2014–2015 Season Sponsors
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The Frothy Band at Imminent Brewery, Northfield Minnesota on April 7Th, 7- 10 Pm
April Irish Music & 2018 Márt Dance Association Márta The mission of the Irish Music and Dance Association is to support and promote Irish music, dance, and other cultural traditions to insure their continuation. Inside this issue: IMDA Recognizes Dancers 2 Educational Grants Available Thanks You 6 For Irish Music and Dance Students Open Mic Night 7 The Irish Music and Dance Association (IMDA) would like to lend a hand to students of Irish music, dance or cultural pursuits. We’re looking for students who have already made a significant commitment to their studies, and who could use some help to get to the next level. It may be that students are ready to improve their skills (like fiddler and teacher Mary Vanorny who used her grant to study Sligo-style fiddling with Brian Conway at the Portal Irish Music Week) or it may be a student who wants to attend a special class (like Irish dancer Annie Wier who traveled to Boston for the Riverdance Academy). These are examples of great reasons to apply for an IMDA Educational Grant – as these students did in 2017. 2018 will be the twelfth year of this program, with help extended to 43 musicians, dancers, language students and artists over the years. The applicant may use the grant in any way that furthers his or her study – help with the purchase of an instrument, tuition to a workshop or class, travel expenses – the options are endless. Previous grant recipients have included musicians, dancers, Irish language students and a costume designer, but the program is open to students of other traditional Irish arts as well. -
Annual Report Tuarascáil Bhliantúil 2017 Annual Report 2017 Tuarascáil Bhliantúil 2017 ISBN: 978-1-904291-57-2
annual report tuarascáil bhliantúil 2017 Annual Report 2017 Tuarascáil Bhliantúil 2017 ISBN: 978-1-904291-57-2 The Arts Council t +353 1 618 0200 70 Merrion Square, f +353 1 676 1302 Dublin 2, D02 NY52 Ireland Callsave 1890 392 492 An Chomhairle Ealaíon www.facebook.com/artscouncilireland 70 Cearnóg Mhuirfean, twitter.com/artscouncil_ie Baile Átha Cliath 2, D02 NY52 Éire www.artscouncil.ie Trophy part-exhibition, part-performance at Barnardo Square, Dublin Fringe Festival. September 2017. Photographer: Tamara Him. taispeántas ealaíne Trophy, taibhiú páirte ag Barnardo Square, Féile Imeallach Bhaile Átha Cliath. Meán Fómhair 2017. Grianghrafadóir: Tamara Him. Body Language, David Bolger & Christopher Ash, CoisCéim Dance Theatre at RHA Gallery. November/December 2017 Photographer: Christopher Ash. Body Language, David Bolger & Christopher Ash, Amharclann Rince CoisCéim ag Gailearaí an Acadaimh Ibeirnigh Ríoga. Samhain/Nollaig 2017 Grianghrafadóir: Christopher Ash. The Arts Council An Chomhairle Ealaíon Who we are and what we do Ár ról agus ár gcuid oibre The Arts Council is the Irish government agency for Is í an Chomhairle Ealaíon an ghníomhaireacht a cheap developing the arts. We work in partnership with artists, Rialtas na hÉireann chun na healaíona a fhorbairt. arts organisations, public policy makers and others to build Oibrímid i gcomhpháirt le healaíontóirí, le heagraíochtaí a central place for the arts in Irish life. ealaíon, le lucht déanta beartas poiblí agus le daoine eile chun áit lárnach a chruthú do na healaíona i saol na We provide financial assistance to artists, arts organisations, hÉireann. local authorities and others for artistic purposes. We offer assistance and information on the arts to government and Tugaimid cúnamh airgeadais d'ealaíontóirí, d'eagraíochtaí to a wide range of individuals and organisations. -
Exploring Gender Expressiv Fashions Honors Thesis
IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Natalie Victoria Arida San Marcos, Texas May 2017 IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS by Natalie Victoria Arida Thesis Supervisor: _______________________________ Dr. Gwendolyn Hustvedt, Ph.D. Family Consumer Science Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract: Gender expressive fashion is a way of dress where individuals can show what gender role they are filling that day. Someone who identifies as gender-fluid may change their role every day because they do not identify with any one sex. Individuals who classify themselves as gender-neutral do not identify with any sex; they can be considered unisex or genderless. An androgynous person exhibits characteristics from both sexes, and this can be shown through gender expression as well as sexual expression. A transgendered individual is someone whose gender identity is different from their assigned sex at birth. Over the past few years there has been an increasing acceptance for these different gender expressions, and with that has come a large fashion movement. Through history different gender expressive fashions have been popular trends with the masses; and through my research I aim to uncover if the current fashion movement will repeat history and fade away or, if this is a new social reality that will forever change gender expression. In order to do this, I will first define four different gender expressions, and then research the historical fashion trends for each category, followed by the current fashion for the different expressions. -
Donny Osmond Returns to the Las Vegas Stage with First-Ever Solo Residency at Harrah's Las Vegas
Donny Osmond Returns To The Las Vegas Stage With First-Ever Solo Residency At Harrah's Las Vegas November 20, 2020 Tickets go on sale starting Tuesday, Nov. 24, 2020 Shows begin Tuesday, Aug. 31, 2021 LAS VEGAS, Nov. 20, 2020 /PRNewswire/ -- Legendary entertainer and music icon, Donny Osmond, today announced his return to Las Vegas and the Caesars Entertainment family with his first-ever solo multi-year residency inside Harrah's Showroom at Harrah's Las Vegas, opening Tuesday, Aug. 31, 2021. "Donny Osmond has achieved a lifetime of remarkable milestones as an entertainer, including countless memories with us during his 11-year run at Flamingo," said Caesars Entertainment Regional President Gary Selesner. "We're thrilled to welcome him to the stage at Harrah's Las Vegas next summer for an all-new show, and we look forward to sharing many more unforgettable moments with our guests and one of music's most beloved stars." In an unprecedented and history-making deal for Harrah's, Osmond's return to stage will be an exciting, energy-filled musical journey of his unparalleled life as one of the most recognized entertainers in the world. Guests can expect a party as he performs his timeless hits, shares stories of his greatest showstopping memories and introduces brand new music in a completely reimagined song and dance celebration. The announcement comes almost exactly one year after the curtains closed for the final time on his previous record-breaking 11-year residency at Flamingo Las Vegas. Fans can once again experience an unforgettable night with Donny Osmond – exclusively at Harrah's Las Vegas. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
The Roots and Routes of Irish Step Dancing: Issues of Identity and Participation in a Global World Catherine E
studying culture in context The roots and routes of Irish step dancing: issues of identity and participation in a global world Catherine E. Foley Excerpted from: Routes and Roots Fiddle and Dance Studies from around the North Atlantic 4 Edited by Ian Russell and Chris Goertzen First published in 2012 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN 0-9545682-7-3 About the author: Catherine Foley is course director of the MA in Ethnochoreology and the MA in Irish Traditional Dance Performance at the Irish World Academy of Music and Dance, University of Limerick; she also supervises doctoral research (academic and practice-based) at the Academy. She is Founding Chair Emerita of Dance Research Forum Ireland, Director of the festival, Tráth na gCos, and Project Leader of the National Dance Archive of Ireland. Copyright © 2012 the Elphinstone Institute and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. 11 The roots and routes of Irish step dancing: issues of identity and participation in a global -
Kentucky.Com Fiddler Liz Carroll Doesn't Hide Her Exuberance For
Fiddler Liz Carroll doesn't hide her exuberance for Irish music | Music | Kentucky.com Page 1 of 3 Kentucky.com Fiddler Liz Carroll doesn't hide her exuberance for Irish music By Walter Tunis — Contributing Music Writer Posted: 8:24am on Mar 1, 2012; Modified: 2:20pm on Mar 1, 2012 Liz Carroll says that even after 30 years, she is fascinated by the emotion of Irish music. There is an animation that surfaces when Liz Carroll is speaking that often reflects the spirited tone of her playing. She is one of today's most celebrated torchbearers of traditional Irish music (she is America-born of Irish parentage), and her fiddle music bears confidence, precision, no modest level of speed when the occasion calls for it and, above all, a bountiful sense of Celtic abandon. http://www.kentucky.com/2012/03/01/2090222/fiddler-liz-carroll-doesnt-hide.html 3/10/2012 Fiddler Liz Carroll doesn't hide her exuberance for Irish music | Music | Kentucky.com Page 2 of 3 All kinds of musical alliances have promoted and benefited from her work: from traditionally inclined alliances with Trian, String Sisters and especially two extraordinary albums with fellow fiddler John Doyle (including 2009's Grammy-nominated Double Play), and collaborations with non-Irish-inclined stars Don Henley and Yehudi Menuhin. But the very exuberance that has ignited Carroll's recordings for more than 30 years positively erupts in conversation. There is no trace of an Irish accent as she talks, but there is no mistaking the heritage that has longed fueled her music. -
10623 Hon. Benjamin A. Gilman Hon. Marion
June 13, 2000 EXTENSIONS OF REMARKS 10623 IN MEMORY OF JOSHUA MYRON TRIBUTE TO RICHARD SIMMONS well. They are outstanding examples of the type of people who make Bergen County such HON. MARION BERRY a wonderful place to live, work, and raise a HON. BENJAMIN A. GILMAN OF ARKANSAS family. Ray and Betty Wells have been active sup- OF NEW YORK IN THE HOUSE OF REPRESENTATIVES porters of the Hermitage since they chaired IN THE HOUSE OF REPRESENTATIVES Tuesday, June 13, 2000 the Hunt Breakfast fund-raiser in 1979. Betty has served as a trustee of the Friends of the Tuesday, June 13, 2000 Mr. BERRY. Mr. Speaker, I rise today to pay tribute to a man who is a dear friend of Hermitage, as a docent and on a number of Mr. GILMAN. Mr. Speaker, it is with deep mine, Richard Simmons, on the occasion of related committees. Ray has been a member sorrow that I rise to inform my colleagues of his retirement from elected service to the con- of the Heritage Community Advisory Board the recent passing of a remarkable individual stituents of State House District 84. and was the architect of the Hermitage Edu- in my 20th Congressional District of New York Richard Simmons has served the State of cation and Conference Center completed last who devoted his life to his work, family, and Arkansas and his country all of his life. He year. the Jewish community. graduated from Rector, Arkansas High School Built in 1740 in what is now Ho-Ho-Kus, NJ, the Hermitage was the home of Theodosia Joshua Myron was born in Rishon le Zion, in 1959 and later Mississippi State University with a degree in agriculture. -
CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 Pm Carlson Family Stage
2016 // 17 SEASON Northrop and Walker Art Center Present CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 pm Carlson Family Stage Devoted Fabrications Sounddance Dear Friends of Northrop, Northrop at the University of Minnesota and Walker Art Center Present Tonight, we collaborate with Walker Art Center as part of their major survey: Merce Cunningham: Common Time, offering two of Cunningham’s groundbreaking choreographic works. The program begins with Devoted, a commissioned work by the trend setting choreographic duo Cecilia Bengolea and François Chaignaud. Infused with current dance hall and pop culture, CCN-BALLET DE these French choreographers are clearly influenced by modern and even post-modern American dance history—history that was forever changed by Cunningham's impact. LORRAINE Fabrications, the second work on our program, actually had its world premiere right here at Northrop in 1987, with Cunningham dancing, as he did in every performance by his company until he was 70. When he died a few months after his 90th birthday, he Choreographer and General Director had won every choreographic award and accolade imaginable, PETTER JACOBSSON Christine Tschida. Photo by Tim Rummelhoff. and left a legacy of nearly 200 works. It’s interesting to think about the audience who sat here at Northrop 30 years ago, and their world. Choreographer and Coordinator of Research Ronald Reagan was in his second term in the White House and had just struggled through a government THOMAS CALEY shutdown. News of the Iran-Contra Scandal had recently broken. Mad Cow Disease was discovered in the U.K., and the Minnesota Twins would go on to win their first World Series later that year. -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy