DOCSLIB.ORG

Student List for : BACHELOR of COMMERCE(Rev.2013) Mar/Apr.-2021

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Student List for : BACHELOR of COMMERCE(Rev.2013) Mar/Apr.-2021 Savitribai Phule Pune University (Formerly University of Pune) Student List for : BACHELOR OF COMMERCE(Rev.2013) Mar/Apr.-2021 College Name: 0187 RAYAT SHIKSHAN SANSTHA'S S.M.JOSHI ARTS, SCIENCE & COMMERCE Branch Name: BACHELOR OF COMMERCE(Rev.2013) SeatNo Student Name Mother PRN 68734 DHAGE ABHISHEK DATTATRAY DEEPALI 1201918417 68735 GAIKWAD DIPALI ASHOK CHATURA 1202018855 68736 HUNDARE YOGESH HARISHCHANDRA SUSHILA 1201918800 68737 KAKADE RUTUJA RAJENDRA RUPALI 1202038655 68738 KAROTIYA KAJAL AJAY JAYSHREE 1202018729 68739 KORPADE DHANASHREE BALU SULBHA 1201719615 68740 NAVSUPE DIVYA ROHIDAS LAXMI 1202038495 68741 RANGADAL SUNAYANA AMUL SANGITA 1202018735 68742 RAUT SAGAR MOHAN RAJSHREE 1202039027 68743 RAUTRAO VAISHNAVI BALAJI MEENA 1202018557 68744 SHEWALE ANKITA SUDAM MANISHA 1202018575 68745 SHILIMAKAR ADITI DNYANESHWAR NIRMALA 1202018815 68746 YADAV AKANSHA RAJU SHAMILA 1202018817 68747 BARKADE ROHINI SOMESHWAR RENUKA 1202018748 68748 BHANDARI KOMAL BALASO SHOBHA 1201719396 68749 CHAVAN ABHIJEET ANIL VAISHALI 1202018714 68750 DHAINJE SNEHAL BHIMRAO PAPITA 1202018812 68751 DHOTRE SANJANA ASHOK VAISHALI 1202018427 68752 FULARI PRAVIN AMBADAS CHANDRAKALA 1202038661 68753 GAIKWAD RAGINI RAVINDRA SHEELA 1201918389 68754 KALE SANDIP SAMPAT SAVITA 1202018857 68755 KOKATE PANDHARI ARJUNRAO RENUKA 1201819033 68756 KULKARNI SWAMINI AJIT DEEPA 1201937428 68757 NAIKNAWARE DAYANAND DINKAR PRABHAVATI 1202018833 68758 PATIL ANKITA TANAJI SAVITA 1202018825 Page 1 of 15 SeatNo Student Name Mother PRN 68759 PAWAR SAKSHI SANTOSH VAISHALI 1202018816 68760 SASTE SACHIN BAJIRAO RANI 1202018835 68761 SHEDAGE SANJAY BALU SUPRIYA 1201819284 68762 SHINDE SUPRIYA SATISH SUREKHA 1202018790 68763 TAWHARE AKSHAY KANHU VAISHALI 1201918791 68764 ZENDE NIKHIL RAOSAHEB RATAN 1201719371 68765 ABNAVE ROHIT RAJU KAVITA 1202018633 68766 ADAGALE SHUBHAM BAPU HIRA 1201819361 68767 ADMANE AJAY DHARMRAJ MEENABAI 1202018620 68768 ADMANE NEHA LAXMAN VAISHALI 1202018704 68769 AKHADE ASAVARI ANIL MANISHA 1202018668 68770 ALHAT RUTUJA ASHOK VIJAYA 1202018477 68771 AMBEKAR SUJIT TUKARAM NANDA 1202018840 68772 AMPALKAR PRASHANT DATTATRAYA VANDANA 1202018831 68773 AUTADE SANDESH BALASAHEB BAYADABAI 1202018784 68774 AVCHITE RITU KAILAS SHAILA 1202018601 68775 AWALE GAURAV KISHOR ARCHANA 1202018431 68776 AYARE PRAVIN PANDURANG SARITA 1202018461 68777 BADHE KOMAL NATHU SAVITA 1201918789 68778 BALLAL SWARTIKI BALASAHEB SATYABHAMA 1202018559 68779 BALOTIYA SONU RAMSWARUP SEETA 1202038299 68780 BANSODE DNYANESHWAR MACHINDRA VIMAL 1202018475 68781 BARDE SAURABHA SANTOSH THAKUBAI 1202018453 68782 BARGE BHAVANA BALASAHEB SWATI 1202018572 68783 BARKADE RAHUL JAGANNATH TARABAI 1202018783 68784 BASATE SNEHAL SOMNATH JANABAI 1202018546 68785 BHADALE PRIYANKA BALASAHEB JYOTI 1202018750 68786 BHADALE RUTUJA MANOHAR KAVITA 1201918623 68787 BHAGYAWANT KANCHAN PRATAPRAO SWATI 1202018544 68788 BHALE SUCHITRARANI PRADEEP SUNITA 1201819252 68789 BHANDALKAR AKSHADA RAJU ANITA 1202018828 68790 BHANDARE ARTI RAMESHWAR KAMAL 1202018734 68791 BHANDARE KANCHAN SANJAY NANDA 1202018731 68792 BHANDARI SAHIL SHARNAPPA MANISHA 1202018724 Page 2 of 15 SeatNo Student Name Mother PRN 68793 BHANDARI AKANSHA DNYANESHWAR VIDYA 1202018810 68794 BHANDARI MADHUBALA HANUMANTA NIRMALA 1202018594 68795 BHAPKAR ISHWAR SURESH RUKHMINI 1202018800 68796 BHARATA SHIVA TUKARAM SAVITRA 1201918585 68797 BHISE PRATIK NANDKUMAR ALKA 1201819154 68799 BHOSALE BHAGYASHRI BHIMRAO REKHA 1202018775 68800 BHOSALE SWAPNALEE GAUTAM VIMAL 1202018411 68801 BHOVAD ROHINI RAMESH NANDA 1202018711 68802 BHOYE SAGAR HIRAMAN BEBIBAI 1202018541 68803 BHUMKAR AJINKYA GOVIND RADHA 1201719635 68804 BHUSARE SONALI SUDAM ANJU 1202018811 68805 BINAWADE BHARATI TATYSAHEB SUNITA 1202018455 68806 BIRAJDAR PRASHANT BALASAHEB SUNITA 1202018702 68807 BODKE BHARATI ANNA VAISHALI 1202018520 68808 BODKE KAJAL KAILAS JAYSHRI 1202018603 68809 BOKADE SUPRIYA RAJENDRA RADHIKA 1201937426 68810 BONWALE VAIBHAV RAJENDRA USHA 1202018467 68811 BORKAR HARSHAD NARAYAN REKHA 1202018673 68812 BORKAR HARSHADA PRAVIN KAVITA 1202018535 68813 BORKAR SWARAJ RAMCHANDRA MEENA 1202018655 68814 BOTE RUTUJA SHIVAJI MANISHA 1202018483 68815 BUDHAVANT LAXMAN YUVRAJ RADHA 1202018634 68816 BUDHVANT VAIBHAV UDHAV KAMAL 1202018560 68817 BUDHWANT HRITIKA JAGDISH SANGITA 1202018796 68818 CHAKKE OMKAR VIKAS BHARTI 1201918557 68819 CHALWADI PRIYANKA HANUMANT MUKTA 1202018699 68820 CHANDGUDE SANJIVANI DATTATRAY SANGITA 1202018712 68821 CHAUDHARI AVINASH VIJAY SUJATA 1202018791 68822 CHAUDHARI HIMANSHRI KASHINATH ARCHANA 1202018513 68823 CHAUDHARI PRANALI GANESH REKHA 1202018573 68824 CHAVAN RUCHA HANUMANT SUSHMA 1202018635 68825 CHAVAN MAYURI ANANDA REKHA 1202018408 68826 CHAVAN NATASHA HANUMANT SANGEETA 1202018646 68827 CHAVAN SHUBHAM SUBHASH USHA 1202018797 Page 3 of 15 SeatNo Student Name Mother PRN 68828 CHOPADE SNEHAL RAJENDRA SUNITA 1202018464 68829 CHORAGHE SHWETA SHIVAJI SUNITA 1202018517 68830 CHOUDHARI KSHITIJA SOMNATH ROHINI 1202018680 68831 DADGE POOJA SHIVAJI USHABAI 1202018425 68832 DANGE YOGITA AJAY JANABAI 1202018647 68833 DAUNDKAR GaURAV DATTATRAY ANITA 1202018761 68834 DESHMUKH SWAPNIL RAOSAHEB MANGAL 1202018720 68835 DEVKAR SWAPANALI DATTATRAY SANGITA 1202018818 68836 DEVKULE SHUBHANGI HANUMANT MEERA 1202018656 68837 DHAMANE ANKITA ASHOK ASHA 1201819221 68838 DHARMADHIKARI TEJAS DNYANESHWAR ANUYA 1202018808 68839 DHASADE KIRTI SANTOSH HARSHADA 1202018481 68840 DHAWALE KAJOL RAJENDRA SANGITA 1202018733 68841 DHAWARE NEHA VAIJANATH SANGITA 1202018502 68842 DHUMAL HRISHIKESH ASHOK VAISHALI 1202018725 68843 DHUMAL SRUSHTI LAXMAN VIDYA 1202018515 68844 DONGARE SAGAR KALURAM SHOBHA 1202018588 68845 FOFALE MADHAVI SIDHESHWAR RUPALI 1202018727 68846 FURDE DATTA LAXMAN VANITA 1202018786 68847 GADDE SUREKHA BABURAO LALITA 1202018708 68848 GADEKAR HARSHADA DEEPAK KAVITA 1202018687 68849 GAIKWAD AISHWARYA CHIMA UJWALA 1202018850 68850 GAIKWAD ARTI ANIL NANDA 1202018685 68851 GAIKWAD MANALI DEEPAK SHUBHANGI 1202018526 68852 GAIKWAD NIKETAN GAUTAM NANDA 1202018853 68853 GAIKWAD PAWAN SANTOSH RANJANA 1202018843 68854 GAIKWAD POOJA LAXMAN JYOTI 1202018778 68855 GAIKWAD RUPALI BHIMRAO BHARATBAI 1202018522 68856 GAIKWAD SAKSHI ANAND SANGITA 1202018640 68857 GAIKWAD SANDESH VIKAS KAVITA 1201918714 68858 GAIKWAD SANDIP RAMESH LATA 1201918543 68859 GAIKWAD SHILPA SHESERAO REKHABAI 1202018497 68860 GAIKWAD TEJAS MOHAN VAISHALI 1202018700 68861 GARKAL ARTI AMBADAS SHOBHA 1202018612 Page 4 of 15 SeatNo Student Name Mother PRN 68862 GAROLE VAISHNAVI BALAJI SUNITA 1202018637 68863 GARUD PRAJAKTA SHANTARAM SUNITA 1202018597 68864 GARUDKAR VIJAYKUMAR SANJAY KAVITA 1202018776 68865 GATE JYOTI BALIRAM SARASWATI 1202018508 68866 GAVHALE KOMAL GAUTAM SAVITA 1202018421 68867 GAVIT RAHUL VITTHAL MAINABAI 1202018736 68868 GAWALI VISHAL POPAT SANGITA 1201918435 68869 GAWATE VAISHNAVI DILIP SUNITA 1202018723 68870 GHAG MEGHANA SUNIL PRANJALI 1202018692 68871 GHATE RUTUJA SANJAY SARIKA 1202018470 68872 GHATULE PRIYANKA BHAGWAT ARUNA 1202018600 68873 GHODKE MAHESH DHANANJAY SATYABHAMA 1201937749 68874 GHORPADE AKASH ANIL VANDANA 1201918545 68875 GHULE NIRANJAN BAJIRAO PRATIBHA 1201918594 68876 GHULE SUMEDHA SHANTARAM SUREKHA 1202018777 68877 GIRI SARASWATI ANANT MAHANANDA 1202018742 68878 GIRI SHIVSHANKAR SANJAY SARIKA 1202018562 68879 GIRI VIVEK BANSI SEEMA 1202018592 68880 GODBOLE VAISHNAVI VIJAYKUMAR CHANDANI 1202018565 68881 GODSE SHWETA AJAY MADHAVI 1202018774 68882 GONJARE SHRADDHA SACHIN MEERA 1202018826 68883 GORAD PRATIKASHA SUDAM ASHWINI 1202018433 68884 GOSAVI ACHAL PRAKASH PRATIKSHA 1202018732 68885 GOTMUKALE RAJANIGANDHA BHANUDAS MINAKSHI 1202018770 68886 GOVINDWAD PRATIKSHA BALAJI LAXMI 1202018606 68887 GUNDAL DIVYASHREE SUDHAKAR ASHALATA 1202018545 68888 GUPTA SAKSHAM RAJKUMAR SUNITA 1202018696 68889 HARAL SONAL PANDIT JAYASHRI 1202018539 68890 HARALE KRISHNAKANT KHANDU SUNITA 1202018542 68891 HARANE SHILADEVI SANJAY VISHALI 1202018549 68892 HARPALE SAKSHI ANIL KAVITA 1202018496 68893 HINGANE KETAKI PRAVIN JAYASHREE 1202018593 68894 HINGANE OMKAR DNYANESHWAR SUREKHA 1202018728 68895 HOLE PRATIKSHA SATYAWAN MANGAL 1201819195 Page 5 of 15 SeatNo Student Name Mother PRN 68896 HOLKAR KARISHMA ABASAHEB VANDANA 1202018585 68897 HONKALAS BHAIYYA POPAT SUVARNA 1202018782 68898 HULGE SANDIP PANDIT MAHANANDA 1202018501 68899 HUSPETLA RUBY JOHNSON ASTER 1202018806 68900 INAMDAR HEENA HASAN YASMIN 1202018757 68901 INGALE DIKSHA BABURAO LATA 1202018443 68902 INGALE VISHAL SUNIL SUNANDA 1202018552 68903 IRKULLA NIHAL SUDARSHAN SHANTA 1202018738 68904 ISHWARGUND BHAGYASHREE HANUMANT BHIMABAI 1202018617 68905 JADHAV TEJAS SANTOSH GITA 1202018765 68906 JADHAV AARTI NANDKUMAR MADHAVI 1202018507 68907 JADHAV AISHWARYA VITTHAL RAJASHRI 1202018611 68908 JADHAV BHAGYSHREE JAGANNATH ALKA 1202018551 68909 JADHAV BHAIRAV VIJAY KAMAL 1202018823 68910 JADHAV MEGHANA SATISH ARCHANA 1202018493 68911 JADHAV MINAKSHEE MANIK BHAGYASHREE 1202018444 68912 JADHAV PRATHMESH SHARAD GAURI 1202018764 68913 JADHAV SHWETA SANJAY SHAILA 1202018532 68914 JADHAVER RAJESHRI MOHAN SEEMA 1202018435 68915 JAGTAP PRATIKSHA BABASAHEB SAVITA 1202018536 68916 JAGTAP RUTUJA MAHENDRA SEEMA 1202018638 68917 JAGTAP SAYLI LAXMAN RAJSHREE 1202018438 68918 JAGTAP SEJAL BALASAHEB SANGITA 1202018681 68919 JAKATE SANKET MARUTI SAVITA 1202038247 68920 JAMADAR SEEMA HANUMANT VIMAL 1202018773 68921 JAMADAR BILKIS MEHEBUB GULSHANBI 1201818974 68922 JAMADAR UMESH DATTU KAVITA 1202018701 68923 JAMDADE DHANSHRI BHANUDAS MANISHA 1202018657 68924 JAVALKAR MINAL JALINDAR JAYSHRI 1202018654 68925 JAYBHAY AADESH VITTHAL SHAILA 1201937427 68926 JAYBHAY AVINASH
Load more

Recommended publications
  • Kendriya Vidyalaya Narangi Panel for Contractual
    KENDRIYA VIDYALAYA NARANGI PANEL FOR CONTRACTUAL TEACHERS FOR THE SESSION 2021-22 Post : PRT Sl No Name 1 Laxmi Pandit 2 Subidya Sarmah 3 Nongmaithem Roshni devi 4 REKHA SINGH KUSHWAHA 5 Rezina Begum 6 Mampi Ball 7 Anjali Kumari Singh 8 Debjanee Zaman 9 Punyawati devi 10 Nisha Kumari Dubey 11 Liyaquat ali 12 Sujata Rai 13 ATMIKA CHAUBEY 14 Rekha rani Mandal 15 Dolima Singha 16 Vivek Bharadwaj 17 Prabhati kalita 18 Manish Tripura 19 Junu Devi 20 Sharmila sinha 21 Sikha gogoi borah 22 LEENA SARANIA 23 ANUPAMA KACHARI 24 JULIET DAS Post : PRT Music Sl No Name 1 Nabanita Hazarika 2 Puja Saha 3 Hiramoni Deka 4 Mriganka Kashyap 5 SHUBHASHISH BHATTACHARJEE Post : PRT Dance Sl No Name 1 Sikharani Kalita Mahanta Post : PRT Art and Craft Sl No Name 1 Bhrigu Kumar Kalita 2 Seema Nath 3 Dhrubajit Sarma 4 Kartik Lahkar Post : Sports Coach (Football) Sl No Name 1 VISHAL MARPHEW 2 Rohit saikia Post : Sports Coack(Taekwondo) Sl No Name 1 Sujay shnakar roy 2 Ajay Basfore Post : Yoga Coach Sl No Name 1 Juri konwar 2 Manashi Kalita 3 Sarita Devi 4 Mritunjay Rajak 5 Prasenjit Dey 6 Kumita Rajbongshi 7 BIJIT CHAKROBORTY Post : Computer Instructor Sl No Name 1 Bhaskar Jyoti Hazarika 2 Chandamita Talukdar 3 Surankana Sharma 4 KANIKA TALUKDAR Post : Counselor Sl No Name 1 Pooja Bhatta 2 CIMCIMA HAZARIKA 3 ANURADHA MAHAPATRA 4 Nabanita Hazarika 5 Sharmilli Saha 6 Mausam Duari 7 Vidyapati Kumari Post : Nurse Sl No Name 1 Jagriti Baruah 2 Minu Malakar Post : TGT Assamese Sl No Name 1 DHIRAJ SARMA 2 Mamu Kataki 3 Nayantara Bhuyan 4 RIJU MANI DEKA 5 Doly Mazumder
    [Show full text]
  • Clare M. Wilkinson-Weber
    Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
    [Show full text]
  • Professor and HOD)
    VYDEHI INSTITUTE OF MEDICAL SCIENCES AND RESEARCH CENTRE, BANGALORE DEPARTMENT OF OPHTHALMOLOGY 1. Dr I Vittal Nayak (Professor and HOD) TALKS SL .NO TOPIC PLACE AND YEAR Ocular Emergencies: Talk on CRAO MVJ Medical College and Research Hospital. 2019 1. 2. Viscosurgical devices – Postgraduate refresher Karnataka Ophthalmic Society, course Mysore Medical College Mysore, November, 2018 POSTERS AND PAPERS {From 2018} SL.NO TOPIC AUTHORS CONFERENCE AND YEAR A Study of Fundus changes in patients with Dr.Vittal Nayak I, Dr.Singri KOSCON, Belagavi 2019 1. pregnancy induced hypertension and correlation Niharika Prasad with hormone levels{PAPER} 2. A Case of Chorioretinal Coloboma with foveal Dr.Vittal Nayak I, Dr.Sampoorna KOSCON, Belagavi 2019 involvement(Left Eye) {POSTER} H Rao 3. Importance of IPD In Refractive Practice Dr.Vittal Nayak I, Dr.Zeba S KOSCON Mangalore Ahmed 2018 4. A case of Chloroquine induced Dr.Vittal Nayak I, Dr.Krithika N CME on Maculopathy{POSTER} Pharmacovigilance VIMS&RC 2019 5. Atypical differentiation of pterygium with hairfollicle Dr. Vittal Nayak I , Dr. Rohit KOSCON at the head of pterygium Kumar Gupta 2018 ,Mangalore PUBLICATION SL.NO TOPIC AUTHORS PUBLISHED YEAR 1 Dr Rekha K.R., To assess serum homocysteine levels in Ongoing study 2021 Dr Vittal I Nayak diabetic retinopathy (NIDDM) VIMS and RC ethical committee approved 1 Dr. A F A comparision of external and endonasal International Journal of June 2020 Tasneem, Dr DCR versus external DCR with silicon tube ocular oncology and Vittal I Nayak, intubation in patients with NLD obstruction. oculoplasty Dr Nagalakshmi N, Dr Harsha Vol 6, issue 2, pg 109- Pandiyan, Dr Singri Niharika 113 p-issn 2581-5024 Prasad e-issn 2581-5016 2 Dr.
    [Show full text]
  • Women Achievers 2011
    Women Achievers i TABLE OF CONTENTS Introduction iii Message v Foreword vi NEELAM DHAWAN 1 PRIYA CHETTY RAJAGOPAL 2 SUCHITRA K ELLA 4 SUDHA IYER 5 ANURADHA SRIRAM 6 AKILA KRISHNAKUMAR 8 KIRAN MAZUMDAR SHAW 9 DEEPTI REDDY 10 REKHA M MENON 11 REVATHI KASTURI 13 SANDHYA VASUDEVAN 15 Dr VILLOO MORAWALA PATEL 16 AMUKTA MAHAPATRA 18 Dr REKHA SHETTY 19 YESHASVINI RAMASWAMY 21 BEENA KANNAN 23 BINDU ANANTH 24 PARVEEN HAFEEZ 25 MALLIKA SRINIVASAN 26 SUSHMA SRIKANDTH 27 SHEELA KOCHOUSEPH 29 HASTHA KRISHNAN 30 HEMALATHA RAJAN 31 HEMA RAVICHANDAR 32 KAMI NARAYAN 34 UMA RATNAM KRISHNAN 35 SHALINI KAPOOR 37 PREETHA REDDY 38 ii Women Achievers Dr. THARA SRINIVASAN 40 AKHILA SRINIVASAN 42 RAJANI SESHADRI 43 SHOMA BAKRE 44 SANGITA JOSHI 45 GAYATHRI SRIRAM 46 JAYSHREE VENKATRAMAN 48 GEETANJALI KIRLOSKAR 49 KALPANA MARGABHANDU 50 SHARADA SRIRAM 51 SAMANTHA REDDY 53 SHOBHANA KAMINENI 54 VINITA BALI 56 RAJSHREE PATHY . 58 GEETHA VISWANATHAN 59 VALLI SUBBIAH 60 RANJINI MANIAN 62 VANITA MOHAN 63 TILISA GUPTA KAUL 64 SHARAN APPARAO 65 SUNEETA REDDY 66 VANAJA ARVIND 67 Dr. KAMALA SELVARAJ 69 SAKUNTALA RAO 70 NEETA REVANKER 71 MAURA CHARI 73 HAMSANANDHI SESHAN 75 MAHIMA DATLA 77 Dr. NIRMALA LAKSHMAN 78 NANDINI RANGASWAMY 79 PRITHA RATNAM 81 Dr. THARA THYAGARAJAN 82 REVATHY ASHOK 83 SANGITA REDDY 85 GEEHTA PANDA 87 Women Achievers iii INTRODUCTION In the last two decades Indian women have entered work force in large numbers and many of them hold senior positions now Gone are the days when we hardly saw women in lead- ership positions in organizations Some of India’s
    [Show full text]
  • Rekha Rodwittiya
    REKHA RODWITTIYA The Rituals of Memory: Personal Folklores & Other Tales REKHA RODWITTIYA / The Rituals of Memory: Personal Folklores & Other Tales February 4–27, 2016 2 Title TK, Info TK Cover: Rekha @ 50 (Blue), 2008, Acrylic and oil on canvas, 84 x 60 in. 3 4 Rekha Rodwittiya, (Installation View), 2016, Aicon Gallery, New York 5 The Rituals of Memory: Personal Folklores & Other Tales Sequencing time: A monologue of a personal history pieced together in reverie Left: Don’t Rock the Boat, 1985, Watercolor and gouache on paper, 15 x 11 in.; Center: The Cloaked Night, 1985, Ink and gouache on paper, 15 x 11 in.; Right: The Acrobat, 1985, Ink, colored pencil, gouache and graphite pencil on paper, 30 x 22 in. Rekha Rodwittiya Baroda 2016 I hold a universe in my hands. EARLY YEARS AS A CHILD My upbringing has been non-conformist ENTERING ART COLLEGE IN 1976 LeARNING AT THE FACULTY OF FINE The privilege of receiving an education and without a singular ethnic community In tracing my evolution as an artist, I ARTS, M.S. UNIVERSITY OF BARODA The maps of these memories in a country where the disempowered being an influencing factor. My parents have always maintained that what has The preparatory foundation course filter journeys that bring to light struggle for basic survival impacted came from backgrounds where western been seminal in shaping my articulation was mandatory and was aimed at new discoveries to behold, itself on me from a very young age as classical music and literature were was the years of study undertaken at providing a holistic overview of art in that lead me closer to the well being something never to be taken studied, and so we grew in the shadow the time I was an art student.
    [Show full text]
  • Download Download
    Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship.
    [Show full text]
  • Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Kathleen M
    Journal of Religion & Film Volume 17 Article 1 Issue 2 October 2013 10-2-2013 Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Kathleen M. Erndl Florida State University, [email protected] Recommended Citation Erndl, Kathleen M. (2013) "Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film," Journal of Religion & Film: Vol. 17 : Iss. 2 , Article 1. Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/1 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Woman Becomes Goddess in Bollywood: Justice, Violence, and the Feminine in Popular Hindi Film Abstract What happens “when a woman becomes Chandika?” This essay contributes to an on-going discussion of the theme of “avenging women” in popular Indian cinema, with particular focus on the transformation of a woman into a fierce Goddess who avenges oppression and re-establishes justice. Analysis of the story line and selected song sequences from the Hindi language film Anjaam (“Outcome,” 1994) in light of themes from the Hindu Sanskrit text, the Devi-Mahatmya (“Greatness of the Goddess,” 5thc. C.E.) shows how traditional religious images and values are adapted and transformed in a modern context. Keywords Goddess, Bollywood, Indian cinema, Devi-Mahatmya, Hinduism, Madhuri Dixit, Shahrukh Khan Author Notes Kathleen M. Erndl is Associate Professor of Religion at the Florida State University, where she teaches in the field of South Asian religions.
    [Show full text]
  • Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
    University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema.
    [Show full text]
  • Viewers Con­ Stantly That She Is One of Them, the Girl {H: Droming the Superstar Next Door
    SUNDAY SPECIAL about madhur The making of a phenomenon en years ago, they would never have dared to make their feelings public. Today, however, Farooq Abdullah, T.N. Seshan, Orissa’s poet laureate Sitakanta Mohapatra and, of course, M.F. Husain can get away with publicly declaring their adoration of her. After all, what’s so special about these people? Everyone is in love with Madhuri Dixit. She is almost a national obsession, a constant fixture with the media. And her www.rohininilekani.org www.rohininilekani.org SUNDAY SPECIAL perfect everything," says Anna Singh. There was not much to perfect, she adds, because Madhuri is BEHIND THE SCENES such a beautiful woman. "We started the transition with Beta, then we did Dil Tera Aashiq. People began to The people who’ve created the Madhuri magic appreciate her new look. And then Rakesh Nath: ten years with Madhuri SaroJ Khan: "The sky’s the limit" Anna Sin^:di Rikku is all praise for Madhuri. "It is came the best. HAHK broke all ^akesh f\ath very difficult for me to work with records as far as costumes were her. You know why? Because she is concerned." ■ Madhuri’s secretary. Or manager, such a nice person. We all have to be Anna’s strategy with Madhuri is if you prefer. He doesn’t mind what extra careful about her. She doesn’t very clear. The key word is you call him. No one meets Madhuri complain. She doesn’t demand simplicity. "Most of our senior without making an appointment anything." actresses have had a penchant for lots through him.
    [Show full text]
  • Service Bulletin TMA Pai Rotary Hospital CMO 8 Weekly Magazine of Our Rtn Dr
    Contact for All Types of Venkataramana Complex, Note Books Karkala and other Items Ph : 230700 THE WEEKLY BULLETIN OF THE ROTARY CLUB OF KARKALA Issue : 9 RI Dist. 3182 August 26, 2020 Mr. Prakash Rao were present on this occasion. At the Club last week : Rotary Club Karkala under Global Grant CLUB MEETING 8: Classification Talk “On 19-08-2020 Wednesday at 6-30pm Project 2092664 handed over a was held in Google Meet . “The meeting started with friendly chit chat for 15 Refrigerator, Printer, Kitchen Trolley and a minutes. At 6-45 the meeting began after collaring the President. Computer to Government General Hospital “President Rekha called the Meeting to order. Rtn Geetha Kamath rendered the Karkala, totally costing rupees 110900=00. invocation, Rotary President Rtn Rekha Upadhyaya welcomed the gathering International sponsor Rotary Foundation, and explained about the service projects that took place in the previous week Rotary Dist 6540 Rotary Club Crown Point as well as upcoming weeks project . “Members celebrating their Birthday America and local sponsor RID 3182 and Anniversary this week were greeted. “ President congratulated the winner Rotary Club Karkala jointly completed this project. Rotary Club Karkala President Rtn Rekha in zone 5 level Upadhyaya welcomed the gathering. Project coordinator PDG Dr. Bharathesh Adiraj competition held in zoom explained about the Global Grant meet about the corona program and thanked all the jeevanadalli mundenu members who supported to speech the Rtn Prabha complete this project. Rtn Niranjan who won 2nd Suresh Nayak, Rtn Rekha G., place. “Service Bulletin TMA Pai Rotary Hospital CMO 8 weekly magazine of our Rtn Dr.
    [Show full text]
  • Vidya Is the New Item Girl
    | | MONDAY 20 FEBRUARY 2012 HANS TALKIES 11 Vidya is the TOLLYWOOD TALK Samantha is new item girl super busy f Vidya Balan's sari-clad, am honoured," added the 33-year- traditional look is reminis- old actress.Vidya is currently gear- Icent of the evergreen ing up for her next film fter blockbuster hit Rekha, the similarity is meant "Kahaani", directed by Sujoy A‘Dookudu’, the demand for to be! The actress says she has Ghosh. The movie is scheduled south siren Samantha is going to always been inspired by for release on March 9. new heights. She has a host of Rekha, be it her looks, The sensuous performance in movies in her kitty. Her diary her attitude or her body songs `Ooh La La', `Naak Mukka' this year is already chock-a-block of work. At a recent from her last release, 'Dirty Pic- with Telugu, Tamil and Hindi award function in Mumbai, ture', has helped Vidya Balan own movies. Now, the talk doing the two actresses looked her first item-song. Vidya will be rounds in the Tinsel town is that quite similar, and Vidya seen doing a lavani number in the actress may have decided not only feels flaterred with the Sharman Joshi starrer, `Ferrari Ki to sign any new projects. compliment. Sawaari', yet to be released. Ask She is currently doing a Gau- "This is the biggest her if this is the fall-out of `Dirty tham Vasudev Menon’s movie ti- compliment. I am in- Picture', and Vidya says: "May be tled ‘'Neethanae En spired by Rekha.
    [Show full text]
  • Application Number Name Father/Husband Name Mother Name Institute Course Permanent Address 1321001183 Anushyam Rastogi Shyam
    Application Name Father/husband Name Mother Name Institute Course Permanent Address Number Haryana--Ganpati Vileege Bhimgoda Tehsil 1321001183 Anushyam Rastogi Shyam Narayan Rastogi Rekha Rastogi Group Of Institution Polytechnic Diploma Roorkee Haryana--Ganpati Bachelor of Business Village Akodha Khurd 1321001124 Reetu Devi Shyamlal Singh Suneeta Devi Group Of Institution Administration-BBA Tehsil Laksar Haryana--Techno Master of Technology- Purana Madarsa Marg 131000158 Aas Mohd Nasiruddin Anisa Apex Polytechnic M.Tech. Roorkee Haryana--Techno Bachelor of Technology- 131000169 Abdul Kadir Mohd Abbas Kaiser Jhain Apex Polytechnic B.Tech. Vill Iqbalpur Kamelpur Haryana--Techno 131000159 Ajaj Ali Mohd Jumshad Frida Bano Apex Polytechnic Polytechnic Diploma Vill Khelpur Nasullapur Haryana--Techno Rampur Chungi, Opp Grain 131000132 Gulfam Mohd Guljar Abda Apex Polytechnic Polytechnic Diploma Market, Roorkee Haryana--Techno Bachelor of Technology- 131000167 Javed Ali Mubarik Ali Mehruba Khatoon Apex Polytechnic B.Tech. Vill Kishanpur Jamalpur Haryana--Techno 131000165 Jonee K Kumar Loukee Ram Sulendri Apex Polytechnic Polytechnic Diploma Vill Dallawala Kala Haryana--Techno Village Nalhera Anantpur 131000164 Juber Ahamad Musharaf Ali Isarat Apex Polytechnic Polytechnic Diploma Roorki Haryana--Techno Kashipuri Sunehera, 131000131 Km Rakhi Kashyap Tejpal Kashyap Bably Apex Polytechnic Polytechnic Diploma Roorkee Haryana--Techno 131000162 Mohd Adnan Mohd Mohatram Shamsana Bano Apex Polytechnic Polytechnic Diploma Vill Khelpur Nasrullapur Haryana--Techno 131000156 Mohd Musab Mohd Ragib Noorzhan Apex Polytechnic Polytechnic Diploma Vill Bhagwanpur Khelpur Haryana--Techno 131000168 Mohd Rashid Jahagir Alam Julekha Bano Apex Polytechnic Polytechnic Diploma Vill Khelpur Nasrullapur Haryana--Techno Bachelor of Technology- 131000161 Mohd Takee Mohd Rijwan Nusrat Apex Polytechnic B.Tech. Village Khelpur Nasrullapur Haryana--Techno Bachelor of Technology- 131000160 Mohd Ahkam Ali Vahab Alam Sameena Begum Apex Polytechnic B.Tech.
    [Show full text]