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Palm Beach International Airport (PBI)
Agenda Item:~ PALM BEACH COUNTY BOARD OF COUNTY COMMISSIONERS AGENDA ITEM SUMMARY -===================================================================== Meeting Date: January 12, 2021 [ ] Consent [ X] Regular [ ] Ordinance [ ] Public Hearing Submitted By: Department of Airports ---------------------------------------------------------------------- I. EXECUTIVE BRIEF Motion and Title: Staff recommends motion to approve: a Contract for Air Service Development Consulting Services (Contract) with Ailevon Pacific Aviation Consulting LLC (Ailevon), a Florida limited liability company, commencing on February 1, 2021, and expiring on January 31, 2024, with one 24-month option to renew for an amount not to exceed $200,000 per contract year for a total not to exceed amount of $600,000 for the initial term. Summary: This Contract provides for professional and technical consulting services on an as-needed basis in support of the air service development program for the Palm Beach International Airport (PBI). Ailevon's principal place of business is Atlanta, GA. Air service development consulting services may include, but are not limited to, air service strategy and planning, airline route study and forecasting, competitive service analysis, business case development for new/expanded air service, development of incentive programs, catchment area demographic and leakage studies and analysis of air traffic demand and airfare data. The Contract provides for a not to exceed amount of $200,000 per contract year with an initial three-year term and an option to renew for an additional 24 months at the County's sole option. Due to lack of availability of qualified Small/Minority/Women Owned Business Enterprises providing the services required by this Contract, the Office of Equal Business Opportunity issued a waiver of Affirmative Procurement Initiatives on July 30, 2020. -
Top 40 Singles Top 40 Albums
12 May 2008 CHART #1616 Top 40 Singles Top 40 Albums Forever Don't Hold Back Unbreakable: 2008 NZ Tour Edition 50th Anniversary 1 Chris Brown 21 The Potbelleez 1 Westlife 21 Gray Bartlett Last week 5 / 3 weeks SBME Last week 22 / 12 weeks MOS/Universal Last week 10 / 22 weeks Platinum x1 / SBME Last week 17 / 3 weeks EMI Take A Bow Stop And Stare Rockferry Past, Present, Future 2 Rihanna 22 OneRepublic 2 Duffy 22 Tiki Taane Last week 4 / 2 weeks Universal Last week 18 / 17 weeks Universal Last week 3 / 5 weeks Gold x1 / Universal Last week 22 / 25 weeks Gold x1 / DirtyDub/Rhythm/DRM... Love In This Club Tattoo Flight Of The Conchords Rejoice 3 Usher feat. Young Jeezy 23 Jordin Sparks 3 Flight Of The Conchords 23 Katherine Jenkins Last week 1 / 10 weeks Gold x1 / SBME Last week 36 / 2 weeks SBME Last week 1 / 3 weeks Gold x1 / SubPop/Rhythmethod Last week 32 / 3 weeks Universal No Air Sorry Believe Legend: The Very Best Of 4 Jordin Sparks feat. Chris Brown 24 Buckcherry 4 Geoff Sewell 24 Willie Nelson Last week 2 / 10 weeks Platinum x1 / SBME Last week 26 / 6 weeks Universal Last week 2 / 4 weeks Gold x1 / SewellMusic/Ode Last week 18 / 6 weeks Gold x1 / SBME Lollipop What Is It? Back To Black: Deluxe Edition E=MC2 5 Lil Wayne 25 Baby Bash feat. Sean Kingston 5 Amy Winehouse 25 Mariah Carey Last week 6 / 3 weeks Universal Last week 33 / 6 weeks SBME Last week 6 / 49 weeks Platinum x2 / Universal Last week 20 / 3 weeks Universal 4 Minutes Party People The Swing Sessions Watershed 6 Madonna feat. -
Big Hits Karaoke Song Book
Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09 -
Air Automated Manifest System
AIR AUTOMATED MANIFEST SYSTEM FREQUENTLY ASKED QUESTIONS 1. Systems to be Used 2 2. Required and Voluntary Participation 2 3. When Air AMS Filing Required 4 4. Participant Procedures 4 5. Bond Requirements 5 6. Air AMS Documentation 6 7. Compliance Dates 7 8. Enforced Compliance Procedures – Phase 1 7 9. Enforced Compliance Procedures – Phase 2 9 10. Delivery Authorization 9 11. Split Shipments 10 12. Cargo that Fails to Arrive in the United States 11 13. Consolidated Shipments 11 14. Order of Receipt of Master and House Air Waybill 12 15. Simple and Master Air Waybill Format 12 16. House Air Waybill Format 13 17. In-bond Authorization 13 18. Permits to Transfer (Local Transfer) 15 19. Incomplete House Air Waybills 16 20. Manifest Holds 17 21. Foreign Cargo Remaining On Board (FROB) 17 22. Flights Without Cargo 18 23. Air AMS Problem Resolution 18 24. Scheduled Air AMS Downtime 19 25. Presentation of Documents 20 26. Manifest Discrepancy Reporting 20 27. Freight Report Inbound and Freight Report Change 20 28. Carrier Nomination/Agent Field 21 29. Emergency/Forced Landings 21 30. Location of Data Input 22 31. Duplicate Air Waybills 22 32. Quantity to Be Reported 22 33. Freight Status Information Messages 24 34. Carrier Codes 24 35. Company Material/Postal Mail/Letters and Documents 25 36. Code-Share Flights 25 37. Shipper/Consignee Information 27 38. Express Consignment Operations 29 1 Updated 07/25/2005 Updated Questions # 36 U.S. Customs and Border Protection (CBP) has received numerous questions concerning the regulations promulgated pursuant to the Trade Act of 2002. -
Billboard-1997-08-30
$6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Stella Van Meersbergen Thesis Final Version
!1 Contesting stereotypes and norms in African-American popular culture Representations of race, (homo)sexuality and fluidity within Baldwin’s Tell Me How Long the Train’s Been Gone (1968), Barry Jenkins’ Moonlight (2016) and Frank Ocean’s “Pyramids” and “Nikes”. MA Thesis in Literary Studies: Literature, Culture and Society Graduate School for Humanities Universiteit van Amsterdam By: Stella van Meersbergen 10355987 Supervisor: dr. H.H. (Hanneke) Stuit Second reader: dr. S. (Suze) van der Poll June, 2018 !2 Table of contents 1. Introduction…………………………………………………………………………….. 3 - 9 2. Fluidity of Identity in James Baldwin’s Tell Me How Long the Train’s Been Gone (1968)…………………………………………………………………………………….10-20 2.1. The general consensus……………………………………………………………10-13 2.2. Meeting the norm: Leo and Barbara……………………………………………..13-14 2.3. Double oppression: Sexuality and race………………………………………….14-16 2.4. Heteronormative desire: Leo and Madeleine……………………………………16 2.5. Contesting the norm: Leo and Christopher…………………………………….. 17-18 2.6. Fluidity as a defense and power mechanism……………………………………18-19 3. Appropriation and mimicry within Moonlight (2016)……………………………..21-32 3.1. Imposed identity…………………………………………………………………….23-26 3.2. Changing identity……………………………………………………………………26-27 3.3. Black and Blue: Mimicking identity………………………………………………..27-31 4. Contesting the genre: Fluidity in Frank Ocean’s lyrics and videos…………….33-45 4.1. Affirming stereotypes in “Pyramids”……………..………………………………..35-38 4.2. Contesting stereotypes in “Nikes”……………..………………………………….38-40 5. Conclusion………………………………………………………………………………..42-45 Bibliography !3 Introduction In the last five years, African-American literature has been more visible than before, and these narratives are being portrayed in different media. This might be a response to the political issues regarding racial injustice and inequality in the USA which are being high- lighted through news outlets as well as popular culture. -
An Advanced Songwriting System for Crafting Songs That People Want to Hear
How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big -
Healing for the Wounded Heart Devotions
100 Devotions for Survivors of Abuse © 2007, 2009, Kerry Decker. All rights reserved. Second Edition Scripture taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. Copyright © 1973, 1978, 1984 International Bible Society. Used by permission of Zondervan. All rights reserved. The “NIV” and “New International Version” trademarks are registered in the United States Patent and Trademark Office by International Bible Society. Use of either trademark requires the permission of International Bible Society. Scripture quotations marked NLT are taken from the Holy Bible, New Living Translation, copyright 1996. Used by permission of Tyndale House Publishers, Inc., Wheaton, Illinois 60189. All rights reserved. Scriptures marked as “(CEV)” are taken from the Contemporary English Version Copyright © 1995 by American Bible Society. Used by permission. Scripture taken from The Message. Copyright © 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress Publishing Group. The Living Bible. Copyright © 1987 by Tyndale House Publishers, Inc., Wheaton, Illinois 60189. All rights reserved. Rapha House Freedom Foundation 6755 Victoria Ave. Riverside, CA 92506 Rapha is the Hebrew word for “healing.” Rapha House in Cambodia provides shelter and care for girls who have survived human trafficking and sexual exploitation. The “Healing for the Wounded Heart” resources, including these devotions, were developed to help these girls with their emotional and spiritual recovery. Many survivors of abuse may not have experienced sexual slavery, but they know what it’s like to be prisoners in dysfunctional families or relationships. And they know what it’s like to be prisoners of their own guilt and shame. All abuse wounds the heart, whether it involves a single incidence or sexual enslavement. -
From the Outside, You Can't See Any Difference Between a Run-Flat Tire
FEATURE Few 10 Tech Drive wer blowouts Run-Flats Offer Convenience and Peace of Mind. If you had X-ray vision, you could see that the sidewall on a 3 Series run-flat is different from that of a conventional tire. Few things are more frightening to a driver than a blowout because several bad things start happening all at once. A trained, experienced driver may be able to bring his or her vehicle to a safe stop after a blowout. However, many drivers just hang on and hope for the best, or, worse, slam on the brakes. Even for an experienced driver, a blowout while driving on a highway with other vehicles nearby is scary. “Run-flat” tires, which still support the car and provide control even when air pressure is lost, greatly reduce the danger of a blowout. Although run-flats have been available for many years, interest in these tires has surged recently. BMW has offered run-flat tires as standard or optional equipment on selected models since the late 1990s. Equipped with run-flats, a BMW can be driven some distance even though the tire has no air in it. However, the maximum recommended speed for a run-flat without air is 50 mph. So, your customer can drive to your shop for tire replace - ment, just not at high speed. In addition to their other benefits, run-flats eliminate the hassle and potential risk of pulling onto the shoulder of a busy highway to replace a flat tire. These tires even offer a convenience benefit, freeing up trunk space because a spare tire and jack are not necessary with run-flats. -
Keyshia Cole Where This Love Could End up Free Mp3 Download
Keyshia cole where this love could end up free mp3 download MP3 Songs: Keyshia Cole-Where This Love Could End Up. Love keyshia cole - Just practice., got a lil rocky towards the end Download Just practice., got. Watch the video, get the download or listen to Keyshia Cole – Where This Love Could End Up for free. Where This Love Could End Up appears on the album A. Song / Music / Video with title/name Chippettes Sing Keyshia Cole's Where This Love Could End Up is delivered from Youtube and maybe containing a videos. Where This Love Mp3 Download Duration: - Source: youtube - FileType: mp3 - Bitrate: Kbps Keyshia Cole - Where This Love Could End Up. KEYSHIA COLE WHERE THIS LOVE COULD END UP MP3 Download ( MB), Video 3gp & mp4. List download link Lagu MP3 KEYSHIA COLE WHERE. Download Keyshia Where This Love Could End Up Mp3, 19 songs are ready for you to By downloading this mp3 song you are agree with our terms and conditions, This Love Could End 3 and enjoy our free mp3 download service! Where This Love Could End Up In The Style Of Keyshia Cole Karaoke Version. Keyshia Cole Ft Nas: Oh-Oh Yeah Yeah 3 Keyshia Cole - Enough Of No Love ft Lil 3 Keyshia Cole - Where This Love Could End 3. Title Where This Love Could End Up Artist Keyshia Cole Album A Different Me (), Track 13 (Keyshia. Buy Where This Love Could End Up (Album Version): Read Digital Music Reviews Start your day free trial of Unlimited to listen to this song plus tens of. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.