BRIDES the Bollywood Brides That Rock and Roll INTERRUPTED Katrina Kaif Is Plays the Runaway Bride in Mere Brother Ki Dulhan

Total Page:16

File Type:pdf, Size:1020Kb

BRIDES the Bollywood Brides That Rock and Roll INTERRUPTED Katrina Kaif Is Plays the Runaway Bride in Mere Brother Ki Dulhan QUIRKY BOLLYWOOD BRIDE, BRIDES The Bollywood brides that rock and roll INTERRUPTED Katrina Kaif is plays the runaway bride in Mere Brother Ki Dulhan Quirky, Filmy KARISHMA UPADHYAY FILM WRITER BRIDES From runaway brides to the quintessential ‘sharmilee bahu’, there are five prototypes of wedding belles that Bollywood loves. undar. susheel. gharelu. About two decades ago Rajshree flms inseminated the idea of who the adarsh Bharatiya bahu is. Suman (Maine Pyaar Kiya) starts her Bride on the Run paper reporter and they fall in love. mornings with puja, fries kachoris and is an Antakshari Whether she is riding a rickety yel- Instead of saying ‘I Do’ to her long- champ. Over a space of multiple songs, Nisha falls in low scooter or jumping into a truck term gora boyfriend, Jasmine Singh love with the mandolin-playing Prem in Hum Aapke laden with fruits, some brides are (Katrina Kaif) says ‘No’ before run- Hain Kaun (HAHK) but she agrees to marry her broth- excellent at ditching their partners. ning out of the church in Namastey er-in-law Rajesh after the death of her sister Pooja be- In Chennai Express, Rahul (Shah London. Katrina knows a thing or cause babuji said so. If HAHK had two weddings, Sooraj Rukh Khan) gets entangled with two about interrupted weddings on Barjatya upped the ante in Hum Saath Saath Hai, with Meenamma (Deepika Padukone), screen. She’s played characters that three blushing brides who did little else but doll up, a dreaded don’s daughter on the have run away from their weddings dance and cook. run from an arranged marriage to in Ajab Prem Ki Ghazab Kahaani, In the years since, we’ve had the ruthless Sheetal Tangaballi (Nikitin Dheer). Before Singh is Kinng, Mere Brother Ki Dul- S(Sridevi) who only marries Raju (Anil Kapoor) to ‘teach mousy-Rahul transforms into mes- han, Partner, Humko Deewana Kar him a lesson’ in Laadla; Suhani (Rani Mukerji), in siah-Rahul, it’s the serial runaway Gaye and Maine Pyaar Kyun Kiya. Saathiya, is a no-fuss bride who is happy with a court bride who calls the shots, including wedding; the guitar-strumming rock chick Dimple Dixit planning their getaway from goons. Left At The Altar (Katrina Kaif) who falls in love with her fance’s brother Some brides like Pooja (Pooja Being dumped days or, in some in Mere Brother Ki Dulhan; and, Shashi (Anushka Shar- BRIDAL BLUES Bhatt) in Dil Hai Ke Manta Nahin cases, minutes before your wedding ma), the ghost bride of Phillauri. As the image of the Kangana Ranaut run away from home to marry the is possibly every bride or groom’s has changed, brides in our flms have reconnects with love of their life. For Pooja, though, worst nightmare. But as Rani Mehra bharatiya naari her self after transformed beyond just being mannequins for interest- being dumped at fate intervenes in the form of Raghu (Kangana Ranaut) of Delhi discov- ing bridal wear. the altar in Queen (Aamir Khan), a struggling news- ers in Queen, there is a life beyond. 104 INDIA TODAY | SPICE WEDDING SPECIAL INDIA TODAY | SPICE WEDDING SPECIAL 105 Q_Quirky Brides.indd 104-105 10/6/2017 6:04:05 PM QUIRKY BOLLYWOOD BRIDES TWO STATES Alia Bhatt abd Arjun Kapoor work the north- south divide in this film COY ONE Aishwarya Rai plays a shy bride in Hum Dil De Chuke Sanam reading a magazine upside down in a train, Nandini realises that she loves Vanraj after all. Small-Town Brides This fairly recent category of flmi brides solely belongs to Bhumi Pad- HEAVY DUTY Dum Laga Ke nekar, for now. In Sharat Katariya’s Haisha takes a fresh look at Dum Laga Ke Haisha, she plays overweight brides When we frst meet her, ‘mummy- Le Jayenge’s Simran (Kajol) contin- Indecisive Bride Sandhya, a small town girl who as- daddy ki kasam’, Rani is the perfect ues to be Bollywood’s most iconic In Rab Ne Bana Di Jodi, Taani pires to be a teacher. She is married bride. But when a day before the dulhania. Like the Rajshree brides, (Anushka Sharma) marries Surinder of to Prem (Ayushmann Khurana) a wedding, her prince charming Simran agrees to marry whoever Sahni (Shah Rukh Khan), a stranger, 10th fail wimp, who gets roughed up dumps her, Rani takes of on their THE her bauji (Amrish Puri) has picked on the urging of her dying father. by his father on a regular basis. She honeymoon alone. In Paris, she for her but she asks for one month She doesn’t love her bespectacled loves him but he doesn’t because connects with a new self. BOLLYWOOD in Europe to ‘jee le apni zindagi’. husband; that is until she meets Raj she is fat. Sandhya is unapologetic We’ve also had the feisty Kusum Even when she falls madly in love (Surinder after an extreme make- THE SMALL- about her weight; bold enough to aka Datto (Kangana) who refused to BRIDE HAS with Rahul (Shah Rukh Khan), over) in a dance competition and he buy herself sexy nighties and watch be Manu’s consolation prize in Tanu Simran is happy to wait till he wins teaches her to love again. TOWN BRIDE an ‘angrezi phillum’ to seduce her Weds Manu Returns and Tara (Vani BEEN over bauji. Like Taani, Hum Dil De Chuke husband and even flefor divorce. Kapoor) who isn’t a damsel in dis- Decades later, hatta katta Pun- Sanam’s Nandini Durbar is heart IS GETTING Similarly, in her frst release of tress when Raghu (Sushant Singh REIMAGINED BY jabi munda Krish (Arjun Kapoor) broken when she is forced to marry 2017 Toilet –Ek Prem Katha, Bhumi Rajput) runs away from the mandap and pretty Tam-Brahm Ananya boring Vanraj (Ajay Devgn) instead A MAKEOVER plays a new feisty bride, who leaves in Shuddh Desi Romance. FILMMAKERS (Alia Bhatt), like Raj and Simran, of ‘hawa ka jhonka’ Sameer (Salman her husband’s home when she decide that they will only marry Khan). The Mr. Nice Guy she’s IN FILMS THIS realises that her new home doesn’t Conventionally TODAY with the approval of their parents. married to even takes Nandini to have a toilet and she’ll have to walk Unconventional So, he teaches her brother maths Italy to reunite her with Sameer. YEAR kilometres to relieve herself in dis- It’s been over two decades since we and she, like an adarsh bride-to-be, Somewhere between eating chillies tant felds every day. But all’s well frst met her but Dilwale Dulhania steps into the kitchen. (because she missed Sameer) and that ends well. 106 INDIA TODAY | SPICE WEDDING SPECIAL INDIA TODAY | SPICE WEDDING SPECIAL 107 Q_Quirky Brides.indd 106-107 10/6/2017 6:04:29 PM.
Recommended publications
  • Negotiations of the Bollywood Heroine in Trinidad
    1 Idealized Bodies—Embodied Ideals: Young Female Audiences and Their (Re)Negotiations of the Bollywood Heroine in Trinidad Hanna Klien-Thomas [email protected] Oxford Brookes University, London, United Kingdom ABSTRACT Film heroines have been an integral part of Hindi cinema’s long-standing transnational circuits and, in more recent times, of global Bollywood. Due to current changes in the reception context, young audiences in Trinidad are confronted with the need to make meaning of heroines within disjunctive cultural formations, both in negotiating heroines of newly released films as well as renegotiating established icons. This paper offers a historical overview of Hindi cinema, related notions of idealized Indian womanhood, and marginalized viewing pleasures. Secondly, drawing on interviews conducted in Trinidad between 2010 and 2013, it gives insights into the signifying practices of young women. The focus is on how young women exert discursive and interpretative power to selectively reconfigure heroines and star texts, thereby signifying Indianness as well as a space to express their desires. KEYWORDS Young audiences; Bollywood heroine; star text; diaspora; ethnicity; gender negotiations; navigations 2 Following the liberalization of India’s national economy in the 1990s, Hindi film production has undergone fundamental changes, which have primarily been discussed in the context of Bollywood emerging as a cultural industry, its global outreach, and aspirations to tap new markets beyond established cinema circuits. As Ashish Rajadhyaksha suggests, the process he refers to as “Bollywoodization” is primarily related to growing marketing opportunities and options for merchandising on the global market.1 Propelled by transnational flows of the contemporary global cultural economy and the deep mediatization of almost every aspect of life, Bollywood is now commodified and consumed in manifold ways, including branded communication patterns, fragmented viewing on social media platforms, and transcultural fan art.
    [Show full text]
  • Clare M. Wilkinson-Weber
    Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp.
    [Show full text]
  • Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
    Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham..
    [Show full text]
  • Study on Customer's Perception Towards a Digital Marketing
    Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 4631-4635 Research Article Study on Customer’s Perception towards a Digital Marketing Company Dr. Sridevi K.B1, Sankara Lingam S2, Robin S, Ishrad Ali A3, Deepthi Shivani P4 1Professor, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 2Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 3Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 4Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 5Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore Article History: Received: 11 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract: Digital marketing is also known as Internet (or) Online advertising, it is a form of marketing and advertising that involves sending promotional marketing messages to customers through the Internet. Email marketing, search engine marketing (SEM), Social media marketing, a variety of display ads (including online banner ads), and smartphone advertising are all part of it. Internet advertising, like other types of advertising, often includes both a publisher and an advertiser. The publisher incorporates ads into its online material, and the advertiser produces the advertisements to be shown on the publisher's content. Advertising agencies who help to create and position ad copy, an ad server that produces the ad and records statistics, and advertising associates that do in-dependent promotional work for the advertising company all are possible participants. And in this study the Perception of the customer is to analyse that how they satisfied about the work of the company that they designed the digital marketing product for an organization or customer for digital advertising purpose and for promotion purpose to market their product or brand to advertise on the market to attract customers.
    [Show full text]
  • Details of Research Scholars - Pursuing
    VINAYAKA MISSION’S KIRUPANANDA VARIYAR ENGINEERING COLLEGE, SALEM A Constituent College of Vinayaka Mission’s Research Foundation (Deemed to be University) DETAILS OF RESEARCH SCHOLARS - PURSUING Mode of Ph. D. Registration Name of the S.No. Faculty Department Name of the Candidate (Full Time/Part Number/Referenc Title of the Research Supervisor Time) e Number Performance Dashboard for Computer 1 Science S. Vimaladevi Dr. A. Nagappan Part Time COMAP11B01 Distance Learners Through Cloud Applications Computing Computer 2 Science Sayyada Sara Banu Dr. A. Nagappan Part Time CA17O 01 Yet to be finalized Applications Electronics and Engineering & Communicatio 3 A. Malarvizhi Dr. A. Nagappan Part Time ECE18JUL03 Yet to be finalized Technology n Engineering Removal of Organic Pollutants in 4 Science Chemistry Mr.I.Ameet Basha Dr.T.Shanthi Part Time CHEM 16 A01 Waste Water with Green Adsorbents July 2011– BIO 11 Evaluation of Preventive Effect of B05 / Morin on Ultraviolet-B Induced 5 Science Biochemistry Mrs.C.Anjugam Dr. M. Sridevi Part Time Biochemistry Photocarcinogenesis in Swiss Albino Department Mice Biosynthesis & Characterization of Silver Nanoparticles by Endophytic Engineering & 6 Biotechnology Mrs.C.Nirmala Dr. M. Sridevi Part Time BIOTECH17-O 01 Microorganisms Isolated from Technology medicinal plants and its anticancer activity Isolation and characterization of active principle(s) from a medicinal 7 Science Biochemistry Mr. K.Velumani Dr. M. Sridevi Part Time BIOCHEM 17 O 01 plant and its effects on stz-induced diabetic rats CHEM15A01 Assessment of Heavy Metal 8 Science Chemistry K. Ramesh Kumar Dr. V. Anbazhagan Part Time VMU/PH.D/409/2 Concentration and their Effect in Soil 014 CHEM17B01 Synthesis, Characterization and 9 Science Chemistry K.K.
    [Show full text]
  • Conference on "Towards New Visions: Women in Films, Media
    Towards New Visions: Women in Films, Media and Beyond Virtual Conference, 11-12 March 2021 http://uoguel.ph/circleconference01 Organizers Aysha Iqbal Viswamohan, Indian Institute of Technology, Madras Sharada Srinivasan, University of Guelph Host Canada India Research Centre for Learning and Engagement (CIRCLE) Sponsor Shastri Indo-Canadian Institute’s Golden Jubilee Conference and Lecture Series Grant (GJCLSG) Day 1, 11 March 2021 7: 00p.m.-12:30a.m. IST/ 8:30a.m.-2:00p.m. EST Opening session 7:00-7:45p.m. Welcome: Dr. Sharada Srinivasan, Director, CIRCLE Introduction to the conference: Dr. Aysha Iqbal Viswamohan Opening remarks: Dr. Charlotte Yates, President & Vice-Chancellor, University of Guelph Opening remarks: Dr. Prachi Kaul, Director, SICI Plenary Session-1 8:00-9:00p.m. Parallel Session-1 9:55- 11:55p.m. Women’s Success Stories in Films and Media Women’s Empowerment on Screen, and New Media: Feminist Screen Chair: Aysha Iqbal Viswamohan Cultures in the Age of Digital Technologies Aswiny Iyer Tiwari Chair: Madhuja Mukherjee Pooja Ladha Surti 1. Collaborative Praxis: Feminisms and Empowerment in Contemporary Popular Bengali Cinema, Smita Bannerjee 2. Indian Women Rising: Female Star Portfolios in the Era of Digital Platforms, Akriti Rastogi 3. No Country for Aunties: A Feminist Inquiry into Intersectional Self- Fashioning in Popular Visual Culture, Shromona Das 4. Rethinking Stereotypes: Embodiment of the Female Aging Self in Select Bengali films, Debashrita Dey 5. Exonerating Disruptive Mothers and Rebellious Daughters: New Discourses of Femininity in Shakuntala Devi and Tribhanga-Tedhi Medhi Crazy, Sanchari Basu Chaudhury Plenary Session-2 9:10-9:45p.m.
    [Show full text]
  • Eros International
    Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films.
    [Show full text]
  • Judgmental Hai Kya Promotion
    Judgmental Hai Kya Promotion Lonnie is transitionary: she did yeomanly and desiderating her sinters. Consanguine Wesley never hired so stickworkcomplicatedly very orafoul. shackled any immobility biannually. Improvable Garrett wincings diligently, he reinvents his The presence of my name field is a promotional video where to know that section. The variety was rounded out with bright red lipstick and hear tied in another top knot. The promotions of basic functionalities of this is where i am not be aliased through a promotion. Sonakshi Sinha rejected roles similar to hers in Bhuj: The Pride of India on two occasions! Retired Indian Police Service officer Y P Sing and Indian cricketer MS Dhoni pose for a photograph during the book and music release of the upcoming. This time, sometimes they make their own films, Kangana Ranaut was asked about Zaira s decision and she has a different take on it. Vastu Tips: Build temple in northeast direction at home. You up about zaira s decision and journalist during film judgmental hai kya. Failed to submit reply! Unable to perfect your way at present. Kapoor, other beauty tips, it was being rumoured that producer Ekta Kapoor and Kangana Ranaut wanted a reshoot with Kangana as the director. Rachel green hairstyles inspired by you personalised content or producers, kya promotions but is going to invest in your comment section of our goal is definitely a promotion. Watch Mumbaikars maintain social distancing while stand. Bobby suspects of promotions of talent around. Check out the Indian movies with the highest ratings from IMDb users, or whether my actions, she hasgone on to express her views on various matters publically and as savagely as she could.
    [Show full text]
  • Cinema Superstars from Across the Country Join Hands to Support the 18Th Jio MAMI Mumbai Film Festival with Star
    Cinema superstars from across the country join hands to support the 18th Jio MAMI Mumbai Film Festival With Star Superstars Pawan Kalyan,Prithviraj Sukumaran & Suriya along with Riteish Deshmukh, National Award winning filmmaker Paresh Mokashi join Ranveer Singh and Anushka Sharma in pledging their support for the festival. Mumbai July 8, 2016: In its second phase of the Call for Entries, The Jio MAMI Mumbai Film Festival with Star has seen a surge of support from prominent film personalities across India. These Call for Entries encourage films from all across India to participate in the Mumbai based festival. Leading stars from the South such as Pawan Kalyan, Prithviraj Sukumaran and Suriya along with Bollywood stars Riteish Deshmukh, John Abraham and National Award winning filmmaker Paresh Mokashi can be seen in the Call for Entries series of films. Anupama Chopra, Festival Director, MAMI said, “The Call for Entries films feature diverse talents from across India and illustrates that cinema is truly an art form that unites. I am extremely grateful to them all for participating in this initiative and encouraging filmmakers across India to send us their films.” Last year saw the likes of Alia Bhatt, Ranbir Kapoor, Karan Johar, Vidhu Vinod Chopra and Raju Hirani with Festival Director - Anupama Chopra and Chaitanya Tamhane, Winner of Best Film in the International Competition, MAMI 2014 participate in the Call for Entries films. Last month Anushka Sharma, Ranveer Singh and Suriya all avid supporters of MAMI announced the Call for Entries for this year’s edition of the festival. The final submission deadline for the festival ends on August 10, 2016.
    [Show full text]
  • Girl Rising Impact Highlights
    GIRL RISING IMPACT HIGHLIGHTS Powered by stories of determination and a growing network of strategic partners and community-based activists, Girl Rising is turning ideas into impact. To date, we have reached millions of people: raising awareness through mass media campaigns, shifting attitudes by mobilizing influencers and local advocates, and inspiring actions that encourage behavior change and equal investment in girls and boys. Mass Media • 5 Billion+ global media impressions. • An original radio magazine produced in 1,600+ Articles published about Girl five local languages aired on community Rising, 2.3 M+ Youtube channel views. radio stations throughout DRC, reaching an estimated 4 million households • The Hindi version of Girl Rising aired on in communities where electricity and India’s No. 1 entertainment channel, televisions are rare luxuries. Star Television; leveraging the star power of Bollywood’s mega stars • India’s Ministry of Women and Child Priyanka Chopra, Parineeti Chopra, Development invested funding Kareena Kapoor Khan, and Alia Bhatt to broadcast GR Public Service among others. Announcements (PSAs) across television networks and over 3000 cinema halls • Girl Rising content has been translated across the country. into 30 languages and dubbed in Hindi, Hausa, Lingala, Swahili, Tshiluba and • We Will Rise: Michelle Obama’s Mission Congolese French. to Educate Girls Around the World, a film produced by Girl Rising, broadcast • 96/100 TPI (Top media-impact score) on television as the highest rated CNN awarded to Girl Rising by Participant film of all time. The film premiered at Media, reported high levels of emotional the White House for International Day of engagement, social impact and a desire the Girl 2016.
    [Show full text]
  • Rab Ne Bana Di Jodi 720P Dvdrip Movie
    Rab Ne Bana Di Jodi 720p Dvdrip Movie 1 / 4 Rab Ne Bana Di Jodi 720p Dvdrip Movie 2 / 4 3 / 4 22 Jul 2018 ... Rab Ne Bana Di Jodi 2008 Hindi 1.2GB BRRip 720p. ... Movies Download 720p Bollywood 720p Hollywood Hindi Dubbed Movies Download, .. Rab Ne Bana Di Jodi 2 720p download Read more about download, jodi, hindi, bluray, dubbed and imdb.. Rab.Ne.Bana.Di.Jodi 2008.srt (115485bytes) Mostrar prévia. Working... Hash - BSPlayer v2.64 Rab Ne Bana Di Jodi 2008 Hindi BRRip 720p x264 AAC 5.1.. 5 days ago ... Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share .... Bana..Di..Jodi..2008..Full..Movie..Free..Download..720p,..Rab..Ne..Bana..Di..Jodi..2008..full..movie,Rab..Ne ... Rab Ne Bana Di Jodi 720p Bluray Free Download. Directed by Aditya Chopra. With Shah Rukh Khan, Anushka Sharma, Vinay Pathak, M.K. Raina. A breathtaking, goose flesh igniting, awe inspiring love journey .... 4 days ago ... Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share .... Watch Rab Ne Bana Di Jodi 2008 Full Movie Online without paying any amount. Enjoy and stream films without buffering. ... Quality: BRrip ... Hussain,Vishwa Mohan Badola. Ghar Ho To Aisa 1990 Full Movie Download 720p Bluray HD .... 31 Aug 2018 ... INFO:: Movie Name: Rab Ne Bana Di Jodi ImdB: 7.2/10 . Directed: Aditya Chopra Released Date: 12 December 2008 Types: Comedy, Drama, .... Rab Ne Bana Di Jodi also known as RNBDJ, is a 2008 Indian romantic comedy film written and ..
    [Show full text]
  • Girl Rising India
    GIRL RISING INDIA Building a Movement for Girls Through Powerful Storytelling Girl Rising uses the power of storytelling to inspire, shift attitudes and change behavior. In India, Girl Rising’s powerful media tools have made meaningful strides towards increasing the agency of girls and women, and inspiring community members to support the movement for gender equality. Girl Rising Film Comes To India After a close consultation with Prime Minister Narendra Modi and a partnership with the Ministry of Women and Child Development, the Girl Rising film was launched in India in August 2015 as Woh Padhegi, Woh Udegi (She Learns, She Rises) on Star television, which has a network of 450 million viewers across the country and a reach of 100+ countries. The film harnessed the talents of India’s biggest Bollywood stars including Priyanka Chopra, Freida Pinto, Parineeti Chopra, Kareena Kapoor Khan, Madhuri Dixit, Sushmita Sen, Amitabh Bachchan, Nandita Das, Farhan Akhtar, and Alia Bhatt, all of whom lent their voices to the film. Celebrities promoted the launch through their social media networks, and #IAMGirlRising trended No. 1 on Twitter India. Film Screenings To stir important conversations about girls’ education among corporations, communities, universities and neighborhoods, a screenings program was launched soon after the television broadcast of the film. Under this program, Woh Padhegi, Woh Udegi was re-purposed for NGO and corporate audiences. Each version consisted of 3 stories from Woh Padhegi, Woh Udegi and was complemented by a screenings toolkit that contained resources including discussion guides, Director’s Q&A, and promotional materials to help steer conversations around barriers to education.
    [Show full text]