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Kendriya Vidyalaya Narangi Panel for Contractual
KENDRIYA VIDYALAYA NARANGI PANEL FOR CONTRACTUAL TEACHERS FOR THE SESSION 2021-22 Post : PRT Sl No Name 1 Laxmi Pandit 2 Subidya Sarmah 3 Nongmaithem Roshni devi 4 REKHA SINGH KUSHWAHA 5 Rezina Begum 6 Mampi Ball 7 Anjali Kumari Singh 8 Debjanee Zaman 9 Punyawati devi 10 Nisha Kumari Dubey 11 Liyaquat ali 12 Sujata Rai 13 ATMIKA CHAUBEY 14 Rekha rani Mandal 15 Dolima Singha 16 Vivek Bharadwaj 17 Prabhati kalita 18 Manish Tripura 19 Junu Devi 20 Sharmila sinha 21 Sikha gogoi borah 22 LEENA SARANIA 23 ANUPAMA KACHARI 24 JULIET DAS Post : PRT Music Sl No Name 1 Nabanita Hazarika 2 Puja Saha 3 Hiramoni Deka 4 Mriganka Kashyap 5 SHUBHASHISH BHATTACHARJEE Post : PRT Dance Sl No Name 1 Sikharani Kalita Mahanta Post : PRT Art and Craft Sl No Name 1 Bhrigu Kumar Kalita 2 Seema Nath 3 Dhrubajit Sarma 4 Kartik Lahkar Post : Sports Coach (Football) Sl No Name 1 VISHAL MARPHEW 2 Rohit saikia Post : Sports Coack(Taekwondo) Sl No Name 1 Sujay shnakar roy 2 Ajay Basfore Post : Yoga Coach Sl No Name 1 Juri konwar 2 Manashi Kalita 3 Sarita Devi 4 Mritunjay Rajak 5 Prasenjit Dey 6 Kumita Rajbongshi 7 BIJIT CHAKROBORTY Post : Computer Instructor Sl No Name 1 Bhaskar Jyoti Hazarika 2 Chandamita Talukdar 3 Surankana Sharma 4 KANIKA TALUKDAR Post : Counselor Sl No Name 1 Pooja Bhatta 2 CIMCIMA HAZARIKA 3 ANURADHA MAHAPATRA 4 Nabanita Hazarika 5 Sharmilli Saha 6 Mausam Duari 7 Vidyapati Kumari Post : Nurse Sl No Name 1 Jagriti Baruah 2 Minu Malakar Post : TGT Assamese Sl No Name 1 DHIRAJ SARMA 2 Mamu Kataki 3 Nayantara Bhuyan 4 RIJU MANI DEKA 5 Doly Mazumder -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Study on Customer's Perception Towards a Digital Marketing
Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 4631-4635 Research Article Study on Customer’s Perception towards a Digital Marketing Company Dr. Sridevi K.B1, Sankara Lingam S2, Robin S, Ishrad Ali A3, Deepthi Shivani P4 1Professor, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 2Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 3Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 4Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 5Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore Article History: Received: 11 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract: Digital marketing is also known as Internet (or) Online advertising, it is a form of marketing and advertising that involves sending promotional marketing messages to customers through the Internet. Email marketing, search engine marketing (SEM), Social media marketing, a variety of display ads (including online banner ads), and smartphone advertising are all part of it. Internet advertising, like other types of advertising, often includes both a publisher and an advertiser. The publisher incorporates ads into its online material, and the advertiser produces the advertisements to be shown on the publisher's content. Advertising agencies who help to create and position ad copy, an ad server that produces the ad and records statistics, and advertising associates that do in-dependent promotional work for the advertising company all are possible participants. And in this study the Perception of the customer is to analyse that how they satisfied about the work of the company that they designed the digital marketing product for an organization or customer for digital advertising purpose and for promotion purpose to market their product or brand to advertise on the market to attract customers. -
Details of Research Scholars - Pursuing
VINAYAKA MISSION’S KIRUPANANDA VARIYAR ENGINEERING COLLEGE, SALEM A Constituent College of Vinayaka Mission’s Research Foundation (Deemed to be University) DETAILS OF RESEARCH SCHOLARS - PURSUING Mode of Ph. D. Registration Name of the S.No. Faculty Department Name of the Candidate (Full Time/Part Number/Referenc Title of the Research Supervisor Time) e Number Performance Dashboard for Computer 1 Science S. Vimaladevi Dr. A. Nagappan Part Time COMAP11B01 Distance Learners Through Cloud Applications Computing Computer 2 Science Sayyada Sara Banu Dr. A. Nagappan Part Time CA17O 01 Yet to be finalized Applications Electronics and Engineering & Communicatio 3 A. Malarvizhi Dr. A. Nagappan Part Time ECE18JUL03 Yet to be finalized Technology n Engineering Removal of Organic Pollutants in 4 Science Chemistry Mr.I.Ameet Basha Dr.T.Shanthi Part Time CHEM 16 A01 Waste Water with Green Adsorbents July 2011– BIO 11 Evaluation of Preventive Effect of B05 / Morin on Ultraviolet-B Induced 5 Science Biochemistry Mrs.C.Anjugam Dr. M. Sridevi Part Time Biochemistry Photocarcinogenesis in Swiss Albino Department Mice Biosynthesis & Characterization of Silver Nanoparticles by Endophytic Engineering & 6 Biotechnology Mrs.C.Nirmala Dr. M. Sridevi Part Time BIOTECH17-O 01 Microorganisms Isolated from Technology medicinal plants and its anticancer activity Isolation and characterization of active principle(s) from a medicinal 7 Science Biochemistry Mr. K.Velumani Dr. M. Sridevi Part Time BIOCHEM 17 O 01 plant and its effects on stz-induced diabetic rats CHEM15A01 Assessment of Heavy Metal 8 Science Chemistry K. Ramesh Kumar Dr. V. Anbazhagan Part Time VMU/PH.D/409/2 Concentration and their Effect in Soil 014 CHEM17B01 Synthesis, Characterization and 9 Science Chemistry K.K. -
Professor and HOD)
VYDEHI INSTITUTE OF MEDICAL SCIENCES AND RESEARCH CENTRE, BANGALORE DEPARTMENT OF OPHTHALMOLOGY 1. Dr I Vittal Nayak (Professor and HOD) TALKS SL .NO TOPIC PLACE AND YEAR Ocular Emergencies: Talk on CRAO MVJ Medical College and Research Hospital. 2019 1. 2. Viscosurgical devices – Postgraduate refresher Karnataka Ophthalmic Society, course Mysore Medical College Mysore, November, 2018 POSTERS AND PAPERS {From 2018} SL.NO TOPIC AUTHORS CONFERENCE AND YEAR A Study of Fundus changes in patients with Dr.Vittal Nayak I, Dr.Singri KOSCON, Belagavi 2019 1. pregnancy induced hypertension and correlation Niharika Prasad with hormone levels{PAPER} 2. A Case of Chorioretinal Coloboma with foveal Dr.Vittal Nayak I, Dr.Sampoorna KOSCON, Belagavi 2019 involvement(Left Eye) {POSTER} H Rao 3. Importance of IPD In Refractive Practice Dr.Vittal Nayak I, Dr.Zeba S KOSCON Mangalore Ahmed 2018 4. A case of Chloroquine induced Dr.Vittal Nayak I, Dr.Krithika N CME on Maculopathy{POSTER} Pharmacovigilance VIMS&RC 2019 5. Atypical differentiation of pterygium with hairfollicle Dr. Vittal Nayak I , Dr. Rohit KOSCON at the head of pterygium Kumar Gupta 2018 ,Mangalore PUBLICATION SL.NO TOPIC AUTHORS PUBLISHED YEAR 1 Dr Rekha K.R., To assess serum homocysteine levels in Ongoing study 2021 Dr Vittal I Nayak diabetic retinopathy (NIDDM) VIMS and RC ethical committee approved 1 Dr. A F A comparision of external and endonasal International Journal of June 2020 Tasneem, Dr DCR versus external DCR with silicon tube ocular oncology and Vittal I Nayak, intubation in patients with NLD obstruction. oculoplasty Dr Nagalakshmi N, Dr Harsha Vol 6, issue 2, pg 109- Pandiyan, Dr Singri Niharika 113 p-issn 2581-5024 Prasad e-issn 2581-5016 2 Dr. -
Women Achievers 2011
Women Achievers i TABLE OF CONTENTS Introduction iii Message v Foreword vi NEELAM DHAWAN 1 PRIYA CHETTY RAJAGOPAL 2 SUCHITRA K ELLA 4 SUDHA IYER 5 ANURADHA SRIRAM 6 AKILA KRISHNAKUMAR 8 KIRAN MAZUMDAR SHAW 9 DEEPTI REDDY 10 REKHA M MENON 11 REVATHI KASTURI 13 SANDHYA VASUDEVAN 15 Dr VILLOO MORAWALA PATEL 16 AMUKTA MAHAPATRA 18 Dr REKHA SHETTY 19 YESHASVINI RAMASWAMY 21 BEENA KANNAN 23 BINDU ANANTH 24 PARVEEN HAFEEZ 25 MALLIKA SRINIVASAN 26 SUSHMA SRIKANDTH 27 SHEELA KOCHOUSEPH 29 HASTHA KRISHNAN 30 HEMALATHA RAJAN 31 HEMA RAVICHANDAR 32 KAMI NARAYAN 34 UMA RATNAM KRISHNAN 35 SHALINI KAPOOR 37 PREETHA REDDY 38 ii Women Achievers Dr. THARA SRINIVASAN 40 AKHILA SRINIVASAN 42 RAJANI SESHADRI 43 SHOMA BAKRE 44 SANGITA JOSHI 45 GAYATHRI SRIRAM 46 JAYSHREE VENKATRAMAN 48 GEETANJALI KIRLOSKAR 49 KALPANA MARGABHANDU 50 SHARADA SRIRAM 51 SAMANTHA REDDY 53 SHOBHANA KAMINENI 54 VINITA BALI 56 RAJSHREE PATHY . 58 GEETHA VISWANATHAN 59 VALLI SUBBIAH 60 RANJINI MANIAN 62 VANITA MOHAN 63 TILISA GUPTA KAUL 64 SHARAN APPARAO 65 SUNEETA REDDY 66 VANAJA ARVIND 67 Dr. KAMALA SELVARAJ 69 SAKUNTALA RAO 70 NEETA REVANKER 71 MAURA CHARI 73 HAMSANANDHI SESHAN 75 MAHIMA DATLA 77 Dr. NIRMALA LAKSHMAN 78 NANDINI RANGASWAMY 79 PRITHA RATNAM 81 Dr. THARA THYAGARAJAN 82 REVATHY ASHOK 83 SANGITA REDDY 85 GEEHTA PANDA 87 Women Achievers iii INTRODUCTION In the last two decades Indian women have entered work force in large numbers and many of them hold senior positions now Gone are the days when we hardly saw women in lead- ership positions in organizations Some of India’s -
Matters Listed for 15.02.2021 Court No. 02 Division Bench-Ii Hon'ble Mr.Justice Vipin Sanghi Hon'ble Ms.Justice Rekha Palli (Physical Court Hearing)
MATTERS LISTED FOR 15.02.2021 COURT NO. 02 DIVISION BENCH-II HON'BLE MR.JUSTICE VIPIN SANGHI HON'BLE MS.JUSTICE REKHA PALLI (PHYSICAL COURT HEARING) [NOTE:1. IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED, PLEASE CONTACT, MR LOKPAL(8448937563) COURT MASTER TO HON’BLE MR. JUSTICE VIPIN SANGHI & ANAND PINANI, COURT MASTER (9868111406)& MR. BHUPENDER SHARMA, ACM(9871183231) MR. LAXMAN RANA, RESTORER(9654708075)TO HON'BLE MS.JUSTICE REKHA PALLI. FRESH MATTERS & APPLICATIONS ______________________________ 19. W.P.(C) 2008/2021 SOORAJ KUMAR GAURAV BAHL CM APPL. 5878/2021 Vs. DCB BANK LTD & ORS. CM APPL. 5879/2021 ADVOCATE DETAILS FOR ABOVE CASE gaurav bahal and tarun sharma([email protected])(9811132858)(Petitioner) GAURAVBAHL([email protected])(9811132858)(Petitioner) dcb bank ltd([email protected])()(Respondent) vikas chadha([email protected])()(Respondent) SOORAJ KUMAR([email protected])()(Respondent) THE LD NAIB TEHSILDAR([email protected])()(Respondent) GIRDHAR TRADING CO([email protected])()(Respondent) DCB BANK LTD([email protected])()(Respondent) VIKAS CHADHA([email protected])()(Respondent) MATTERS LISTED FOR 15.02.2021 DIVISION BENCH-III HON'BLE MR.JUSTICE SIDDHARTH MRIDUL HON'BLE MR.JUSTICE ANUP JAIRAM BHAMBHANI [NOTE: IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED,PLEASE CONTACT, MR.PANKAJ VATS(PH: 9667722088) COURT MASTER TO HMJ SIDDHARTH MRIDUL & MR. VIJAY PAL SINGH(PH:- 9818553302) COURT MASTER TO HON’BLE MR. JUSTICE ANUP JAIRAM BHAMBHANI.] CORRIGENDUM DELETION NOTE REGARDING CRL.A.530/2018 SHOWN IN THE SUPPLEMENTARY CAUSE LIST MAY BE TREATED AS DELETED. THE MATTER I.E. CRL.A.530/2018 SHALL BE TAKEN UP AT SL.NO.3 AS SHOWN IN THE SUPPLEMENTARY CAUSE LIST TODAY ITSELF. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
Student List for : BACHELOR of COMMERCE(Rev.2013) Mar/Apr.-2021
Savitribai Phule Pune University (Formerly University of Pune) Student List for : BACHELOR OF COMMERCE(Rev.2013) Mar/Apr.-2021 College Name: 0187 RAYAT SHIKSHAN SANSTHA'S S.M.JOSHI ARTS, SCIENCE & COMMERCE Branch Name: BACHELOR OF COMMERCE(Rev.2013) SeatNo Student Name Mother PRN 68734 DHAGE ABHISHEK DATTATRAY DEEPALI 1201918417 68735 GAIKWAD DIPALI ASHOK CHATURA 1202018855 68736 HUNDARE YOGESH HARISHCHANDRA SUSHILA 1201918800 68737 KAKADE RUTUJA RAJENDRA RUPALI 1202038655 68738 KAROTIYA KAJAL AJAY JAYSHREE 1202018729 68739 KORPADE DHANASHREE BALU SULBHA 1201719615 68740 NAVSUPE DIVYA ROHIDAS LAXMI 1202038495 68741 RANGADAL SUNAYANA AMUL SANGITA 1202018735 68742 RAUT SAGAR MOHAN RAJSHREE 1202039027 68743 RAUTRAO VAISHNAVI BALAJI MEENA 1202018557 68744 SHEWALE ANKITA SUDAM MANISHA 1202018575 68745 SHILIMAKAR ADITI DNYANESHWAR NIRMALA 1202018815 68746 YADAV AKANSHA RAJU SHAMILA 1202018817 68747 BARKADE ROHINI SOMESHWAR RENUKA 1202018748 68748 BHANDARI KOMAL BALASO SHOBHA 1201719396 68749 CHAVAN ABHIJEET ANIL VAISHALI 1202018714 68750 DHAINJE SNEHAL BHIMRAO PAPITA 1202018812 68751 DHOTRE SANJANA ASHOK VAISHALI 1202018427 68752 FULARI PRAVIN AMBADAS CHANDRAKALA 1202038661 68753 GAIKWAD RAGINI RAVINDRA SHEELA 1201918389 68754 KALE SANDIP SAMPAT SAVITA 1202018857 68755 KOKATE PANDHARI ARJUNRAO RENUKA 1201819033 68756 KULKARNI SWAMINI AJIT DEEPA 1201937428 68757 NAIKNAWARE DAYANAND DINKAR PRABHAVATI 1202018833 68758 PATIL ANKITA TANAJI SAVITA 1202018825 Page 1 of 15 SeatNo Student Name Mother PRN 68759 PAWAR SAKSHI SANTOSH VAISHALI 1202018816 -
Rekha Rodwittiya
REKHA RODWITTIYA The Rituals of Memory: Personal Folklores & Other Tales REKHA RODWITTIYA / The Rituals of Memory: Personal Folklores & Other Tales February 4–27, 2016 2 Title TK, Info TK Cover: Rekha @ 50 (Blue), 2008, Acrylic and oil on canvas, 84 x 60 in. 3 4 Rekha Rodwittiya, (Installation View), 2016, Aicon Gallery, New York 5 The Rituals of Memory: Personal Folklores & Other Tales Sequencing time: A monologue of a personal history pieced together in reverie Left: Don’t Rock the Boat, 1985, Watercolor and gouache on paper, 15 x 11 in.; Center: The Cloaked Night, 1985, Ink and gouache on paper, 15 x 11 in.; Right: The Acrobat, 1985, Ink, colored pencil, gouache and graphite pencil on paper, 30 x 22 in. Rekha Rodwittiya Baroda 2016 I hold a universe in my hands. EARLY YEARS AS A CHILD My upbringing has been non-conformist ENTERING ART COLLEGE IN 1976 LeARNING AT THE FACULTY OF FINE The privilege of receiving an education and without a singular ethnic community In tracing my evolution as an artist, I ARTS, M.S. UNIVERSITY OF BARODA The maps of these memories in a country where the disempowered being an influencing factor. My parents have always maintained that what has The preparatory foundation course filter journeys that bring to light struggle for basic survival impacted came from backgrounds where western been seminal in shaping my articulation was mandatory and was aimed at new discoveries to behold, itself on me from a very young age as classical music and literature were was the years of study undertaken at providing a holistic overview of art in that lead me closer to the well being something never to be taken studied, and so we grew in the shadow the time I was an art student. -
Gender, Biasness and Indian Cinemas
JOURNAL OF CRITICAL REVIEWS ISSN- 2394-5125 VOL 7, ISSUE 09, 2020 Gender, Biasness and Indian Cinemas Sanchayita Khakholary Research Scholar, Gauhati University, Assam, India Indian cinema, a billion dollar entertainment institution, today earns the position of the largest film producing industry with worldwide audience. It produces about thousands of films each year and in comparison to other institutions, Indian cinemas have millions and millions of viewers, reaching to almost every part of the society. Since its very inception it have been playing the role of the most prominent source of entertainment to the people of India. Along with dramas, lots of dancing and singing, powerful contents it have successfully attracted massive interests. One can trace back the history of Indian cinemas to the year of 1896 when the first 6 silent films shot by Lumiere Brothers were shown at one of the hotels at Bombay( now Mumbai). Thus, marking the entry of cinematography in India (Hafeez, p. 62). In 1898, Hiralal seth had directed the Flower of Persia, a pioneer of short films. But it was not until 1913, that the first full length silent film was released. ‘Raja Harishchandra’, the movie directed, shot and produced by Dadasaheb phalke sets the base for the pre-Bollywood scenario in India. However, the term Bollywood is a misnomer to define ‘the whole of Indian cinemas’, since it stands for only the Hindi cinemas and in reality Indian cinemas represents films or movies of all genres and of all languages of India. After 1913, featured films gained acceleration in its production and by 1920s; Indian film industry started producing 27 featured films annually (Hafeez, p. -
Sridevi Tool Engineers Case Study
NX Sridevi Tool Engineers Increasing profitability through improved mold-making technology Industry A design process built on NX Industrial machinery Mold Design allows mold makers to realize productivity gains of Business challenges more than 50 percent and cost Profit margins eroding due to savings exceeding 40 percent increased competition Continuous improvement drives growth Automakers’ demands for Sridevi Tool Engineers Pvt. Ltd. (Sridevi) increasingly shorter cycle was founded in 1972 to manufacture times molds and dies. The company has Rigorous quality expectations prospered in both domestic and international markets ever since. In 1986, Sridevi was the first commercial tool shop Keys to success in India to adopt computer numerical In-house design process control (CNC) machining, a move that using NX gave the company a strong competitive Design that automates many advantage and helped it to grow at a much assurance system based on the ISO 9000 aspects of mold design faster pace than other tool shops in India. standard. Another aspect involved In 1998, Sridevi formed a joint venture changing the company’s design process Part-mold associativity that with Italy’s second-largest tool company, from one provided by an outside vendor speeds design changes Comec S.p.A. Called Comec India, this and based on 2D computer-aided organization serves the European engineering (CAD) to an in-house 3D CAD Results automobile market. solution equipped with industry-leading mold design capabilities. Mold designs completed in Today, in addition to the automakers, half the time Sridevi provides molds to white goods “There were numerous drawbacks to the Mold development cost and consumer products manufacturers.