DOCSLIB.ORG

Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Report 11 annual report 2011 annual report 4 Board of Trustees 7 President’s Report 8 Director’s Report 10 2011 Breakdown 12 Curatorial Report 15 Exhibitions 18 Publications 19 Loans 23 Acquisitions 31 Education and Public Programs 32 Development 37 Donors 58 Docents and Volunteers 61 Staff 65 Financial Report Unless otherwise noted, photographs of works in the Collection are by John R. Glembin; those of events are courtesy Front Room Photography. cover John Singleton Copley, Alice Hooper, ca. 1763 (detail). Purchase, with funds from the Leonard and Bebe LeVine Art Acquisition Fund, the Virginia Booth Vogel Acquisition Fund, with funds in memory of Betty Croasdaile and John E. Julien, and gift by exchange of Chapellier Galleries, the Samuel O. Buckner Collection, and the Max E. Friedmann Bequest. Full credit listing on p. 23 this page Mathias Bengtsson, Slice chair, 1999. Gift of Friends of Art. Full credit listing on p. 28. 4 | board of trustees Through August 31, 2011 BOARD OF TRUstEES Friends of Art Sande Robinson Photography Committee Raymond R. Krueger Representative Reva Shovers Christine Symchych President Lawrence W. Oliverson Christine Symchych Chair Betty Ewens Quadracci Chair of the Docents Frederick Vogel III Warren Blumenthal Secretary Representative Robert A. Wagner Barbara Ciurej Staff: Brady Roberts R. Bruce McDonald Jane Fee F. William Haberman Treasurer Support Group AcQUisitiONS AND Carol Lewensohn COLLEctiONS ADVisORY Lindsay Lochman Frederic G. Friedman Representatives Gail Groenwoldt COmmittEES Marianne Lubar Assistant Secretary and Kevin Miyazaki Mel Trittin Decorative Arts Legal Counsel Staff: Lisa Hostetler Trustee Emeritus Committee TRUstEES AT LARGE Sheldon B. Lubar Constance Godfrey Prints and Drawings Donald W. Baumgartner Chair Committee Lori Bechthold COMMITTEES OF THE A. Raymond Kehm Barbara Buzard Randy Bryant BOARD OF TRUSTEES Barbara Elsner Chair Michael J. Cudahy EXECUTIVE COmmittEE George A. Evans, Jr. Lois Ehlert Stephen Einhorn Raymond R. Krueger Barbara Fuldner Laurence Eiseman, Jr. Philip Flynn Chair Marianne Lubar Marianne Epstein Julie Gardner Nicole Teweles Julia Evans Ellen Glaisner Donald W. Baumgartner Anne Vogel Jean Friedlander Carmen Haberman Frederic G. Friedman Frederick Vogel III Arthur A. Gebhardt Judy Jorgensen Ellen Glaisner Robert A. Wagner George T. Jacobi W. David Knox II Carmen Haberman Staff: Mel Buchanan Russell Jankowski Anthony S. Krausen Kenneth C. Krei Marianne Lubar Kenneth C. Krei Gail A. Lione Earlier European Arts Kathleen Parker Donald Layden Marianne Lubar Committee Colleen Pemberton Gail A. Lione R. Bruce McDonald Robert Roth Judith Ramazzini Joan Lubar Anthony J. Petullo Chair David Ritz Marianne Lubar Betty Ewens Quadracci Lorraine Croft Charles Wickler Wayne Lueders Suzanne L. Selig Robert Foote Staff: Mary Weaver Chapin Eileen Mandel Staff: Dan Keegan Arthur J. Laskin Andy Nunemaker Helen Peter Love ANNIVERSARY AcQUisitiONS AND Jill G. Pelisek LEADERshiP COmmittEE COLLEctiONS COmmittEE Marianne Lubar Christopher and Miriam Anthony J. Petullo Marianne Lubar Geoffrey Maclay Sande Robinson Abele Chair Marjorie Moon Richard L. Schmidt, Jr. Frank Murn Donald and Donna Donald W. Baumgartner Suzanne L. Selig Andrea Schloemer Baumgartner Karen Johnson Boyd Dorothy M. Stadler Sally Schuler Raymond R. Krueger Marilyn Bradley Mary Strohmaier Kenneth Treis Sheldon and Marianne Andrea B. Bryant Christine Symchych William Treul Lubar Stephen Einhorn Frederick Vogel IV Staff: Laurie Winters Betty Ewens Quadracci Beth Wnuk Arthur A. Gebhardt Bud and Suzanne Selig Jeffery W. Yabuki F. William Haberman AUDIT COmmittEE County Government Anthony Krausen Danny L. Cunningham Representatives Arthur J. Laskin Chair Patricia Jursik Wayne R. Lueders Joe Sanfelippo Anthony J. Petullo William Hunt Richard R. Pieper Sheldon B. Lubar | 2011 annual report | 5 R. Bruce McDonald Joan Lubar David Bauer PlANNED GiVING Richard L. Schmidt, Jr. Eileen Mandel Donald W. Baumgartner COmmittEE Staff: Dan Keegan/Jane Donna Meyer Richard J. Glaisner Andrea B. Bryant Wochos Lawrence Oliverson Kenneth C. Krei Jill G. Pelisek Betty Ewens Quadracci Raymond R. Krueger Co-Chairs EDUCAtiON AND PUblic Suzanne L. Selig P. Michael Mahoney PROGRAMS COmmittEE Donn Dresselhuys Dorothy M. Stadler Jess E. Merten Julie Gardner Dale R. Faught Christine Symchych W. Kent Velde Chair Frederic G. Friedman Eric Vogel Staff: Dan Keegan/Jane Ed Hashek Kim Abler Staff: Laurie Winters Wochos Judy Jorgensen John Augenstein Sally Schuler DEVELOPMENT COmmittEE HUMAN RESOURCES Lori Bechthold Adam Wiensch Natanya Blanck Frederic G. Friedman AND REMUNERAtiON COmmittEE Staff: Mary Albrecht Mike Brenner Ellen Glaisner Kenneth C. Krei José Chavez Co-Chairs PUblic AFFAIRS Chair Marlene Doerr Andrea Bryant COmmittEE Daniel Donder Sue Frautschi Raymond R. Krueger Christine Symchych Jane Fee Judy Gordon Gail A. Lione Chair Carmen Haberman Carmen Haberman Wayne R. Lueders Randy Bryant Jonathan Jackson Judy Jorgensen Anthony J. Petullo Raymond R. Krueger Sarah Jerome A. Raymond Kehm Staff: Dan Keegan/Jan H. Carl Mueller Gail A. Lione Gail A. Lione Fleming Andrew Nunemaker Janet Matthews Joan Lubar INVEstmENT COmmittEE Betty Ewens Quadracci Nancy Mitchell Marianne Lubar P. Michael Mahoney Eric Vogel Phillip Naylor Linda Marcus Chair Staff: Dan Keegan/Vicki Sue Nelson Donna Meyer Scharfberg José Olivieri Joan Nason Mark G. Doll Jill G. Pelisek Jill G. Pelisek Richard J. Glaisner STRATEGIC PlANNING COmmittEE Betty Ewens Quadracci Anthony J. Petullo Raymond R. Krueger Jeff Yabuki Sande Robinson Sally Schuler Wayne R. Lueders Chair Mary Strohmaier Dorothy M. Stadler W. Kent Velde Cindy Zautcke Mary Strohmaier Beth R. Wnuk Randy Bryant Staff: Brigid Globensky Staff: Mary Albrecht Staff: Dan Keegan/Jane Julie Gardner Wochos Kenneth C. Krei EXhibitiONS COmmittEE FAcilitiES COmmittEE Raymond R. Krueger Anthony J. Petullo Donald W. Baumgartner NOmiNAtiONS AND GOVERNANCE COmmittEE Gail A. Lione Chair Chair Gail A. Lione Marianne Lubar Wendy Blumenthal Jill G. Pelisek Randy Bryant Chair Stephen Einhorn Steven G. Chamberlin Anthony J. Petullo Donald W. Baumgartner Sue Frautschi David Drent Suzanne L. Selig Frederic G. Friedman Carmen Haberman Richard J. Glaisner Raymond R. Krueger WAR MEMORIAL George T. Jacobi Richard L. Schmidt, Jr. CORPORAtiON BOARD W. David Knox II Marianne Lubar Eric Vogel OF TRUstEES Anthony S. Krausen Andrew Nunemaker Staff: Dan Keegan/Jane Raymond R. Krueger Kenneth C. Krei Betty Ewens Quadracci Wochos Trustee Representative Raymond R. Krueger Sande Robinson Joe Lai FINANCE COmmittEE Suzanne L. Selig Donald W. Baumgartner R. Bruce McDonald Staff: Dan Keegan Steven Chamberlain Chair Richard L. Schmidt, Jr. 2011 annual report | president’s report | 7 I am pleased to announce that, in accordance with our business plan for fiscal year 2011, the twelve months covered by this report (September 1, 2010–August 31, 2011) saw a balanced budget for the Milwaukee Art Museum. It was a banner year for the Museum overall. The enthusiasm and hard work of everyone at the Museum enabled us to reach and even exceed our goals, with extraordinary exhibitions and programming drawing record attendance. On behalf of the Trustees on the Board, we extend our deepest thanks to Members, donors, sponsors, volunteers, and Museum staff who collaborated to provide another year of superb visual arts experiences for our visitors. Raymond R. Krueger The Museum welcomed over 370,000 visitors this past I am approaching the end of my term as President this fiscal year. This is the highest attendance in five years—a spring and wish to extend my sincerest gratitude for notable accomplishment that speaks to the dedication of your energy and dedication, and I thank each of you the Museum staff and the critical role the Museum plays for your support, hard work, and willingness to meet on the local, regional, national, and international stage. the challenges of creating and sustaining world-class Through exhibitions such as European Design Since 1985: programming through difficult economic times. In Shaping the New Century, Frank Lloyd Wright: Organic the coming year with President-elect Ken Krei, and Architecture for the 21st Century, and the Summer of with all of us working together, the Milwaukee Art China series; events from Art in Bloom to the Lakefront Museum will continue to create a visual arts experience Festival of Arts and MAM After Dark; and education that inspires, educates, challenges, and entertains. programs, including the Kohl’s Art Generation efforts, We appreciate all of you who come time and again, lectures, and more, the Museum engaged audiences of all bringing open minds through our open doors. You age groups from near and far. continue to create the strongest and most vital energy source of all—active engagement in the visual arts. In 2013, the Museum will celebrate the 125th anniversary of the founding (as the Layton Art Gallery) of the Museum, and both trustees and staff are mindful of the importance of this occasion and the opportunities it presents. With continued commitment to building the Museum’s world- class Collection, growing the endowment, and improving our facilities, we ensure an ongoing program of scholarly significant exhibitions and programs with enriching, Raymond R. Krueger widespread appeal. It is an exciting time to serve on the President of the Board of TRUstees Board of Directors, and in the coming years, I see even more depth and richness emerging from the Museum’s Collection and coming to the visitor experience. 2011 annual
Load more

Recommended publications
  • Example Case Study: Milwaukee Art Museum
    Example Case Study: Milwaukee Art Museum ARCH 631: Structural Systems Prof. Anne Nichols 2004 1 Contents Overview (Introduction) 1 The Milwaukee Art Museum (Background) 1 The Architect (Background) 2 The Quadracci Pavilion (Body) 4 Design Concept 4 Building Layout 4 Structural Features 8 Building Components and System 9 Burke Brise-Soleil 13 Pedestrian Bridge 14 Loading Summary 15 Gravity Loads 16 Lateral Load Resistance 20 Foundation and Soil 22 Summary Bibliography (References) i Overview On May 4, 2001, a much-anticipated addition to the Milwaukee Art Museum first opened its doors to the public. The $125-million-dollar project, designed by architect Santiago Calatrava, became an icon for the museum and the city of Milwaukee, Wisconsin even before its completion. This report presents a case study of the project. Background information regarding the architectural context for the addition will be provided, as well as a synopsis of the architect’s mastery of structural design. A number of unique elements of the building will be discussed in detail. In addition, the building’s complex structural design will be reviewed through component and system evaluation, diagrams, and simplified computer-based structural analysis. The Milwaukee Art Museum The Milwaukee Art Museum (MAM) traces its beginnings to two institutions, the Layton Art Gallery, established in 1888, and the Milwaukee Art Institute, which was established in 1918. In 1957 the groups joined together, forming the private, nonprofit Milwaukee Art Center, now known as the Milwaukee Art Museum. At this time, the Center moved to its present location on the Milwaukee waterfront Finnish architect Eero Saarinen, known for his St.
    [Show full text]
  • Ald. Michael Murphy Chair, Milwaukee Arts Board
    Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board awards $238,000 to 35 arts organizations Summer arts programs for youth, free performances of Shakespeare’s Much Ado About Nothing, and a series of cross-neighborhood dinners in connection with the classic American play Our Town are among 35 projects awarded funding recently by the City of Milwaukee Arts Board. At its May meeting the MAB considered the recommendations of an eight-member citizen review panel and voted to award $238,000 in grants ranging from $3,500 to $7,000. MAB grants require a dollar-for-dollar cash match from other sources, and the combined budgets of the 35 selected projects this year is more than $3.48 million. There were a total of 41 eligible requests from Milwaukee nonprofit arts organizations to fund art, music, dance, arts education and other projects. “I’m always impressed by the quality work our local arts community puts forth,” said Ald. Michael Murphy, Milwaukee Arts Board Chair. “We’re pleased to be able to support their efforts.” This year marks the 27th annual grant awards. Since 1991, the Milwaukee Arts Board has awarded more than $4.95 million to 127 different organizations. Grantees will be honored by Mayor Tom Barrett, Ald. Murphy and others at a 4:30 p.m. reception June 12 at the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m.
    [Show full text]
  • UWM Libraries Digital Collections
    OCTOBER/NOVEMBER 1996 COMPLIMENTARY VOLUME 1 1, ISSUE 1 CASTS OF CONTENTS CHARACTER ;Sfe5 m wm ::ft|f liiiiiiii! isiSiiiaiia ^m W 5S** m till ®m ililii*****"" . .•li.'-ftiiiill '"* •'• : "*"****> €15116 "^""^^feiSS?**! *£& Robert Cottingham, Art (detail), 1992. MAM, Landfall Press Archive, Gift of Jack Lemon. An Exhibition Featuring the Work of Former Artists-in-Residence in the FEHTU RES John Michael Kohler Arts Center's Arts/Industry Program at Kohler Co. Reflections on the Milwaukee Art Museum 12 September 29,1996 - January 5,1997 Photographs by Francis Ford 14 A Tale of Two Cities: Milwaukee vs. Milwaukee 16 TRE' ARENZ • LAWRENCE ARGENT • NANCY DWYER It Could Have Been a Parking Lot 17 PETER FLANARY • LESLIE FRY • MICHAEL GARR Beyond Bovines 18 MARTHA GLOWACKI • RONALD GONZALEZ INDIRA FREITAS JOHNSON • KEN LITTLE A Fine Line 19 EVA MELAS • CINDI MORRISON • JOEL OTTERSON Reflections on the Haggerty Museum of Art 20 CAROLYN OTTMERS • ALBERT PFARR • PAUL SEBBEN Fixing The Leaks 21 BUSTER SIMPSON • JANET WILLIAMS • ANDY YODER Essay/Steven Foster/Studies 22 OPENING CELEBRATION DEPARTMENTS Friday, October 4,1996 • 5:30-8:30 p.m. Refreshments • Music by The Mosleys Plexus/Reflexus 4 Free Admission Grants/Opportunities 6 Post Facto 24 Concurrent Exhibitions Calendar/Out There 28 Anna Torma: Notes and Visions Madison/Chicago 33 Kate Moran: Nine Dolls Full of Color Who Understand Touch through October 27 Rudy Rotter: Mahogany to Mink November 3, 1996 - February 2, 1997 ON THE COVER Opening and Exhibition Preview Front: David Schweitzer, Director, 1986. Photograph by Francis Ford. with Rudy Rotter and Guest Curator Debra Brehmer Back: Les Petite Bon-Bon, 1971.
    [Show full text]
  • Annual Report 2003 Annual04c 5/23/05 3:55 PM Page 1
    Annual04C 5/23/05 4:17 PM Page 1 MILWAUKEE ART MUSEUM Annual Report 2003 Annual04C 5/23/05 3:55 PM Page 1 2004 Annual Report Contents Board of Trustees 2 Board Committees 2 President’s Report 5 Director’s Report 6 Curatorial Report 8 Exhibitions, Traveling Exhibitions 10 Loans 11 Acquisitions 12 Publications 33 Attendance 34 Membership 35 Education and Programs 36 Year in Review 37 Development 44 MAM Donors 45 Support Groups 52 Support Group Officers 56 Staff 60 Financial Report 62 Independent Auditors’ Report 63 This page: Visitors at The Quilts of Gee’s Bend exhibition. Front Cover: Milwaukee Art Museum, Quadracci Pavilion designed by Santiago Calatrava. Back cover: Josiah McElheny, Modernity circa 1952, Mirrored and Reflected Infinitely (detail), 2004. See listing p. 18. www.mam.org 1 Annual04C 5/23/05 3:55 PM Page 2 BOARD OF TRUSTEES COMMITTEES OF Earlier European Arts Committee David Meissner MILWAUKEE ART MUSEUM THE BOARD OF TRUSTEES Jim Quirk Joanne Murphy Chair Dorothy Palay As of August 31, 2004 EXECUTIVE COMMITTEE Barbara Recht Sheldon B. Lubar Martha R. Bolles Vicki Samson Sheldon B. Lubar Chair Vice Chair and Secretary Suzanne Selig President Reva Shovers Christopher S. Abele Barbara B. Buzard Dorothy Stadler Donald W. Baumgartner Donald W. Baumgartner Joanne Charlton Vice President, Past President Eric Vogel Lori Bechthold Margaret S. Chester Hope Melamed Winter Frederic G. Friedman Frederic G. Friedman Stephen Einhorn Jeffrey Winter Assistant Secretary and Richard J. Glaisner George A. Evans, Jr. Terry A. Hueneke Eckhart Grohmann Legal Counsel EDUCATION COMMITTEE Mary Ann LaBahn Frederick F.
    [Show full text]
  • Gabriele Münter Photographer of America 1898-1900
    GABRIELE MÜNTER PHOTOGRAPHER OF AMERICA 1898-1900 by Lionel Gossman (Department of French and Italian, Princeton University, emeritus) 1 A Limited Reputation in the U.S. One of the founding members in 1911 of the much admired avant-garde artists’ group known as “Der Blaue Reiter” [The Blue Rider], Gabriele Münter (1877-1962) is much less well known in the U.S. or Great Britain than in her native Germany, where her work has been shown in private galleries since 1909 and well over 50 exhibitions have been devoted to it in major public galleries, the latest being scheduled to open at the Lenbachhaus in Munich on October 31, 2017 and to run for five months. The first showing of Münter’s work in the U.S., in contrast, did not take place until 1955, at the private Curt Valentin gallery in New York. Four other shows in private galleries in New York and Los Angeles followed in the 1960s.1 It was 1980 before the first exhibition of Münter’s paintings and drawings in a public gallery -- curated by the art historian Anne Mochon -- opened at Harvard University’s Busch- Reisinger Museum. This exhibition was also seen at the Princeton University Art Museum the following year. In the late 1990s a retrospective exhibition at the Milwaukee Art Museum -- this one curated by Reinhold Heller-- traveled to Columbus, Ohio, Richmond, Virginia, and the McNay Museum in San Antonio, Texas (1997-98), and in 2005 Shulamith Behr and Annegret Hoberg curated an exhibition at the Courtauld Institute in London, about which the critic of the Independent on Sunday newspaper wrote: “This small jewel- like exhibition is in its quiet, unobtrusive way one of the best shows in London.”2 The impact of these relatively rare displays of Münter’s art seems to have been not very considerable.
    [Show full text]
  • Ald. Michael Murphy Chair, Milwaukee Arts Board
    Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board announces 2016 Artists of the Year and Friends of the Arts Awards Della Wells and Dasha Kelly have been named 2016 Artists of the Year, the City of Milwaukee Arts Board announced recently. Thallis Hoyt Drake and Andy Nunemaker were named 2016 Friends of the Arts. They will be honored Tuesday, June 14 at a 4:30 p.m. reception in the atrium of the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. Representatives of 33 city-based arts organizations who received arts board grants will also be honored. “We’re glad to shine a light on these four individuals, who have contributed so much to our entire community,” said Ald. Michael Murphy, who chairs the Milwaukee Arts Board. Della Wells is a self-taught artist who began drawing and painting in earnest at the age of 42. Her work ranges from collage and pastels to quilting. Her creative process stems from her personal experiences embellished through the art of storytelling. In 2011, an award winning play inspired by her life, '' Don't Tell Me I Can't Fly'', premiered in Milwaukee. The play was commissioned by First Stage children’s theater and written by Y York. She illustrated a children's book, "Electric Angel" by Nanci Mortimer, to be released by Wooden Nickel Press in late June.
    [Show full text]
  • Minutes of the Meeting of the State Board of Agriculture June 12, 1942
    Minutes of the Meeting of the State Board of Agriculture June 12, 1942 Present: Mr* Berkey (Chairman); Messrs* Akers, Brody, Jakway, McPherson; Mrs. Masselink; Presi­ dent Hannah: Treasurer Wilkins; Secretary McDonel. Absent: Dr. Elliott. The Board members convened for dinner at 6:00 P.M. in the Presidents Dining Ptoom at the Union, after which the meeting was called to order in the Board Room at 7:15 P.M. The minutes of the previous meeting were approved. RESIGNATIONS 1. Resignation of Raymond T. Ohl, Assistant Professor in Foreign Languages, effective August 3V1942. 2. Resignation of Priscilla Long, Secretary to the Director of the Experiment Station, effec­ tive June 6, 1942. 3* Resignation of Miss Margaret Fill as half-time clerk in Horticulture Extension, effective May 31/1942. :4-. Correction in the date of resignation of Cathryn Bertram. Her resignation should be effec­ tive May 23, 1942, rather than May 31, 1942. 5* Resignation of Mrs, Marian Wood Peterman as stenographer in Farm Crops, effective June 15, I942. Mrs. Peterman has accepted a position with the Olds Motor Company. 6. Resignation of Mrs. Alice Steinbacher, stenographer in Engineering, effective June 15, 1942.. Mrs. Steinbacher will accompany her husband to the west coast. On motion of Mr. Brody, seconded by Mr. Jakway, it was voted to accept the Resignations. LEAVES :.'. 1. Leave of absence without pay for eight months for Arnold L. Williams, Instructor in English, effective January 1, 1943 • Dr. Williams has been granted a fellowship from the Huntington . Library. 2. Extension of leave of absence with pay for A.
    [Show full text]
  • Milwaukee Art Museum
    MILWAUKEE ART MUSEUM Rising dramatically from the banks of Lake Michigan, the Milwaukee Art Museum’s Quadracci Pavilion has become a defining image for the city. Completed in May 2001 as part of a museum expansion and renovation, the structure features the Burke Brise Soleil, an enormous wing-like sunscreen that is extended to a wingspan of 217 feet when the museum opens, and then retracts to cover the 90-foot high, glass-walled reception hall at the close of each day. This unique “moving sculpture” was the first building design constructed in the United States by the acclaimed Spanish architect Santiago Calatrava, and was named “Best Design of 2001” by Time Magazine. The complex’s pedestrian bridge, along with the sunscreen’s pedestal and intricate metal components, required a coating system that could maintain the aesthetic appeal required for such a high- profile structure and still stand up to the punishing Wisconsin winters and humid lake-shore environment. Kahler Slater, the project’s architectural firm, specified a Tnemec coating system utilizing Series 90-97 Tneme-Zinc, a zinc-rich polyurethane primer that offers exceptional corrosion resistance to steel substrates, followed by an intermediate coat of Series 27 F.C. Typoxy, a polyamide epoxy. For topcoats, the architects chose Tnemec’s proven Series 73 Endura- Shield, an aliphatic polyurethane, in a bright white, topcoated with Series 76 Endura-Clear, an aliphatic polyurethane clearcoat. PROJECT INFORMATION Designed to provide extended gloss retention and protect the color Project Location of the underlying pigmented coat, Series 76 Endura-Clear is infused Milwaukee, Wisconsin with special additives that absorb and dissipate ultra-violet light before it can damage the chemical bonds within the coating, thus Project Completion Date extending the life-cycle of the entire coating system and enhancing May 2001 its appearance.
    [Show full text]
  • R F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION
    F RIN ~ r F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION KENOSHA COUNTY RACINE COUNTY Francis J. Pitts John R. Hansen TECHNICAL ADVISORY COMMITTEE ON THE STUDY OF Mary A. Plunkett Earl G. Skagen INDUSTRIAL LAND USE FOR SOUTHEASTERN WISCONSIN Sheila M. Siegler Michael W. Wells Arnold L. Clement ........................Planning and Development MILWAUKEE COUNTY WALWORTH COUNTY Chairman Director, Racine County Irene M. Brown John D. Ames Paul Milewski ............................. Director of Community Richard W. Cutler, Anthony F. Balestrieri Vice-Chairman Development, City of Oak Creek Secretary Allen L. Morrison Kurt W. Bauer ............... Executive Director, Southeastern Wisconsin Harout O. Sanasarian, Secretary Regional Planning Commission Vice·Chairman Frank H. Dobbs .................. Planning Director, Walworth County Park and Planning Commission James N. Dollhausen ...............Director of Planning, City of Mequon OZAUKEE COUNTY WASHINGTON COUNTY Edward F. Dorsey ..............Administrative Coordinator for Economic Allen F. Bruederle Harold F. Ryan Development, Wisconsin Gas Company Sara L. Johann Thomas J. Sackett William R. Drew ................... Commissioner, Department of City Alfred G. Raetz, Frank F. Uttech Development, City of Milwaukee Chairman Ray Forgianni. ........................ Director, Department of City Development, City of Kenosha Michael C. Harrigan ................. Administrator, Village of Saukville WAUKESHA COUNTY Frank M. Hedgcock ....................... Community Development Robert F. Hamilton
    [Show full text]
  • Editorial and Design Principles in Precursors Of
    PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers.
    [Show full text]
  • FOR IMMEDIATE RELEASE Press Contacts
    FOR IMMEDIATE RELEASE Press contacts: Kristin Settle Vicki Scharfberg 414/224-3246 414/224-3243 [email protected] [email protected] Ceramic Works Tell Tale of Political Strong-arming Grete Marks: When Modern Was Degenerate tracks a career thwarted by circumstance Milwaukee, Wis. – Grete Marks: When Modern Was Degenerate highlights the artistic output and life story of little- known, Bauhaus-trained ceramist Margarete Heymann-Löbenstein-Marks (German, 1899–1990) through approximately thirty artworks. The exhibition, on view September 6, 2012–January 1, 2013, was developed by the Milwaukee Art Museum with the cooperation of her daughter, Dr. Frances Marks. This is the first American exhibition to explore Grete Marks’s story, an emotionally tragic tale of a forward-looking artist who was crushed by the brutal circumstances of her political time. After attending the Bauhaus school’s ceramics program, Grete Marks founded the Haël Werkstätten für Kunstlerische Keramik (Haël Factory for Artistic Ceramics) in 1923 outside of Berlin, Germany. Under Marks’ direction, the Haël Factory both honored the German stoneware tradition of its region and exemplified the Bauhaus ideal of uniting Modern aesthetics with efficient mass production. With over one hundred employees, the factory produced boldly geometric tableware, some of which were painted with expressionistic brushwork, to consumers across Germany, the United States, and England. The exhibition also includes video footage of ceramic production at the factory. “The Modern ceramics created within Marks’ Haël Werkstätten, with their machine precision, expressive brushwork, and attention to vernacular German traditions, show the Bauhaus teaching’s thorough influence on the artist,” said Mel Buchanan, Mae E.
    [Show full text]
  • I Aeronautical Engineerfrljaer 3 I
    k^B* 4% Aeronautical NASA SP-7037 (103) Engineering December 1978 A Continuing SA Bibliography with Indexes National Aeronautics and Space Administration • L- I Aeronautical EngineerfrljAer 3 i. • erjng Aeronautical Engineerjn igineering Aeronautical Engim cal Engineering Aeronautical E nautical Engineering Aeronaut Aeronautical Engineering Aen sring Aeronautical Engineerinc . gineering Aeronautical Engine ;al Engineering Aeronautical E lautical Engineering Aeronaut Aeronautical Engineering Aerc ring Aeronautical Engineering ACCESSION NUMBER RANGES Accession numbers cited in this Supplement fall within the following ranges: STAR(N-10000 Series) N78-30038—N78-32035 IAA (A-10000 Series) A78-46603—A78-50238 This bibliography was prepared by the NASA Scientific and Technical Information Facility operated for the National Aeronautics and Space Administration by Informatics Information Systems Company. NASA SP-7037(103) AERONAUTICAL ENGINEERING A Continuing Bibliography Supplement 103 A selection of annotated references to unclas- sified reports and journal articles that were introduced into the NASA scientific and tech- nical information system and announced in November 1978 m • Scientific and Technical Aerospace Reports (STAR) • International Aerospace Abstracts (IAA) Scientific and Technical Information Branch 1978 National Aeronautics and Space Administration Washington, DC This Supplement is available from the National Technical Information Service (NTIS). Springfield. Virginia 22161. at the price code E02 ($475 domestic. $9.50 foreign) INTRODUCTION Under the terms of an interagency agreement with the Federal Aviation Administration this publication has been prepared by the National Aeronautics and Space Administration for the joint use of both agencies and the scientific and technical community concerned with the field of aeronautical engineering. The first issue of this bibliography was published in September 1970 and the first supplement in January 1971 Since that time, monthly supplements have been issued.
    [Show full text]