DOCSLIB.ORG

2014–2015 Season Sponsors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2014–2015 Season Sponsors 2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. and Mrs. Alex J. Ragone Janet Gray Norma and Gary Greene Robin Raymond Pegleg Entertainment, Inc. Roger Hale Joan and Dick Redmayne Masaye Stafford Julie and Costa Hase R.C. Reichelderfer Ronald Hinders Anastacio and Nash Rivera Donna and Carl Hinds Joan G. Robinson OPENING ACT Patricia Hines Laura and Gary Rose Mary and Robert Buell Family Trust Dr. Richard Hochberg Pam and Bruce Rose Marilynn and James Costantino Donald Hucker Katherine Rupley Virginia Czarnecki Marianne and Bob Hughlett, Ed.D. Naif Salman Susanne and John DeHardt The Hunter Family Mary and Jeff Scherbarth William Goodwin Chuck and Shirley Mabel and Dennis Schoonover Hedy Harrison-Anduha and J.S. Igarashi Mr. and Mrs. John D. Schulte Larry Anduha Grace and Tom Izuhara Kathleen Sidaris Muysean and Peter Madden Kent-Paranal Family Steven Siefert Sissy and Rich Martinez Kneeland Dr. Vina Spiehler Celia and Clarence Masuo Terry L. Koepke The Stapel Family Sylvia L. Osborne Michael Koher William R. Stringer Seal Methods, Inc. Steven Kosakura Gloria and Mike Sullivan Carol Webster and Chris Enterline Shirley Kotsonis L Scott Takahashi and Susan Markee The Kuhn Family Eunice and Jesse Thompson FAN Bette and Ken Kurihara Barbara A Truitt Cheryl Alcorn Linda and Harry Kusuda Amy Tsubokawa Joseph Aldama Kathy and Derrick Lai Angela and Sinclair Wang Carmen V. Ayroso Mr. and Mrs. Edward Le Blanc Julia Q. Weiman Barbara S. Behrens Dr. Trudy Le Clair and Mr. Ray Bradley Mary and Edgar Wellbaum Jayne and Louis Bellanca June and Harold Leach Tracy and James Winkler Mary Brough Judy and Jim Lewis Caron and Jeff Winston Kathy and Mark Brown Sue and Paul Liles Cheryl and Kerry Bryan Barbara and Jim Lockwood IN MEMORIAM Florence P. Buchanan Joyce and Barry Lovinger In Memory of Ellen King Jan Burnett Mr. and Mrs. George Mabuni In Memory of Patrick Kim Yoon Edison Cabacungan Jojo Isaac Madrid Yvonne and Dennis Cattell Dr. and Mrs. Donald McMillan Drs. Frances and Philip Chinn Ellie and Jim Monroe James Clancy Toni and Tom Morgan Betty DeGarmo Jean and Ardell Nease Giving level designations are based on the cumulative giving of the named contributor. Lists are updated in July and January. To request a change to your listing, please call (562) 916-8510 or send an e-mail to [email protected]. 2 presents Friday, November 7, 2014, 8:00 PM There will be one 20-minute intermission. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHIES BROADWAY SWINGS! is a two-act musical evening Whitfield began singing at home in Santa Maria, California. that brings to life the best Broadway music of the ’30s, ’40s, Greensill studied piano in England. Destiny brought both and ’50s. An evening-long salute to the music of Rodgers and to San Francisco, where they met. They have worked with Hammerstein, Cole Porter, The Gershwins, Lerner and Loewe, major symphonies, orchestras, bands, and solo perform- Harold Arlen and Irving Berlin, the production features a ers, including Michael Feinstein, Marian McPartland, and 17-piece Big Band led by pianist Mike Greensill, who provided Joe Wilder. The duo has performed in the Tribute to Frank the all-new Jazz and Swing instrumental arrangements. Brian Sinatra and in tributes to Ella Fitzgerald, Nat King Cole, and Cassier is the music coordinator-orchestra contractor. Judy Garland. The pair was invited to perform at the White The blending of Broadway song with Jazz and Swing is a House for Hillary Clinton in 1996. As an arranger, Greensill marriage made in heaven. The definitive versions of Broadway has written for big bands and symphony orchestras, including songs have almost always come from Pop singers or from Jazz the Boston Pops and the San Francisco Symphony. He has musicians rather than from the original cast recordings. Jazz worked with Rita Moreno, Broadway talents Lillias White musicians have, in turn, brought much to Broadway. Broadway and Franc D’Ambrosio, and Jazz singers Madeline Eastman, Swings! combines the best of Broadway and Jazz, letting audi- Ann Hampton Callaway, and Denise Perrier. ences hear their favorite songs in a whole new way. LA TANYA HALL has collaborated with some of HILARY KOLE co-created and originated the lead fe- music’s most celebrated performers, including Diana Ross, male roles in the award-winning Off-Broadway musicals Our Bobby McFerrin, Harry Belafonte, Burt Bacharach, Quincy Sinatra and Singing Astaire. Kole began her professional career Jones, Aretha Franklin, and Patti LaBelle. She has appeared as at the legendary Rainbow Room and made her concert hall a soloist with the American Composer’s Orchestra, the Colo- debut at Lincoln Center as part of the American Songbook Se- rado Symphony, and the St. Louis Symphony. Hall, who has ries with Jonathan Schwartz. She appeared at Carnegie Hall toured with the musical Dreamgirls and with legends Ross and in a Tribute to Oscar Peterson and was the headliner in New Franklin, also appeared on the television show Blue Bloods. York City at the Town Hall (Nightlife Awards). LIGETI ARTISTS LLC/THESHOWSTORE.COM, MICHAEL CIVISCA had lead roles in Las Vegas and PRODUCER provides live entertainment and support services Broadway stage productions and has released five albums. For for theaters, performing arts centers, music festivals, associations, his Love Is Like a Breeze album, Civisca worked with veteran charities, and private and corporate event planners throughout arranger-producer Charlie Calello. Civisca is also a voice ac- the world. The Show Store services include personal shopping tor for commercials, animation, and movie soundtracks. support and custom-designed entertainment media proposals WESLA WHITFIELD and MIKE GREENSILL: delivered electronically to entertainment buyers. n 3 presents CALIFORNIA GUITAR TRIO AND MONTREAL GUITAR TRIO Saturday, November 8, 2014, 8:00 PM There will be one 20-minute intermission. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHIES Combining more than 40 years of experience into of Rock, Jazz, World, Surf, and Classical music, with its a unique six-guitar format, the virtuoso guitarists of the tunes being played as wake-up music in outer space for the California Guitar Trio and Montreal Guitar Trio play in- crew of NASA’s Space Shuttle Endeavour. The trio – whose dependently and together in an electrifying set, delivering members include Bert Lams of Belgium, Hideyo Moriya an evening of original compositions as well as new works. of Japan, and Paul Richards of the United States – have They perform arrangements of each other’s material, as well worked with music industry greats such as King Crimson, as innovative takes on Rock standards. Inspired in 2009 by John McLaughlin, and David Sylvian. an impromptu studio session in Montreal, the trios’ joint The MONTREAL GUITAR TRIO, which won the ventures yielded the concert recording +Live, which was 2011 Opus Prize for “Concert of the Year” in the Jazz/World released to wide critical acclaim. Music category, consists of members Marc Morin, Sébas- One of the most eclectic guitar groups on the music tien Dufour, and Glenn Lévesque. The ensemble has firmly scene today, the CALIFORNIA GUITAR TRIO fuses established itself with a reputation for cross-pollinating a colorful spectrum of genres, inventing its own unique various musical forms, releasing the universally embraced sounds that have captivated audiences worldwide since its albums Cambria, Garam Maram Masala, and Der Prinz. 1991 founding. Guitar Player Magazine cheers the California Described by the CBC as the “hottest” guitar ensem- Guitar Trio for its “fearless multi-genre explorations,” which ble in Canada, the Montreal Guitar Trio has performed in have driven 14 albums and nearly 1,500 performances in a prestigious venues worldwide, including the BB King Blues career that has spanned more than two decades. Club in New York, the Rundetårn in Copenhagen, and the Founded in 1991, the group has crisscrossed the realms legendary Concertgebouw in Amsterdam. n 4 presents Sunday, November 9, 2014, 3:00 PM There will be one 20-minute intermission. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHY The POPOVICH COMEDY PET THEATER is a and the Ringling Brothers Barnum & Bailey Circus.
Load more

Recommended publications
  • The Frothy Band at Imminent Brewery, Northfield Minnesota on April 7Th, 7- 10 Pm
    April Irish Music & 2018 Márt Dance Association Márta The mission of the Irish Music and Dance Association is to support and promote Irish music, dance, and other cultural traditions to insure their continuation. Inside this issue: IMDA Recognizes Dancers 2 Educational Grants Available Thanks You 6 For Irish Music and Dance Students Open Mic Night 7 The Irish Music and Dance Association (IMDA) would like to lend a hand to students of Irish music, dance or cultural pursuits. We’re looking for students who have already made a significant commitment to their studies, and who could use some help to get to the next level. It may be that students are ready to improve their skills (like fiddler and teacher Mary Vanorny who used her grant to study Sligo-style fiddling with Brian Conway at the Portal Irish Music Week) or it may be a student who wants to attend a special class (like Irish dancer Annie Wier who traveled to Boston for the Riverdance Academy). These are examples of great reasons to apply for an IMDA Educational Grant – as these students did in 2017. 2018 will be the twelfth year of this program, with help extended to 43 musicians, dancers, language students and artists over the years. The applicant may use the grant in any way that furthers his or her study – help with the purchase of an instrument, tuition to a workshop or class, travel expenses – the options are endless. Previous grant recipients have included musicians, dancers, Irish language students and a costume designer, but the program is open to students of other traditional Irish arts as well.
    [Show full text]
  • Annual Report Tuarascáil Bhliantúil 2017 Annual Report 2017 Tuarascáil Bhliantúil 2017 ISBN: 978-1-904291-57-2
    annual report tuarascáil bhliantúil 2017 Annual Report 2017 Tuarascáil Bhliantúil 2017 ISBN: 978-1-904291-57-2 The Arts Council t +353 1 618 0200 70 Merrion Square, f +353 1 676 1302 Dublin 2, D02 NY52 Ireland Callsave 1890 392 492 An Chomhairle Ealaíon www.facebook.com/artscouncilireland 70 Cearnóg Mhuirfean, twitter.com/artscouncil_ie Baile Átha Cliath 2, D02 NY52 Éire www.artscouncil.ie Trophy part-exhibition, part-performance at Barnardo Square, Dublin Fringe Festival. September 2017. Photographer: Tamara Him. taispeántas ealaíne Trophy, taibhiú páirte ag Barnardo Square, Féile Imeallach Bhaile Átha Cliath. Meán Fómhair 2017. Grianghrafadóir: Tamara Him. Body Language, David Bolger & Christopher Ash, CoisCéim Dance Theatre at RHA Gallery. November/December 2017 Photographer: Christopher Ash. Body Language, David Bolger & Christopher Ash, Amharclann Rince CoisCéim ag Gailearaí an Acadaimh Ibeirnigh Ríoga. Samhain/Nollaig 2017 Grianghrafadóir: Christopher Ash. The Arts Council An Chomhairle Ealaíon Who we are and what we do Ár ról agus ár gcuid oibre The Arts Council is the Irish government agency for Is í an Chomhairle Ealaíon an ghníomhaireacht a cheap developing the arts. We work in partnership with artists, Rialtas na hÉireann chun na healaíona a fhorbairt. arts organisations, public policy makers and others to build Oibrímid i gcomhpháirt le healaíontóirí, le heagraíochtaí a central place for the arts in Irish life. ealaíon, le lucht déanta beartas poiblí agus le daoine eile chun áit lárnach a chruthú do na healaíona i saol na We provide financial assistance to artists, arts organisations, hÉireann. local authorities and others for artistic purposes. We offer assistance and information on the arts to government and Tugaimid cúnamh airgeadais d'ealaíontóirí, d'eagraíochtaí to a wide range of individuals and organisations.
    [Show full text]
  • Exploring Gender Expressiv Fashions Honors Thesis
    IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Natalie Victoria Arida San Marcos, Texas May 2017 IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS by Natalie Victoria Arida Thesis Supervisor: _______________________________ Dr. Gwendolyn Hustvedt, Ph.D. Family Consumer Science Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract: Gender expressive fashion is a way of dress where individuals can show what gender role they are filling that day. Someone who identifies as gender-fluid may change their role every day because they do not identify with any one sex. Individuals who classify themselves as gender-neutral do not identify with any sex; they can be considered unisex or genderless. An androgynous person exhibits characteristics from both sexes, and this can be shown through gender expression as well as sexual expression. A transgendered individual is someone whose gender identity is different from their assigned sex at birth. Over the past few years there has been an increasing acceptance for these different gender expressions, and with that has come a large fashion movement. Through history different gender expressive fashions have been popular trends with the masses; and through my research I aim to uncover if the current fashion movement will repeat history and fade away or, if this is a new social reality that will forever change gender expression. In order to do this, I will first define four different gender expressions, and then research the historical fashion trends for each category, followed by the current fashion for the different expressions.
    [Show full text]
  • Donny Osmond Returns to the Las Vegas Stage with First-Ever Solo Residency at Harrah's Las Vegas
    Donny Osmond Returns To The Las Vegas Stage With First-Ever Solo Residency At Harrah's Las Vegas November 20, 2020 Tickets go on sale starting Tuesday, Nov. 24, 2020 Shows begin Tuesday, Aug. 31, 2021 LAS VEGAS, Nov. 20, 2020 /PRNewswire/ -- Legendary entertainer and music icon, Donny Osmond, today announced his return to Las Vegas and the Caesars Entertainment family with his first-ever solo multi-year residency inside Harrah's Showroom at Harrah's Las Vegas, opening Tuesday, Aug. 31, 2021. "Donny Osmond has achieved a lifetime of remarkable milestones as an entertainer, including countless memories with us during his 11-year run at Flamingo," said Caesars Entertainment Regional President Gary Selesner. "We're thrilled to welcome him to the stage at Harrah's Las Vegas next summer for an all-new show, and we look forward to sharing many more unforgettable moments with our guests and one of music's most beloved stars." In an unprecedented and history-making deal for Harrah's, Osmond's return to stage will be an exciting, energy-filled musical journey of his unparalleled life as one of the most recognized entertainers in the world. Guests can expect a party as he performs his timeless hits, shares stories of his greatest showstopping memories and introduces brand new music in a completely reimagined song and dance celebration. The announcement comes almost exactly one year after the curtains closed for the final time on his previous record-breaking 11-year residency at Flamingo Las Vegas. Fans can once again experience an unforgettable night with Donny Osmond – exclusively at Harrah's Las Vegas.
    [Show full text]
  • 100 Years: a Century of Song 1970S
    100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My
    [Show full text]
  • The Roots and Routes of Irish Step Dancing: Issues of Identity and Participation in a Global World Catherine E
    studying culture in context The roots and routes of Irish step dancing: issues of identity and participation in a global world Catherine E. Foley Excerpted from: Routes and Roots Fiddle and Dance Studies from around the North Atlantic 4 Edited by Ian Russell and Chris Goertzen First published in 2012 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN 0-9545682-7-3 About the author: Catherine Foley is course director of the MA in Ethnochoreology and the MA in Irish Traditional Dance Performance at the Irish World Academy of Music and Dance, University of Limerick; she also supervises doctoral research (academic and practice-based) at the Academy. She is Founding Chair Emerita of Dance Research Forum Ireland, Director of the festival, Tráth na gCos, and Project Leader of the National Dance Archive of Ireland. Copyright © 2012 the Elphinstone Institute and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. 11 The roots and routes of Irish step dancing: issues of identity and participation in a global
    [Show full text]
  • Kentucky.Com Fiddler Liz Carroll Doesn't Hide Her Exuberance For
    Fiddler Liz Carroll doesn't hide her exuberance for Irish music | Music | Kentucky.com Page 1 of 3 Kentucky.com Fiddler Liz Carroll doesn't hide her exuberance for Irish music By Walter Tunis — Contributing Music Writer Posted: 8:24am on Mar 1, 2012; Modified: 2:20pm on Mar 1, 2012 Liz Carroll says that even after 30 years, she is fascinated by the emotion of Irish music. There is an animation that surfaces when Liz Carroll is speaking that often reflects the spirited tone of her playing. She is one of today's most celebrated torchbearers of traditional Irish music (she is America-born of Irish parentage), and her fiddle music bears confidence, precision, no modest level of speed when the occasion calls for it and, above all, a bountiful sense of Celtic abandon. http://www.kentucky.com/2012/03/01/2090222/fiddler-liz-carroll-doesnt-hide.html 3/10/2012 Fiddler Liz Carroll doesn't hide her exuberance for Irish music | Music | Kentucky.com Page 2 of 3 All kinds of musical alliances have promoted and benefited from her work: from traditionally inclined alliances with Trian, String Sisters and especially two extraordinary albums with fellow fiddler John Doyle (including 2009's Grammy-nominated Double Play), and collaborations with non-Irish-inclined stars Don Henley and Yehudi Menuhin. But the very exuberance that has ignited Carroll's recordings for more than 30 years positively erupts in conversation. There is no trace of an Irish accent as she talks, but there is no mistaking the heritage that has longed fueled her music.
    [Show full text]
  • 10623 Hon. Benjamin A. Gilman Hon. Marion
    June 13, 2000 EXTENSIONS OF REMARKS 10623 IN MEMORY OF JOSHUA MYRON TRIBUTE TO RICHARD SIMMONS well. They are outstanding examples of the type of people who make Bergen County such HON. MARION BERRY a wonderful place to live, work, and raise a HON. BENJAMIN A. GILMAN OF ARKANSAS family. Ray and Betty Wells have been active sup- OF NEW YORK IN THE HOUSE OF REPRESENTATIVES porters of the Hermitage since they chaired IN THE HOUSE OF REPRESENTATIVES Tuesday, June 13, 2000 the Hunt Breakfast fund-raiser in 1979. Betty has served as a trustee of the Friends of the Tuesday, June 13, 2000 Mr. BERRY. Mr. Speaker, I rise today to pay tribute to a man who is a dear friend of Hermitage, as a docent and on a number of Mr. GILMAN. Mr. Speaker, it is with deep mine, Richard Simmons, on the occasion of related committees. Ray has been a member sorrow that I rise to inform my colleagues of his retirement from elected service to the con- of the Heritage Community Advisory Board the recent passing of a remarkable individual stituents of State House District 84. and was the architect of the Hermitage Edu- in my 20th Congressional District of New York Richard Simmons has served the State of cation and Conference Center completed last who devoted his life to his work, family, and Arkansas and his country all of his life. He year. the Jewish community. graduated from Rector, Arkansas High School Built in 1740 in what is now Ho-Ho-Kus, NJ, the Hermitage was the home of Theodosia Joshua Myron was born in Rishon le Zion, in 1959 and later Mississippi State University with a degree in agriculture.
    [Show full text]
  • CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 Pm Carlson Family Stage
    2016 // 17 SEASON Northrop and Walker Art Center Present CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 pm Carlson Family Stage Devoted Fabrications Sounddance Dear Friends of Northrop, Northrop at the University of Minnesota and Walker Art Center Present Tonight, we collaborate with Walker Art Center as part of their major survey: Merce Cunningham: Common Time, offering two of Cunningham’s groundbreaking choreographic works. The program begins with Devoted, a commissioned work by the trend setting choreographic duo Cecilia Bengolea and François Chaignaud. Infused with current dance hall and pop culture, CCN-BALLET DE these French choreographers are clearly influenced by modern and even post-modern American dance history—history that was forever changed by Cunningham's impact. LORRAINE Fabrications, the second work on our program, actually had its world premiere right here at Northrop in 1987, with Cunningham dancing, as he did in every performance by his company until he was 70. When he died a few months after his 90th birthday, he Choreographer and General Director had won every choreographic award and accolade imaginable, PETTER JACOBSSON Christine Tschida. Photo by Tim Rummelhoff. and left a legacy of nearly 200 works. It’s interesting to think about the audience who sat here at Northrop 30 years ago, and their world. Choreographer and Coordinator of Research Ronald Reagan was in his second term in the White House and had just struggled through a government THOMAS CALEY shutdown. News of the Iran-Contra Scandal had recently broken. Mad Cow Disease was discovered in the U.K., and the Minnesota Twins would go on to win their first World Series later that year.
    [Show full text]
  • The Art of Lyric Improvisation
    THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan ..................................................................................................................................
    [Show full text]
  • African American Sheet Music Collection, Circa 1880-1960
    African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]