Bhagavad Gita Sanskrit Documents
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
The Significance of Fire Offering in Hindu Society
INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY EDUCATIONAL RESEARCH ISSN : 2277-7881; IMPACT FACTOR - 2.735; IC VALUE:5.16 VOLUME 3, ISSUE 7(3), JULY 2014 THE SIGNIFICANCE OF FIRE OFFERING IN HINDU THE SIGNIFICANCESOCIETY OF FIRE OFFERING IN HINDU SOCIETY S. Sushrutha H. R. Nagendra Swami Vivekananda Yoga Swami Vivekananda Yoga University University Bangalore, India Bangalore, India R. G. Bhat Swami Vivekananda Yoga University Bangalore, India Introduction Vedas demonstrate three domains of living for betterment of process and they include karma (action), dhyana (meditation) and jnana (knowledge). As long as individuality continues as human being, actions will follow and it will eventually lead to knowledge. According to the Dhatupatha the word yajna derives from yaj* in Sanskrit language that broadly means, [a] worship of GODs (natural forces), [b] synchronisation between various domains of creation and [c] charity.1 The concept of God differs from religion to religion. The ancient Hindu scriptures conceptualises Natural forces as GOD or Devatas (deva that which enlightens [div = light]). Commonly in all ancient civilizations the worship of Natural forces as GODs was prevalent. Therefore any form of manifested (Sun, fire and so on) and or unmanifested (Prana, Manas and so on) form of energy is considered as GOD even in Hindu tradition. Worship conceives the idea of requite to the sources of energy forms from where the energy is drawn for the use of all 260 INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY EDUCATIONAL RESEARCH ISSN : 2277-7881; IMPACT FACTOR - 2.735; IC VALUE:5.16 VOLUME 3, ISSUE 7(3), JULY 2014 life forms. Worshiping the Gods (Upasana) can be in the form of worship of manifest forms, prostration, collection of ingredients or devotees for worship, invocation, study and discourse and meditation. -
Sahitya Akademi Translation Prize 2013
DELHI SAHITYA AKADEMI TRANSLATION PRIZE 2013 August 22, 2014, Guwahati Translation is one area that has been by and large neglected hitherto by the literary community world over and it is time others too emulate the work of the Akademi in this regard and promote translations. For, translations in addition to their role of carrying creative literature beyond known boundaries also act as rebirth of the original creative writings. Also translation, especially of ahitya Akademi’s Translation Prizes for 2013 were poems, supply to other literary traditions crafts, tools presented at a grand ceremony held at Pragyajyoti and rhythms hitherto unknown to them. He cited several SAuditorium, ITA Centre for Performing Arts, examples from Hindi poetry and their transportation Guwahati on August 22, 2014. Sahitya Akademi and into English. Jnanpith Award winner Dr Kedarnath Singh graced the occasion as a Chief Guest and Dr Vishwanath Prasad Sahitya Akademi and Jnanpith Award winner, Dr Tiwari, President, Sahitya Akademi presided over and Kedarnath Singh, in his address, spoke at length about distributed the prizes and cheques to the award winning the role and place of translations in any given literature. translators. He was very happy that the Akademi is recognizing Dr K. Sreenivasarao welcomed the Chief Guest, and celebrating the translators and translations and participants, award winning translators and other also financial incentives are available now a days to the literary connoisseurs who attended the ceremony. He translators. He also enumerated how the translations spoke at length about various efforts and programmes widened the horizons his own life and enriched his of the Akademi to promote literature through India and literary career. -
Introduction to BI-Tagavad-Gita
TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well. -
Microsoft Powerpoint
ॐ पाथाय ितबाधताे भगवता नारायणने वय ꠱ गीतॎ यॎनम् ꠱ यासेन थता पराणमिननापराणमु ुिनना Gītā Dhyānam मये महाभारतम् ꠰ pārthāya pratibodhitām bhagavatā Meditation Verses on the Gītā nārāyaṇena svayam vyāsena grathitām purāṇa-muninā madhyemahābhāratam Taught to Arjuna by Lord Narayana himself, compiled by Rishi Vyasa in the Mahabharata... अैतामतवषृ णी भगवतीम् नमाऽते त े यास वशालबु े अादशायाीयनीम् फु ारवदायतपन꠰ेे अब वामनसदधामवामनसदधामु namo 'stu te vyāsa viśhāla-buddhe phullāravindāyata-patra-netra भगवत े भवभवषणीमेषणीम् ꠱१꠱ Salutations to You, Vyyasa, whose intellect is vast, advaitāmṛita-varṣhiṇīm bhagavatīm whose eyes are like petals of a lotus... aṣhṭādaśhādhyāyinīm amba tvām anusandadhāmi bhagavad-gīte bhava-dveṣhiṇīm (1) ...this sacred rain of nectar in 18 chapters – O Mother Gita, I venerate You, destroyer of suffering. येन वया भारततलपै ूण पपारजाताय तावे े कपाणयै े꠰ वालता ेे ानमय दप ꠱२꠱ ानमु य कृ णाय गीतामृतदहु ेे नम ꠱३꠱ yena tvayā bhārata-taila-pūrṇaḥ prapanna-pārijātāya prajvālito jñāna-mayaḥ pradīpaḥ (2) totra-vetraika-pāṇaye jñāna-mudrāya kṛiṣhṇāya ...by whom the lamp filled with the oil of the gītāmṛita-dhduhenamaḥ (3) Mahabharata was lit with the flame of knowledge. Salutations to Krishna , who blesses the surrendered, in whose hands are a staff and the symbol of knowledge, who milks the Gita's nectar. सवापिनषदाे े गावा े दाधाे गापालनदने ꠰ वसदेवसत देव क सचाणरमदू नम꠰् पाथा े वस सध ीभााेे दधु गीतामृत महत् ꠰꠰ देेवकपरमानद कृ ण वदेे जगु म् ꠱꠱ sarvopaniṣhado gāvo vasudeva-sutam devam dogdhā gopāla-nandanaḥ kaḿsa-cāṇūra-mardanam pārtho vatsaḥ sudhīr bhoktā devakī-paramānandam ddhdugdham gītāmṛitam mahthat (4) kṛiṣhṇam vande jdjagad-gurum (5) The Upanishads are cows, Krishna is the cowherd, I revere Sri Krishna, teacher of all, son of Vasudeva, Arjuna is the calf, and wise people enjoy the sacred destroyer of Kamsa and Chanura, who is the delight nectar milked from the Gita. -
Comparison, Selection and Use of Sentence Alignment Algorithms for New Language Pairs
Comparison, Selection and Use of Sentence Alignment Algorithms for New Language Pairs Anil Kumar Singh Samar Husain LTRC, IIIT LTRC, IIIT Gachibowli, Hyderabad Gachibowli, Hyderabad India - 500019 India - 500019 a [email protected] s [email protected] Abstract than 95%, and usually 98 to 99% and above). The evaluation is performed in terms of precision, and Several algorithms are available for sen- sometimes also recall. The figures are given for one tence alignment, but there is a lack of or (less frequently) more corpus sizes. While this systematic evaluation and comparison of does give an indication of the performance of an al- these algorithms under different condi- gorithm, the variation in performance under varying tions. In most cases, the factors which conditions has not been considered in most cases. can significantly affect the performance Very little information is given about the conditions of a sentence alignment algorithm have under which evaluation was performed. This gives not been considered while evaluating. We the impression that the algorithm will perform with have used a method for evaluation that the reported precision and recall under all condi- can give a better estimate about a sen- tions. tence alignment algorithm's performance, We have tested several algorithms under differ- so that the best one can be selected. We ent conditions and our results show that the per- have compared four approaches using this formance of a sentence alignment algorithm varies method. These have mostly been tried significantly, depending on the conditions of test- on European language pairs. We have ing. Based on these results, we propose a method evaluated manually-checked and validated of evaluation that will give a better estimate of the English-Hindi aligned parallel corpora un- performance of a sentence alignment algorithm and der different conditions. -
Present Day Indian Fiction in English Interpretation
Malaya Journal of Matematik, Vol. S, No. 2, 3705-3707, 2020 https://doi.org/10.26637/MJM0S20/0961 Present day Indian fiction in English interpretation S. Mangayarkarasi1 and A. Annie Christy2 Abstract The seed of Indian Writing in English was planted during the time of the British standard in India. Presently the seed has bloomed into an evergreen tree, fragrant blossoms, and ready organic products. The natural products are being tested by the local individuals, yet they are additionally being ’bit and processed’ by the outsiders. It happened simply after the steady mindful, pruning, and taking care of. Nursery workers resemble Tagore, Sri Aurobindo, R.K.Narayan, Raja Rao – to give some examples, took care of the delicate plant night and day. In the present day time, it is protected by various scholars who are getting grants and honors everywhere throughout the world. Keywords Aurobindo, fragrant blossoms, culture, convention, social qualities. 1,2Department English, Bharath Institute for Higher Education and Research, Selaiyur, Chennai-600073, Tamil Nadu, India. Article History: Received 01 October 2020; Accepted 10 December 2020 c 2020 MJM. Contents English fiction has been attempting to offer articulation to the Indian experience of the advanced difficulties. There are pun- 1 Introduction......................................3705 dits and analysts in England and America who acknowledge 2 Interpretation in Telugu literature. .3705 Indian English books. Prof. M. K. Naik comments ”one of the most prominent endowments of English instruction to India 3 Interpretation in Kannada literature . 3706 is writing fiction for, however, India was likely a wellspring 4 Interpretation in Tamil literature . 3706 head of narrating, the novel as we probably are aware today 5 Interpretation in Malayalam literature . -
Slides for My Lecture for the Texperience 2010
◦ DEVELOPMENTDEVELOPMENT OF OFxxındyındy◦ SORTSORT AND AND MERGE MERGE RULES RULES FORFOR INDIC INDIC LANGUAGES LANGUAGES ZdeněkZdeněk Wagner, Wagner, Praha, Praha, Česká Česká republika republika AnshumanAnshuman Pandey, Pandey, Univ. Univ. Michigan, Michigan, USA USA JayaJaya Saraswati, Saraswati, Mumbai, Mumbai, India India ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks English: usually as z ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks English: usually as z Hindi: as ks., l#mF can be transliterated either Lakshmi or Laxmi ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks English: usually as z Hindi: as ks., l#mF can be transliterated either Lakshmi or Laxmi Chinese: as sh ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks English: usually as z Hindi: as ks., l#mF can be transliterated either Lakshmi or Laxmi Chinese: as sh Russian: 娤¨ (meaning Hindi) ◦ NoteNote on on pronunciation pronunciation of ofxxındy◦ındy Czech: ks English: usually as z Hindi: as ks., l#mF can be transliterated either Lakshmi or Laxmi Chinese: as sh Russian: 娤¨ (meaning Hindi) x◦ındy sorts Hindi MakeIndexMakeIndex • version for English and German • CSIndex – version for Czech and Slovak • unpublished version for Sanskrit (Mark Csernel) Tables defining the sort algorithm are hard-wired in the pro- gram source code. Modification for other languages is difficult and leads rather to confusion than to development of a univer- sal tool. InternationalInternationalMakeIndexMakeIndex • Tables defining the sort algorithm present in external files. • Sort rules defined by regular expressions. -
Gupta Empire and Their Rulers – History Notes
Gupta Empire and Their Rulers – History Notes Posted On April 28, 2020 By Cgpsc.Info Home » CGPSC Notes » History Notes » Gupta Empire and Their Rulers Gupta Empire and Their Rulers – The Gupta period marks the important phase in the history of ancient India. The long and e¸cient rule of the Guptas made a huge impact on the political, social and cultural sphere. Though the Gupta dynasty was not widespread as the Maurya Empire, but it was successful in creating an empire that is signiÛcant in the history of India. The Gupta period is also known as the “classical age” or “golden age” because of progress in literature and culture. After the downfall of Kushans, Guptas emerged and kept North India politically united for more than a century. Early Rulers of Gupta dynasty (Gupta Empire) :- Srigupta – I (270 – 300 C.E.): He was the Ûrst ruler of Magadha (modern Bihar) who established Gupta dynasty (Gupta Empire) with Pataliputra as its capital. Ghatotkacha Gupta (300 – 319 C.E): Both were not sovereign, they were subordinates of Kushana Rulers Chandragupta I (319 C.E. to 335 C.E.): Laid the foundation of Gupta rule in India. He assumed the title “Maharajadhiraja”. He issued gold coins for the Ûrst time. One of the important events in his period was his marriage with a Lichchavi (Kshatriyas) Princess. The marriage alliance with Kshatriyas gave social prestige to the Guptas who were Vaishyas. He started the Gupta Era in 319-320C.E. Chandragupta I was able to establish his authority over Magadha, Prayaga,and Saketa. Calendars in India 58 B.C. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
The Upanishads- an Overview
The Upanishads- An overview (S.N.Sastri) The word ‘Upanishad’ denotes Brahma-vidya by its derivation. Sri Sankara Bhagavatpada says in his Bhashya on the Kathopanishad that this word is derived by adding the prefixes ‘upa’ (meaning near) and ‘ni’ (with certainty) to the root ‘sad’ which means ‘to destroy’, ‘to reach’, and ‘to loosen’. Thus the meaning of the word ‘Upanishad’ is that it is the knowledge that destroys the seeds of worldly existence such as ignorance in the case of those seekers of liberation who, after becoming free from all desires approach (upa sad) this knowledge. The subject-matter of the upanishads is Brahman, the only Reality. Brihadaaranyaka upanishad, 3. 9. 26 says, “I ask you about Him, the Purusha of the upanishads”. The upanishads are the only source of knowledge about Brahman. The method adopted in Vedanta to impart the knowledge of Brahman is known as the method of superimposition ( adhyaaropa ) and subsequent negation ( apavaada ). In the Bhashya on Br.up.4.4.25 Bhagavatpada says, “The transmigrating self is indeed Brahman. He who knows the self as Brahman which is beyond fear becomes Brahman. This is the purport of the whole upanishad put in a nutshell. It is to bring out this purport that the ideas of creation, maintenance and dissolution of the universe, as well as the ideas of action, its factors and results were superimposed on the Self. Then, by the negation of the superimposed attributes the true nature of Brahman as free from all attributes has been brought out”. This is the method of adhyaaropa and apavaada, superimposition and negation, which is adopted by Vedanta. -
21. Ramanuja Nutrandhadhi
AmudhanAr’s IrAmAnusa nUtranthAthi Annotated Commentary in English By: "sampradAya prachAra dhurantharar" SrIrangam SrI V. MAdhavakkaNNan Our Sincere Thanks to the following for their contributions to this ebook: Images contribution: Ramanuja Dasargal at www.pbase.com/svami Neduntheru Sri Mukund Srinivasan eBook assembly: sadagopan.org Smt. Kala Lakshminarayanan CONTENTS TITLE PAGE Introduction 1 Paasuram 1 3 Paasuram 2 7 Paasuram 3 10 Paasuram 4 13 Paasuram 5 15 Paasuram 6 17 Paasuram 7 19 Paasuram 8 25 Paasuram 9 28 sadagopan.org Paasuram 10 30 Paasuram 11 33 Paasuram 12 38 Paasuram 13 42 Paasuram 14 45 Paasuram 15 51 Paasuram 16 52 Paasuram 17 57 Paasuram 18 59 Paasuram 19 62 Paasuram 20 65 Paasuram 21 68 Paasuram 22 71 Paasuram 23 74 Paasuram 24 76 Paasuram 25 78 Paasuram 26 81 Paasuram 27 83 CONTENTS CONT’D. TITLE PAGE Paasuram 28 85 Paasuram 29 88 Paasuram 30 90 Paasuram 31 93 Paasuram 32 95 Paasuram 33 97 Paasuram 34 100 Paasuram 35 102 Paasuram 36 105 Paasuram 37 109 Paasuram 38 112 Paasuram 39 115 Paasuram 40 117 Paasuram 41 122 sadagopan.org Paasuram 42 125 Paasuram 43 128 Paasuram 44 134 Paasuram 45 137 Paasuram 46 139 Paasuram 47 144 Paasuram 48 147 Paasuram 49 150 Paasuram 50 153 Paasuram 51 156 Paasuram 52 160 Paasuram 53 162 Paasuram 54 165 CONTENTS CONT’D. TITLE PAGE Paasuram 55 168 Paasuram 56 171 Paasuram 57 174 Paasuram 58 177 Paasuram 59 181 Paasuram 60 184 Paasuram 61 186 Paasuram 62 189 Paasuram 63 192 sadagopan.org Paasuram 64 194 Paasuram 65 197 Paasuram 66 200 Paasuram 67 203 Paasuram 68 207 Paasuram 69 210 Paasuram