DOCSLIB.ORG

Jesus, Mary Magdalene, and the Da Vinci Code a Sermon by Dr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jesus, Mary Magdalene, and the Da Vinci Code a Sermon by Dr Jesus, Mary Magdalene, and The Da Vinci Code A Sermon by Dr. Erwin Lutzer, author of The Da Vinci Deception I. Introduction – What’s the big deal about The Da Vinci Code? A. The Da Vinci Code, the bestselling novel by Dan Brown, is written so well that it’s causing people to believe absurd fiction is fact – and rocking the faith of millions. The author implies that the fiction is based on fact and offers a very deceptive view of the life of Jesus and the claims of Christianity. 1. The book claims that Jesus was married to Mary Magdalene and their children intermarried with the French Royal Line. 2. It makes the case that the church has orchestrated a conspiracy to hide this secret that has been whispered about in art, music, and literature for centuries. 3. The book says the paintings of Leonardo da Vinci are an example of this hidden truth and contain some of the most dramatic evidence of the relationship between Jesus and Mary Magdalene. B. What is the author’s agenda? 1. To attack Jesus Christ, the church, and those of us who are His followers and call Him Savior and Lord. 2. To convince the world that Christianity was invented to suppress women and turn people away from the “divine feminine.” (This notion is of particular interest to extreme feminists who see a return to goddess-worship as a central need for our times.) 3. To better understand the author’s agenda, review the beliefs of Gnosticism and the Gnostic Gospels. II. Specific claims from The Da Vinci Code that purport that Christianity is a lie. A. Jesus and Mary Magdalene’s story 1. The book claims that Jesus and Mary married and had a daughter. After Jesus’ crucifixion, Mary and her daughter went to Gaul (France), and there they established the Merovingian line of French royalty. 2. This dynasty, we are told, continues in the mysterious organization known as the Priory of Sion, a secret organization whose military wing was the Knights Templar. Members of this organization supposedly include Leonardo da Vinci, Isaac Newton, and Victor Hugo. To this day, the relics of Mary and the records excavated by the Templars are guarded, shrouded in secrecy and mystery. B. Christianity is based on a few big lies 1. The book claims that Jesus was not God, and that his followers attributed deity to Him to consolidate male rule and to oppress the worshippers of the “divine feminine.” 2. At the Council of Nicea, Constantine invented the idea of the deity of Christ so that he could eliminate all opposition, declaring dissenters heretics. 3. The Council also apparently decided to regard the present canonical Scriptures as infallible to insure the male controls of the Church. C. The “real” truth is being preserved 1. Codes and symbols were devised to preserve the “real” story about Mary and to avert the wrath of the Catholic Church. 2. The Priory of Scion preserves its own version of the Jesus and Mary story without having to tell the whole truth. 3. Aware of all of this, Da Vinci paints The Last Supper with John sitting at the right hand of Jesus. But John’s features are feminine; it turns out that the person to the right of Jesus is not John, but Mary Magdalene. D. God intended Mary to lead the Church 1. According to Brown, Jesus intended Mary Magdalene to lead the Church, but Peter protested. As a result, Mary was declared a prostitute and cut out of the leadership. 2. The Church wanted a celibate male Savior who would perpetuate male oppression. So, after her husband was crucified, Mary went to Gaul, taking her daughter and the Holy Grail with her. 3. The New Testament is the result of a male-dominated leadership that invented Christianity to suppress opposition to the Roman Empire and oppress women. 4. Jesus was the original feminist, but His wishes were ignored to foster the male agenda. E. The Holy Grail is actually Mary Magdalene. She is the vessel that held the blood of Christ in her womb while bearing his child. F. Quest for the Grail is actually a quest for Mary Magdalene’s remains 1. Knights who sought a chalice were incorrect. 2. The book ends with the main character in a tunnel under the Louvre in Paris, praying at what could be Mary Magdalene’s tomb. “The quest for the Holy Grail is the quest to kneel before the bones of Mary Magdalene. A journey to pray at the feet of the outcast one.” III. We must be ready to counter The Da Vinci Code with facts A. Study the Council of Nicea 1. Is it true that Constantine invented the doctrine of the deity of Christ? No. Constantine did convene the Council and did give the opening speech, but the rest of the book’s comments are fiction. 2. The deity of Christ is taught in the New Testament and it was the teaching of the church prior to the Council of Nicea in 325 A.D. B. Development of New Testament canon 1. Constantine did not disqualify 80 other books as The Da Vinci Code claims. 2. New Testament canon has an entirely different history. C. Compare the Gnostic Gospels with the New Testament Gospels 1. The Gnostic Gospels claim that Jesus kissed Mary Magdalene and that she received a special revelation from Him regarding her leadership of the church after his death. 2. We believe the Gnostic Gospels are fraudulent. Early Christian writers including Ignatius warned about the teachings of the Gnostics in the second century. D. Could Jesus have been married? 1. It is unthinkable that Jesus the God-man could be joined to a sinner in the most intimate physical human bond. 2. 2. If Jesus had been married, at least one of the Gospel writers would have mentioned it. 3. The Bible declares his future bride to be the Church. E. Contrast the supposed historical basis of The Da Vinci Code with the careful history of the New Testament writers. For detailed information and refutation of The Da Vinci Code, see The Da Vinci Deception, by Dr. Erwin Lutzer..
Load more

Recommended publications
  • 5 the Da Vinci Code Dan Brown
    The Da Vinci Code By: Dan Brown ISBN: 0767905342 See detail of this book on Amazon.com Book served by AMAZON NOIR (www.amazon-noir.com) project by: PAOLO CIRIO paolocirio.net UBERMORGEN.COM ubermorgen.com ALESSANDRO LUDOVICO neural.it Page 1 CONTENTS Preface to the Paperback Edition vii Introduction xi PART I THE GREAT WAVES OF AMERICAN WEALTH ONE The Eighteenth and Nineteenth Centuries: From Privateersmen to Robber Barons TWO Serious Money: The Three Twentieth-Century Wealth Explosions THREE Millennial Plutographics: American Fortunes 3 47 and Misfortunes at the Turn of the Century zoART II THE ORIGINS, EVOLUTIONS, AND ENGINES OF WEALTH: Government, Global Leadership, and Technology FOUR The World Is Our Oyster: The Transformation of Leading World Economic Powers 171 FIVE Friends in High Places: Government, Political Influence, and Wealth 201 six Technology and the Uncertain Foundations of Anglo-American Wealth 249 0 ix Page 2 Page 3 CHAPTER ONE THE EIGHTEENTH AND NINETEENTH CENTURIES: FROM PRIVATEERSMEN TO ROBBER BARONS The people who own the country ought to govern it. John Jay, first chief justice of the United States, 1787 Many of our rich men have not been content with equal protection and equal benefits , but have besought us to make them richer by act of Congress. -Andrew Jackson, veto of Second Bank charter extension, 1832 Corruption dominates the ballot-box, the Legislatures, the Congress and touches even the ermine of the bench. The fruits of the toil of millions are boldly stolen to build up colossal fortunes for a few, unprecedented in the history of mankind; and the possessors of these, in turn, despise the Republic and endanger liberty.
    [Show full text]
  • The Da Vinci Code Phenomenon: a Brief Overview and Response
    THE DA VINCI CODE PHENOMENON: A BRIEF OVERVIEW AND RESPONSE J.B. HIXSON Assistant Academic Dean College of Biblical Studies Houston, Texas I. INTRODUCTION Dan Brown’s book, The Da Vinci Code,1 gives a fictional account of a Harvard researcher named Robert Langdon. In the story, Langdon is called upon to analyze Leonardo Da Vinci’s work and decode its hidden mysteries. What he uncovers is an elaborate scheme of secret societies, religious conspiracies, and centuries old cover ups. His investigation does not sit well with the religious establishment and he quickly becomes a marked man. So goes the plot of this entertaining and influential novel. Dan Brown’s novel has generated no shortage of analysis. To date, the Code has been cracked, broken, solved, decoded, exposed, scruti- nized, dismantled and otherwise deftly refuted in at least thirteen pub- lished books and hundreds more electronic articles on various websites.2 1 Dan Brown, The Da Vinci Code: A Novel (New York: Doubleday, 2003). 2 See Richard Abanes, The Truth Behind the Da Vinci Code (Eugene, OR: Harvest House Publishers, 2004); Darrell L. Bock, Breaking the Da Vinci Code: Answers to the Questions Everybody's Asking (Nashville: Thomas Nelson, 2004); Secrets of the Code: The Unauthorized Guide to the Mysteries Behind The Da Vinci Code, ed. Dan Burstein (New York: CDS Books, 2004); Simon Cox, Cracking the Da Vinci Code (New Dehli: Sterling Publishing, 2004); James L. Garlow and Peter Jones, Cracking Da Vinci’s Code (Colorado Springs: Cook Communications, 2004); Brandon Gilvin, Solving the Da Vinci Code Mystery (St.
    [Show full text]
  • Sacred Feminine Symbol Described in Dan Brown’S the Da Vinci Code
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Udinus Repo SACRED FEMININE SYMBOL DESCRIBED IN DAN BROWN’S THE DA VINCI CODE A THESIS Submitted in partial fulfillment of the requirements for the completion for the Degree of Sarjana Sastra (S.S) in English Language specialized in Literature By: Mathresti Hartono C11.2009.01017 FACULTY OF HUMANITIES DIAN NUSWANTORO UNIVERSITY SEMARANG 2013 STATEMENT OF ORIGINALITY I certify that this thesis is absolutely my own work. I am completely responsible for the content of this thesis. Opinions or findings of others are quoted and cited with respect to ethical standard. Semarang, August 2013 Mathresti Hartono MOTTO Good does never mean good and bad does never mean bad. Dare to choose and never look back. Everything can change depends on how you look and handle it, because every things in this world has many sides to be seen. DEDICATION This thesis is dedicated to: - My parents - My family - My University, Dian Nuswantoro University ACKNOWLEDGEMENT At this happiest moment, I would like to wish a prayer to my Lord, Jesus Christ who has blessed me during writing this thesis. Furthermore, I would like to express my sincere thanks to: 1. Mr. Achmad Basari, S.S., Dean of Faculty of Humanities of Dian Nuswantoro University, who gave me permission to conduct this thesis. 2. Mr. Sunardi, S.S., M.Pd., The head of English Department of Strata 1 Program, Faculty of Humanities, Dian Nuswantoro University, who gave me permission to conduct this thesis. 3. Ms.
    [Show full text]
  • The Da Vinci Code
    The Da Vinci Code Dan Brown FOR BLYTHE... AGAIN. MORE THAN EVER. Acknowledgments First and foremost, to my friend and editor, Jason Kaufman, for working so hard on this project and for truly understanding what this book is all about. And to the incomparable Heide Lange—tireless champion of The Da Vinci Code, agent extraordinaire, and trusted friend. I cannot fully express my gratitude to the exceptional team at Doubleday, for their generosity, faith, and superb guidance. Thank you especially to Bill Thomas and Steve Rubin, who believed in this book from the start. My thanks also to the initial core of early in-house supporters, headed by Michael Palgon, Suzanne Herz, Janelle Moburg, Jackie Everly, and Adrienne Sparks, as well as to the talented people of Doubleday's sales force. For their generous assistance in the research of the book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei. My gratitude also to Water Street Bookstore for tracking down so many of my research books, my father Richard Brown—mathematics teacher and author—for his assistance with the Divine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, Peter McGuigan, Francis McInerney, Margie Wachtel, André Vernet, Ken Kelleher at Anchorball Web Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown.
    [Show full text]
  • Female Representation and Generic Constraints in the Da Vinci Code
    THE NOT SO SACRED FEMININE: FEMALE REPRESENTATION AND GENERIC CONSTRAINTS IN THE DA VINCI CODE Jenn Brandt A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2007 Committee: Jeffrey A. Brown, Advisor Montana Miller ii ABSTRACT Dr. Jeffrey A. Brown, Advisor Since its publication in 2003, Dan Brown’s The Da Vinci Code has dominated bestseller lists, becoming one of the most widely read, discussed, and analyzed books in recent history. Although The Da Vinci Code offers a radical view of history that argues for the equality and power of women, at the end of the novel nothing has actually changed. In light of this, my thesis is a feminist analysis of the female protagonist, Sophie Neveu, in both Dan Brown’s The Da Vinci Code and Ron Howard’s 2006 film adaptation. In analyzing these texts, I ultimately conclude that the lack of actual female empowerment is the result of the conventions of the classical mystery/detective genre. John Cawelti’s theories of genre and formula and Laura Mulvey’s psychoanalytical theories of gender and the gaze form the theoretical base for my observations. These theories, along with those relating to gender and the detective genre, are instrumental in my close readings of Dan Brown’s novel and Ron Howard’s film adaptation. In examining The Da Vinci Code in terms of its popular culture effects and popularity, I situate the text within the historical locations of postmodernism and a post- 9/11 United States.
    [Show full text]
  • Mystery Lies in Dan Brown's the Da Vinci Code
    The International journal of analytical and experimental modal analysis ISSN NO: 0886-9367 MYSTERY LIES IN DAN BROWN’S THE DA VINCI CODE Dr.N.Asharudeen, Assistant Professor, G.Nilanandhini, Research Scholar, Department of English Edayathangudy G.S. Pillay Arts & Science College Nagapattinam „Mystery‟ means something is hidden and difficult to understand but it can easily drag the attraction. This sort of fictional writings becomes more popular for the last two decades. The answer of every mystery lies in its complicated hints. Those complicated hints can definitely be a signs and symbolsthat cannot be easily broken by all.In the mystery novels, signs and symbols are used as inexplicableclues to solve the mystery. The main purpose of hidden things is not to let anybodyknow that but it should be secured by sacredness. It is believed that signs and symbolsare the tools that can secure the conspiracy and it seems the soul of purity can only unveil the secret. Conspiracy theory is the major role takes place inDan Brown‟s novels. It makes the plot so vibrant with complete excitement about apowerful community, anorganization or people employing together secretly.Dan Brown‟s The Da Vinci Codeis one of the mystery novels in contemporary American literature. The plot of the novel revolves around the Christianity religion engages with suspense and surprise.Zhenwu Zhu and Aiping Zhang point out that, “Brown had come up with his own series of thriller fiction filled with codes, mysteries and exciting settings” (1). These signs and symbols are created by covert societies to uncover their secrets intention.
    [Show full text]
  • Índices 2007-2016
    STUDIA ET DOCUMENTA RIvista DEll’Istituto Storico San JosemaríA Escrivá VOL. 11 - 2017 ISTITUTO STORICO SAN JOSEMARíA ESCRIvá - ROMA Sommario Mons. Javier Echevarría (1932-2016): In memoriam José Luis Illanes . 7 San Josemaría Escrivá in America Latina, 1974-1975 Presentación María Isabel Montero Casado de Amezúa . 15 América Latina en el siglo XX: religión y política Carmen-José Alejos Grau . 19 I viaggi di catechesi in America Latina di Josemaría Escrivá. Uno sguardo d’insieme (1974-1975) Carlo Pioppi . 49 Com os braços abertos a todos. A visita de São Josemaria Escrivá ao Brasil Alexandre Antosz Filho . 65 Josemaría Escrivá de Balaguer en Santiago de Chile (1974) María Eugenia Ossandón Widow . 101 Studi e note Orígenes y primera historia de Villa Tevere. Los edificios de la sede central del Opus Dei en Roma (1947-1960) Alfredo Méndiz . 153 La editorial Minerva (1943-1946). Un ensayo de cultura popular y cristiana de las primeras mujeres del Opus Dei Mercedes Montero . 227 ISSN 1970-4879 SetD 11 (2017) 3 Documenti Los primeros pasos del Opus Dei en Italia. Epistolario entre Roma y Madrid (noviembre 1942 – febrero 1943) Fernando Crovetto . 267 Notiziario Conferencias sobre el Opus Dei en el ámbito académico ........... .317 Sezione bibliografica Nota bibliografica Raimon Panikkar: a propósito de una biografía Josep-Ignasi Saranyana . 323 Recensioni Pilar Río, Los fieles laicos, Iglesia en la entraña del mundo . Reflexión teológica sobre la identidad eclesial de los laicos en un tiempo de nueva evangelización (María Eugenia Ossandón W .) . 349 Jesús Sevilla Lozano, Miguel Fisac . ¿Arquitecto de Dios o del ‘Diablo’? (Santiago Martínez Sánchez) .
    [Show full text]
  • Symbology in “THE DΛ VINCI CODE"
    Symbology in “THE DΛ VINCI CODE" Syrian Arab Republic Ministry of Education National center for the distinguished Course: English Supervised by: Ms. Bayan Soufi Presented by: Al-Abbass Mohamed 2014-2015 Research problematic Are the historical “facts” Dan Brown had mentioned true or not? Aims of this research To show that not everything we read is true. To lighten and discover some historical facts that we don’t know. 3 Preface Biography: Dan Brown was born on July 22, 1964 in Exeter, New Hampshire to Richard G. Brown (A mathematics teacher) and Connie Brown (Professional musician involved in performing sacred music). He grew up in a house where science and religion coexisted peacefully. While the foundation of science relied on proof, claims, equations and codes, religion relied on faith only, so Dan Brown had the best of both of them together. Educationally, Brown graduated from ‘Philips Exeter Academy’ after which he attempted ‘Amherst College’ and graduated with a degree in English and Spanish in 1986. Whilst in 1985, he went to Seville Spain to do an art history course from the University of Seville. Dan Brown had a short musical career as a songwriter and pianist in which he released four CDs. Then a switch in his happened when he read Sydney Sheldon’s (Doomsday conspiracy) and turned his interest into writing instead of music. He released “Digital Fortress” in 1998, after which he turned to full-time writing. Moreover, in 2000 “Angles & Demons” was published. It sat the stage for the best to come from Dan Brown, and was the first novel that introduced the character “Robert Langdon”, which was subsequently seen in the future works of Brown.
    [Show full text]
  • Rejecting the Da Vinci Code
    REJECTING THE DA VINCI CODE REJECTING THE DA VINCI CODE How a Blasphemous Novel Brutally Attacks Our Lord and the Catholic Church by TFP Committee on American Issues THE AMERICAN SOCIETY FOR THE DEFENSE OF TRADITION, FAMILY AND PROPERTY — TFP SPRING GROVE, PENN. 17362 Cover illustration: Painting by Carl Bloch in St. Nicholas Church in Holbaek, Denmark Dedication page illustration: Statue of the Immaculate Conception in the Piazza di Spagna, Rome. Copyright © 2005 The American Society for the Defense of Tradition, Family and Property®—TFP® 1358 Jefferson Road, Spring Grove, Penn. 17362–(866) 661-0272 www.tfp.org All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system, without prior written permission from The American Society for the Defense of Tradition, Family and Property®—TFP® This book is being distributed as part of the TFP’s America Needs Fatima cam- paign. The American Society for the Defense of Tradition, Family and Property®, TFP® and America Needs Fatima® are registered names of The Foundation for a Christian Civilization, Inc., a 501(c)(3) tax-exempt organization. ISBN-13: 978-1-877905-34-6 ISBN-10: 1-877905-34-8 Library of Congress Control Number: 2005933168 Printed in Canada American TFP Archive This book is dedicated to the Immaculate Conception, patroness of the United States. We implore her to hasten the triumph of her Immaculate Heart promised at Fatima. ACKNOWLEDGMENTS The publication of this book was made possible through the generosity of the TFP-America Needs Fatima Protectors of the Faith donors listed below: Distinguished Members George and Theresa Marie Chouquette Honored Members Mrs.
    [Show full text]
  • Discussion Topic 8 the Da Vinci Code
    Discussion Topic 8 The Da Vinci Code Perhaps you have seen Rosslyn Chapel before? Some of the final scenes of the movie ‘The Da Vinci Code’ take place in Rosslyn Chapel. Here, the main character, Robert Langdon ends up in Rosslyn Chapel after he cracks a code hidden in an ancient object. He visits the Chapel with Sophie Neveu, a young French woman who has followed him all over Europe trying to find the killer of her grandfather. Her grandfather, it seems, wanted to pass on a great secret to her, but was killed before he could do so. Their travels take them to many famous places in Europe, many of which have been linked with stories of the Holy Grail and of the Knights Templar, and many of which are linked to the idea of the Rose. Solving the secret of the cryptex was at the heart of The Da Vinci Code. At Rosslyn Chapel, Langdon and Sophie meet a mysterious group of people. These are people who are part of a secret The secret is that the Grail was Mary Magdalene, the carrier organisation. This organisation has protected the secret of of Jesus’ children. They reveal that Mary was once buried in the Holy Grail since the time of Jesus. Rosslyn Chapel. They also reveal that Sophie is a descendent of Mary and so a living descendent of Jesus. They vow to protect her for the rest of her life. This film is based on a book by Dan Brown. Some say this book should just be treated as an interesting read and not as containing any truth.
    [Show full text]
  • The Da Vinci Code, Jesus, and History: Imagining Christianity Past and Present1
    The Da Vinci Code, Jesus, and History: Imagining Christianity Past and Present1 Jeffery Tyler Did Jesus of Nazareth have a wife? Did he father a child and a lineage of kings? Do his blood descendants even now walk among us? Is the Christian messiah the victim of a tragic conspiracy, a vicious and masculine plot to conceal the true gospel and hijack the church? These are the claims of Dan Brown’s unlikely and wildly popular novel, The Da Vinci Code.2 This cliff-hanger and page-turner weaves together alleged fact and frenetic fiction in a succession of 105 rapid-fire chapters; it is a magnetic mystery and a narrative confession of faith. Should this novel and its stunning claims be taken seriously? Will the hype surrounding it soon blow over, only to be replaced by the next outlandish “big thing”? Every cultural, media, and economic indicator suggests that The Da Vinci Code is here to stay for the foreseeable future. In fact, the novel has garnered a significant global following, generating a fervent subculture and early signs of an embryonic religion. Indeed, The Da Vinci Code has significant implications not only for theologians and historians, but even more so for pastors and lay people, for discipleship and evangelism. It is vital to understand the international media event spawned by The Da Vinci Code, the book’s profound reimagining of Jesus of Nazareth and his message, and the cultural and religious currents in which church, believer, and seeker now swim. The Da Vinci Code Event This surprising bestseller opens in a dimly lit hall with a grisly murder.
    [Show full text]
  • Elenchi Bibliografici
    Elenchi bibliografici Bibliografía general sobre el Opus Dei, fieles e iniciativas apostólicas, 2003-2009 JOSé MARIO FERNÁNDEZ MONTES SANTIAgO MARTÍNEZ SÁNChEZ Centro de Documentación y Estudios Josemaría Escrivá de Balaguer Universidad de Navarra Los primeros siete números de Studia et Documenta (2007-2013) albergaron una serie de elencos bibliográficos sobre el Opus Dei, Josemaría Escrivá de Balaguer y los prelados Álvaro del Portillo y Javier Echevarría. Esas bibliografías incluían las publicaciones de y sobre el fundador del Opus Dei y de sus dos primeros sucesores entre 1934 y 2002 (fechas respectivas de la aparición del libro Santo Rosario y de la canonización del fundador del Opus Dei) y trabajos de corte académico sobre estas personalidades y el ISSN 1970-4879 SetD 9 (2015) 417-490 417 elenchi bibliografici Opus Dei: es decir, su naturaleza e historia, algunas iniciativas apostólicas y la vida de algunos fieles de la Prelatura. Desde el número pasado, los elencos bibliográficos abordan el periodo 2003 a 2009. El de 2014 comprendió las publicaciones de y sobre san Josema- ría. Ahora ofrecemos lo editado en torno al Opus Dei y aquellos de sus fieles e iniciativas apostólicas que han suscitado un interés editorial. El elenco de 2016 informará de lo publicado por y sobre los prelados de la Obra para el mismo arco de tiempo 2003-2009. La estructura de este elenco, que incluye entre paréntesis el número de referencias de cada sección, es la siguiente. I . Publicaciones sobre el Opus Dei, 2003-2009 (258) 1. Estudios históricos (17) 1.1. Libros y partes de libro 1.2.
    [Show full text]