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Stratis Myrivilis (1890 - 1969), the Author of “The Mermaid Madonna”
Erasmus+ project: “Every Child Matters: refugees and immigrants in education” Daily Junior High School of Petra, Lesvos, Hellas TENDRING TECHNOLOGY COLLEGE, Essex, U.K., 9-13 October 2017 Our school in Greece! Junior High School of Petra (Lesvos, Hellas) Participant countries: England Hellas Italy Portugal Turkey Participant teachers: •Mr. Charalambos Kavouras, Ancient/Modern Greek teacher •Ms. Panayiota Thiveou, English teacher •Ms. Eleni Ververi, Ancient/Modern Greek teacher Participant students: •Alexandra Kalpaki, C Class (Greek Gymnasium) •Eirini Miftiou, C Class (Greek Gymnasium) Mobility Theme: “Cultures – influences of immigration on literature, music and arts” PART A A short biography of Stratis Myrivilis (1890 - 1969), the author of “The Mermaid Madonna” Stratis Myrivilis (1890–1969) “The Mermaid Madonna” Stratis Myrivilis (1890–1969), is a major figure in the literary history of the 20th century in Greece. He was nominated for the Nobel Prize in Literature three times. He is considered one of the best European antiwar writers. He enrolled at Athens University to study law. However, his university education was cut short when he volunteered to fight in the first Balkan War in 1912. He also fought on the Macedonian front in North Greece and in the Asia Minor Campaign which followed. PART B The “Mermaid Madonna” by Stratis Myrivilis - The story of the refugees of 1922 In 1949, Myrivilis’ novel “The Mermaid Madonna” was published. The title of the novel derives from the name of a white chapel in his hometown dedicated to the Virgin Mary. The tiny chapel is built on a rock in the picturesque fishing village of Skala Skamia, on the island of Lesvos. -
American School of Classical Studies at Athens Newsletter Index 1977-2012 the Index Is Geared Toward Subjects, Sites, and Major
American School of Classical Studies at Athens Newsletter Index 1977-2012 The index is geared toward subjects, sites, and major figures in the history of the School, and only the major subject of an article. Not every individual has a cross-entry: look for subject and site, first—entries that will tend to be more complete. Note: The symbol (F) next to an entry signifies the presence of a photograph of the subject. S = Spring [occasionally, Summer] Issue; F = Fall Issue; and W= Winter Issue, followed by the year and page number. Parentheses within subentries surround subsubentries, which would otherwise be indented and consume more space; this level of entry is separated by commas rather than semi-colons. When in doubt in a jungle of parentheses, refer to the right of the last semi-colon for the relevant subhead. Where this method becomes less effective, e.g., at “mega”-entries like the Gennadeion, typesetting devices like boldface and indentation have been added. Abbe, Mark (Wiener Travel Grant recipient): on roman sculpture in Corinth F10- 24 (F) Academy of Athens: admits H. Thompson F80-1 (F); gold medal to ASCSA S87- 4 (F) Acrocorinth: annual meeting report (R. Stroud) S88-5; sanctuary of Demeter and Persephone S88-5 (F). See also Corinth Acropolis (Athens): anniversary (300th) of bombardment observed F87-12; conservation measures, Erechtheion and Parthenon F84-1 (F), F88-7 (F), F91- 5 (F); exploration work of J.C. Wright S79-14 (F); Propylaia study, publication of S92-3 (F); reconstruction efforts, Parthenon (K.A. Schwab) S93-5 (F); restoration photos displayed at Fairfield University S04-4 (F);Temple of Athena Nike S99-5 (F) Adkins, Evelyn (Jameson Fellow): on school experience F11-13 Adossides, Alexander: tribute to S84-13 Aegean Fellows program (ARIT-ASCSA) S02-12 (F) Aesop’s Fables postcards: F87-15 After-Tea-Talks: description and ‘79 schedule F79-5; ‘80-‘81 report (P. -
Balkan Wars Between the Lines: Violence and Civilians in Macedonia, 1912-1918
ABSTRACT Title of Document: BALKAN WARS BETWEEN THE LINES: VIOLENCE AND CIVILIANS IN MACEDONIA, 1912-1918 Stefan Sotiris Papaioannou, Ph.D., 2012 Directed By: Professor John R. Lampe, Department of History This dissertation challenges the widely held view that there is something morbidly distinctive about violence in the Balkans. It subjects this notion to scrutiny by examining how inhabitants of the embattled region of Macedonia endured a particularly violent set of events: the Balkan Wars of 1912-1913 and the First World War. Making use of a variety of sources including archives located in the three countries that today share the region of Macedonia, the study reveals that members of this majority-Orthodox Christian civilian population were not inclined to perpetrate wartime violence against one another. Though they often identified with rival national camps, inhabitants of Macedonia were typically willing neither to kill their neighbors nor to die over those differences. They preferred to pursue priorities they considered more important, including economic advancement, education, and security of their properties, all of which were likely to be undermined by internecine violence. National armies from Balkan countries then adjacent to geographic Macedonia (Bulgaria, Greece, and Serbia) and their associated paramilitary forces were instead the perpetrators of violence against civilians. In these violent activities they were joined by armies from Western and Central Europe during the First World War. Contrary to existing military and diplomatic histories that emphasize continuities between the Balkan Wars of 1912-1913 and the First World War, this primarily social history reveals that the nature of abuses committed against civilians changed rapidly during this six-year period. -
ENG-Karla-Web-Extra-Low.Pdf
231 CULTURE AND WETLANDS IN THE MEDITERRANEAN Using cultural values for wetland restoration 2 CULTURE AND WETLANDS IN THE MEDITERRANEAN Using cultural values for wetland restoration Lake Karla walking guide Mediterranean Institute for Nature and Anthropos Med-INA, Athens 2014 3 Edited by Stefanos Dodouras, Irini Lyratzaki and Thymio Papayannis Contributors: Charalampos Alexandrou, Chairman of Kerasia Cultural Association Maria Chamoglou, Ichthyologist, Managing Authority of the Eco-Development Area of Karla-Mavrovouni-Kefalovryso-Velestino Antonia Chasioti, Chairwoman of the Local Council of Kerasia Stefanos Dodouras, Sustainability Consultant PhD, Med-INA Andromachi Economou, Senior Researcher, Hellenic Folklore Research Centre, Academy of Athens Vana Georgala, Architect-Planner, Municipality of Rigas Feraios Ifigeneia Kagkalou, Dr of Biology, Polytechnic School, Department of Civil Engineering, Democritus University of Thrace Vasilis Kanakoudis, Assistant Professor, Department of Civil Engineering, University of Thessaly Thanos Kastritis, Conservation Manager, Hellenic Ornithological Society Irini Lyratzaki, Anthropologist, Med-INA Maria Magaliou-Pallikari, Forester, Municipality of Rigas Feraios Sofia Margoni, Geomorphologist PhD, School of Engineering, University of Thessaly Antikleia Moudrea-Agrafioti, Archaeologist, Department of History, Archaeology and Social Anthropology, University of Thessaly Triantafyllos Papaioannou, Chairman of the Local Council of Kanalia Aikaterini Polymerou-Kamilaki, Director of the Hellenic Folklore Research -
{PDF EPUB} Life in the Tomb by Stratis Myrivilis Stratis Myrivilis
Read Ebook {PDF EPUB} Life in the Tomb by Stratis Myrivilis Stratis Myrivilis. Efstratios Stamatopoulos [lower-alpha 1] (30 June 1890 – 19 July 1969) was a Greek writer. He is known for writing novels, novellas, and short stories under the pseudonym Stratis Myrivilis . [lower-alpha 2] He is associated with the "Generation of the '30s". [1] He was nominated for the Nobel Prize in Literature three times (1960, 1962, 1963). [2] Contents. Biography [ edit | edit source ] Myrivilis was born in the village of Sykaminea (Συκαμινέα), also known as Sykamia (Συκαμιά), on the north coast of the island of Lesbos (then part of the Ottoman Empire), in 1890. [3] There he spent his childhood years until, in 1905, he was sent to the town of Mytilene to study at the Gymnasium. In 1910 he completed his secondary education and took a post as a village schoolmaster, but gave that up after one year and enrolled at Athens University to study law. However, his university education was cut short when he volunteered to fight in the First Balkan War in 1912. After the Balkan Wars, he returned home to a Lesbos free from Turkish rule and united with the motherland Greece. There he made a name for himself as a columnist and as a writer of poetry and fiction. He published his first book in 1915: a set of six short stories collected together under the general title of Red Stories . In World War I, Myrivilis saw active service in the army of Eleftherios Venizelos' breakaway government on the Macedonian front and also in the Asia Minor Campaign which followed. -
Chalkou, Maria (2008) Towards the Creation of 'Quality' Greek National Cinema in the 1960S
Chalkou, Maria (2008) Towards the creation of 'quality' Greek national cinema in the 1960s. PhD thesis. http://theses.gla.ac.uk/1882/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] TOWARDS THE CREATION OF ‘QUALITY’ GREEK NATIONAL CINEMA IN THE 1960S by Maria Chalkou Submitted in fulfillment of the requirements for the Degree of PhD Department of Theatre, Film & Television Studies Faculty of Arts University of Glasgow Supported by the State Scholarship Foundation of Greece (I.K.Y.) 6 December 2008 CONTENTS ABSTRACT (1) INTRODUCTION (2-11) 1. THE ORIGINS OF NEK: SOCIOPOLITICAL, CULTURAL, LEGISLATIVE AND CINEMATIC FRAMEWORK, AND THE NATIONAL CINEMA DEBATE (12-62) 1.1 The 1960s: the sociopolitical and cultural framework (13-20) 1.2 The commercial film industry and the development of two coexisting and intersecting film cultures (20-27) 1.3 The state’s institutional and financial involvement in cinema: the beginning of a new direction (27-33) 1.4 The public debate over a ‘valued’ Greek national cinema (34-63) a. -
Greek Historiography and Slav-Macedonian National Identity
GREEK HISTORIOGRAPHY AND SLAV-MACEDONIAN NATIONAL IDENTITY In his celebrated novel Η ζωή εν τάφω [Life in a tomb] (1954 edition), Greek author Stratis Myrivilis has the protagonist briefly stay in a village in the region of Macedonia during World War I. The peasants: …spoke a language understood both by Serbs and Bulgarians. The first they hate because they torment them and treat them as if they were Bulgarians; and they [also] hate the Bulgarians because they took their children to the war. Us [Greeks] they accept with some sympathetic curiosity, only because we are the genuine moral subjects of the…Ecumenical Patriarch.1 It is fair to assume that this encounter was with people that today most Greeks would have identified as Slav-Macedonians. The existence, formation and mutations of their national identity have posed an interpretative challenge to Greek scholars and proved a consistently controversial topic. Since the Former Yugoslav Republic of Macedonia (FYROM) declared independence in September 1991, the name dispute has added a further layer of often emotional complexity to bilateral arguments and understandings of identity.2 Over the past century, a mainstream narrative has emerged in Greek historiography concerning when and how Slav-Macedonian national 1 Stratis Myrivilis, Η ζωή εν τάφω [Life in a tomb], Athens: Estia, n.d., p. 227; my translation. This passage is taken from the seventh and final 1954 edition. In the novel’s first edition, published in 1924, the above-cited passage is to be found in a version that is similar in essence but perhaps somewhat rougher in language. -
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Lemos, Anastasia Aglaia (2019) Aspects of the literatures of the Turkish war of independence and the Greek Asia Minor disaster. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30967 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. ASPECTS OF THE LITERATURES OF THE TURKISH WAR OF INDEPENDENCE AND THE GREEK ASIA MINOR DISASTER Anastasia Aglaia Lemos Thesis submitted for the degree of PhD 2018 Department of the Languages and Cultures of the Near and Middle East SOAS, University of London 1 ABSTRACT The thesis examines literary works in Greek and Turkish inspired by the war of 1919- 1922 and the subsequent exchange of populations, the most critical years in the recent life of both nations. It focuses on the early period, particularly the works of Yakup Kadri Karaosmanoğlu and Halide Edip Adıvar in Turkey and Elias Venezis in Greece. It seeks to show the way themes were selected and then used or adapted to reflect more contemporary concerns. -
The CHARIOTEER an Annual Review of Modern Greek Culture
The CHARIOTEER An Annual Review of Modern Greek Culture NUMBER 27 1985 SPECIAL ISSUE GEORGE SEFERIS "ARGO" THE LAST CHORUS Translated by Edmund Keeley THINGS ARE FULL OF GODS" Translated by Peter Bien BEL ACCEPTANCE SPEECH ( Translated by John E. Rexine ~} NIGHTS ON THE ACROPOLIS AND from DAYS "B" Translated by .Athan .Anagnostopoulos GGESTIONS ABOUT "THE THRUSH" by .Alexandros .Argyriou NOTES ON THE "THREE SECRET POEMS" AND IN SEFERIS' POETIC WORKSHOP by Costas G. Papageorgiou WAR IN THE POETRY OF GEORGE SEFERIS by C. Capri-Karka TWO ANNIVERSARIES: A TV FILM DOCUMENTARY REPORT by John E. Rexine $15.00 New Books from PELLA PUBLISHING CoMPANY MOTHERHOOD by REGINA p AGOULATOU Poetry in Greek and English. Translated by Kali Loverdos-Streichler, with drawings by Yanni Posnakoff. A book length composition poem on the theme of mother hood, not as a feeling, but as a social phenomenon with the immigrant mother, metaphorically mother-earth, as the central axis. In reading the poems by Regina Pagoulatou in MoTHERHOOD one is reminded of Socrates' conviction ... that poets write their poems by divine inspiration. In an inspired fashion Regina Pagoulatou relives for us in memorable imagery the conflicting currents of her deep emotions as she awaited the birth of her child ... JOHN ANSBRO Weekly Review Proini ISBN 0-918618-25-8 87 pp. $8.00 01 IIPEl:BEYTEl: 9EOll.QPO~ KAI KA9Y XIOY, MIXAAH~ AEKAKH~. llE~n.Q MArK.QNH, OMHPO~. A~TEP I 0~ MAT AKO~. r!ANNH~ no~NAK.Q<I>, rE.QPriO~ KOPA~. ANTirONH BAAXOriANNH, 9EOllO~H~ K.QN~TANTINOV, PNINA BARZILAI, K.Q~TA~ nYAAPINO~. -
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Contributors Studies at Aristotle University of Thessaloniki conducting research on the Greek Film Comedy of the 1960s. She speaks English, Italian, German and Spanish. Thanassis Agathos tha [email protected] .g r Anthony Dracopoulos Thanassis Agathos is Assistant Professor of [email protected] Modern Greek Literature at the Faculty of Anthony Dracopoulos is a senior lecturer with Philology of the National and Kapodistrian the department of Modern Greek and Byzantine University of Athens. He holds a B.A. in Philology Studies at the University of Sydney. He has from the University of Athens, an M.A. in Modern published extensively on the works of G. Seferis, Greek Literature from the University of Oxford C.P. Cavafy and Greek Modernism. His latest and a Ph.D. in Modern Greek Literature from publication is the study: C.P. Cavafy: The Open the University of Athens. His research interests Work (2013). include Modern Greek Literature of the 19th and 20th century, reception theory, the relationship T.P. (Thomas) Elsaesser between literature and cinema. He has published studies on the work of Emmanuel Roidis, T. P.E lsaesser@uva .nl Alexandros Rizos-Rangavis, Kostis Palamas, T.P. (Thomas) Elsaesser is an international film Nikos Kazantzakis, Constantinos Theotokis, historian and professor of Film and Television Stratis Myrivilis, George Seferis, Odysseas Studies at the University of Amsterdam. Elsaess- Elytis, Elias Venezis, Angelos Terzakis,Vassilis er is an important representative of international Vassilikos etc. he is the author of From Vios kai film studies, whose books and essays on film the- politeia tou Alexi Zorba to Zorba the Greek (2007), The Letters of Nikos Kazantzakis to the Angelakis ory, genre theory, Hollywood, film, history, arche- family (2013), The Era of the Novel (2014), and The ology media and new media, the European cinema d’auteur and installation art have been published Cinematic Aspect of Grigorios Xenopoulos (2016). -
Polish Journal of English Studies
POLISH JOURNAL OF ENGLISH STUDIES Journal of the Polish Association for the Study of English (PASE) No. 2.2 Guest Editor Dr Paweł Stachura Polish Association for the Study of English Warsaw 2016 Publisher: Polish Association for the Study of English ul. Hoża 69, 00-681 Warszawa Editorial Board: Editors-in-Chief: Prof. Jacek Fabiszak, Prof. Krzysztof Fordoński Heads of Thematic Sections: Prof. Danuta Gabryś-Barker (Applied Linguistics), Prof. Henryk Kardela (Linguistics), Prof. Ryszard Wolny (Studies in Culture), Prof. Jacek Fabiszak (Studies in Literature), Prof. Jadwiga Uchman (Studies in Literature) Managing Editor: Dr Weronika Szemińska Language Editor: Dr Marcin Tereszewski Technical Editor: Dr Łukasz Karpiński Advisory Board: Prof. J. Lawrence Guntner (Technische Universität Braunschweig) Prof. Nicoleta Cinpoes (University of Worcester) Prof. Jan Jędrzejewski (University of Ulster) Prof. Adriana Biedroń (Pomeranian University, Słupsk) Prof. Cem Cam (Cykrova University) Prof. Jean-Marc Dewaele (Birkbeck College, University of London) Prof. Hossein Nassaji (University of Victoria) Prof. Sarah Mercer (University of Graz) Prof. Terence Odlin (Ohio State University) Prof. Rebecca Oxford (University of Maryland) Prof. David Singleton (University of Pannonia) Prof. Jorge Bastos da Silva (University of Porto) Prof. Séllei Nóra (Debrecen University) Prof. Irene Gilsenan Nordin (Dalarna University) Prof. Bożena Rozwadowska (University of Wrocław) Reviewers: Prof. Mihaela Avram, Prof. Dagmara Drewniak, Prof. Jacek Fabiszak, Prof. Ewa Kujawska-Lis, Prof. Zbigniew Maszewski, Prof. Ewa Piechurska-Kuciel, Prof. Barbara Puschmann-Nalenz, Prof. Paweł Stachura, Prof. Jadwiga Uchman, Prof. Andrzej Wicher, Dr Ryszard Bartnik, Dr Sławomir Kozioł, Dr Dagmara Krzyżaniak, Dr Anna Kwiatkowska, Dr Michał Lachman, Dr Anna Rogos-Hebda, Dr Piotr Śniedziewski Cover Design: Dr Łukasz Karpiński © Copyright by Polish Association for the Study of English (PASE) Contents From the Editor ...................................................................................................... -
Modern Greek Literature's Intersections
Modern Greek Literature’s Intersections with Greek History and the Past: A Concise Outline Nektaria Klapaki, University of Washington Abstract Keywords The first part of this paper is a concise outline of some of the ways Modern Greek literature; ancient in which modern Greek literature has entered into a dialogue Greece; Byzantium; modern Greek with Greek history and the past from the nineteenth century to history; modern Greek ideology. the present by idealizing, Hellenizing, suppressing, inventing, negotiating, critiquing, or reinterpreting and re-inventing them. Along these lines, the paper weaves together different literary, ide- ological, and historical threads which help the readers realize that the topics examined by the ensuing papers of this Special Issue do not emerge out of a vacuum, but instead constitute responses to— or have been prompted by—concrete developments in the realms of modern Greek literature, ideology, and history. The second part of the paper delineates the Special Issue’s specific focus, scope, aims, approach and methodology, while summarizing the main argu- ments and contributions of each of the individual papers. JMH 34 (2019): Special Issue JMH 34 (2019): Special Issue Articles: Nektaria Klapaki Any attempt today to argue that a key feature of modern Greek literature is its persistent, almost incessant dialogue with Greek history and the past would amount to a cliché, in view of the consid- erable scholarly attention already given to the multiple manifestations, forms, and configurations of this dialogue.