DOCSLIB.ORG

Guide to the Sam Devincent Collection of Illustrated American Sheet Music, Series 11: Entertainment

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Guide to the Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents note................................................................................................ 2 Arrangement note............................................................................................................ 2 Container Listing ............................................................................................................. 4 Subseries 11.1: Early Troupes & Bandmasters, 1841-1944, undated...................... 4 Subseries 11.2: Dance Bands and Orchestras, 1905-1964, undated...................... 6 Subseries 11.3: Novelty Bands, 1901-1952........................................................... 16 Subseries 11.4: Male Singers (Individual), 1846-1986.......................................... 17 Subseries 11.5: Female Singers (Individual), 1845-1971...................................... 28 Subseries 11.6: Duos and Groups (Male and Mixed), 1870-1981, undated........... 36 Subseries 11.7: Female Duos and Groups, 1896-1966......................................... 38 Subseries 11.8: Child Entertainers, 1852-1927, undated....................................... 41 Subseries 11.9: Male and Female Impersonators, 1904-1982.............................. 41 Subseries 11.10: Actors and Comedians, 1853-1982............................................ 41 Subseries 11.11: Theater, 1873-1973, undated..................................................... 45 Subseries 11.12: Jukebox, Nickelodeon, 1923-1981............................................. 48 Subseries 11.13: Phonographs and Sound Recordings, 1878-1971..................... 48 Subseries 11.14: Radio, Transistor, Wireless, 1898-1984..................................... 49 Subseries 11.15: Television, 1931-1987................................................................ 52 Subseries 11.16: Circus, Fair, Zoo, 1850-1982..................................................... 53 Subseries 11.17: Rock and Roll, 1954-1961......................................................... 55 Subseries 11.18: Band Arrangements................................................................... 55 Subseries 11.18: Ephemera................................................................................... 55 Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 Collection Overview Repository: Archives Center, National Museum of American History Title: Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment Identifier: NMAH.AC.0300.S11 Date: 1841-1986, undated Extent: 98 Boxes Creator: DeVincent, Sam, 1918-1997 Language: English . Summary: Sam DeVincent loved music and art and began collecting sheet music with lithographs at an early age. Series 11: Entertainment contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. An overview to the entire DeVincent collection is available here: Sam DeVincent Collection of Illustrated American Sheet Music. Digital Image(s): Entertainment Content: Administrative Information Acquisition Information This collection was purchased by the Smithsonian Institution in 1988 from Sam and Nancy Lee DeVincent. Materials in Other Organizations Sam DeVincent Collection of American Sheet Music, Lilly Library, Indiana University, Bloomington, Indiana This collection contains duplicates of materials in the Smithsonian collection, as well as materials acquired by Mr. DeVincent after the donation to the Smithsonian. The phonograph records described above were transferred to the University of Missouri at Kansas City. Materials in the Archives Center, National Museum of American History Donald J. Stubblebine Collection of Musical Theater and Motion Picture Sheet Music and Reference Material, 1843-2010 (AC1211) Page 1 of 80 Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 Forms Part Of Series 11: Entertainment forms part of the Sam DeVincent Collection of Illustrated American Sheet Music . An ongoing, updated list of DeVincent topical series is available via the Smithsonian finding aid portal. Preferred Citation The Sam DeVincent Collection of Illustrated American Sheet Music, Archives Center, National Museum of American History, Smithsonian Institution Restrictions Collection is open for research. Conditions Governing Use Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Scope and Contents Series 11, Entertainment, 1841-1986, undated, contains more than 12,500 pieces of sheet music and other materials documenting the development of and popular attitudes towards entertainers and entertainment in the United States. Note that movies and some musical entertainment are also covered in Series 6, Moving Pictures and Movie Stars, and in Series 16, Country, Western, and Folk Music. Blind musicians and performers are in Series 17. The materials are arranged by subject, with ephemera arranged in the same subseries as the sheet music and described following the container list. The ephemera has been placed in eighteen document boxes. News articles about Elvis Presley form a large part of this section. Material related to this series within the DeVincent Collection may be found in Series 4, Songwriters; Series 6, Moving Pictures and Movie Stars; Series 16, Country, Western, and Folk Music; and in the as yet unprocessed Musical Instruments section. Arrangement Arranged in 18 subseries. • 11.1: Early Troupes & Bandmasters • 11.2: Dance Bands and Orchestras • 11.3: Novelty Bands • 11.4: Male Singers (Individual) • 11.5: Female Singers (Individual) • 11.6: Duos and Groups (Male and Mixed) • 11.7: Female Duos and Groups • 11.8: Child Entertainers Page 2 of 80 Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 • 11.9: Male and Female Impersonators • 11.10: Actors and Comedians • 11.11: Theater • 11.12: Jukebox, Nickelodeon • 11.13: Phonographs and Sound Recordings • 11.14: Radio, Transistor, Wireless • 11.15: Television • 11.16: Circus, Fair, Zoo • 11.17: Rock and Roll • 11.18: Ephemera Page 3 of 80 Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 Container Listing Subseries 11.1: Early Troupes & Bandmasters, 1841-1944, undated Subseries 1, Early Troupes and Bandmasters, 1841-1944, undated. Most of the covers have images of troupe members. Nine different troupes, most notably the Hutchisons, are in separate folders and twelve others are in a folder together. Arthur Pryor is the only bandmaster with a separate folder; there are others in another folder. Minstrel items are in Series 3.1. Note that Merle Evans is in subseries 16, Circus, Fair, Zoo. Box 1, Folder A-K Early Troupes, 1841-1880 Box 1, Folder A Alleghanians [sic], The, 1847-1867, undated 11 Items Box 1, Folder B Amphions, The, 1852-1880 16 Items Box 1, Folder C Baker Family, 1845-1866, undated 14 Items Box 1, Folder D Barker Family, 1848-1863 5 Items Box 1, Folder E Harmoneons, The, 1846-1851 19 Items O! Lady, Sweetest Lady. Serenade [illustrated sheet music], 1846 1 Item (6 pp.; 13-1/2 x 10-1/2") Litch & Wipple (daguerreotypists) English. Cover illustration (lithograph) shows four standing male musicians (singers). Lithograph by W. Sharp & Co. "From a Daguerreotype by Litch & Wipple [sic]." Music by L.V.H. Crosby, words by J.S. Davis. From series, "Melodies of the Harmoneons." Ink on paper. Folder contains other items with lithographic illustrations derived from daguerreotypes, including the cover of "Songs and Glees," also from the Gibson Troupe, showing three men with harp, violin, and cello, and a woman with a guitar. From temporary box 54C, "Early Families/Troupes", "Harmoneon Family" folder. Moved to Series 11 Publication Boston., C. Bradlee & Co., 1846 Page 4 of 80 Sam DeVincent Collection of Illustrated American Sheet Music, Series 11: Entertainment NMAH.AC.0300.S11 Names: Harmoneons (vocal group). Topic: Musicians -- 1830-1880 Singers Genre/ Daguerreotypes Form: Lithographs -- 19th century Sheet music -- 19th century Box 2, Folder F-G Hutchinson Family, 1843-1867 Box 2, Folder F A - H, includes "Cape Ann." 16 Items Box 2, Folder G J - T, includes "The Old Granite State." 18 Items Box 2, Folder H Orphean Family, 1845-1850 8 Items Box 2, Folder I Ossian's Bards, 1854-1856 7 Items Box 2, Folder J Rainer Family, 1841-1847 12 Items Includes "The Mountain Maid's Invitation." Box 3, Folder K Miscellaneous Early Troupes, 1848-1860 21 Items Includes the Moravian Singers' "The Song of Blanche Alpen," the Gibson Troupe's "Merry Sleigh Bells," and 10 other groups. For Wood's Minstrels, see Ordway's Aeolians in this folder. Merry Sleigh Bells [illustrated sheet music], 1843
Recommended publications
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    Ralph W. Judd Collection on Cross-Dressing in the Performing Arts

    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
  • Radiolog 321120.Pdf

    Radiolog 321120.Pdf

    RADIO What's On The Air W EEK O F NOVEMBER 20, 1932 GILDA GRAY (Story on PalZe 27) RADIOLOG A THOUSAND lAUGHS FOR A DOllAI{ Special TenWeek Trial Subscription A hilarious side splitting: Ed Wynn Uproar will be mailed you every week for ten weeks fur one doll ar. So-a-o-h act before you forget and send on(' doll ar for a specia l trial subscription. UPROAR COMPANY )1 MILK STREET, BOST ON You may send me an Uproar a week for le n weeks for which I am enclosing a dollar. Nam'<.__________________ _ S fr~d ___________________ Cicy fI S(at ..~ ________________ R -A-O-I-O-L-O-G Publlsl'led weekly by the Radlolog Company. 80 8(>)'18ton St., Boston. Man. Entered as second cia .. matter at P08t Office, B08ton, Ma ..... SUBSCRIPTIONS BY MAI L PAYABLE IN ADVANCE '1.50 for one year;. $1 .00 for &IX month8; 60c for. three months. Canadian ratu: '2.00 tor one year, $1.25"'0' six m(>nth~. When changing add.,"•• 2 weeks notice i. required _VC·O'C·--,,"".--,-NC.C·-=8~8,--_--,-NCO,,-,VCE=MCB==E"R,-,2000.,-,1"903"2'--_C50<C::"CCO.OPO:Y; $ 1.50 • y ..... POLITICAL VOICE PERSONALITIES Bl"oadclIstcrs arc discussing the rising inflection at thc end of most voice personalities and radio tech­ sentences. Delivery is not forceful. nique of the orators who have John N. Gal'oet'-lIas the pecul­ fought the campaign of U)32 on iar thin "sandy" voice. It reveals the air. determination like the voice of one Stripped of g-estures, red fire, who is accustomed to bite out com­ flags and bunting, wOl'ds alone mands.
  • Indices for Alley Sing-A-Long Books

    Indices for Alley Sing-A-Long Books

    INDICES FOR ALLEY SING-A-LONG BOOKS Combined Table of Contents Places Index Songs for Multiple Singers People Index Film and Show Index Year Index INDICES FOR THE UNOFFICIAL ALLEY SING-A-LONG BOOKS Acknowledgments: Indices created by: Tony Lewis Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award These indices can be downloaded from http://www.exelana.com/Alley/TheAlley-Indices.pdf Best Is Yet to Come, The ............................................. 1-6 4 Between the Devil and the Deep Blue Sea .................. 2-6 nd Bewitched .................................................................... 1-7 42 Street (see Forty-Second Street) ........................ 2-20 Beyond the Sea ............................................................ 2-7 Bicycle Built for Two (see Daisy Bell) ..................... 2-15 A Big Spender ................................................................. 2-6 Bill ............................................................................... 1-7 A, You’re Adorable (The Alphabet Song) .................. 1-1 Bill Bailey, Won’t You Please Come Home ............... 1-8 Aba Daba Honeymoon, The ........................................ 1-1 Black Coffee ...............................................................
  • RED HOT MAMAS: Colori Ed Emozioni Blues Nel Vaudeville Bianco Di Luciano Federighi

    RED HOT MAMAS: Colori Ed Emozioni Blues Nel Vaudeville Bianco Di Luciano Federighi

    RED HOT MAMAS: colori ed emozioni blues nel vaudeville bianco di Luciano Federighi red hot mama, una ragazza incandescente: A nel senso carnale - com’è facile intuire - della parola. Il poeta e lessicografo georgiano Clarence Major, nell’esemplare Juba to Jive: A Dictionary LILLIAN ROTH of African-American Slang (Penguin 1994), attribuisce all’aggettivo “red hot” il significato di “sexy”, “erotico”, nell’uso afroamericano dei primi quarant’anni del Novecento: “mama”, sin da quando comunità nere si sono (forzatamente) formate nel continente nordamericano, è invece un “termine maschile per girlfriend o moglie, per qualsiasi donna, per qualsiasi ragazza,” appellativo ossessivamente, colloquialmente ricorrente (Michael Taft, nella sua monumentale “concordanza” della discografia del blues prebellico, ne elenca una ventina di pagine di diverse apparizioni) nel gergo della più schietta canzone nera. in questa chiave che si esprimeva un popolare cantante e chitarrista di È blues dal rovente sobriquet gastronomico, “Barbecue Bob” Hicks, quando giocava con il doppio significato dell’alta temperatura sessuale nel bizzosamente metaforico “Red Hot Mama, Papa’s Going to Cool You Off”, registrato ad Atlanta nel 1929. La sua “red hot mama from a red hot town, way down in Tennessee,” aveva modi promiscui e irrequieti. Ma lui - per arguto contrasto - era un “’frigeratin’ papa from way up north”, un tipo glaciale del profondo nord, e sapeva come raffreddarla: “if you fool with me, papa gonna cool you off”. Lo scenario musicale afroamericano prebellico pullulava
  • Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M

    Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 8-26-2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography" (2016). Faculty Publications: School of Music. 64. http://digitalcommons.unl.edu/musicfacpub/64 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 08/26/2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. They are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012/2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. None of them is any kind of finished, polished document; all represent work in progress, complete with missing data and the occasional typographical error.
  • Purches Collection a to Z List of Principal Artists and Performers

    Purches Collection a to Z List of Principal Artists and Performers

    Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader)
  • Commencement Program

    Commencement Program

    Sunday, the Sixteenth of May, Two Thousand and Ten ten o’clock in the morning ~ wallace wade stadium Duke University Commencement ~ 2010 One Hundred Fifty-Eighth Commencement Notes on Academic Dress Academic dress had its origin in the Middle Ages. When the European universities were taking form in the thirteenth and fourteenth centuries, scholars were also clerics, and they adopted Mace and Chain of Office robes similar to those of their monastic orders. Caps were a necessity in drafty buildings, and Again at commencement, ceremonial use is copes or capes with hoods attached were made of two important insignia given to Duke needed for warmth. As the control of universities University in memory of Benjamin N. Duke. gradually passed from the church, academic Both the mace and chain of office are the gifts costume began to take on brighter hues and to of anonymous donors and of the Mary Duke employ varied patterns in cut and color of gown Biddle Foundation. They were designed and and type of headdress. executed by Professor Kurt J. Matzdorf of New The use of academic costume in the United Paltz, New York, and were dedicated and first States has been continuous since Colonial times, used at the inaugural ceremonies of President but a clear protocol did not emerge until an Sanford in 1970. intercollegiate commission in 1893 recommended The Mace, the symbol of authority of the a uniform code. In this country, the design of a University, is made of sterling silver throughout. gown varies with the degree held. The bachelor’s Significance of Colors It is thirty-seven inches long and weighs about gown is relatively simple with long pointed Colors indicating fields of eight pounds.
  • J2P and P2J Ver 1

    J2P and P2J Ver 1

    r q 50 Ciat+ 4, 1961 C eptember eD I - t` , W di! B V WEP$ oc o + Programming Coin Machine Operatin Music, -Phonograph Merciï= ñdisng to -Tv GOODY 'PLUS 2' REACTION VARIED 2' Gets Wait Juke Box 'Plus Ops Cool And See Action By LEE ZHITO Nuuunmimn To Plan Jim Conkling's 'Plus 2" innovation HOLLYWOOD - CHICAGO -Warner Bros.' new August 28), aimed at stimulating singles sales, last week short (BMW, ingenious" to "Plus 2" plan of adding a stirred industry reaction here ranging from "it's side of a however, agreed on one bonus selection to each "it won't work." All who commented, single has lifted a lot Records, the firm he heads, 45 r.p.m. point: Conkling and Warner Bros. of eyebrows in the juke box busi- deserve credit for attempting to find a solution to one of the business. ness. industry's knottiest problems, the waning singles are frankly surprised as exclusively reported in last Operators Conkling's "Plus, 2" plan, by the move and the reaction to offers the singles buyer a bonus track on each will week's BMW, the just what effect, if any, it side by the same artist for the same price. Idea is to give business is cutting the price of have on the juke box consumer more for his money without nixed. the dealers' mark -up while attempting singles, thereby protecting A spot check of operators here singles sales excitement. Conkling said his label will to create release, in Chicago has drawn comments go on a full "Plus 2" policy starting with its September from, "It's just a mm in an indushy -wis, everywhere and called upon other labels to tom watered -down version of the old effort to bring back the singles business.
  • Bank of America Cinema: January

    Bank of America Cinema: January

    BANK OF AMERICA CINEMA CLASSIC FILM SERIES JANUARY - JUNE 2010 FROM THE BOOTH The building is for sale, and who knows what the future will hold. What we can guarantee is at least another six months of great films. We’ve made sure this season will be one to remember, starting with G.W. Pabst’s silent masterpiece Pandora’s Box with live accompaniment by Jay Warren, and ending with Jane Russell’s, ah, assets in Howard Hughes’s notorious The Outlaw. In between, we’ve stocked up on films we’ve wanted to show for the past five years but couldn’t find through normal distributors—rare prints of such gems as Douglas Sirk’s weepie The First Legion, Anthony Mann’s scandalous God’s Little Acre, and John Cromwell’s elusive The Enchanted Cottage. Between March 13th and June 26th, blood pressures will rise and edges of seats will be perched on—we’re running the 1940 Republic serial The Mysterious Dr. Satan! And in April we have two radio films to celebrate the career of Chuck Schaden, who started this film series back in 1972. Thanks, Chuck. We literally wouldn’t be here without you. Film program: Michael W. Phillips Jr. (MP) Special print coordinator: Julian Antos (JA) Program design: Becca Hall With assistance from Kyle Westphal (KW) and Michael King (MK) PANDORA ’S BOX • 1929 DIRECTED B Y G. W. PA B ST G.W. Pabst did not “discover” Louise Brooks—teenage 2, 2010 Ziegfeld Follies chorine, Paramount contract player, and all-around magnetic embodiment of an inchoate sexual revolution.
  • RADIO MIRROR Radio Mirror's Directory 6 Vital Statistics on NBC Players on Sale October 25

    RADIO MIRROR Radio Mirror's Directory 6 Vital Statistics on NBC Players on Sale October 25

    NOVEMBER M I R FLO FL FRANCES $500.00 LANGFORD CASH PRIZES in the big Jack Benny — )W HOLLYWOOD PUTS RADIO STARS ON THE SPOT/ Broadway Melody ALSO of 1936" Contest > GREAT RADIO FEATURE By FAITH BALDWIN ^ n ^ wis ^Watches Oenutne Diamonds DOWN aJt ouk. 'e*/^L/ «POT CASH PRICES ^Both for direct mqumes. $ 75 m ake NTEED pre-paia. GUARANTEEDr_„ aRA all charses SATISFACTION month 29 TRIAL Only $2.88 a FREE watch is »Wj^h f^YA^ TEN DAYS rin3 or Evm U a ,a sold b°nd 9 Buy now to If Sn r deaTin g iudge! sauU a e be -he sole M^teU^on ° fa dn " m«l .he a&.White'^fSIoFSlengage- You ^h! Order by Solid oyl^nf eng™engraved e bisoih Xm hand *"?davoid theh ,. luxuriously spe cia Uy , The with a cerun ana »«"Ay E ment ring is set nite Royal way selected d^ing^ *™^ ne Wedding of x ™ u to diamond J i cengraveds exquisitely™ft 1 han<ha"u Is , yello w ring choice °i white o^ State n , match. complete it y gold. Both $2.88 a month. Both I4K Only* W50 $^2 ^^r^EL. Now Only 54 Q75 Diamonds BAGUETTE I U Genuine 2 DIAMOND a month 10 Certified Just $2.35 Only $1-88 a month stWedsq^are Prong "Dawn ol Hw^^f^S H-B Elegantly e KH 2 styled K KH 8 Elegantly ^j^tw v S^aS^ffl^d^en^le milgrained and pierceu. b r the we^ dg^uin%diamonds,n ^ mo Sa\ch e 2 ^ $1.88 a month.
  • Vaudeville Trails Thru the West"

    Vaudeville Trails Thru the West"

    Thm^\Afest CHOGomTfca3M^si^'reirifii ai*r Maiiw«MawtiB»ci>»«w iwMX»ww» cr i:i wmmms misssm mm mm »ck»: m^ (sam m ^i^^^ This Book is the Property of PEi^MYOcm^M.AGE :m:^y:^r^''''< .y^''^..^-*Ky '''<. ^i^^m^^^ BONES, "Mr. Interlocutor, can you tell me why Herbert Lloyd's Guide Book is like a tooth brush?" INTERL. "No, Mr, Bones, why is Herbert Lloyd's Guide Book like a tooth brush?" BONES, "Because everybody should have one of their own". Give this entire book the "Once Over" and acquaint yourself with the great variety of information it contains. Verify all Train Times. Patronize the Advertisers, who I PLEASE have made this book possible. Be "Matey" and boost the book. This Guide is fully copyrighted and its rights will be protected. Two other Guide Books now being compiled, cover- ing the balance of the country. Digitized by the Internet Archive in 2012 with funding from Brigham Young University http://archive.org/details/vaudevilletrailsOOIIoy LIBRARY Brigham Young University AMERICANA PN 3 1197 23465 7887 — f Vauaeville Trails Thru tne ^iV^est *' By One vC^Jio Knows' M Copyrighted, 1919 by HERBERT LLOYD msiGimM wouNG<uNiveRSBtr UPb 1 HERBERT LLOYD'S VAUDEVILLE GUIDE GENERAL INDEX. Page Page Addresses 39 Muskogee 130-131 Advertiser's Index (follows this index) New Orleans 131 to 134 Advertising Rates... (On application) North Yakima 220 Calendar for 1919.... 30 Oakland ...135 to 137 Calendar for 1920 31 Ogden 138-139 Oklahoma City 140 to 142 CIRCUITS. Omaha 143 to 145 Ackerman Harris 19 & Portland 146 to 150 Interstate .
  • 2012 Annual Report

    2012 Annual Report

    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.