Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 09 annual report | 2009 annual report 2009 annual report 4 Board of Trustees 4 Committees of the Board of Trustees 7 President and Chairman’s Report 8 Director’s Report 11 Curatorial Report 15 Exhibitions 15 Traveling Exhibitions 16 Publications 17 Loans 19 Acquisitions 47 Attendance 48 Education and Public Programs 49 Year in Review 54 Development 57 Donors 67 Support Groups 71 Support Group Officers 74 Staff 76 Financial Report/Statements cover Beth Lipman, Laid Table (Still Life with Metal Pitcher), 2007. Purchase, Jill and Jack Pelisek Endowment, Jack Pelisek Funds, and various donors by exchange. Full credit listing on p. 29. left Evan Baden, Lila with Nintendo DS, 2007. Purchase, with funds from the Photography Council. Full credit listing on p. 28. Unless otherwise noted, all photographs of works in the Collection are by John R. Glembin. board of trustees Through August 31, 2009 BOARD OF TRUSTEES auxiliary Christine Symchych Photography A. Raymond Kehm W. Kent Velde spokespersons Frederick Vogel III Committee Gail A. Lione Chairman Catharine D. Malloy Robert A. Wagner Kevin Miyazaki Joan Lubar Raymond R. Krueger President, Collectors’ Hope Melamed Winter Chair Marianne Lubar Linda Marcus President Corner Carol Lewensohn Jill G. Pelisek Carol Bessler acquisitions and Vice Chair Betty Ewens Quadracci collections Dorothy M. Stadler President, Garden Club Secretary committee Barbara Ciurej Mary Strohmaier Danny L. Cunningham subcommittees George A. Evans, Jr. F. William Haberman Treasurer COMMITTEES OF THE Annual Campaign BOARD OF TRUSTEES Decorative Arts Lindsay Lochman Committee Frederic G. Friedman Committee Madeleine Lubar Jill G. Pelisek Assistant Secretary and executive committee Constance Godfrey Marianne Lubar Chair Legal Counsel Raymond R. Krueger Cardi Smith Chair Andrea B. Bryant Chair Christine Symchych Barbara Buzard Sue Frautschi members at large Frederick Vogel IV Christopher S. Abele Mary Caan* Jean Friedlander Christopher S. Abele Donald W. Baumgartner Barbara Elsner Frederic G. Friedman Lori Bechthold Prints and Drawings Valerie B. Clarke George A. Evans, Jr. Ellen Glaisner Randy Bryant Committee Danny L. Cunningham Barbara Fuldner Judy Gordon Valerie B. Clarke Kent Anderson Frederic G. Friedman Denise Hice Judy Jorgensen Michael J. Cudahy Chair Ellen Glaisner Marianne Lubar A. Raymond Kehm Curt S. Culver Kenneth C. Krei Nicole Teweles Roger L. Boerner Donna Meyer Stephen Einhorn Gail A. Lione Anne Vogel Lois Ehlert Joan Nason Jane Fee Marianne Lubar Frederick Vogel III Laurence Eiseman, Jr. William L. Randall Marvin L. Fishman* P. Michael Mahoney Robert A. Wagner Marianne Epstein Sandra Robinson Julie Gardner R. Bruce McDonald George A. Evans, Jr. Sally Schuler Ellen Glaisner Anthony J. Petullo Earlier European Arts Julia Evans Suzanne L. Selig Judy Gordon Betty Ewens Quadracci Committee Jean Friedlander Dorothy M. Stadler Carmen Haberman William L. Randall Robert Roth Arthur A. Gebhardt Patricia Jursik W. Kent Velde George T. Jacobi Planned Giving W. David Knox II Chair A. Raymond Kehm Committee Anthony S. Krausen Geoffrey Maclay acquisitions and Marianne Lubar Andrea B. Bryant Kenneth C. Krei Vice Chair collections David Ritz Jill G. Pelisek Gail A. Lione Marianne Lubar Miriam Abele Co-Chairs Joan Lubar Chair Lisa Bissonette audit committee Marianne Lubar Lorraine Croft R. Bruce McDonald Donn Dresselhuys George A. Evans, Jr. Dale R. Faught P. Michael Mahoney Stephen Einhorn Chair R. Bruce McDonald Vice Chair Frederic G. Friedman George A. Evans, Jr. Danny L. Cunningham Lawrence W. Oliverson Donald W. Baumgartner Ed Hashek Robert Foote William Hunt José A. Olivieri Karen Johnson Boyd Judy Jorgensen Arthur J. Laskin Sheldon B. Lubar Jill G. Pelisek Marilyn Bradley Sally Schuler Helen Peter Love Stacy G. Terris Anthony J. Petullo Andrea B. Bryant Marianne Lubar W. Kent Velde William L. Randall Margaret Chester Marjorie Moon education and Marcia Rimai Stephen Einhorn public programs Frank A. Murn development Joe Sanfelippo Arthur A. Gebhardt Doug Pearson committee Richard L. Schmidt, Jr. F. William Haberman committee Christopher S. Abele James Quirk Ellen Glaisner Suzanne L. Selig Anthony S. Krausen Larry Salustro Chair Chair Dorothy M. Stadler Arthur J. Laskin Andrea Schloemer Kim Abler Christine Symchych Gail A. Lione Sally Schuler Frederic G. Friedman John Augenstein Stacy G. Terris Wayne R. Lueders Kenneth Treis Co-Chair Thomas Buck Frederick Vogel IV Marjorie Moon William Treul Curt S. Culver José Chavez Jeffery W. Yabuki Anthony J. Petullo Jean Friedlander Marlene Doerr Andrew A. Ziegler Richard R. Pieper Judy Gordon Daniel Donder Sandra Robinson Carmen Haberman Jane Fee Reva Shovers Sarah Jerome 4 | | 2009 annual report Judy Jorgensen Jess E. Merten Betty Ewens Quadracci LAYTON ART A. Raymond Kehm Marcia Rimai Christine Symchych COLLECTION, INC. Janet Matthews W. Kent Velde Frederick Vogel IV BOARD OF TRUSTEES Nancy Mitchell Frederick Vogel IV Phillip Naylor human resources WAR MEMORIAL President Sue Nelson and remuneration CORPORATION José A. Olivieri committee BOARD OF TRUSTEES Constance Godfrey Betty Ewens Quadracci Kenneth C. Krei art museum Vice President Cindy Zautcke Chair representatives Robert A. Wagner Raymond R. Krueger P. Michael Mahoney Treasurer W. Kent Velde exhibitions P. Michael Mahoney George A. Evans, Jr. committee José A. Olivieri Secretary Anthony J. Petullo Anthony J. Petullo PRESIDENTS Thomas B. Fitzgerald Chair Deloris Sims EMERITUS COUNCIL Pieter Y. Godfrey Christopher S. Abele W. Kent Velde AND CHAIRPERSONS Kathleen Huston Raab Karen Johnson Boyd SINCE 1968 Mary Read Valerie B. Clarke Roger L. Boerner investment Polly Van Dyke Stephen Einhorn 1968–1971 committee William Van Dyke Jean Friedlander P. Michael Mahoney Arnold D. K. Mason* Frederick Vogel III Carmen Haberman Chair 1971–1973 George T. Jacobi Robert V. Krikorian* Curt S. Culver Daniel T. Keegan Judy Jorgensen 1973–1977 Mark G. Doll Curator of the Jane L. Kaiser Sheldon B. Lubar Richard J. Glaisner Collection W. David Knox II Raymond R. Krueger 1977–1980 Anthony S. Krausen Wayne R. Lueders Lloyd W. Herrold Kenneth C. Krei Allen M. Taylor 1980–1983 * Deceased Raymond R. Krueger W. Kent Velde David T. Kahler Donna Meyer 1983–1986 Betty Ewens Quadracci nominations Robert Feitler Suzanne L. Selig and governance 1986–1989 Dorothy M. Stadler committee Susan M. Jennings Christine Symchych Gail A. Lione 1989–1992 Lynde B. Uihlein Allen L. Samson Chair Frederick Vogel IV 1992–1995 Christopher S. Abele P. Michael Mahoney facilities Donald W. Baumgartner 1995–1998 committee Raymond R. Krueger Frank J. Pelisek* Donald W. Baumgartner Marianne Lubar 1998–2001 Chair Betty Ewens Quadracci Donald W. Baumgartner Suzanne L. Selig 2001–2004 Steven G. Chamberlin W. Kent Velde David Drent Sheldon B. Lubar Richard J. Glaisner Frederic G. Friedman, 2004–2005; Richard L. Schmidt, Jr. Ex-Officio Chair, 2005–2009 Frederick Vogel IV Andrew A. Ziegler 2005–2007 public affairs W. Kent Velde finance committee committee 2007–2009; Danny L. Cunningham William L. Randall Chair, 2009– Chair Chair Raymond R. Krueger David Bauer Christopher S. Abele 2009– Donald W. Baumgartner Randy Bryant Richard J. Glaisner Anthony S. Krausen Raymond R. Krueger Raymond R. Krueger Sheldon B. Lubar Joan Lubar P. Michael Mahoney H. Carl Mueller 2009 annual report | | 5 president and chairman’s report We are pleased to announce that the twelve months covered by this report (September 1, 2008–August 31, 2009) again saw a balanced budget in spite of continued economic challenges. Thanks to the hard work and commitment of everyone at the Milwaukee Art Museum, the Museum remained vibrant and its high-quality programming continued during one of the largest economic downturns in generations. The Museum’s exhibition and education programs again drew national attention and critical acclaim, with nearly 300,000 visitors taking part. And the feature exhibition program offered new ways to engage with art, shed light on a great master painter, and delivered a double-feature, of sorts, that was not to be missed: Act/React: Interactive Art, the first exhibition of its kind Raymond R. Krueger in an art museum to present intuitive, digitally developed interactive art; Jan Lievens: A Dutch Master Rediscovered, which spotlighted an artist who worked within Rembrandt’s circle; and the two-part American Originals exhibitions, The Eight and American Modernisms and The Artistic Furniture of Charles Rohlfs, which continues to travel nationwide. But these accomplishments came with sacrifice as well. We also thank the Board of Trustees for the continued For in this economic recession, it was also necessary dedication, support, advice, and guidance in helping to tighten the budget and make difficult decisions us make the Museum great. It is an honor to serve as regarding expense reduction and staffing. While the leadership of the Milwaukee Art Museum Board. no organization wants to make these adjustments, few would disagree with the need to do so. We were As we look forward to two major anniversaries, in pleased to see a plan for this fiscal year that included 2011, ten years since the completion of the Quadracci W. Kent Velde key elements designed to strengthen visitor Pavilion, the Calatrava-designed addition, and in 2013, experiences, enhance education programs, and the 125th anniversary of the Museum’s founding, plans build on our decades-long tradition of world-class are underway to celebrate our history and prepare for exhibitions. These accomplishments are even more our future. In the months ahead, Museum Board meaningful in today’s economic climate. leadership, along with Director Dan Keegan and his staff, will continue work on these plans, which will The Museum continues to benefit from its strong include sustaining support for the next generation of membership base, support groups, volunteer corps, museum-goers, encouraging legacy gifts, and honoring and Board. We would like to extend our deep gratitude those who, over the decades, have contributed so to the many thousands of loyal Members, and many much to making this great institution possible. hundreds of volunteers and docents who provide countless hours of service to the Museum.
Recommended publications
  • UCI Approved List
    LIST OF APPROVED MODELS OF FRAMES AND FORKS Version on 11.08.2016 The Approval Procedure of bicycle frames and came into force on 1 January 2011 in accordance with Article 1.3.001bis of the UCI Regulations. From this date, all new models of frames and forks used by licence holders in road (RD), time trial (TT), track (TR) and cyclo-cross (CX) events must be approved on the basis of the Approval Protocol for Frames and Forks available from the UCI website. Approval by the UCI certifies that the new equipment meets the shape requirements set out in the UCI regulations. However, this approval does not certify in any case the safety of the equipment which must meet the applicable official quality and safety standards, in accordance with Article 1.3.002 of the UCI regulations. The models which are subject to the approval procedure are: all new models of frames and forks used by licence holders in road, track or cyclo-cross events, all models of frames and forks under development on 1 January 2011 which had not yet reached the production stage (the date of the order form of the moulds is evidence), any changes made to the geometry of existing models after 1 January 2011. Models on the market, at the production stage or already manufactured on 1 January 2011 are not required to be approved during the transition stage. However, the non-approved models have to comply in any case with the UCI technical regulations (Articles 1.3.001 to 1.3.025) and are subjects to the commissaires decision during events.
    [Show full text]
  • The Los Angeles
    Otis College of Art and Design Ben Maltz Gallery 9045 Lincoln Boulevard, Los Angeles, CA 90045 www.otis.edu/benmaltzgallery; [email protected]; (310) 665-6905 ©2014, Binding Desire: Unfolding Artists Books Otis College of Art and Design, Ben Maltz Gallery ISBN: 0-930209-34-6 This book is published in conjunction with the exhibition Binding Desire: Unfolding Artists Books, January 25-March 30, 2014, organized by the Ben Maltz Gallery at Otis College of Art and Design. The project is funded in part by The Gladys Krieble Delmas Foundation. All rights reserved. No part of this book may be reproduced in any form by any electronic or me- chanical means (including photography, recording, or information stor- age and retrieval) without permission in writing from publisher. Publisher: Otis College of Art and Design, Ben Maltz Gallery Editors: Cathy Chambers, Meg Linton, Sue Maberry Designer: Sheldon Forbes Publication Format: iBook Images: Unless noted otherwise, photography and videography by Kathleen Forrest, Derek McMullen, Sarah Morton, and Chris Warner i Contents • Introduction – Meg Linton • L.A. Bound – Kathleen Walkup • Plates of Works in the Exhibition • Curricular Connections • Public Programming • Biographies • Acknowledgements ii Introduction by Meg Linton Binding Desire: Unfolding Artists Books presents a sampling of works from the Otis Millard Sheets Library’s Spe- cial Collection of artists’ books dating from the 1960s to the present. This teaching collection is one of the larg- est in Southern California with over 2,100 objects and it includes work by such luminaries as Vito Acconci, Joseph Beuys, and Ed Ruscha as well as significant work from major pro- duction centers like Beau Geste Press, Paradise Press, Printed Matter, Red Fox Press, and Women’s Studio Workshop.
    [Show full text]
  • Mapping Robert Storr
    Mapping Robert Storr Author Storr, Robert Date 1994 Publisher The Museum of Modern Art: Distributed by H.N. Abrams ISBN 0870701215, 0810961407 Exhibition URL www.moma.org/calendar/exhibitions/436 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art bk 99 £ 05?'^ £ t***>rij tuin .' tTTTTl.l-H7—1 gm*: \KN^ ( Ciji rsjn rr &n^ u *Trr» 4 ^ 4 figS w A £ MoMA Mapping Robert Storr THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK (4 refuse Published in conjunction with the exhibition Mappingat The Museum of Modern Art, New York, October 6— tfoti h December 20, 1994, organized by Robert Storr, Curator, Department of Painting and Sculpture The exhibition is supported by AT&TNEW ART/NEW VISIONS. Additional funding is provided by the Contemporary Exhibition Fund of The Museum of Modern Art, established with gifts from Lily Auchincloss, Agnes Gund and Daniel Shapiro, and Mr. and Mrs. Ronald S. Lauder. This publication is supported in part by a grant from The Junior Associates of The Museum of Modern Art. Produced by the Department of Publications The Museum of Modern Art, New York Osa Brown, Director of Publications Edited by Alexandra Bonfante-Warren Designed by Jean Garrett Production by Marc Sapir Printed by Hull Printing Bound by Mueller Trade Bindery Copyright © 1994 by The Museum of Modern Art, New York Certain illustrations are covered by claims to copyright cited in the Photograph Credits.
    [Show full text]
  • Richard's 21St Century Bicycl E 'The Best Guide to Bikes and Cycling Ever Book Published' Bike Events
    Richard's 21st Century Bicycl e 'The best guide to bikes and cycling ever Book published' Bike Events RICHARD BALLANTINE This book is dedicated to Samuel Joseph Melville, hero. First published 1975 by Pan Books This revised and updated edition first published 2000 by Pan Books an imprint of Macmillan Publishers Ltd 25 Eccleston Place, London SW1W 9NF Basingstoke and Oxford Associated companies throughout the world www.macmillan.com ISBN 0 330 37717 5 Copyright © Richard Ballantine 1975, 1989, 2000 The right of Richard Ballantine to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. • All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. 1 3 5 7 9 8 6 4 2 A CIP catalogue record for this book is available from the British Library. • Printed and bound in Great Britain by The Bath Press Ltd, Bath This book is sold subject to the condition that it shall nor, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
    [Show full text]
  • Pseudoscience and Science Fiction Science and Fiction
    Andrew May Pseudoscience and Science Fiction Science and Fiction Editorial Board Mark Alpert Philip Ball Gregory Benford Michael Brotherton Victor Callaghan Amnon H Eden Nick Kanas Geoffrey Landis Rudi Rucker Dirk Schulze-Makuch Ru€diger Vaas Ulrich Walter Stephen Webb Science and Fiction – A Springer Series This collection of entertaining and thought-provoking books will appeal equally to science buffs, scientists and science-fiction fans. It was born out of the recognition that scientific discovery and the creation of plausible fictional scenarios are often two sides of the same coin. Each relies on an understanding of the way the world works, coupled with the imaginative ability to invent new or alternative explanations—and even other worlds. Authored by practicing scientists as well as writers of hard science fiction, these books explore and exploit the borderlands between accepted science and its fictional counterpart. Uncovering mutual influences, promoting fruitful interaction, narrating and analyzing fictional scenarios, together they serve as a reaction vessel for inspired new ideas in science, technology, and beyond. Whether fiction, fact, or forever undecidable: the Springer Series “Science and Fiction” intends to go where no one has gone before! Its largely non-technical books take several different approaches. Journey with their authors as they • Indulge in science speculation—describing intriguing, plausible yet unproven ideas; • Exploit science fiction for educational purposes and as a means of promoting critical thinking; • Explore the interplay of science and science fiction—throughout the history of the genre and looking ahead; • Delve into related topics including, but not limited to: science as a creative process, the limits of science, interplay of literature and knowledge; • Tell fictional short stories built around well-defined scientific ideas, with a supplement summarizing the science underlying the plot.
    [Show full text]
  • GUILLERMO KUITCA Biography
    SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com GUILLERMO KUITCA Biography 1961 Born Buenos Aires, Argentina. Lives and works in Buenos Aires. Awards 2018 Chevalier de l’Ordre des Arts et des Lettres, France Selected Solo Exhibitions 1974 Galeria Lirolay, Buenos Aires 1978 Galeria Christel K., Buenos Aires 1980 Fundacion San Telmo, Buenos Aires 1984 Galeria Del Retiro, Buenos Aires 1985 Elizabeth Franck Gallery, Knokke-Le-Zoute, Belgium (catalogue) 1986 “Guillermo Kuitca: Siete Ultimas Canciones,” Galeria del Retiro, Buenos Aires Thomas Cohn Arte Contemporanea, Rio de Janeiro 1987 Galeria del Retiro, ARCO, Feria Internacional de Arte Contemporanea, Madrid (catalogue) Galeria Paulo Figueiredo, Sao Paulo 1989 Thomas Cohn Arte Contemporanea, Rio de Janeiro Galeria Atma, San Jose, Costa Rica Argentina Pavilion, “XVIII Bienal,” Sao Paulo (catalogue) 1990 Annina Nosei Gallery, New York Galerie Barbara Farber, Amsterdam (catalogue) “Guillermo Kuitca,” Kunsthalle Basel, Basel Thomas Solomon’s Garage, Los Angeles “Guillermo Kuitca,” Witte de With Center for Contemporary Art, Rotterdam (catalogue) “Guillermo Kuitca,” Stadtisches Museum, Mulheim 1990-91 Galleria Gian Enzo Sperone, Rome, 14 December 1990 – 15 January 1991 (catalogue) 1991 Annina Nosei Gallery, New York (catalogue) Galerie Barbara Farber, Amsterdam 1991-92 “Projects 30: Guillermo Kuitca,” The Museum of Modern Art, New York, 13 September – 29 October 1991; Newport Harbor Art Museum, Newport Beach, 7 February – 29 March 1992;
    [Show full text]
  • Colson Biography
    2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com GREG COLSON BIOGRAPHY Born Seattle, WA. BA, California State University, Bakersfield, CA. MFA, Claremont Graduate School, CA. Lives and works in Venice, CA. SELECTED SOLO EXHIBITIONS 2013 Patrick Painter Inc, Santa Monica, CA. 2012 Patrick Painter Inc, Santa Monica, CA. Baldwin Gallery, Aspen, CO. 2010 William Griffin Gallery, Santa Monica, CA. 2008 William Griffin Gallery, Santa Monica, CA. 2007 William Griffin Gallery, Santa Monica, CA. 2006 Baldwin Gallery, Aspen, CO. 2005 Griffin Contemporary, Santa Monica, CA. 2004 Griffin Contemporary, Santa Monica, CA. 2002 Sprovieri, London, England Art Affairs, Amsterdam, The Netherlands Baldwin Gallery, Aspen, CO. 2001 Sperone Westwater, New York, N.Y. Galleria Cardi, Milan, Italy Griffin Contemporary, Venice, CA. 1999 John Berggruen Gallery, San Francisco, CA. Gian Enzo Sperone, Rome, Italy Griffin Contemporary, Venice, CA. 1998 Milleventi, Milan, Italy Griffin Contemporary, Venice, CA. 1997 Angles Gallery, Santa Monica, CA. 1996 Krannert Art Museum, University of Illinois, Urbana-Champaign 1995 Angles Gallery, Santa Monica, CA. 1994 Kunsthalle Lophem, Bruges, Belgium Sperone Westwater, New York, N.Y. 1993 Angles Gallery, Santa Monica, CA. 2525 Michigan Ave., Unit B2, Santa Monica, CA USA 90404 T/ 310 264 5988 F/ 310 828 2532 www.patrickpainter.com 1992 Gian Enzo Sperone, Rome, Italy 1991 Konrad Fischer, Dusseldorf, Germany Sperone Westwater, New York, N.Y. 1990 Angles Gallery, Santa Monica, CA. Sperone Westwater, New York, N.Y. 1988 Angles Gallery, Santa Monica, CA. Lannan Museum, Lake Worth, FL. 1987 Angles Gallery, Santa Monica, CA.
    [Show full text]
  • Supplemental Reading and Context
    ONDON L USEUM, M AL WAR I IMPER HISTORY, PERSPECTIVE, OPINIONS; SUPPLEMENTAL READING AND conteXT for Theater Latté Da’s production of All Is Calm IMPERIAL WAR MUSEUM, 1914 2 CREATING ALL IS CALM I studied World War I in high school and college, but I don’t remember reading about the Christmas Truce in any of my textbooks. If I had, I 3 certainly would have remembered. This extraordinary event took place in A HISTORY OF THE 1914, the first year of the war, and was never repeated. Thousands of men CHRISTMAS TRUCE OF 1914 put down their guns and left their trenches to meet their enemies in No Man’s Land. They exchanged gifts of tobacco, rum and chocolates; even photographs of loved ones. They sang songs, played a game of soccer, and 7 buried each other’s dead. Upon orders from above, they eventually returned IN THEIR OWN WORDS; to their trenches and re-instigated a war that would last four more years. RECOLLECTIONS OF THE TRUCE So why did I not learn of this remarkable event? The propaganda machine of war is powerful, and news of soldiers fraternizing across enemy lines humanize the Germans and readily undermine public support for the war. 11 The heroes of this story are the lowest of the ranks — the young, the LIFE IN THE TRENCHES hungry, the cold, and the optimistic — those who acted with great courage to put down their guns, overcoming a fear that placed a gun in their hands in the first place. Their story puts a human face on war, and that’s the story 12 I hope to tell.
    [Show full text]
  • Minutes of the Meeting of the State Board of Agriculture June 12, 1942
    Minutes of the Meeting of the State Board of Agriculture June 12, 1942 Present: Mr* Berkey (Chairman); Messrs* Akers, Brody, Jakway, McPherson; Mrs. Masselink; Presi­ dent Hannah: Treasurer Wilkins; Secretary McDonel. Absent: Dr. Elliott. The Board members convened for dinner at 6:00 P.M. in the Presidents Dining Ptoom at the Union, after which the meeting was called to order in the Board Room at 7:15 P.M. The minutes of the previous meeting were approved. RESIGNATIONS 1. Resignation of Raymond T. Ohl, Assistant Professor in Foreign Languages, effective August 3V1942. 2. Resignation of Priscilla Long, Secretary to the Director of the Experiment Station, effec­ tive June 6, 1942. 3* Resignation of Miss Margaret Fill as half-time clerk in Horticulture Extension, effective May 31/1942. :4-. Correction in the date of resignation of Cathryn Bertram. Her resignation should be effec­ tive May 23, 1942, rather than May 31, 1942. 5* Resignation of Mrs, Marian Wood Peterman as stenographer in Farm Crops, effective June 15, I942. Mrs. Peterman has accepted a position with the Olds Motor Company. 6. Resignation of Mrs. Alice Steinbacher, stenographer in Engineering, effective June 15, 1942.. Mrs. Steinbacher will accompany her husband to the west coast. On motion of Mr. Brody, seconded by Mr. Jakway, it was voted to accept the Resignations. LEAVES :.'. 1. Leave of absence without pay for eight months for Arnold L. Williams, Instructor in English, effective January 1, 1943 • Dr. Williams has been granted a fellowship from the Huntington . Library. 2. Extension of leave of absence with pay for A.
    [Show full text]
  • R F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION
    F RIN ~ r F;;A SOUTHEASTERN WISCONSIN REGIONAL PLANNING COMMISSION KENOSHA COUNTY RACINE COUNTY Francis J. Pitts John R. Hansen TECHNICAL ADVISORY COMMITTEE ON THE STUDY OF Mary A. Plunkett Earl G. Skagen INDUSTRIAL LAND USE FOR SOUTHEASTERN WISCONSIN Sheila M. Siegler Michael W. Wells Arnold L. Clement ........................Planning and Development MILWAUKEE COUNTY WALWORTH COUNTY Chairman Director, Racine County Irene M. Brown John D. Ames Paul Milewski ............................. Director of Community Richard W. Cutler, Anthony F. Balestrieri Vice-Chairman Development, City of Oak Creek Secretary Allen L. Morrison Kurt W. Bauer ............... Executive Director, Southeastern Wisconsin Harout O. Sanasarian, Secretary Regional Planning Commission Vice·Chairman Frank H. Dobbs .................. Planning Director, Walworth County Park and Planning Commission James N. Dollhausen ...............Director of Planning, City of Mequon OZAUKEE COUNTY WASHINGTON COUNTY Edward F. Dorsey ..............Administrative Coordinator for Economic Allen F. Bruederle Harold F. Ryan Development, Wisconsin Gas Company Sara L. Johann Thomas J. Sackett William R. Drew ................... Commissioner, Department of City Alfred G. Raetz, Frank F. Uttech Development, City of Milwaukee Chairman Ray Forgianni. ........................ Director, Department of City Development, City of Kenosha Michael C. Harrigan ................. Administrator, Village of Saukville WAUKESHA COUNTY Frank M. Hedgcock ....................... Community Development Robert F. Hamilton
    [Show full text]
  • Framebuilder Entrepreneurship Joshua Shuart Sacred Heart University, [email protected]
    New England Journal of Entrepreneurship Volume 17 | Number 1 Article 7 2014 Framebuilder Entrepreneurship Joshua Shuart Sacred Heart University, [email protected] Follow this and additional works at: https://digitalcommons.sacredheart.edu/neje Part of the Entrepreneurial and Small Business Operations Commons Recommended Citation Shuart, Joshua (2014) "Framebuilder Entrepreneurship," New England Journal of Entrepreneurship: Vol. 17 : No. 1 , Article 7. Available at: https://digitalcommons.sacredheart.edu/neje/vol17/iss1/7 This Research Article is brought to you for free and open access by the Jack Welch College of Business at DigitalCommons@SHU. It has been accepted for inclusion in New England Journal of Entrepreneurship by an authorized editor of DigitalCommons@SHU. For more information, please contact [email protected], [email protected]. Shuart: Framebuilder Entrepreneurship Framebuilder Entrepreneurship Joshua Shuart he handmade bicycle industry has grown exponentially over the past decade. Although existing for decades in much smaller numbers, the popularity and credibility of framebuilder entre- preneurship—custom, handmade bike frames—has increased Tsignificantly in the past 10 years. The companies that specialize in custom -producing bicycle frames vary in size, scope, reputation, profitability, and even building materials. Keywords: framebuilder, bicycles, marketing, velocipede A Framebuilders’ Primer Two major initiatives have aided the ascension of framebuild- ing entrepreneurs into the media spotlight—the establishment and perpetuation of The Framebuilders’ Collective (TFC) and the first annual North American Handmade Bicycle Show (NAHBS) in 2005. The Framebuilders’ Collective TFC is a group of some of the most influential, powerful, and successful framebuilding individuals and companies in the in- dustry. Currently, TFC includes 14 members, 7 of which were founding members (see Figure 1).
    [Show full text]
  • RCN#59 Sept./Oct
    Issue # 59 Sept/Oct 2000 Chopper Recumbents in New Mexico In This Issue Editorial License: The PT Kruise Touring : High Plains Shifter Recumbent Adventures in Eastern Oregon Chopper Recumbents The Recumbent Bicycle Road Test: The Angletech Altitude Dan Henry’s 1960’s Full Suspension LWB a.k.a. Boulder Galaxy Kelvin Clark’s Recumbent Anthology The World of Human Powered Boats An Interview with Easy Racers Gardner Martin Sea Trials: —Nauticraft Escapade Sea Trials—The Sea Cycle Editorial License PO Box 2048, Port Townsend, WA 98368 RCN#59 Sept./Oct. 2000 The PT Kruise The Recumbent Enthusiast’s by Bob Bryant Publication, since 1990 Sometimes it seems as though I’m the luckiest Harbor on San Juan Island. Recumbent Cyclist News is published six guy around. My daily bike ride allows me to Being that PT is a small town, you must ride times per year. US subscription rates are: pedal around paradise. The smells, scenery and slowly to take it all in. Cruising through town is $32 1-Year 6-Issues or $60 2-Year 12 Issues. experience can be surreal. lots of fun. Refreshments can be had at the The ride takes me throughout the Quimper world’s best hot dog stand, Dogs-A-foot (try the Contact us at: Peninsula at the ‘end of the road’ in and foot-long with everything), Elevated Ice Cream PO Box 2048 around the small Victorian Seaport of Port (try the Espresso Sundae: coffee ice cream, 2 Port Townsend, WA 98368 Townsend, Washington that we now call home. shots poured over the top with whipped cream Tel.
    [Show full text]