Ernest Satow's Early Years in Japan (1862-9) (Part 1)
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“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
About Old Photographs Related to Siebold 㻌 in the Brandenstein-Zeppelin Archives Nobukata Kutsuzawa㻌 Tokai University
「文明」No.24, 2019 38-47 About Old Photographs Related to Siebold 㻌 in the Brandenstein-Zeppelin Archives Nobukata Kutsuzawa㻌 Tokai University 1. Introduction For two years from 2004 to 2005, we received a fellowship grant on the theme of “research and study of old photographic collections in Japan and overseas” as part of the scientific research funds in a specific domain of study for “Craftsmanship in Edo”, and visited museums and private homes in Japan and abroad, and conducted research and study of the state of craftsmanship in Edo captured in photographs. Among these are a lot of photographs that remain with the Brandestein-Zeppelin family who are descendants of Philipp Franz von Siebold and who currently live in Castle Brandenstein standing on a small hill in the village of Elm, a suburb of Schülchtern, Hesse, Germany. The photographs had been left under the care of Philipp’s children, his eldest son Alexander, second son Heinrich, eldest daughter Helene, and second daughter Mathilde. Here, we examine how material, including old photographs related to Siebold, came to be collected by the Brandestein-Zeppelin family, while referring to research by Mr. Masahide Miyasaka. According to his research, following the death of his widow Helene von Siebold in 1877, a part of Philipp’s belongings was first inherited by Alexander, and the other by his eldest daughter Helene, second daughter Mathilde, and second son Heinrich. Among these, the materials handed down in the second inheritance, are said to have been those collected by the Brandestein- Zeppelin family. In particular, materials that constitute the core among those currently at the Brandestein-Zeppelin family house, are those inherited by the eldest daughter Baroness Helena von Ulm Erbach, and as Erbach and his wife did not have children, all the materials later were inherited by the second daughter Mathilde’s eldest son Graf. -
PHILIPP FRANZ VON SIEBOLD and the OPENING of JAPAN Philipp Franz Von Siebold, 1860 PHILIPP FRANZ VON SIEBOLD and the OPENING of JAPAN • a RE-EVALUATION •
PHILIPP FRANZ VON SIEBOLD AND THE OPENING OF JAPAN Philipp Franz von Siebold, 1860 PHILIPP FRANZ VON SIEBOLD AND THE OPENING OF JAPAN • A RE-EVALUATION • HERBERT PLUTSCHOW Josai International University PHILIPP FRANZ VON SIEBOLD AND THE OPENING OF JAPAN Herbert Plutschow First published in 2007 by GLOBAL ORIENTAL LTD PO Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Herbert Plutschow 2007 ISBN 978-1-905246-20-5 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in 9.5/12pt Stone Serif by Servis Filmsetting Ltd, Manchester Printed and bound in England by Cromwell Press Ltd, Trowbridge, Wilts. Contents Preface vii 1. Von Siebold’s First Journey to Japan 1 • Journey to Edo 9 • The Siebold Incident 16 2. Von Siebold the Scholar 26 • Nippon 26 • The Siebold Collection 30 3. Von Siebold and the Opening of Japan 33 •Von Siebold and the Dutch Efforts to Open Japan 33 •Von Siebold and the American Expedition to Japan 47 •Von Siebold and the Russian Expedition to Japan 80 4. Von Siebold’s Second Journey to Japan 108 •Shogunal Adviser 115 • Attack on the British Legation 120 • The Tsushima Incident 127 • Banished Again 137 5. Back in Europe 149 • Advising Russia 149 • Opinion-maker 164 • Advising France and Japan 171 •Von Siebold’s Death 178 6. -
HARRY SMITH PARKES, the FIRST BRITISH GO PLAYER in JAPAN Guoru Ding and Franco Pratesi [email protected] [email protected]
HARRY SMITH PARKES, THE FIRST BRITISH GO PLAYER IN JAPAN Guoru Ding and Franco Pratesi [email protected] [email protected] In his book “Goh or Wei chi” of 1911, with just casual visits of players from the first complete treatment of Go Asia. It seems likely that a group in Great Britain, Horace Cheshire of native players had formed, with mentioned that he had played the the occasional assistance of stronger game of Go for some thirty years and players from China and/or Japan. that his sources were both Chinese Unfortunately, it is very difficult to and Japanese. Possibly people he had find any evidence for it. played with were students or scholars from China or Japan. For instance, in Therefore it is Oskar Korschelt 1877, there was a group of Chinese who deserves the credit for having students that came to study at the introduced the game into Europe. Royal Navy College at Greenwich. His articles (then collected in a book, They stayed for several years; some which did not have a large circulation only 2-3 years, and some for 5-6 years. and soon became rare) were enough They had had formal traditional to teach the essential technique of Chinese training and had acquired the game. Richard Schurig, an expert some Western naval knowledge; after chess player and writer, published a finishing their training in England, booklet on its basis in 1882, in Leipzig, they became the first generation of which was considered (first of all by Chinese Navy officials. They were its author) as easier to understand and to use as a handbook for beginners; roughly the same age as Cheshire, and a confirmation can be found in the some of them played weiqi. -
British Diplomatic Perceptions of Modernisation and Change in Early Meiji Japan, 1868-90
BRITISH DIPLOMATIC PERCEPTIONS OF MODERNISATION AND CHANGE IN EARLY MEIJI JAPAN, 1868-90 FAUZIAH FATHIL Submitted for the Degree of PhD in History School of Oriental and African Studies University of London 2006 ProQuest Number: 10672846 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672846 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 2 ABSTRACT In studying foreign images, it is generally necessary to examine the views of relevant actors, and few, if any, actors are more relevant than diplomats as they are directly related to foreign diplomacy or relations between countries. While many works have been written on popular images of Meiji Japan as perceived by Western visitors, very few have so far touched on images of Meiji Japan as viewed by British diplomats. Using mainly archive materials, this thesis aims to study British diplomatic views of political, economic and social change in Japan during the crucial early stages of that country's modernisation in the first half of the Meiji period. The thesis examines various patterns of diplomatic views as they witnessed the different changes that took place in Meiji Japan, most notably the diversity of views and images of the modernisation of the country. -
The Birth of an Imperial Location: Comparative Perspectives on Western Colonialism in China
Leiden Journal of International Law (2018), page 1 of 28 C Foundation of the Leiden Journal of International Law 2018 doi:10.1017/S0922156518000274 INTERNATIONAL LEGAL THEORY The Birth of an Imperial Location: Comparative Perspectives on Western Colonialism in China ∗ LUIGI NUZZO Abstract The thematic horizon within which this article takes place is the colonial expansion of the Western powers in China between the nineteenth and the twentieth centuries. Focusing on the foundation of the British, French and American concessions in Tianjin, it aims to reconstruct the Western strategies of colonial governance and the role played by law in the process of productionofanewsocialspace.Openedasatreatyportin1860,TianjinistheonlyChinesecity where up to nine foreign concessions coexisted, becoming a complex, hybrid space (in)between EastandWest,definedbysocialpractices,symbolicrepresentations,andlegalcategories,which does not coincide simply with the area defined by the entity as a state, nation, or city. Keywords China (nineteenth century); colonial law; international law; Tianjin; Western imperialism 1. INTRODUCTION The history of Western concessions in the northeastern Chinese port of Tianjin began in 1860, when the Beijing Convention leased three large tracts of land in perpetuity to Britain, France and the United States, in return for a small ground rent paid annually to China.1 Concession rights were given also to Germany in 1895 and to Japan in 1896, but it was only at the beginning of the twentieth century with the defeat of the Boxer Rebellion and occupation by the allied army (the US, Britain, France, Japan, Russia, Germany, Austria-Hungary and Italy) that Tianjin changed definitively. In the 1901 BoxerProtocol,thealliedpowersgainedtherighttooccupy‘certainpointsinorderto ∗ Professor of Legal History and History of International Law, University of Salento (Lecce), Italy [[email protected]]. -
Japan and Its East Asian Neighbors: Japan’S Perception of China and Korea and the Making of Foreign Policy from the Seventeenth to the Nineteenth Century
JAPAN AND ITS EAST ASIAN NEIGHBORS: JAPAN’S PERCEPTION OF CHINA AND KOREA AND THE MAKING OF FOREIGN POLICY FROM THE SEVENTEENTH TO THE NINETEENTH CENTURY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Norihito Mizuno, M.A. ***** The Ohio State University 2004 Dissertation Committee: Approved by Professor James R. Bartholomew, Adviser Professor Philip C. Brown Adviser Professor Peter L. Hahn Graduate Program in History Copyright by Norihito Mizuno 2004 ABSTRACT This dissertation is a study of Japanese perceptions of its East Asian neighbors – China and Korea – and the making of foreign policy from the early seventeenth century to the late nineteenth century. Previous studies have overwhelmingly argued that after the Meiji Restoration of 1868, Japan started to modernize itself by learning from the West and changed its attitudes toward those neighboring countries. It supposedly abandoned its traditional friendship and reverence toward its neighbors and adopted aggressive and contemptuous attitudes. I have no intention of arguing here that the perspective of change and discontinuity in Japan’s attitudes toward its neighbors has no validity at all; Japan did adopt Western-style diplomacy toward its neighbors, paralleling the abandonment of traditional culture which had owed much to other East Asian civilizations since antiquity. In this dissertation, through examination primarily of official and private documents, I maintain that change and discontinuity cannot fully explain the Japanese policy toward its East Asian neighbors from the early seventeenth to the late nineteenth century. The Japanese perceptions and attitudes toward China and ii Korea had some aspects of continuity. -
Bickers, RA. (2014). Moving Stories: Memorialisation and Its Legacies in Treaty Port China
Bickers, RA. (2014). Moving stories: Memorialisation and its legacies in treaty port China. Journal of Imperial and Commonwealth History, 42(5), 826-856. https://doi.org/10.1080/03086534.2014.959716 Peer reviewed version Link to published version (if available): 10.1080/03086534.2014.959716 Link to publication record in Explore Bristol Research PDF-document This is an Accepted Manuscript of an article published in The Journal of Imperial and Commonwealth History on 07/10/2014 (online), available online: http://www.tandfonline.com/10.1080/03086534.2014.959716. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ ‘Moving stories: Memorialisation and its legacies in treaty port China’ Robert Bickers University of Bristol [email protected] Abstract Between 1862 and 1949 foreign communities in Shanghai memorialized in stone and bronze a pantheon of local imperial heroes, as part of a strategy to insert themselves into orthodox circuits of formal empire. The paper explores this story, the history of these monuments, and their contemporary legacy. This is the text of the accepted author final manuscript. The publisher version of this paper © 2014 Taylor & Francis, was published early online on 7 October 2014 and will be found at http://dx.doi.org/10.1080/03086534.2014.959716 Citation: Robert Bickers (2014): ‘Moving Stories: Memorialisation and its Legacies in Treaty Port China’, The Journal of Imperial and Commonwealth History. -
The Iwakura Embassy and British Industrial Cities
Asian Review of World Histories 1:2 (July 2013), 265-293 © 2013 The Asian Association of World Historians doi: http://dx.doi.org/10.12773/arwh.2013.1.2.265 The Iwakura Embassy and British Industrial Cities Young-Suk LEE Gwangju University Gwangju, Korea (Republic of) [email protected] Abstract The second volume of the Iwakura Reports is the writing on Britain. What is interesting, here, is the fact that the mission had visited the large factories in the major industrial cities. The editor of the reports in particular recorded the productive processes of goods at many factories, and wrote his own impres- sions of the landscapes of those cities. Those records let us know the real situ- ation of the British economy at the time. Japanese historians admit that the activities of the Iwakura mission largely contributed to Japan’s modernization. But there are few studies that analyzed the second volume of the reports which had mainly described modern factories and industrial cities. The purpose of this paper is to summarize the records of the reports on the British industry, and to examine what they recognized from the industrial civilization. The Iwakura Reports would furnish important information to the notables that had initiated the early industrialization in Japan. After the mission’s visit, *The author would thank three anonymous referees for their comments, and appreciate their helpful suggestions for improving the content of the paper. 265 Downloaded from Brill.com09/26/2021 03:57:44PM via free access 266 | ASIAN REVIEW OF WORLD HISTORIES 1:2 (JULY 2013) some British companies’ export to Japan increased rapidly. -
Lacquer in the Siebold Collection
Panel 3: Siebold’s “Japan Museum” Plan and its “Presenting” Japan Lacquer in the Siebold Collection Kaori HIDAKA (Translated by Martha J. MCCLINTOCK) Introduction There is a relatively large number of lacquer decorative artworks in the collection of Japanese items brought to Europe by Siebold from his two trips to Japan, and the medium occupies an important position within the collection. This has led to the occasional introduction of the lacquer in the Siebold Collection, with most attention paid to the lacquer works in the National Museum of Ethnology, Leiden, which were collected during Siebold’s first visit to Japan. Conversely, many of the lacquer works collected during Siebold’s second visit to Japan were first introduced to Japanese audiences in the exhibition, Japan as Seen by Siebold Father and Son,1 held at the National Museum of Ethnology, Osaka and the Edo-Tokyo Museum in Tokyo in 1996 to commemorate the 200th anniversary of Siebold’s birth. This exhibition gave credence to the importance of these works, and yet to this day there remains a great amount of work still to be done on the details of this collection held by the Five Continents Museum in Munich, (former State Museum of Ethnology, Munich). Thus, thanks to the International Collaborative Research on Japan-related Documents and Artifacts Overseas project under the auspices of the National Institutes for the Humanities, I surveyed the entire collection of Siebold lacquer works in the Munich museum. Combined with a reference survey of the lacquers collected by Siebold in the Leiden museum collection, I strove for a grasp of the entire group of lacquer works collected by Siebold. -
Some Corner of a Chinese Field: the Politics of Remembering Foreign Veterans of the Taiping Civil War
Jonathan Chappell Some corner of a Chinese field: the politics of remembering foreign veterans of the Taiping Civil War Article (Accepted version) (Refereed) Original citation: Chappell, Jonathan (2018) Some corner of a Chinese field: the politics of remembering foreign veterans of the Taiping Civil War. Modern Asian Studies. ISSN 0026-749X (In Press) DOI: 10.1017/S0026749X16000986 © 2018 Cambridge University Press This version available at: http://eprints.lse.ac.uk/87882/ Available in LSE Research Online: May 2018 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Some Corner of a Chinese Field: The Politics of Remembering Foreign Veterans of the Taiping Civil War* Short title: Politics of Remembering Foreign Veterans Abstract The memory of the foreign involvement in the Taiping war lasted long after the fall of the Taiping capital at Nanjing in 1864. -
Introduction
CHAPTER 1 Introduction [Arrow] Lorcha is the name given to a class of vessels of partly English and partly Chinese rig, that is greatly in request in these waters on account of the facility with which these craft are worked by native crews. They, like other vessels, received colonial [Hong Kong] registers, and are bona fide British vessels as much as the brigs, schooners, steamers, etc. that are built or fit out from Hongkong. The Arrow was one of them, and had a regular register which was in my hands at the time that her crew was seized by the Chinese officers.… Four mandarins and nearly forty men boarded the lorcha, hauled down her flag, and bound and carried off her crew to a war junk lying close by.… the mandarins in ignorance of the Treaty, which required them to make previous reference to me before seizing the men,…1 SIR HARRY PARKES, “Private Letter to His Sister,” 14 November 1856. ∵ The incident described by Harry Parkes, the British consul in Canton (廣州 Guangzhou) during the time of uneasy Chinese-British relationship there, in- volved the lorcha Arrow, owned by a Chinese and manned by a Chinese crew but registered in Hong Kong as a British vessel with a nominal British captain from Ireland. The problem was that Arrow carried out smuggling in the har- bor of Canton, and had been detained by the Chinese authorities. The British consul in Canton filed a protest against such a confiscation and it became the fuse for the outbreak of the well-known Second Opium War, which is more appropriately called the Arrow War, in 1856.2 The Arrow War was well known in contemporary Chinese historiography as a clear sign of British imperial in- vasion of China that infringed China’s sovereign rights in ruling its subjects effectively by using the extraterritorial rights of foreign consuls granted by the unequal treaties, and the colonial status of Hong Kong as the umbrella 1 Stanley Lane-Poole, The Life of Sir Harry Parkes, Sometime Her Majesty’s Minister to China & Japan, Vol.