITLE AND COMMENCEMENT: 1. These Regulations may be called the National Film Awards Regulations, and will come into force with immediate effect. AIM 2. The Awards aim at encouraging the production of films of aesthetic & technical excellence and social relevance contributing to the understanding and appreciation of cultures of different regions of the country in cinematic form, thereby also promoting unity and integrity of the nation. The awards also aim at encouraging the study and appreciation of cinema as an art form and dissemination of information and critical appreciation of this art form through publication of books, articles, reviews etc. DEFINITIONS 3. In these Regulations, unless the context otherwise requires, (a) "Board" means the Central Board of Film Certification, (b) "Directorate" means the Directorate of Film Festivals under the Ministry of Information & Broadcasting, (c) "Awards" mean National Film Awards, (d) "Producer" includes an individual producer, a production company, a Government Department or a Government recognized institute, (e) "Right Holder" means the owner of the negative who is authorized to order prints of cinematographic films from the lab for a particular film and copyright holder of the film (in case of digital films). ORGANISERS 4. The Awards will be organized by the Directorate of Film Festivals, or such other organization as may be notified from time to time, on behalf of the Government of India. SECTIONS 5. The Awards will have the following sections:- (i] Feature Films (ii] Non-Feature Films (iii] Best Writing on Cinema 6. AWARD FOR GROWTH AND DEVELOPMENT OF INDIAN CINEMA 6.1 In addition to the awards for Feature Films (Schedule I), Non-Feature Films (Schedule II), and Best Writing on Cinema, the Government of India will give an award called the Dadasaheb Phalke Award to a film personality for his/her outstanding contribution to the growth and development of Indian Cinema.
    [Show full text]
  • 19.05.21 Notable Industry Recognition Awards List • ADC Advertising
    19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio
    [Show full text]
  • AACTA AWARD for BEST ASIAN FILM Process and Eligibility Criteria
    AACTA AWARD FOR BEST ASIAN FILM Process and Eligibility Criteria PART 1: PROCESS 1. Entry into competition 1.1. Films from Tier One or Tier Two Asian countries (see definition under Part 2, 3.1), that meet one or more of the Eligibility Criteria (see Eligibility Criteria in Part 2) will be considered for entry into competition. 1.2. Invitations to enter into Formal Competition will be sent to select eligible films at AACTA’s discretion. All invitations will be extended in June via email. 1.3. All films that are invited and agree to pay the Entry Fee will then enter Formal Competition. 1.4. The Formal Competition List will comprise a total of 27 films that meet Regional Quotas (outlined below) based on the average number of films from each eligible country distributed in Australia for paid admission. Regional Quotas: (a) China: nine Chinese films may be included in Formal Competition. (b) India: nine Indian films may be included in Formal Competition. (c) Japan: three Japanese films may be included in Formal Competition. (d) South Korea: three South Korean films may be included in Formal Competition. (e) Tier Two countries: three films in total from Tier Two countries may be included in Formal Competition. 2. Preliminary Selection Committee 2.1. Three Preliminary Selection Committees will be appointed at AACTA’s discretion to determine the Nominees that progress from Formal Competition: (a) The Chinese Preliminary Selection Committee will determine three Nominees from the nine Chinese films in Formal Competition. (b) The Indian Preliminary Selection Committee will determine three Nominees from the nine Indian films in Formal Competition.
    [Show full text]
  • Government of India Press Information Bureau Union Public Service Commission
    GOVERNMENT OF INDIA PRESS INFORMATION BUREAU UNION PUBLIC SERVICE COMMISSION P R E S S N O T E SUBJECT: NATIONAL DEFENCE ACADEMY AND NAVAL ACADEMY EXAMINATION (I), 2019–DECLARATION OF WRITTEN RESULT THEREOF. On the basis of the result of the written part of the National Defence Academy and Naval Academy Examination, (I) 2019 held by the Union Public Service Commission on 21st April, 2019, candidates with the under mentioned Roll. Nos. have qualified for interview by the Services Selection Board (SSB) of the Ministry of Defence for Admission to Army, Navy and Air Force Wings of the National Defence Academy for the 143th Course and for the 105th Indian Naval Academy Course (INAC) commencing from 2nd January, 2020. The result is also available at Commission’s website https://upsc.gov.in. 2 The candidature of all the candidates whose Roll Nos. are shown in the list is provisional. In accordance with the conditions of their admission to the examination, “candidates are requested to register themselves online on the Indian Army Recruiting website joinindianarmy.nic.in within two weeks of announcement of written result. The successful candidates would then be allotted Selection Centres and dates, of SSB interview which shall be communicated on registered e-mail ID. Any candidate who has already registered earlier on the site will not be required to do so. In case of any query/ Login problem, e-mail be forwarded to dir- [email protected].” “Candidates are also requested to submit original certificates of Age and Educational Qualification to respective Service Selection Boards (SSBs) during the SSB interview.” The candidates must not send the Original Certificates to the Union Public Service Commission.
    [Show full text]
  • Film Notes: Three Romanian Movies (On Belonging and Corporeality in the New Wave of Romanian Cinema)
    Film Notes: Three Romanian Movies (On Belonging and Corporeality in the New Wave of Romanian Cinema) by Denise Roman 4 months, 3 weeks, & 2 days (i) Fears are colorless and odorless in of ampicillin, a plastic bag, and towels (2007), Cristian Mungiu, for the possible hemorrhage and to wrap the dim light of a Romanian winter. Mobra Films Gabita and her fellow student, Otilia, up the dead fetus and dispose of it in a who wants to help Gabita end her un- garbage chute. wanted pregnancy, know this well. They We see it all, and the merciless light of know how dangerous it is to escape the the hotel room cuts into the senses like a vigilant, panoptical eye of the Ceauşescu knife. There is no escape. The long takes regime. They find a man, Bebe—not a and real-time scenes are devoid of melo- doctor—eager to help them. They rent a drama. We enter into the lives of these room in a hotel. The man comes and asks women via light, an odorless and colorless for a shocking price in order to perform light, a light that penetrates through to the terrifying procedure. (I am not talking the heart of a closed regime. about money here….) This is not a hos- The body is at the center of Cristian pital, and the only things available in the Mungiu’s film, 4 Months, 3 Weeks, and 2 sordid adventure are a probe, an ampoule Days, winner of the Palme d’Or at the APR08 15 CSupdateW Cannes Film Festival in 2007.
    [Show full text]
  • List of Films Considered the Best
    Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics.
    [Show full text]
  • Here in the United Online Premieres Too
    Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films.
    [Show full text]
  • Fourth Southeast Asian Film Festival Returns with 20 Singapore Premieres – the Freshest and Most Compelling Cinematic Work Emerging from the Region
    MEDIA RELEASE For Immediate Release Fourth Southeast Asian Film Festival returns with 20 Singapore premieres – the freshest and most compelling cinematic work emerging from the region 11 April (Friday) to 4 May (Sunday) 2014, Moving Image Gallery, SAM at 8Q 19 March 2014, Singapore – Featuring the region’s best contemporary art expressed via the moving image, the Singapore Art Museum (SAM) is proud to present the fourth Southeast Asian Film Festival (SEAFF). Organised by SAM, along with prominent film critic Philip Cheah, veteran arts administrator Teo Swee Leng and SAM curator Sam I-shan, this annual Festival puts the spotlight on Southeast Asia through the compelling contemporary visual art genre of film. This year’s festival will highlight 20 films created by both established and up-and-coming directors from across the region including Cambodia, Indonesia, Malaysia, Myanmar, Philippines, Singapore and Thailand. All the films will be making their Singapore premieres at the Festival, including four Asian premieres and one world premiere. Festival-goers from the region will explore some of the most urgent contemporary challenges facing this diverse and rapidly developing region through the lenses of the directors, from the religious sectarian conflict in Mindanao to cross-border migration between Myanmar and China, to the hardship of ordinary families and more. Visitors will also get a glimpse of life in turbulent regions across Asia through War is a Tender Thing by Adjani Arumpac, The Journey of the Stars into the Dark Night by Arnel Mardquio, Letters of Solitude by Gutierrez ‘Teng’ Mangansakan II and Ice Poison by Midi Z, that tell the stories of communities that live through adversity.
    [Show full text]
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The
    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
    [Show full text]
  • Indian Film Week Tydzień Kina Indyjskiego
    TYDZIEń KINA INDYJSKIEGO 100-lecie kina w indiach kino kultura, warszawa 5–10 listopada 2012 INDIAN FILM WEEK 100 years of indian cinema kino kultura, warsaw 5–10 november 2012 W tym roku obchodzimy 100-lecie Kina Indyjskiego. This year we celebrate 100 years of Indian Cinema. Wraz z powstaniem pierwszego niemego filmu With the making of the first silent film ‘Raja Harish- „Raja Harishchandra” w 1913 roku, Indyjskie Kino chandra’ in 1913 , Indian Cinema embarked on an ex- wyruszyło w pasjonującą i malowniczą podróż, ilu- citing and colourful journey, reflecting a civilization strując przemianę narodu z kolonii w wolne, demokra- in transition from a colony to a free democratic re- tyczne państwo o bogatym dziedzictwie kulturowym public with a composite cultural heritage and plural- oraz wielorakich wartościach i wzorcach. istic ethos. Indyjska Kinematografia prezentuje szeroki Indian Cinema showcases a rich bouquet of lov- wachlarz postaci sympatycznych włóczęgów, ponad- able vagabonds, evergreen romantics, angry young czasowych romantyków, młodych buntowników, men, dancing queens and passionate social activists. roztańczonych królowych i żarliwych działaczy spo- Broadly defined by some as ‘cinema of interruption’, łecznych. Typowe Kino Indyjskie, zwane bollywoodz- complete with its song and dance ritual, thrills and ac- kim, przez niektórych określane szerokim mianem tion, melodrama, popular Indian cinema, ‘Bollywood’, „cinema of interruption” – kina przeplatanego pio- has endeared itself to global audiences for its enter- senką, tańcem, emocjami i akcją, teatralnością, dzięki tainment value. Aside from all the glitz and glamour walorowi rozrywkowemu, zjednało sobie widzów na of Bollywood, independent art house cinema has been całym świecie. Oprócz pełnego blichtru i przepy- a niche and has made a seminal contribution in en- chu Bollywood, niszowe niezależne kino artystyczne hancing the understanding of Indian society.
    [Show full text]
  • India's Rise in Cases Third Fastest Globally
    follow us: monday, june 15, 2020 Delhi City Edition thehindu.com 16 pages ț ₹10.00 facebook.com/thehindu twitter.com/the_hindu Mamata flays draft 4,827 seafarers will Gujarat experiences Bollywood actor Electricity Bill, seeks return in largest crew 5.5 magnitude quake, Sushant Singh Rajput Opposition support sign­off exercise no damage reported found dead in Mumbai page 9 page 9 page 10 page 14 Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow . cuttack . patna NEARBY In the pandemic, the disabled remain an invisible minority “Where should I go now? his legs in an accident two results from a study of 1,067 According to professional Study says 75% of Should I buy food or medi­ years ago. He needs Ms. Naz­ people with disabilities psychologists, individuals such people were cines?” nin’s assistance for most of (about 73% male, 27% fe­ with disability and their fa­ hit by lockdown Ms. Asha Devi works in a his tasks. She sighs in an­ male) — over 73% of those milies are at a greater risk of steel line. Post the lock­ guish and says, “How can I surveyed faced serious diffi­ poor health and quality of Suchitra down, the families have got stand in long lines for ration culties due to the lockdown. life outcomes because either Capital reports highest absolutely no support from when there is nobody to take their social status is affected spike in COVID-19 cases In Delhi's Wazirpur, two fa­ the government or from Locked out by their disabilities or their NEW DELHI milies are struggling each their employer.
    [Show full text]
  • FD Er\Vd `Fe S`^Svc YVRUVU W`C Rzca`Ce
    3 0 !"#$!%&' ()*%$!%&' &)*+$,&-(. " 4$8!84! 74/)# $4/56 /"(&1% O 77 5 6 +9:2 7 77 77 7 27 1 7 8 23 42 )) #$% &&'( +,- . /!*) ''!" / 0 !" / 0 ! 1 2 %& "! !" PNSBHUBANESWAR: The State on Sunday reported 849 new Covid-19 positive cases in the 30 districts and the State pool, with which the total tally increased to 10,06,503.Notably, the State had recorded 779 pos- itive cases on Saturday. Out of the new positives, he national unemployment 119 children in the age group of Trate rose to 8. 1 per cent in 0 and 18 years tested positive.A he US military con- the week ended August 28 as total of 68,667 samples were test- firmed on Sunday that it against 6.95 per cent in July. ed in the last 24 hours and the Ttargeted an "explosive This is despite the fact test positivity rate (TPR) was laden vehicle" headed towards that most of the States and 1.23 per cent. The active cases Kabul's international airport Union territories have fully stood at 7,820.Out of the new where the American military reopened their economy after cases, 491 were from quarantine is involved in an evacuation a decline in the ferocity of the and 358 local contacts. Khordha operation. "US military forces second Covid-19 wave. district reported the day's high- conducted a self-defence Rural unemployment took 21 per cent each in Goa and per cent at the national level, est 361 cases followed by Cuttack unmanned over-the-horizon a sharp upward turn to 7.3 per Rajasthan.
    [Show full text]