The Aura in the Age of Digital Materiality
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Faraone Ancient Greek Love Magic.Pdf
Ancient Greek Love Magic Ancient Greek Love Magic Christopher A. Faraone Harvard University Press Cambridge, Massachusetts London, England Copyright © 1999 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Second printing, 2001 First Harvard University Press paperback edition, 2001 library of congress cataloging-in-publication data Faraone, Christopher A. Ancient Greek love magic / Christopher A. Faraone. p. cm. Includes bibliographical references and indexes. ISBN 0-674-03320-5 (cloth) ISBN 0-674-00696-8 (pbk.) 1. Magic, Greek. 2. Love—Miscellanea—History. I. Title. BF1591.F37 1999 133.4Ј42Ј0938—dc21 99-10676 For Susan sê gfir Ãn seautá tfi f©rmaka Æxeiv (Plutarch Moralia 141c) Contents Preface ix 1 Introduction 1 1.1 The Ubiquity of Love Magic 5 1.2 Definitions and a New Taxonomy 15 1.3 The Advantages of a Synchronic and Comparative Approach 30 2 Spells for Inducing Uncontrollable Passion (Ero%s) 41 2.1 If ErÃs Is a Disease, Then Erotic Magic Is a Curse 43 2.2 Jason’s Iunx and the Greek Tradition of Ago%ge% Spells 55 2.3 Apples for Atalanta and Pomegranates for Persephone 69 2.4 The Transitory Violence of Greek Weddings and Erotic Magic 78 3 Spells for Inducing Affection (Philia) 96 3.1 Aphrodite’s Kestos Himas and Other Amuletic Love Charms 97 3.2 Deianeira’s Mistake: The Confusion of Love Potions and Poisons 110 3.3 Narcotics and Knotted Cords: The Subversive Cast of Philia Magic 119 4 Some Final Thoughts on History, Gender, and Desire 132 4.1 From Aphrodite to the Restless -
TOC Page 1 TABLE of CONTENTS
Back to TOC Page 1 TABLE OF CONTENTS *** CLICK A TOPIC TO GO DIRECTLY TO THE PAGE *** DAYANG GROUP MEASUREMENT OPTIONS PARENT COMPANY 3 M4U - MADE FOR YOU 25 INTERNATIONAL PARTNERS 4 FIT TOOLS 26 PROPRIETARY FACTORIES 5 GARMENT MEASUREMENTS 27 PRODUCTION 6 POSTURE / BALANCE 28 CAPACITY 7 STYYLcart TAILORING QUALITY IMAGES ON DEMAND 29 UNPARALLELED VALUE 8 SELL WITH CONFIDENCE 30 CONSTRUCTION 9 CREATE SALES 31 GARMENT MAKES 10 SALES HISTORY 32 INTERIOR COMPONENTS 11 CUSTOM LINING FIT / PATTERN ULTIMATE PERSONALIZATION 33 MODERN FIT 12 SPECIAL OCCASIONS 34 RANGE OF FITS 13 CORPORATE SALES 35 JACKET 14 ART EXPRESSION 36 TROUSER 15 OVERCOAT 16 FABRICS IN STOCK 37 QUICK DELIVERY ITALIAN MILLS 38 IN STOCK / CMT FABRIC 17 ONLINE TRACKING 18 CMT WORK WITH THE FINEST 39 DESIGN DETAILS SELECTION 19 PRIVATE LABEL CATEGORY DETAILS 20 BRAND IDENTITY 40 MATERIALS PACKAGE 21 COMPETE 41 PRESET MODELS PRIVATE INVENTORY INCLUDED TEMPLATES 22 IMPROVED MARGIN 42 SAVE YOUR OWN 23 QUICK SAVE 24 WOMEN’S M4U NOT JUST FOR MEN 43 PRODUCTS 44 Back to TOC Page 2 DAYANG GROUP PARENT COMPANY Dayang Group is the Global Leader of MTM garment production. Founded in 1979 by Madam Li Giulian. Dayang now has 24 branch compa- nies. Back to TOC Page 3 DAYANG GROUP INTERNATIONAL PARTNERS Successful brands around the world choose Dayang as their manufacturing partner. Reliable, trustworthy and competent. Stability your business can count on. Back to TOC Page 4 DAYANG GROUP PROPRIETARY FACTORIES All factories are company-owned and operated. Garments are made to the company’s strict production standards. -
Evelyn De Morgan Y La Hermandad Prerrafaelita
Trabajo Fin de Grado Lux in Tenebris: Evelyn De Morgan y la Hermandad Prerrafaelita Lux in Tenebris: Evelyn De Morgan and the Pre- Raphaelite Brotherhood. Autor/es Irene Zapatero Gasco Director/es Concepción Lomba Serrano Facultad de Filosofía y Letras Curso 2018/2019 LUX IN TENEBRIS: EVELYN DE MORGAN Y LA HERMANDAD PRERRAFAELITA IRENE ZAPATERO GASCO DIRECTORA: CONCEPCIÓN LOMBA SERRANO HISTORIA DEL ARTE, 2019 ÍNDICE INTRODUCCIÓN - JUSTIFICACIÓN DEL TRABAJO…………………………………....1 - OBJETIVOS…………………………………………………………....2 - METODOLOGÍA……………………………………………………....2 - ESTADO DE LA CUESTIÓN………………………………………....3 - AGRADECIMIENTOS………………………………………………...5 LA ÉPOCA VICTORIANA - CONTEXTO HISTORICO…………………………………………….6 - EL PAPEL QUE DESEMPEÑABA LA MUJER EN LA SOCIEDAD…………………………………………………………….7 LA HERMANDAD PRERRAFAELITA…………………………………...10 EVELYN DE MORGAN - TRAYECTORIA E IDEOLOGÍA ARTÍSTICA……………………...13 - EL IDEAL ICÓNICO RECREADO…………………..……………....15 - LA REPRESENTACIÓN DE LA MUJER EN SU PRODUCCIÓN ARTÍSTICA...........................................................................................16 I. EL MUNDO ESPIRITUAL…………………………………...17 II. HEROÍNAS SAGRADAS…………………………………….21 III. ANTIBELICISTAS…………………………………………....24 CONCLUSIONES…………...……………………………………………….26 BIBLIOGRAFÍA Y WEBGRAFÍA…………………………………………28 ANEXOS….……………………………………………………………..........32 - REPERTORIOGRÁFICO…………………………………………….46 INTRODUCCIÓN JUSTIFIACIÓN DEL TRABAJO Centrado en la obra de la pintora Evelyn De Morgan (1855, Londres) nuestro trabajo pretende revisar su producción artística contextualizándola -
Appendix IV Waddesdon Estate, Manor and Grounds 1 1 Grounds and Manor Estate, Waddesdon Appendix IV Status Grade I
Structure Status Assessment of Significance Waddesdon Manor Grade I Mansion. 1874-83, byGabriel- Hippolyte Alexandre Destailleur, for Baron Ferdinand de Rothschild. Late c19th mansion Bath stone, steeply pitched slate roofs. In the style of a C16 French chateau, incorporating elements from Blois, Maintenon, Chambord and Chaumont. Approximately E-plan with circular staircase towers in angles with side wings. Other round towers to front of N.E. wing and to rear at S.W. corner. Small wing added to S.W. 1889; Service wing attached to N.E. with Bachelors'wing altered 1890s by Andre Destailleur, to rear. 2 storeys and attic. Main range has 7 bays articulated by paired pilasters, entablatures, and parapet with wave ornament and large carved urn finials. Ground floor has arched windows, balustraded aprons, and Composite pilasters. First floor has stone mullion and transom windows, and panelled aprons and pilasters. Attic dormers with flanking festoon scrolls and elaborate gables. Tall panelled chimneys with segmental pediments on scroll modillion cornices. Centre bay has projection with rusticated quoins and separate pavilion roof, the first floor with French doors between Composite columns, the attic having an elaborate dormer with oculus in cartouche, swan-neck pediment on paired scrolls, and urn finial. Ground floorhas projecting porch with segmental arches, paired Composite columns, and strapwork parapet with urn finials and central heraldic crest. Domed staircase towers with spiral balustrades, the attic storey with carved terms. Side wings have panelled pilasters, entablatures, mock machicolations below plain attic storeys, and very steep pavilion roofs with parapets and tall urn finials. Round tower to left with steep conical roof. -
In the High Court of New Zealand Wellington Registry Civ 485-2003-2724
IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY CIV 485-2003-2724 UNDER Part 1 of the Judicature Amendment Act 1972 IN THE MATTER OF an application under the Wool Act 1997 and the Wool Board Disestablishment Act 2003 BETWEEN SAXMERE COMPANY LIMITED First Plaintiff AND THE ESCORIAL COMPANY LIMITED Second Plaintiff AND RICHARD KING AS REPRESENTATIVE Third Plaintiff AND RUSSELL STEWART EMMERSON & FOREST RANGE LIMITED AS REPRESENTATIVES Fourth Plaintiff AND THE WOOL BOARD DISESTABLISHMENT COMPANY LIMITED Defendant Hearing: 8-19 August 2005 3-4 November 2005 Appearances: F M R Cooke QC & L Theron & S Grey for Plaintiffs R Dobson QC & J Bates for Defendant Judgment: 6 December 2005 RESERVED JUDGMENT OF MILLER J SAXMERE COMPANY LIMITED AND OTHERS V THE WOOL BOARD DISESTABLISHMENT COMPANY LIMITED HC WN CIV 485-2003-2724 6 December 2005 TABLE OF CONTENTS The Saxon story The parties The pleadings Impetus for reform of the New Zealand Wool Industry in the 1990s The Wool Board Act 1997 The 1998 joint venture with MNZI The Saxmere business plan The state of Saxmere’s business in December 1997 Meeting of 17 December 1997 The Saxmere business plan The Board meeting of 5-6 May 1998 The Board’s reasons for declining the application: discussion The 2001 settlement and retrospective funding of Saxmere Failure of negotiations with MNZL and non-payment of levies Negotiations with the Board The Board’s decision to invite MNZL to fund Saxmere The settlement agreement Significance of the Board’s acknowledgement that Saxmere was an efficient and effective -
1996–2018 Indici 632–893
1996–2018 indici 632–893 inserto redazionale di Casabella 2019 in consultazione esclusiva su: http://casabellaweb.eu direttore responsabile Francesco Dal Co coordinamento Alessandra Pizzochero progetto Tassinari/Vetta © Copyright 2019 Arnoldo Mondadori Editore Tutti i diritti di proprietà artistica e letteraria riservati CASABELLA 632 anno LX marzo 1996 Decidere Venezia Béla Lajta e i suoi angeli L’ornamento Casabella 632 p. II Il restauro del cabaret Parisiana Ananda K. Coomaraswamy a Budapest Casabella 632 p. 62 Editoriale Marco Biraghi Francesco Dal Co Casabella 632 p. 50 News Casabella 632 p. 1 Casabella 632 p. 76 Il restauro del Parisiana e la Frank O. Gehry conservazione dell’architettura Bits Il museo Guggenheim a Bilbao contemporanea Selezione di siti www in costruzione Marco Biraghi a cura di Sergio Polano Casabella 632 p. 2 Casabella 632 p. 54 Casabella 632 p. 76 Il rivestimento di Frank O. Gehry, Libri & Riviste Digital publishing o della lamina elastica Roberto Gargiani La scuola del silenzio «Artifice» Casabella 632 p. 4 Marc Fumaroli quadrimestrale con cd-rom accluso traduzione di Margherita Botto di “architettura, cinema, fotografia, Contro il razionalismo settario, 1947 Adelphi, Milano 1995 design, arte”, Artifice, London, UK Sigfried Giedion ed. or. L’École du silence, Casabella 632 p. 77 Casabella 632 p. 14 Flammarion, Paris 1994 Casabella 632 p. 60 Richard Meier Architect Hans Kollhoff cd-rom della collana Contemporary Isolato in Malchower Weg a Berlino 1994 Louis Henry Sullivan 1856–1924 Architects and Designers, Casabella 632 p. 16 Mario Manieri Elia Victory Interactive Media, Electa, Milano 1995 Lugano, Svizzera Le qualità del banale Casabella 632 p. -
What the Renaissance Knew II
Art of the Rinascimento Piero Scaruffi Copyright 2018 http://www.scaruffi.com/know 1 What the Rinascimento knew • Prodromes of the Rinascimento (Firenze) – Giotto: Naturalism + Classicism – Santa Maria Novella 1278-1360 – Santa Croce 1295-1442 (Arnolfo di Cambio) – Palazzo Vecchio 1299-1314 (Arnolfo di Cambio) – Duomo, except dome 1296-1366 (Arnolfo di Cambio) – Campanile 1334 (Giotto) – Doors of the Baptistery of Firenze (Lorenzo Ghiberti) – Donatello 2 What the Rinascimento knew • Art of the Rinascimento – Medieval mindset • The human race fell from grace and is living in hell, waiting for the end of the world that is coming soon • Contemplative life – The new mindset in Italian city-states • The world is full of opportunities, and paradise is here if you can make it happen • Active life 3 What the Rinascimento knew • Art of the Rinascimento – Medieval aesthetic • Originality is not a value • Imitation is prescribed, almost mandatory • Plagiarism is the way to broadcast ideas • Cooperation among "artists", not competition • The artist is just one of many craftsmen cooperating on building the city • The artist is a servant • Little imagination and little realism • Most paintings are for church walls or wooden panels 4 What the Rinascimento knew • Art of the Rinascimento – The new aesthetic in Italian city-states • Originality • The artist is a creator • Lots of imagination and lots of realism • Rediscovery of Greek and Roman art • Easel painting become more common 5 What the Rinascimento knew • Art of the Rinascimento – Patronage of the -
The Rothschild Bibliography Caroline Shaw of the Rothschild Archive Describes Her Attempts to Chart the Family’S Countless Ventures Into Print
The Rothschild Bibliography Caroline Shaw of The Rothschild Archive describes her attempts to chart the family’s countless ventures into print The ‘Dunottar Castle’ from the cover of Three weeks in South Africa by Ferdinand de Rothschild Has there ever been such a family as the Rothschilds for getting into print? For me, after working on this project for two years, the question is coloured by a mixture of wonder and exasperation. Will they never stop publishing? Of course, one hopes not; but is there to be no rest for the bibliographer? It has been a long-standing goal of The Rothschild Archive to compile a bibliography of publications by members of the Rothschild family and now, 1,840 entries by fifty-one individuals further on, we are perhaps ready to acknowledge that critical mass has been reached whilst accepting that completion may never be achieved. The initial motivation for producing The Rothschild bibliography was a desire to bring some kind of intellectual order to this not insignificant aspect of the activities of the Rothschild family. It has been a mapping of a wide and diverse terrain and revealed some previously uncharted areas. Beyond this, and the greater insight allowed into the lives and interests of many members of the family, the bibliography has brought some other benefits to the Archive. New acquisitions have followed from our greater knowledge and awareness of the publications; and the ever-expanding database of references has also built up into a guide for locating material, whether held at the Archive or at another institution. -
SAVED by the BELL ! the RESURRECTION of the WHITECHAPEL BELL FOUNDRY a Proposal by Factum Foundation & the United Kingdom Historic Building Preservation Trust
SAVED BY THE BELL ! THE RESURRECTION OF THE WHITECHAPEL BELL FOUNDRY a proposal by Factum Foundation & The United Kingdom Historic Building Preservation Trust Prepared by Skene Catling de la Peña June 2018 Robeson House, 10a Newton Road, London W2 5LS Plaques on the wall above the old blacksmith’s shop, honouring the lives of foundry workers over the centuries. Their bells still ring out through London. A final board now reads, “Whitechapel Bell Foundry, 1570-2017”. Memorial plaques in the Bell Foundry workshop honouring former workers. Cover: Whitechapel Bell Foundry Courtyard, 2016. Photograph by John Claridge. Back Cover: Chains in the Whitechapel Bell Foundry, 2016. Photograph by John Claridge. CONTENTS Overview – Executive Summary 5 Introduction 7 1 A Brief History of the Bell Foundry in Whitechapel 9 2 The Whitechapel Bell Foundry – Summary of the Situation 11 3 The Partners: UKHBPT and Factum Foundation 12 3 . 1 The United Kingdom Historic Building Preservation Trust (UKHBPT) 12 3 . 2 Factum Foundation 13 4 A 21st Century Bell Foundry 15 4 .1 Scanning and Input Methods 19 4 . 2 Output Methods 19 4 . 3 Statements by Participating Foundrymen 21 4 . 3 . 1 Nigel Taylor of WBF – The Future of the Whitechapel Bell Foundry 21 4 . 3 . 2 . Andrew Lacey – Centre for the Study of Historical Casting Techniques 23 4 . 4 Digital Restoration 25 4 . 5 Archive for Campanology 25 4 . 6 Projects for the Whitechapel Bell Foundry 27 5 Architectural Approach 28 5 .1 Architectural Approach to the Resurrection of the Bell Foundry in Whitechapel – Introduction 28 5 . 2 Architects – Practice Profiles: 29 Skene Catling de la Peña 29 Purcell Architects 30 5 . -
CHANIA, CRETE ERASMUS+/KA2 “Education, Profession and European Citizenship” Project 1 Transnational Meeting Alikianos
CHANIA, CRETE ERASMUS+/KA2 “Education, Profession and European Citizenship” Project 1st Transnational Meeting Alikianos, Chania, Crete, GREECE 24.10-27.10.2016 In co-operation with schools from Greece, Hungary, Poland, Romania and Slovakia ΓΕΝΙΚΟ ΛΥΚΕΙΟ ΑΛΙΚΙΑΝΟΥ ΧΑΝΙΩΝ GREECE IN A NUT SHELL Greece (Greek: Ελλάδα, Elláda [eˈlaða]), officially the Hellenic Republic (Greek: Ελληνική Δημοκρατία Ell a a [eliniˈci ðimokraˈti.a]), also known since ancient times as Hellas (Ancient Greek: Ἑλλάς Hellás [ˈhɛləs]), is a transcontinental country located in southeastern Europe. Greece's population is approximately 10.9 million as of 2015. Athens is the nation's capital and largest city, followed by Thessaloniki. Greece is strategically located at the crossroads of Europe, Asia, and Africa. Situated on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, the Republic of Macedonia and Bulgaria to the north, and Turkey to the northeast. Greece consists of nine geographic regions: Macedonia, Central Greece, the Peloponnese, Thessaly, Epirus, the Aegean Islands (including the Dodecanese and Cyclades), Thrace, Crete, and the Ionian Islands. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, the Cretan Sea and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean Basin and the 11th longest coastline in the world at 13,676 km (8,498 mi) in length, featuring a vast number of islands, of which 227 are inhabited. Eighty percent of Greece is mountainous, with Mount Olympus being the highest peak at 2,918 meters (9,573 ft). The history of Greece is one of the longest of any country, having been continuously inhabited since 270,000 BC. -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
Musei Dimilano
iMusei di Milano Museums of Milan Musées de Milan Museos de Milán Milano è una città che sorprende per la ricchezza Musei Musei civici dell’offerta culturale. Museums Civic Museums Musées Musées municipaux Una ricchezza capace di incontrare e soddisfare Museos Museos cívicos le esigenze di chiunque ami la cultura, l’arte e la bellezza. 美術館 市民美術館 La guida che avete tra le mani, realizzata in più lingue, vuole essere una bussola per orientare tutti quelli che vorranno “perdersi” nelle sale dei tanti musei cittadini che Case Museo Case Museo civiche permettono di spaziare attraverso l’archeologia, l’arte, House Museums Public House Museums la multiculturalità, la fotografia, il cinema, la storia, Bâtiments Musée Bâtiments Musée Civiques la scienza, la tecnica, la moda e il design. Casas Museo Casas Cívicas Museo Un sistema, quello dei musei milanesi, costituito da un ハウスミュージアム 市立 ハウスミュージアム insieme estremamente diversificato di luoghi e siti di grande valore artistico e storico. Si tratta di musei civici e spazi gestiti dall'Amministrazione Spazi espositivi Spazi espositivi civici Exhibition venues Civic exhibition venues comunale, oppure da Enti publici, Fondazioni e soggetti Espaces d’exposition Espaces d’exposition municipaux privati che insieme costituiscono un’offerta culturale Espacios expositivos Espacios expositivos cívicos ampia e articolata. 展示 スペース 市民展示 スペース Un patrimonio comune che vuole essere sempre più diffuso ed accessibile. 1 Ubicazione in piantina / Position on plan / Emplacement sur le plan / Ubicación en el plano / Parziale ingresso disabili / Partial entrance for physically disabled / Milan is a city that surprises for the wealth of its cultural Entrée partielle pour handicapés / Ingreso parcial para minusválidos / offer.