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The Right of Confrontation, Justice Scalia, and the Power and Limits of Textualism, 48 Wash
Washington and Lee Law Review Volume 48 | Issue 4 Article 5 Fall 9-1-1991 The Right Of Confrontation, Justice Scalia, And The oP wer And Limits Of Textualism Bryan H. Wildenthal Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Constitutional Law Commons, and the Criminal Law Commons Recommended Citation Bryan H. Wildenthal, The Right Of Confrontation, Justice Scalia, And The Power And Limits Of Textualism, 48 Wash. & Lee L. Rev. 1323 (1991), https://scholarlycommons.law.wlu.edu/wlulr/ vol48/iss4/5 This Article is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. THE RIGHT OF CONFRONTATION, JUSTICE SCALIA, AND THE POWER AND LIMITS OF TEXTUALISM BRYAN H. WLDENTHAL* I. INTRODUCTION In the most compelling scene of the highest-rated television movie of the 1988-89 season, the protagonist, a victim of child sexual abuse, is required to testify about his ordeal at a public trial. As he faces hundreds of strangers, his family, his girlfriend, and the accused abuser himself, the prosecutor coaxes him to describe the most degrading and personal aspects of his ordeal. Haltingly, agonizingly, barely able to speak, he tries.1 It is * Admitted to Michigan Bar, 1990. J.D., Stanford, 1989; Senior Editor, Stanford Law Review, 1988-89; A.B. -
Achieve Like a Girl
SIMI VALLEY SAN FERNANDO CALABASAS AGOURA HILLS ANTELOPE VALLEY SIMI VALLEY SAN FERNANDO CALABASAS AGOURA HILLS ANTELOPE VALLEY 9.28.15_front_Layout 1 9/25/15 12:16 PM Page 1 ocbj.com ORANGE COUNTY BUSINESS JOURNAL TM $1.50 VOL. 38 NO. 39 THE COMMUNITY OF BUSINESS SEPTEMBER 28-OCTOBER 4, 2015 INSIDE Achieve Like a Girl Innovators Honored 3 High-Profile OC Execs page 7 4321 Jamboree: Israel-based company recently com- Count Gold Award as Precursor mitted to lease extension through 2027 to Bountiful Careers By KIM HAMAN Out of Ordinary for There was a budding business mind behind the Newport Beach: cherubic face selling cookies door-to-door. It was 1968, and the face belonged to Cyd Brand- Factory Upgrade vein, a 10-year-old Girl Scout. She approached the assignment with determina- TECHNOLOGY: Chipmaker to put tion, knocking on every single door in her New York City apartment building, armed with a pitch and a $15M or more into plant on Jamboree Special Report smile. Brandvein: has gone from Ed Sullivan to AECOM, By CHRIS CASACCHIA T page 15 She sold 3,000 boxes of remained part of organization as director of OC Beyond Work Girl Scout cookies— chapter Israel-based Tower Semiconductor Ltd. is in- enough to earn her a guest spot on the “Ed Sullivan Show,” where along with vesting $15 million to $20 million to upgrade its other record-breaking cookie sellers, she sang the “God Bless America” accompanied by an orchestra Newport Beach manufacturing plant to meet led by the song’s composer, Irving Berlin. -
Acro Dance Express Overall Studio C
Nashville TN Regional Competition Mar 8-10, 2019 Studio Awards Winner of the Groove Award: Acro Dance Express Overall Studio Technique Award: Acro Dance Express Overall Studio Choreography Award: Ann Carroll School of Dance Professionalism Award: Studio 55 Dance ADCC Studio of Excellence Award: DIAMOND ACADEMY OF DANCE Inspired by Passion: Miss Amys Competitive Edge Overalls Novice Mini Solo Place Entry Title Studio 1 A Little Bit O Love Shining Starz Dance Studio 2 Im The Greatest Star Acro Dance Express 3 ROCK N ROLL Dance Force LLC 4 Baby Im a Star Ann Carroll School of Dance 5 Keep You Safe Shining Starz Dance Studio 6 Blow Studio 55 Dance 7 CRUISIN 4 A BRUISIN Heathers Dance Academy 8 Itsy Bitsy Milele Academy 9 Black and Yellow Showtyme Xtreme 10 Let Your Light Shine Shining Starz Dance Studio Intermediate Mini Solo Place Entry Title Studio 1 Heartburn EnPointe Performance Studio 2 State of Shock EnPointe Performance Studio 3 Shawty Get Loose All Starz Dance Academy of Franklin Novice Mini Duo/Trio Place Entry Title Studio 1 SPLASH N GO Dance Force LLC Intermediate Mini Duo/Trio Place Entry Title Studio 1 Breakin Dishes EnPointe Performance Studio Novice Mini Small Group Place Entry Title Studio 1 CANDY DIAMOND ACADEMY OF DANCE 2 Slam It Showtyme Xtreme 3 Slow Down Barfield School of Dance 4 Get Back Up Again Shining Starz Dance Studio 5 Troll time Miss Amys Competitive Edge Nashville TN Regional Competition Mar 8-10, 2019 6 Diamonds Jans School of Dance 7 Princesses Wanna Have Fun Barfield School of Dance 8 FRIEND LIKE ME DIAMOND -
Aretha Franklin Discography Torrent Download Aretha Franklin Discography Torrent Download
aretha franklin discography torrent download Aretha franklin discography torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d32277da864db8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Aretha franklin discography torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d322789d5f4e08 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection
Search artists, albums and more... ' Explore + Marketplace + Community + * ) + Dashboard Collection Wantlist Lists Submissions Drafts Export Settings Search Collection ' Random Item Manage Folders Manage Custom Fields Change Currency Export My Collection Collection Value:* Min $3,698.90 Med $9,882.74 Max $29,014.80 Sort Artist A-Z Folder Keepers (500) Show 250 $ % & " Remove Selected Keepers (500) ! Move Selected Artist #, Title, Label, Year, Format Min Median Max Added Rating Notes Johnny Cash - American Recordings $43.37 $61.24 $105.63 over 5 years ago ((((( #366 on R.S. top 500 List LP, Album Near Mint (NM or M-) US 1st Release American Recordings, American Recordings 9-45520-1, 1-45520 Near Mint (NM or M-) Shrink 1994 US Johnny Cash - At Folsom Prison $4.50 $29.97 $175.84 over 5 years ago ((((( #88 on R.S. top 500 List LP, Album Very Good Plus (VG+) US 1st Release Columbia CS 9639 Very Good Plus (VG+) 1968 US Johnny Cash - With His Hot And Blue Guitar $34.99 $139.97 $221.60 about 1 year ago ((((( US 1st LP, Album, Mic Very Good Plus (VG+) top & spine clear taped Sun (9), Sun (9), Sun (9) 1220, LP-1220, LP 1220 Very Good (VG) 1957 US Joni Mitchell - Blue $4.00 $36.50 $129.95 over 6 years ago ((((( #30 on R.S. top 500 List LP, Album, Pit Near Mint (NM or M-) US 1st Release Reprise Records MS 2038 Very Good Plus (VG+) 1971 US Joni Mitchell - Clouds $4.03 $15.49 $106.30 over 2 years ago ((((( US 1st LP, Album, Ter Near Mint (NM or M-) Reprise Records RS 6341 Very Good Plus (VG+) 1969 US Joni Mitchell - Court And Spark $1.99 $5.98 $19.99 -
2)GEORGE PORTER Jr Di Massimo Luna.Pdf
Introduzione: Ci troviamo a 1Vew Orleans tra gli anni 60' e 70'. Un periodo particolarmente fertile e creativo, che favorì la nascita della musica R & B e Funk. E' la New Orleans delle band che nascono dalla strada, dei musicisti che imparano a suonare da qualcuno che sa suonare meglio di loro, conle una sorta di tradizione orale, di insegnamento non scritto e del tutto legato all'esperienza diretta. La sera si va nei locali, si suona, si fanno Jam Sessions, è cosi che nascono le nuove formazioni, i nuovi gruppi. Questa è la realtà in cui vive George Porter Jr.. Lui stesso in un' intervista racconta quanto sia stato importante, anche a livello umano, crescere in quell'ambiente. Tra le esperienze più sigriificative per George c'è sicuramente quella con "the Meters", definil:i una delle più grandi band rock-fusion degli anni 701,con all'attivo 11 dischi in 15 anni circa di attività. Loro sono stati la prima jam band della storia, come dichiara lo stesso George. Andavano sul palco e suonavano partendo da qualcosa di stabilito, per poi virare verso il riff o il carribio che qualche membro del gruppo aveva proposto sul momento.. .un perfetto esempio di interplay! I loro brani presentavano spesso delle parti "open", con dei pedali e con qualche solo di organo. Ai nostri giorni è usuale che rapper ed esponenti della musica hip hop, usino alcuni loro brani come basi per rappare sopra, vista la forte spinta ritmica da cui sono caratterizzati. Biografia: George Porter Jr. nasce nel 1947 a New Orleans Louisiana. -
10CC Dreadlock Holiday 98 Degrees Because of You Aaron Neville Don
10CC My Love My Life Dreadlock Holiday One Of Us Our Last Summer 98 Degrees Rock Me Because Of You S.O.S. Slipping Through My Fingers Aaron Neville Super Trouper Don't Know Much (Duet Linda Ronstad) Take A Chance On Me For The Goodtimes Thank You For The Music The Grand Tour That's Me The Name Of The Game Aaron Tippin The Visitors Ain't Nothin' Wrong With The Radio The Winner Takes It All Kiss This Tiger Two For The Price Of One Abba Under Attack Andante, Andante Voulez Vous Angel Eyes Waterloo Another Town, Another Train When All Is Said And Done Bang A Boomerang When I Kissed The Teacher Chiquitita Why Did It Have To Be Me Dance (While The Music Still Goes On) Dancing Queen Abc Does Your Mother Know Poison Arrow Dum Dum Diddle The Look Of Love Fernando Gimme! Gimme! Gimme! (A Man After Midnight) Ac Dc Happy New Year For Those About To Rock Hasta Manana Have A Drink On Me He Is Your Brother Highway To Hell Hey Hey Helen Who Made Who Honey Honey Whole Lotta Rosie I Do, I Do, I Do You Shook Me All Night Long I Have A Dream I Let The Music Speak Ace Of Base I Wonder All That She Wants If It Wasn't For The Nights Beautiful Life I'm A Marionette Cruel Summer I've Been Waiting For You Don't Turn Around Kisses Of Fire Life Is A Flower Knowing Me Knowing You Lucky Love Lay All Your Love On Me The Sign Lovers(Live A Little Longer) Wheel Of Fortune Mamma Mia Money Money Money Ad Libs The Engelstalige Karaoke Holding de Riddim Entertainment Pagina 1 Boy From New York City Theme From Moonlighting Adele Al Jolson Don't You Remember Avalon I Set Fire -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Investing in Stereotypes: Comic Second-Sight in Twentieth-Century African American Literature
Investing in Stereotypes: Comic Second-Sight in Twentieth-Century African American Literature Irvin Hunt Submitted in partial fulfillment for the Requirements of the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Irvin J. Hunt All rights reserved Abstract Investing in Stereotypes: Comic Second-Sight in Twentieth Century African American Literature Irvin Hunt “Investing in Stereotypes” unearths a tradition of humor that may initially sound counter-intuitive: it sees stereotypes as valuable. Zora Neale Hurston, Ralph Ellison, Charles Wright, and Suzan- Lori Parks reveal the way racial and sexual stereotypes paradoxically complicate their subjects in the very attempt to simplify them. The compulsive repetition of stereotypes and the contradictory meanings that stereotypes embody create absurdly comical effects that are, in the hands of these writers, surprisingly humanizing. To unveil the tensions in, say, Sambo, the happy plantation slave who is at once harmless and savage, completely known and enigmatic, is to invest in the stereotype’s comic implication that the subjects it hopes to fix are endlessly changing and exhaustingly complex—that those subjects are, in fact, human. Departing from the most common techniques used to resist stereotypes (inversion, exaggeration, and modification), investment, as I theorize it, is a comic form of engagement that enacts Du Bois’s concept of second-sight: the ability to perceive the blind-spots of another’s cultural perspective from the vantage point of one’s own. I begin the dissertation with Hurston because the sort of second-sight her characters practice is the precondition for Ellison’s democratic America, Wright’s empathic witnessing, and Parks’s sovereign communities. -
New Orleans Funkin Tyylillisiä Piirteitä Joseph ”Zigaboo” Modelisten Soitossa
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by National Library of Finland DSpace Services NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Pop/jazzmusiikin koulutusohjelma Opinnäytetyö 20.4.2006 Opiskelijan etunimi sukunimi Kulttuuri- ja palveluala Koulutusohjelma Suuntautumisvaihtoehto Pop/jazzmusiikin koulutusohjelma Pop/jazz –musiikkipedagogi Tekijä Kokkinen Raine Työn nimi NEW ORLEANS FUNKIN TYYLILLISIÄ PIIRTEITÄ JOSEPH ”ZIGABOO” MODELISTEN SOITOSSA Työn laji Aika Sivumäärä Opinnäytetyö Sivumäärä + liitteet TIIVISTELMÄ Tässä opinnäytetyössä tutkimuskohteeksi muodostui The Meters -yhtyeen rumpalin Joseph ”Zigaboo” Modelisten soittotyyli. Tutkimuksen tavoitteena oli analysoida Zigaboon soittotyyliä seuraavista näkökulmista: fraseeraus, synkopointi, claven vaikutus Zigaboon kompeissa ja virvelirummun käyttö. Olen kirjoittanut 8 kpl transkriptioita sellaisista Zigaboon soittamista kompeista, joista tulee selvästi esille New Orleans funkin tyylillisiä piirteitä ja jotka tukevat tutkimukseni tavoitteita. Kappaleiden valintaperusteena oli myös se, että kyseisiä kappaleita ja komppeja on mielestäni erityisen mukavaa soittaa. Ääninäytteet analysoitavista kompeista ovat työn mukana olevalla liiteäänitteellä (salainen). Kerron tutkimuksessani lyhyesti New Orleans funkin historiasta ja siitä, miten eri kulttuurien ja sitä kautta eri musiikkikulttuurien yhteensulautuminen on vaikuttanut New Orleansin rikkaan musiikkikulttuurin muodostumiseen. The Meters -yhtyeen historiasta -
And Five Others. KRAFTWERK. Ralf Hatter and Florian Modeliste
stale bread. Even heating it up as they do accompaniment. Did Worlds Collide?; Me- Roulette; Mountain of Sound; Crystals; The makes it no more than stale toast. J.V. chanics; When Love Has Overgrown; As Bells of Home; Dance Music; Pineapple Hours Go By; Bootleg: and fiveothers. Symphony. VERTIGO VEL-2006 $6.98, ® GRATEFUL DEAD: Blues for Allah. Grateful A&M SP 4535 $6.98. VC8-2006 $7.95, © VCR4-2006 $7.95. Dead (vocals and instrumentals). Help on the WaylSlipknot; Franklin's Tower; King Solo - Performance: Blah bl a h Performance Pointless man's Marbles; Stronger Than Dirt or Mak- Recording: Good Recording: Very good in' the Turkey; The Music Never Stopped; Oh, somebody out there must like it. Appar- Kraftwerk is a cargo of electronic gear, two or Crazy Fingers; and four others. GRATEFUL. ently there will always be a market for two three quaint old "musical instruments" left DEAD GD-LA494-G $6.98, GD-EA494- young men with large eyes and a suitable over from the twentieth century, and two H $7.98, GD-CA494-H $7.98. amount of hair who sing harmony and write German persons, Ralf Hiitter and Florian Performance: Formal songs addressed to universal themes. The ly- Schneider. What happens is that the persons Recording: Very good rics pass as "pop poetry," the performances manipulate knobs and buttons and other con- are breathy, and the studio musicians never trols on the electronic gear and ityields Innovative art seems ugly at first, eminent miss a beat. And someone out there must be sounds vaguely like music.