DOCSLIB.ORG

String Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
String Orchestra String Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ....................................../Leidig; Niehaus ............49063 .....E .........45.00 + A-Flat (Black Violin) ............................/Moore ..........................69940 .....M.........50.00 + Abandoned Funhouse ........................Balmages .....................64889 .....E .........45.00 African Accents ................................../Shapiro ........................38733 .....M.........52.00 Abandoned Treasure Hunt .................Grice .............................70719 .....ME ......40.00 African Adventure ...............................Sheldon ........................35802 .....ME ......46.00 Abdelazer: Rondeau ..........................Purcell/Doan .................40594 .....M.........25.00 African Serenade ...............................Pancarowicz .................56568 .....ME ......45.00 Abdelazer: Rondo (Moor's Revenge)...Purcell/Phillips ..............70502 .....ME ......45.00 An African-American Air (Oh, Abdelazer: Rondo ..............................Purcell/Stroud ...............57557 .....MD ......40.00 Mother Glasco) ................................/Mixon ...........................30941 .....ME ......40.00 Abduction fr. the Seraglio: Ha! Wie Will ich Triumpieren After Dreams ......................................Rich, W. ........................59542 .....ME ......45.00 ...........................................................Mozart/Bailey ..............62547 .....M.........52.00 After Hours .........................................Lipton ............................40693 .....M.........40.00 Abduction fr. the Seraglio: Overture ...Mozart/Hoffman, J. .......69622 .....MD ......45.00 After the Rain .....................................Day ...............................68622 .....M.........50.00 Abduction fr. the Seraglio: Overture .Mozart/Masters ...........37948 .....M.........52.00 After You've Gone ............................../Lewis ...........................57696 .....MD ......35.00 Abendstern .........................................Bernofsky .....................58564 .....M.........60.00 Afterburn ............................................Balmages .....................64777 .....ME ......55.00 Aberrations .......................................Granata ........................36598 .....M.........50.00 + Afterburn ............................................Standridge ....................68631 .....ME ......55.00 Abide With Me ....................................Lyte/Smith .....................70817 .....ME ......40.00 + Afternoon Soliloquy ............................Day ...............................40845 .....M.........55.00 Abide With Me ....................................Monk/Eveland ...............70628 .....M.........50.00 Aftershock ..........................................Clark .............................34733 .....E .........48.00 Abilene Stage .....................................Daniels .........................59531 .....ME ......55.00 Afterthoughts ......................................Balmages .....................64807 .....ME ......55.00 Ablaze ................................................Bernotas .......................35979 .....ME ......46.00 + Age of Heroes ....................................Woolstenhulme .............38565 .....E .........52.00 Φ Aboriginal Rituals ...............................Del Borgo .....................30172 .....M.........59.00 Agevole ..............................................Ford ..............................30880 .....ME ......45.00 Above the Brightness of the Sun ........Vehar ............................59529 .....ME ......50.00 Aggressivo .........................................Standridge ....................68638 .....M.........55.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 Agincourt ............................................Spata ............................35618 .....M.........48.00 Academic Festival Overture, Op. 80 ..Brahms/McCashin ........64583 .....D .........65.00 Ahlan Sabaya Alfarah ........................./Sarch ...........................38732 .....M.........52.00 Academic Festival Overture, Op. 80 ..Brahms/Phillips, J. ........70605 .....M.........50.00 Ai Hai Yo ............................................/Arcari ..........................66603 .....ME ......50.00 Academic Musicale ............................Grice .............................30575 .....ME ......49.00 Air and Allegro (fr. Concerto Acadia First Light ...............................Dabczynski ...................33629 .....M.........49.00 Grosso, Op. 6 No. 10) .....................Handel/Dowty ...............43608 .....M.........42.00 Accent on the Classics .......................Mozart; Haydn/Gruneisen 37956 .....ME ......45.00 Air and Bouree ...................................Bach/Cechvala .............43575 .....ME ......45.00 Accents ..............................................Frost .............................38500 .....E .........48.00 Air and Bouree ...................................Bach/Leidig ...................35712 .....M.........47.00 Accidental March ................................Bernstein, A ..................57607 .....ME ......42.00 Air and Caprice ..................................Clark .............................34533 .....ME ......47.00 Ach Gott von Himmel .........................Pachelbel/Bender .........49727 .....M.........40.00 Air and Caprice ..................................Edmondson ..................62516 .....E .........38.00 Acidic ................................................Arcari ...........................66661 .....E .........45.00 Air and Dance ....................................Daniels .........................38642 .....M.........35.00 Acrobats .............................................Meyer ...........................33918 .....MD ......56.00 Air of Nobility ......................................Swearingen ..................70818 .....E .........40.00 Across the Wind .................................Spata ............................35911 .....M.........56.00 Air on the G String ..............................Bach/Gazda ..................34719 .....ME ......55.00 Ad Astra (To the Stars) ....................Meyer ...........................36610 .....M.........60.00 Air on the G String ..............................Bach/Richards ..............70866 .....M.........45.00 Adagio ................................................Benda/Doan .................40593 .....MD ......25.00 Air on the G String ..............................Bach/Riggio ..................36524 .....ME ......24.00 Adagio ................................................Serebrier .......................00979 .....MD ......40.00 Air and Polka ......................................Hall ...............................45580 .....M .......38.00 Adagio and Allegro (fr. Flute Sonata Air and Simple Gifts (fr. 2009 No. 3, HWV 363b) ...........................Handel/Sieving .............40713 .....MD ......45.00 Inaugural Ceremony) ......................Williams ........................13288 .....D .......165.00 Adagio and Allegro .............................Haydn/Edlund ...............70516 .....MD ......48.00 Air for Strings .....................................Scott, P. ........................38645 .....MD ......35.00 Adagio and Allegro .............................Marcello/Law ................68532 .....M.........45.00 Adagio and Allegro .............................Rodgers, F. ..................63541 .....ME ......45.00 WWW.LUCKSMUSIC.COM Looking for more information Adagio and Allegro (fr. Sonata No. 4 in D, Op. 1, No. 13) ........................Handel/Sieving .............35674 .....MD ......55.00 about a title? Adagio in B flat (fr. PF Sonata No.12 in F) Mozart/Anderson ..........60542 .....D .........48.00 Adagio Cantabile (Pathetique) ...........Beet./Gruselle ...............33785 .....M.........48.00 Visit our website for description, Adagio (fr. Clarinet Concerto in instrumentation, timing, price, A, K. 622) ........................................Mozart/Turner, J. ..........30562 .....M.........45.00 Adagio (In Memoriam Sept. 11, 2001)...Bishop ..........................67500 .....M.........50.00 score PDFs and audio MP3s. Adagio (fr. Pathetique Sonata) ...........Beet./Rodgers ..............63520 .....M.........45.00 + Adagio for Strings, Op. 11 ..................Barber ...........................07238 .....D .........55.00 Airplane ..............................................Hopkins ........................37685 .....M.........45.00 Adagio for Strings, Op. 11 ..................Barber/Hoffman ............39984 .....M.........45.00 Airport Road .......................................Niehaus ........................49907 .....M.........50.00 Adagio for Strings ...............................Sewell ...........................34825 .....MD ......60.00 Airs and Graces .................................Norton ...........................31550 .....M.........60.00 Adamant .............................................Clark .............................34942 .....E .........45.00 The Airships .......................................Sweet ...........................34745 .....ME ......45.00 The Addams Family ...........................Mizzy/Moore .................39986 .....ME ......40.00 Akerwis ...............................................Atwell ............................38717 .....MD ......35.00 The Addams Family Theme ...............Mizzy/Jennings
Load more

Recommended publications
  • Grietas-En-El-Paraíso-•-Interiores-FINAL.Pdf
    FERNÁNDEZ, MERCEDES GRIETAS EN EL PARAÍSO / MERCEDES FERNÁNDEZ. - 1A ED. - MENDOZA : LIBREA, 2016. 260 P. ; 21 X 15 CM. ISBN 978-987-45187-8-1 1. NARRATIVA ARGENTINA. 2. NOVELAS POLICIALES. I. TÍTULO. CDD A863 DISEÑO Y MAQUETACIÓN: MAURICIO CHAAR ILUSTRACIÓN DE PORTADA: MARIANO RUSZAJ MODELO: JANET PANELO ©2016 MERCEDES FERNÁNDEZ LIBRO DE EDICIÓN ARGENTINA. QUEDA HECHO EL DEPÓSITO QUE DETERMINA LA LEY 11.723. TODOS LOS DERECHOS RESERVADOS. QUEDA RIGUROSAMENTE PROHIBIDA LA REPRODUCCIÓN PARCIAL O TOTAL DE LA OBRA, MEDIANTE CUAL- QUIER PROCEDIMIENTO DIGITAL O ANALÓGICO, SIN PREVIA AUTORIZACIÓN DE LA AUTORA. MERCEDES FERNANDEZ MENDOZA, 2016 A mis hijos, a mis incomparables hijos, una vez más. A mis nietos, sangre que permanecerá y pervivirá. AGRADECIMIENTOS A Claudia Thierry, mi hija del alma, quien en todo momento me asesoró en los temas médicos y de investigación que se presentaron, pero quien además, con su entusiasmo y empeño se constituyó en una fuente inagotable de energía y estímulo. A Flavia Cornejo, inteligente amiga, que se prestó a leer junto con Claudia, una y otra vez los originales, al tiempo que acompañó con comentarios acertados y esclarecedores el tiempo de elaboración de la novela. A Alejandro Sarmiento, amigo especial, que leyó paralelamente la novela mientras iba apareciendo, y que supo acompañar estos momentos con reflexiones acertadas observaciones. Al resto de mi familia, Nicolás, Marcelo, Alejandra, por la paciencia y apoyo inestimables a mi afán. Gracias a Mauricio Chaar, que trató a este libro como si fuera suyo, interpretó y aclaró con ideas y sugerencias para completar esto en el diseño del mismo.
    [Show full text]
  • Katie Martin
    Katie Martin Some fact´s at first… When and where were you born? I was born in Coventry, England on the 1st of September 1980. Your height? 5’ 7 ½ . What is your favourite food? Seafood and Pasta Your favourite music? Chart music and R´and´ B. Joss Stone, maroon 5, Lucie Silvas, Kelly Clarckson, etc. Your favourite movie? „Notting Hill“, „My best friends Wedding“, „Stepmom“. Julia Roberts is my favourite actress. Your favourite city / place in the world, you have visited so far? Cape town in South Africa is my most favourite place in the whole world. Do you have any hidden talents, we don’t know about? I have a Diploma in make up artistory for film and television. What’s the most treasured moment in your life, so far? My most treasured moment in the Show is dancing in Hyde Park with Feet of Flames and also performing Lead for the first time. About your family… Please tell us something about your parents - what do they do for their living? Do they dance as well? My dad is an engineer and my mom is a nurse. My mum is also an amazing Irish Dancing teacher and was my very first teacher. Do you have any brothers or sisters? How old are they? Do they dance, too? What do they do for their living? My brothers name is Thomas and he is 23 years old. He is also in Troupe 1. Is it hard for you, to be apart from your family for such a long time while touring? How often are you able to travel back home again? It can be hard but because we have been touring for so many years we´re use to it now.
    [Show full text]
  • 2014–2015 Season Sponsors
    2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr.
    [Show full text]
  • 1,000 Films to See Before You Die Published in the Guardian, June 2007
    1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation.
    [Show full text]
  • Trinity Irish Dance Study Guide.Indd
    ● ● ● ● ● Photo by Lois Greenfield. About the Performance The Performance at a Glance Each of these different elements can be the basis for introducing students to the upcoming performance. Who are the Trinity Irish Dance Company? Trinity Irish Dance Company were formed in 1990 by Mark Howard in an effort to showcase Irish music and dance as an art form. The company is made up of 18- 25 year olds, and has received great critical and popular acclaim from audiences throughout the world. They have performed all over the world, and have collaborated with many notable contemporary choreographers and musicians. Trinity holds a unique place in the dance world, offering a highly skilled presenation of progressive Irish step dance. Who is Mark Howard? Mark Howard is the founder and artistic director of the Trinity Irish Dance Company, and choreographs much of the company’s work. Born in Yorkshire, England, and raised in Chicago, Mark Howard began dancing at the age of nine, and later went on to become a North American champion Irish dancer. He started the Trinity Academy of Irish Dance at the age of 17, and dancers from this school have won 18 world titles for the United States at the World Irish Dance Championships in Ireland. Howard wanted to find a way for his dancers to do more than just compete for tropies and prizes, so in 1990 he founded the Trinity Irish Dance Company as a way to showcase Irish music and dances as an art form. Mark Howard continues to choregraph new works for the company, and he has expanded his independent career to work in theater, television, concert and film.
    [Show full text]
  • WV Graded Music List 2011
    2011 WV Graded Music List, p. 1 2011 West Virginia Graded Music List Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade Artist Arranger Title Publisher 1 - Higgins, John Suo Gan HL 1 - McGinty Japanese Folk Trilogy QU 1 - McGinty, Anne Elizabethan Songbook, An KJ 1 - Navarre, Randy Ngiele, Ngiele NMP 1 - Ployhar Along the Western Trail BE 1 - Ployhar Minka BE 1 - Ployhar Volga Boat Song BE 1 - Smith, R.W. Appalachian Overture BE Variant on an Old English 1 - Smith, R.W. BE Carol 1 - Story A Jubilant Carol BE 1 - Story Classic Bits and Pieces BE 1 - Story Patriotic Bits and Pieces BE 1 - Swearingen Three Chorales for Band BE 1 - Sweeney Shenandoah HL 1 Adams Valse Petite SP 1 Akers Berkshire Hills BO 1 Akers Little Classic Suite CF 1 Aleicheim Schaffer Israeli Folk Songs PO 1 Anderson Ford Forgotten Dreams BE 1 Anderson Ford Sandpaper Ballet BE 1 Arcadelt Whiting Ave Maria EM 1 Arensky Powell The Cuckoo PO 1 Bach Gardner Little Bach Suite ST Grand Finale from Cantata 1 Bach Gordon BO #207 1 Bach Walters Celebrated Air RU 1 Bain, James L. M Wagner Brother James' Air BE 1 Balent Bold Adventure WB Drummin' With Reuben And 1 Balent BE Rachel 1 Balent Lonesome Tune WB 1 Balmages Gettysburg FJ 2011 WV Graded Music List, p. 2 1 Balmages Majestica FJ 1 Barnes Ivory Towers of Xanadu SP 1 Bartok Castle Hungarian Folk Suite AL 1 Beethoven Clark Theme From Fifth Symphony HL 1 Beethoven Foulkes Creation's Hymn PO 1 Beethoven Henderson Hymn to Joy PO 1 Beethoven Mitchell Ode To Joy CF 1 Beethoven Sebesky Three Beethoven Miniatures Al 1 Beethoven Tolmage
    [Show full text]
  • School Show Study Guide
    420 East Packer Avenue Bethlehem, PA 18015-3179 (610) 758-2787 www.ZoellnerArtsCenter.org School Show Study Guide: Wednesday, March 13, 2019 at 10:00am Baker Hall at Zoellner Arts Center USING THIS STUDY GUIDE Dear Educator, On Wednesday, March 13, your class will attend a performance by Murphy’s Celtic Legacy, at Lehigh University’s Zoellner Arts Center in Baker Hall. You can use this study guide to engage your students and enrich their Zoellner Arts Center field trip. Materials in this guide include information about the performance, what you need to know about coming to a show at Zoellner Arts Center and interesting and engaging activities to use in your classroom prior to and following the performance. These activities are designed to go beyond the performance and connect the arts to other disciplines and skills including: Dance Culture Expression Social Sciences Teamwork Choreography Before attending the performance, we encourage you to: Review the Know before You Go items on page 3 and Terms to Know on pages 9. Learn About the Show on pages 4. Help your students understand Ireland on pages 11, the Irish dance on pages 17 and St. Patrick’s Day on pages 23. Engage your class the activity on pages 25. At the performance, we encourage you to: Encourage your students to stay focused on the performance. Encourage your students to make connections with what they already know about rhythm, music, and Irish culture. Ask students to observe how various show components, like costumes, lights, and sound impact their experience at the theatre. After the show, we encourage you to: Look through this study guide for activities, resources and integrated projects to use in your classroom.
    [Show full text]
  • The Reel Latina/O Soldier in American War Cinema
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________
    [Show full text]
  • 040 Harvard Classics
    THE HARVARD CLASSICS The Five-Foot Shelf of Books Mn. VVI LCI AM S1I .A. K- li- S 1^ -A. 1^. t/ S COMEDIES, HISTORICS, & TRAGED1E S. Pulliihid accorv LO 0 Priqtedty like laggard, aod Ed.Blount. 1 <5i}- Facsimile of the title-page of the First Folio Shakespeare, dated 1623 From the original in the New York Public Library, New York THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. English Poetry IN THREE VOLUMES VOLUME I From Chaucer to Gray W//A Introductions and Notes Volume 40 P. F. Collier & Son Corporation NEW YORK Copyright, 1910 BY P. F. COLLIER & SON MANUFACTURED IN U. S. A. CONTENTS GEOFFREY CHAUCER PAGE THE PROLOGUE TO THE CANTERBURY TALES n THE NUN'S PRIEST'S TALE 34 TRADITIONAL BALLADS THE DOUGLAS TRAGEDY 51 THE TWA SISTERS 54 EDWARD 5 6 BABYLON: OR, THE BONNIE BANKS O FORDIE 58 HIND HORN 59 LORD THOMAS AND FAIR ANNET 61 LOVE GREGOR 65 BONNY BARBARA ALLAN 68 THE GAY GOSS-HAWK 69 THE THREE RAVENS 73 THE TWA CORBIES 74 SIR PATRICK SPENCE 74 THOMAS RYMER AND THE QUEEN OF ELFLAND 76 SWEET WILLIAM'S GHOST 78 THE WIFE OF USHER'S WELL 80 HUGH OF LINCOLN 81 YOUNG BICHAM 84 GET UP AND BAR THE DOOR 87 THE BATTLE OF OTTERBURN 88 CHEVY CHASE 93 JOHNIE ARMSTRONG 101 CAPTAIN CAR 103 THE BONNY EARL OF MURRAY 107 KINMONT WILLIE ' 108 BONNIE GEORGE CAMPBELL 114 THE DOWY HOUMS O YARROW 115 MARY HAMILTON 117 THE BARON OF BRACKLEY 119 BEWICK AND GRAHAME 121 A GEST OF ROBYN HODE 128 1 2 CONTENTS ANONYMOUS PAG* BALOW 186 THE OLD CLOAK 188 JOLLY GOOD ALE AND OLD ..
    [Show full text]
  • The Big Goodbye
    Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in.
    [Show full text]
  • Full Orchestra 2021.Pdf
    Full Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ..................................../Leidig; Niehaus ............49063 .....E .........45.00 Artist's Life, Op. 316 ...........................Strauss, Jr./Muller .........38001 .....MD ......80.00 Φ Aboriginal Rituals ...............................DelBorgo ......................30172 .....M.........59.00 As Summer Was Just Beginning Abduction from the Seraglio: Overture ..Mozart/Meyer ...............33192 .....ME ......59.00 (Song for James Dean) ....................Daehn ...........................49044 .....M.........68.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 As Time Goes By ...............................Hupfeld/Lewis ...............13708 .....MD ......50.00 Academic Festival Overture, Op. 80 ..Brahms/Leidig ..............33029 .....MD ......73.00 Ashford Celebration ...........................Ford ..............................30240 .....MD ......60.00 Academic Festival Overture, Op. 80 ..Brahms/Muller ..............38000 .....MD ......45.00 Φ Ashokan Farewell ...............................Ungar/Cerulli ................47093 .....ME ......65.00 Academic Festival Overture, Op. 80 ..Brahms/Simpson ..........57085 .....D .........90.00 Ashton Place ......................................Niehaus ........................49051 .....MD ......60.00 Academic Procession .........................Daniels .........................60005 .....ME ......55.00 Aspen Fantasy ...................................Feese
    [Show full text]
  • English Ballads and Turkish Turkus a Comparative Study
    British Journal of Arts and Social Sciences ISSN: 2046-9578, Vol.11 No.I (2012) ©BritishJournal Publishing, Inc. 2012 http://www.bjournal.co.uk/BJASS.aspx English Ballads and Turkish Turkus a Comparative Study Elmas Sahin Assist. Prof. Elmas Sahin, Cag University, The Faculty of Arts and Sciences, Turkey, [email protected], Tel: +90 324 651 48 00, fax: +90 324 651 48 11 Abstract Although "ballad" whose origins based on the medieval period in the Western World; derived from Latin, and Italian word 'ballata' (ballare :/ = dance) to “turku” occurring approximately in the same centuries in the Eastern World, whose sources of the'' Turkish'' word sung by melodies in spoken tradition of Anatolia, a term given for folk poetry /songs "Turks" emerged in different nations and different cultures appear in similar directions. When both Ballads and folk songs as products of different cultures in terms of topics, motifs, structures and forms were analyzed are similar in many respects despite of exceptions. Here we will handle and evaluate the ballads and turkus, folk songs, being the products of different countries and cultures, according to the Comparative Literature and Criticism, and its theory by focusing the selected works, by means of a pluralistic approach. In this context these two literary genres having literary values, similar and different aspects in structure and content will be evaluated compared and contrasted in light of various methods as formal ,structural, reception and historical approaches. Keywords: ballad, turku, folk songs, folk poems, comparative literature 33 British Journal of Arts and Social Sciences ISSN: 2046-9578, Introduction Although both Ballad and Türkü are the products of different countries and cultures, except for some unimportant differences, they have similar aspects in terms of their subject, theme, motive, structure and form.
    [Show full text]