DOCSLIB.ORG

Super Junior

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Super Junior Super Junior From Wikipedia, the free encyclopedia For the professional wrestling tournament, see Best of the Super Juniors. Super Junior Super Junior performing at SMTown Live '08 in Bangkok,Thailand Background information Origin Seoul, South Korea Genres Pop, R&B, dance, electropop, electronica,dance-pop, rock, e lectro, hip-hop, bubblegum pop Years active 2005–present Labels S.M. Entertainment (South Korea) Avex Group (Japan) Associated SM Town, Super Junior-K.R.Y., Super Junior-T,Super acts Junior-M, Super Junior-Happy, S.M. The Ballad, M&D Website superjunior.smtown.com,facebook.com/superjunior Members Leeteuk Heechul Han Geng Yesung Kangin Shindong Sungmin Eunhyuk Donghae Siwon Ryeowook Kibum Kyuhyun Korean name Hangul 슈퍼주니어 Revised Romanization Syupeojunieo McCune–Reischauer Syupŏjuniŏ This article contains Koreantext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Hangul or Hanja. This article contains Chinesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of Chinese characters. This article contains Japanesetext. Without proper rendering support, you may see question marks, boxes, or other symbolsinstead of kanji and kana. Super Junior (Korean: 슈퍼주니어; Japanese: スーパージュニア) is a South Korean boy band from formed by S.M. Entertainment in 2005. The group debuted with 12 members: Leeteuk (leader), Heechul, Han Geng, Yesung, Kangin, Shindong, Sungmin, Eunhyuk, Donghae, Siwon,Ryeowook, Kibum and later added a 13th member named Kyuhyun; they are one of the largest boy bands in the world. As of September 2011, eight members are currently active,[1] due to Han Geng's lawsuit with S.M. Entertainment which led to him leaving the group (now pursuing his own singing career in the Mandarin pop entertainment industry), Heechul and Kangin's temporary leave of absence for mandatory military service, Siwon's filming for his upcoming drama Poseidon (in which shooting of the drama are located at the farthest areas of South Korea, making him to temporary halt his activities with the group)[2] and Kibum's pursuit of an acting career.[3] However, the other members have insisted that the four (Heechul, Kangin, Kibum and Han Geng) are still part of the group, the group also mentioned that they are saddened by Han Geng's departure from the group.[4][5] Super Junior has released and contributed in 20 different kinds of records with varying degrees of success. [6] Over the years, they have been divided into smaller subgroups, simultaneously targeting different music industries and audiences. Largely due to Super Junior's success as entertainers, other Korean entertainment managements began to train their music groups in other areas of entertainment, such as acting and hosting. [6] In addition to their commercial success, Super Junior has earned seven music awards from the Mnet Asian Music Awards, eleven from the Golden Disk Awards, and is the second singing group to win Favorite Artist Korea at the 2008 MTV Asia Awards after jtL in 2003.[7] Contents [hide] • 1 History ○ 1.1 Pre-debut ○ 1.2 2005–06: The Super Junior project ○ 1.3 2006–07: U, Don't Don and breakthrough success ○ 1.4 2008–09: Beyond Korea and Sorry, Sorry ○ 1.5 2010: Bonamana, Asian popularity and Hallyu leaders ○ 1.6 2011–present: Japanese forays and Mr. Simple • 2 Artistry ○ 2.1 Musical style ○ 2.2 Dance Style ○ 2.3 Popularity • 3 Subgroups ○ 3.1 Super Junior-Happy ○ 3.2 Super Junior-K.R.Y. ○ 3.3 Super Junior-M ○ 3.4 Super Junior-T • 4 Film and television career ○ 4.1 Debut ○ 4.2 Reality shows ○ 4.3 Hosting ○ 4.4 Acting 4.4.1 Attack on the Pin-Up Boys 4.4.2 Other Films • 5 Endorsements • 6 Other Media • 7 Influence and impact • 8 Controversies ○ 8.1 Expansion to China ○ 8.2 Conflict with MBC ○ 8.3 Han Geng's lawsuit ○ 8.4 Conflict during Expo 2010 • 9 Members • 10 Discography ○ 10.1 Studio albums ○ 10.2 Korean Single Album ○ 10.3 Japanese Single Album ○ 10.4 Live Albums • 11 Tours and concerts • 12 See also • 13 Footnotes • 14 References • 15 External links [edit]History [edit]Pre-debut In 2001, the company held their first overseas casting auditions and discovered Han Geng in Beijing, China, who was chosen from among three thousand applicants.[8] That same year, Yesung was discovered under Seoul's casting system. Sungmin and Donghae became trainees after jointly winning the first place in Best Outward Appearance in an S.M.-sponsored contest. In 2002, Heechul and Kangin were recruited along with Kibum, who was discovered in Los Angeles, California. Siwon was encountered in 2003 after being scouted at age 16 in front of his high school, and Ryeowook in 2004, in which the latter was discovered through the Chin Chin Youth Festival singing competition.[9] In 2005, Shindong was selected. The last member, Cho Kyuhyun, was then discovered after winning third place at the Chin Chin Singing Competition in 2005. Not long after boy band TVXQ's debut in 2003, news about Lee's unprecedented plans of forming another boy band quickly spread on the Internet. In early 2005, Lee confirmed the news and announced that an all-boy project group of twelve members would debut near the end of the year, promoting this singing group to be "The Gateway to Stardom of Asia."[10] Lee announced that that most members in this group were chosen because of their performing experiences as actors, MCs, models, and radio hosts prior debut. Heechul and Kibum were already established entertainers, and most of the other members had already made various kinds of appearances on television and media.[11][12][13] Highly inspired by the rotational concept of Japan's girl group Morning Musume, this group would also experience line-up changes, with new members replacing some selected members every year to keep the group constantly young and all-rounded. This concept was then newly introduced to the K-pop market. For a while the group was rumored to be called O.V.E.R, the acronym for "Obey the Voice for Each Rhythm."[14] [a] However, before the group settled with their current name, S.M. simply referred to them as Junior, a representation of the members' young ages when they first became S.M. trainees.[14] After the members' showcased their different talents to the company at a picnic, the company finalized their concept name to Super Junior. The group thereafter became officially Super Junior 05, the first generation of Super Junior. [9] Leeteuk said on Star Golden Bell that "at first, Super Junior's name was S.M. Junior, but after Lee Soo Man saw our performance, he said we have super talent and quickly change our name to Super Junior".[citation needed] Super Junior 05 made their pre-debut on the Korean channel Mnet on September 11, 2005.[b] At the showcase, they performed various styles of hip-hop dancing, where they danced to B2K's "Take It to the Floor". Han Geng, Eunhyuk, and Donghae also performed a separate dance away from the group, dancing to Usher's "Caught Up." However, the performance did not air on television until May 16, 2006, as a segment in the Super Junior Show, the group's first television documentary. [edit]2005–06: The Super Junior project Super Junior 05 debuted on SBS's music program Popular Song on November 6, 2005, performing their first single, "Twins (Knock Out)". A digital single with "Twins (Knock Out)", "You Are the One", and three additional tracks were released online on November 8. A physical CD single was scheduled to be released the following week but a more complete album, SuperJunior05 (Twins), was released on December 6, 2005, instead. Their debut album sold 28,536 copies in the first month of release and debuted at number three in the monthly chart of December 2005.[15][c] In that same month, they released "Show Me Your Love", a collaboration single with TVXQ. "Show Me Your Love" became the best-selling record of December 2005, selling 49,945 copies that month.[15] In February 2006, Super Junior 05 began performances for "Miracle", the second promotional single from their debut album. "Miracle" was the group's first single to top the online music charts of South Korea as well as the music charts of Thailand, drawing interest from international markets.[16] As promotions for "Miracle" came to an end, S.M. Entertainment began selecting new members for Super Junior's second line-up project, Super Junior 06. The company even prepared a list of chosen members that were to graduate from the group. However, no members were taken out and a thirteenth member was added instead in May 2006. The line-up project has been abandoned since then, and the group became known as just Super Junior, without the suffix "05".[17][18] [edit]2006–07: U, Don't Don and breakthrough success On May 23, 2006, S.M. Entertainment revealed the thirteenth member Kyuhyun, who was discovered through a singing competition in 2005. They released their single "U" online for free download on May 25, 2006, on their official website. "U" had over 400,000 downloads within five hours of release and it ultimately exceeded 1.7 million downloads, crashing the server.[19][20] The physical single of "U" with a total of three tracks was released on June 6, 2006, eventually selling over 81,000 units.[21] The single became one of Korea's most popular songs of the year, yielding number one spots for five consecutive weeks on two of Korea's top music programs.[22] By the end of the year, Super Junior collected over seven awards in five of South Korea's top music award ceremonies, winning the title as Best New Group of 2006.
Load more

Recommended publications
  • Published 22 February 2019 LKFF 2012
    THE LONDON KOREAN FILM FESTIVAL 제7회 런던한국영화제 1-16 NoVEMBER StARTING IN LONDON AND ON TOUR IN BOURNEMOUTH, GlASGOW AND BRISTOL 12�OZE�293 OZ Quadra Smartium(Film Festival).pdf 1 10/18/12 6:14 PM A MESSAGEUR ROM O TOR LONDON-SEOUL, DAILY F TIC DIREC ASIANA AIRLINES ARTIS is redefining It is with great pride and honour that I welcome you to the 7th London Korean Film Festival. Regardless of whether you are a connoisseur of Korean cinema or completely Business Class. new to the country’s film scene, we have created an exciting and varied C Beginning November 17th, all the comforts of programme that will delight, thrill, scare and, most importantly, entertain you. M our new premium business class seat, Y the OZ Quadra Smartium, can be yours. We start off large with our return to the Odeon West End with one of the CM There’s a wonderful new way to get back and biggest Korean films in the last ten years;The Thieves. Our presentation MY forth to Seoul everyday. Announcing Asiana Airlines’ innovative of this exciting crime caper also sees its director, Choi Dong-hoon, and new premium business class seat, the OZ Quadra Smartium, lead actor Kim Yoon-suk gracing London’s Leicester Square. CY offering you both the privacy of your own space CMY and the relaxation of a full-flat bed. From the 2nd of November through to the 10th in London (continuing until the 16th in K Glasgow, Bristol and Bournemouth) we will show everything from the big box office hits to the smallest of independents, ending with the much-lauded Masquerade, as our closing Gala feature.
    [Show full text]
  • Netease Cloud Music and Big Hit Entertainment Team up to Launch BTS' Song Catalog
    NetEase Cloud Music and Big Hit Entertainment team up to launch BTS' song catalog HANGZHOU, China, May 4, 2018 /PRNewswire/ -- NetEase Cloud Music, China's leading music platform, entered into a partnership agreement with South Korea-based Big Hit Entertainment, whereby the Chinese platform will launch BTS' repertoire of songs on the platform. Big Hit Entertainment, a South Korea-based entertainment company focused on music, represents and manages BTS, the company's leading all-male group, which debuted in 2013. BTS is comprised of seven male vocalists: RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook. BTS, the abbreviation for Bangtan Sonyeondan, also stands for Bulletproof Boys and Beyond The Scene. Since the group's first appearance, they have received several major awards at music festivals held in South Korea as well as some international events. In 2017, they were named Top Social Artist by Billboard Music Awards, garnering the group worldwide attention. This February, they were again listed as an award candidate, competing with international superstars. Recently, NetEase Cloud Music launched BTS' widely popular catalog of songs on its platform, including MIC Drop (Steve Aoki Remix) (Feat. Desiigner), DNA, Spring Day, Not Today, Blood Sweat & Tears, Fire, Dope and I need U. In addition to music copyright, NetEase Cloud Music will cooperate with Big Hit Entertainment on artist and music promotion, marking the start of a close collaboration that will cover all aspects of the music business. The two parties look forward to jointly driving the popularity of music artists and their works via multiple channels, while offering higher quality music services to wider audiences.
    [Show full text]
  • The Korean Wave in the Middle East: Past and Present
    Article The Korean Wave in the Middle East: Past and Present Mohamed Elaskary Department of Arabic Interpretation, Hankuk University of Foreign Studies, Seoul 17035, South Korea; [email protected]; Tel. +821054312809 Received: 01 October 2018; Accepted: 22 October 2018; Published: 25 October 2018 Abstract: The Korean Wave—otherwise known as Hallyu or Neo-Hallyu—has a particularly strong influence on the Middle East but scholarly attention has not reflected this occurrence. In this article I provide a brief history of Hallyu, noting its mix of cultural and economic characteristics, and then analyse the reception of the phenomenon in the Arab Middle East by considering fan activity on social media platforms. I then conclude by discussing the cultural, political and economic benefits of Hallyu to Korea and indeed the wider world. For the sake of convenience, I will be using the term Hallyu (or Neo-Hallyu) rather than the Korean Wave throughout my paper. Keywords: Hallyu; Korean Wave; K-drama; K-pop; media; Middle East; “Gangnam Style”; Psy; Turkish drama 1. Introduction My first encounter with Korean culture was in 2010 when I was invited to present a paper at a conference on the Korean Wave that was held in Seoul in October 2010. In that presentation, I highlighted that Korean drama had been well received in the Arab world because most Korean drama themes (social, historical and familial) appeal to Arab viewers. In addition, the lack of nudity in these dramas as opposed to that of Western dramas made them more appealing to Arab viewers. The number of research papers and books focused on Hallyu at that time was minimal.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • The K-Pop Wave: an Economic Analysis
    The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute).
    [Show full text]
  • アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
    アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)（KOR） 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)（KOR） 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ ＜通常盤C＞ OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ ＜通常盤B＞ OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ ＜ユニット別ジャケット盤B＞ OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ ＜ユニット別ジャケット盤A＞ OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) ＜通常盤＞ TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) ＜通常盤＞ TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) ＜初回限定盤＞（LTD） TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) ＜初回限定盤＞（LTD） TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) ＜初回限定盤＞（LTD） TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) ＜初回限定盤＞（LTD） TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) ＜初回限定盤＞（LTD） TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)（LTD） OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea)
    [Show full text]
  • 180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
    180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things ， research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ，changes will be made , At Taiwan . it will be related to somewhere of it ，At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR).
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network
    Psychology, 2020, 11, 1574-1591 https://www.scirp.org/journal/psych ISSN Online: 2152-7199 ISSN Print: 2152-7180 Vicarious Reward Response Is Positively Correlated with Functional Connectivity in the Resting State Default Mode Network Tsukasa Inomata1, Sotaro Shimada2 1Electrical Engineering Program, Graduate School of Science and Technology, Meiji University, Kawasaki, Japan 2Department of Electronics and Bioinformatics, School of Science and Technology, Meiji University, Kawasaki, Japan How to cite this paper: Inomata, T., & Shi- Abstract mada, S. (2020). Vicarious Reward Response Is Positively Correlated with Functional Con- Some people can easily empathize with others, while others cannot. The neural nectivity in the Resting State Default Mode mechanism underlying individual difference of how much people can em- Network. Psychology, 11, 1574-1591. pathize with others is still not clear. Vicarious reward is the phenomenon by https://doi.org/10.4236/psych.2020.1110100 which we vicariously experience the positive sensations or emotions of others. Received: September 20, 2020 Beta oscillatory activity (BOA) is observed when participants experience vica- Accepted: October 26, 2020 rious reward. Recent studies have reported that the default mode network Published: October 29, 2020 (DMN) is also involved in reward processing and have suggested that indi- Copyright © 2020 by author(s) and vidual differences in the way participants respond to reward stimuli are cor- Scientific Research Publishing Inc. related with DMN functional connectivity during the resting state. In the This work is licensed under the Creative current study, we investigated whether DMN functional connectivity during Commons Attribution International License (CC BY 4.0). the resting state is also correlated with BOA for vicarious reward.
    [Show full text]
  • "Thought Reform" in China| Political Education for Political Change
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1979 "Thought reform" in China| Political education for political change Mary Herak The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Herak, Mary, ""Thought reform" in China| Political education for political change" (1979). Graduate Student Theses, Dissertations, & Professional Papers. 1449. https://scholarworks.umt.edu/etd/1449 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUB­ SISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE: 19 7 9 "THOUGHT REFORM" IN CHINA: POLITICAL EDUCATION FOR POLITICAL CHANGE By Mary HeraJc B.A. University of Montana, 1972 Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OP MONTANA 1979 Approved by: Graduat e **#cho o1 /- 7^ Date UMI Number: EP34293 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • A PRAGMATIC ANALYSIS of REFUSAL EXPRESSIONS USED by the FAMILY CHARACTERS in ORPHAN MOVIE a THESIS Presented As a Partial Fulfil
    A PRAGMATIC ANALYSIS OF REFUSAL EXPRESSIONS USED BY THE FAMILY CHARACTERS IN ORPHAN MOVIE A THESIS Presented as a Partial Fulfillment of the Requirements for the Attainment of the Degree of Sarjana Sastra in English Language and Literature By Arum Sari 07211144028 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH EDUCATION FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF YOGYAKARTA 2012 MOTTOS “The only way to do great work is to love what you do.” (Steve Jobs) “Never try, never know” (Topik) v DEDICATION I dedicate this thesis to people whom I love most in the world: Bapak Bambang Setyawan and Ibu Rika Rostika Ningsih vi ACKNOWLEDGMENTS Alhamdulilah, all praise to be Allah SWT, the Almighty, and the Most Merciful without which I would have never finished this thesis completely. I would also like to give my deepest thank to: 1. Suhaini, M. Saleh, M.A as my first consultant and Paulus Kurnianta, M.Hum as my second consultant, without their advice, care and patience, this thesis would not have been finished; 2. my Pembimbing Akademik, Paulus Kurnianta, M.Hum. for his guidance; 3. all lectures in study program Language and Literature in Yogyakarta State University; 4. my parents, Bambang Setyawan and Rika Rostika Ningsih who have given me endless love, support and pray, so that I could finish this thesis; 5. my beloved sister, Sekar Galuh who always supports and prays for me; 6. my aunt Mama Enny Ratna Dewi who always gives me inspiration and supports me; 7. my kind-hearted cousin, Cubi Abi who always reminds me about this thesis; 8.
    [Show full text]
  • Super Junior Official Fanclub E.L.F-Japan Magazine Vol.0014
    SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Eunhyuk Qn 1 : The most treasurable item that you have since young is ? Ans : I had always received lots of letters from boys and girls and also friends since I was in an elementary school and I always kept and treasure them too. Qn 2 : The most difficult time that happened during the world tour is ? Ans: The environment and the setting conditions are different for each country, when it is time for a performance , the helicopter cannot be used due to it settings being different , we will try to collabrate the solutions that happened on the spot and then solve those problems, this requires a better performance to be organize properly, and the workload will be increased and be much heavier, although there’ll be certain parts that has much disturbence , but we had already gone through it , so not much of a big problem . Qn 3 : Do you have a MC and a schedule for every different country ? Ans : For MC cases , we will try to use this country language , When organizing for South America tour , basically is using Spanish to communicate , we did some preparations . Qn 4 : In [Lo siento] , a Latin style and a passionate , sexy attitude is formed , being SUPER JUNIOR what type of challenge in style will you want to try out after today ? Ans : We have already given everyone a lot of different styles, why no return to this kind of fresh and cheerful style is not bad though.
    [Show full text]