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Lehrer Und Themen - Push Hands Treffen Hannover
12.11.2015 Lehrer und Themen - Push Hands Treffen Hannover Home Aktuelles Treffen Lehrer und Themen Wie / Wo / Was Anmeldung Kommentare Videos Shop Lehrer und Themen Lehrer und Themen des 16. Internationalem Push Hands Treffen Die Lehrer des 16. Internationalem Push Hands Treffen kommen aus Deutschland, Österreich, Italien, China und UK: Barry McGinlay, Emma Lee, Niki Deistler, Adam Mizner, Klaus-Heinrich Peters, Dieter Mayer und Yang ZhenHe. Download dieser Seite als PDF. Niki Deistler Studiert verschiedene fernöstliche Kampfkünste seit der Jugend. Seine Schwerpunkte sind das Taijiquan nach GM Huang Xing Xian und Taiji Tanglangquan (Gottesanbeterinnen Stil). Seine beiden Hauptlehrer sind Meister Lau Kung King (direkter Schüler von GM Huang) und Meister Zhou Zhendong, Linienhalter im Taiji Tanglang in der 9. Generation. Niki Deistler nahm erfolgreich an verschiedenen Wushu Meisterschaften in China teil und führte auch einige seiner Schüler zu einer erfolgreichen Teilnahme bei den österr. Wushu Meisterschaften. 2006 gründete er gemeinsam mit seiner Frau, Yonghui D.-Yi, den Verein – TAIJIARTS – zur Förderung der chinesischen Kampfkunst und Philosophie. Er verbringt regelmäßig viel Zeit in China. Niki Deistler unterrichtet vollzeit in Wien. Er ist Lehrtrainer der IQTÖ (Interessensvertretung der österreichischen Qigong, Yiquan und Taijiquanlehrer), sowie Referent für Qigong an der Donau Uni Krems. Zu seiner Arbeit gehören auch verschiedene Projekte zum Thema Taiji und Coaching, sowie das Verfassen verschiedener Fachartikel. http://push-hands.de/lehrer-und-themen/ 1/8 12.11.2015 Lehrer und Themen - Push Hands Treffen Hannover Thema: Pushing Hands – Handverbindungen – von fixed Pattern zum freien Spiel Um den Übergang von festgelegten Mustern zum freien Pushing Hands möglichst natürlich zu gestalten, entwickelte Meister Lau Kung King das sogenannte „Muster der Hand – Verbindungen“. -
Ideas from 2004 Seminars
Taiji – Daoist Principles in Practice. THE DEATH OF A MASTER. By Patrick A Kelly, October 1993 (Originally published in the St Benedicts st Taiji-school Magazine and also in the American “Tai Chi” magazine) In December 1992 ten thousand Taiji exponents felt the loss of their teacher, Master Huang Xingxiang (Huang Sheng-Shyan). He died in Fuzhou, China, the place of his birth 83 years earlier – having returned there a few months before his death after 43 years spent living and teaching in first Taiwan then later Singapore and Malaysia. He left behind approximately 35 independent schools throughout Malaysia, Singapore, Australia and New Zealand. Each of these schools has professional instructors and many have more than one hundred students. The first of these schools were formed over 30 years ago in Singapore and East Malaysia. I personally established a school in Auckland New Zealand in 1979 after 7 years training under Master Huang and his senior instructors and being accepted as one of his personal pupils in 1978. Master Huang was well known and respected in Chinese martial arts circles around the world for the subtlety and strength of his internal power and his ability to use it in the Taiji pushing hands. Unfortunately few Westerners ever experienced his abilities first hand and many disbelieved his skill and felt the need to convince others of their disbelief with rational arguments founded on lack of personal experience. I have never met anybody who if lucky enough to practise with Master Huang, had any doubt of his capabilities. Some did argue that his 20 years of practising Fujian White Crane under some of the most famous masters of his time was a major factor in his later success at Taiji, and he never denied it, but while giving due credit to the three Daoist Sages who taught him White Crane from the age of 14, he always attributed his Taiji skill to the late Grand Master Cheng Man-Ching. -
Research on MMA Technology System of Taichi Push Hand
2019 International Conference on Cultural Studies, Tourism and Social Sciences (CSTSS 2019) Research on MMA Technology System of Taichi Push Hand Weiqi Li Jiangxi Normal University School of Physical Education, Nanchang, Jiangxi Province, China Keywords: Taijiquan; Skills; UFC; MMA Abstract: Chinese Wushu has a long history, extensive and profound. After several generations of unremitting efforts, Chinese Wushu has gained a very high reputation in the world. Among them, Taijiquan has an unparalleled influence, according to a survey released in 2007 by the National Center for Supplementary and Alternative Medicine, affiliated to the National Institutes of Health (NIH). According to the report, about 3 million people in the United States engage in Taijiquan, while in 2015 the number of Taijiquan practitioners worldwide reached 300 million. It can be said that Taijiquan is a business card of traditional Wushu. However, in recent years, several confrontations between Taijiquan and modern fighting have all ended in failure, which makes people think that the concept of Taijiquan has lagged behind the times. Therefore, we need a platform to rebuild people's confidence in Taijiquan boxing, and also to avoid the development of Taijiquan blindly emphasizing traditional culture and health preservation. After fighting, we should know that the soul of Wushu is fighting. Once Taijiquan leaves fighting, it is a water without source and a wood without foundation. Comprehensive Combat (MMA) is the hottest type of combat at present. It follows the idea of Western pragmatism and the rule of open and inclusive, and its skill is undoubtedly high. If Taijiquan can participate in it, it can prove its fighting ability through the stage of comprehensive fighting first. -
Tuishou Interstyles Rencontre Nationale FAEMC 23 Et 24 Mars 2019 À Laillé (Rennes Métropole)
Tuishou Interstyles Rencontre Nationale FAEMC 23 et 24 mars 2019 à Laillé (Rennes Métropole) A propos du Tuishou Le Tuishou ou « poussée des mains » ou « mains collantes » est surtout connu dans les Arts Martiaux Internes (Neijia). Partie essentielle du Taiji Quan, il est aussi pratiqué dans le Yi Quan, le Bagua Zang. On le retrouve également dans les Arts Martiaux Chinois Externes (Weijia) comme le Shuai Jiao, le Wingchun (chisao) et certains styles de Gong Fu Wushu (Saolim Kung Fu). Son principe majeur est de cultiver l’extrême détente musculaire (Song) pour accueillir (Jiejin), transformer (huajin) et retourner (fajin) la force donnée par le partenaire, que ce soit à pas fixes ou à pas mobiles. Chaque style de Taiji Quan est riche de nombreux Tuishou d’école. Ils permettent de découvrir les bases du Tuishou grâce à une structure bien charpentée d’exercices pour affiner au fil des années la sensibilité dans l’écoute du partenaire (dingjin). La multiplicité des techniques utilisées se développe autour des huit potentiels Peng (parer), Lu (dévier, tirer), An (pousser), Ji (presser), cai (cueillir, saisir, tirer vers le bas, trancher), lie (fendre, séparer, tordre), zhou (coup de coude) et kao (coup d’épaule). La compétition de Tuishou permet d’éprouver la difficulté du principe du « moindre effort pour un effet suffisant voir maximum » dans un cadre de règles contraintes, sur un temps imparti. Il permet aux pratiquants d’Arts Martiaux Chinois d’origine différente de se rencontrer. Enfin, le Tuishou libre, basé sur le principe avancé plus haut, permet à des pratiquants d’arts martiaux de toute origine de pratiquer ensemble et d’échanger. -
Taiji-Meisterinnen Interview Mit Hella Ebel
NWM_2019_innen_v2.qxp 19.02.19 14:30 Seite 20 Fachliches Taiji-Meisterinnen Interview mit Hella Ebel Von Gabriele Bührer In den chinesischen Kampfkünsten sind die weiblichen Stars eher eine Rarität. Im letzten Magazin begannen wir da- mit, eine chinesische Meisterin zu por- trätieren. Diesmal stellen wir mit Hella Ebel eine deutsche Taiji-Koryphäe vor. Sie leitet die Tai-Chi-Schule in Osna- brück, bildet seit vielen Jahren Lehre- rInnen aus und gibt Workshops in Europa und Asien. Sie begann ihre eige- ne Taijiquan-Ausbildung Ende der sieb- ziger Jahre bei Petra und Toyo Kobayas- hi. Heute lehrt sie in der Tradition des Meisters Huang Sheng Shyan und ge- hört zum inneren Schülerkreis von Wee Kee Jin, einem der Nachfolger von Meis- ter Huang. Gabriele Bührer (GB) befrag- te Hella (HE) zu ihrer Taiji-„Kariere“. GB: Lass uns mit dem Begriff Meister oder Meisterin beginnen. In Deutsch- land werden Lehrer häufig als Meister bezeichnet, sie sind aber weder ausge- zeichnet noch ernannt worden. Was macht für dich einen Meister oder eine Meisterin aus? Was muss man dafür tun, Meisterin zu werden? Wer kann ei- nen solchen Titel verleihen. Hast du ei- nen solchen Titel? HE: Mein Lehrer (Wee Kee Jin) bezeichnet sich selbst nicht als Meister, wobei ich sage, er ist ein großer Meister. Ich glaube im chinesischen Denken hat der Begriff Meister etwas Vollkommenes, Fertiges. Deshalb bezeichnet man sich in der Tra- dition nicht gern als MeisterIn aus Angst stehen zu bleiben. Im westlichen Denken ist es leichter, sich als Meister zu bezeich- nen. Ich sehe mich als Meisterin, die wei- ter verfeinert. -
The Daoist Origins of Chinese Martial Arts in Taiji Quan Manuals Published in the West1
The Daoist Origins of Chinese Martial Arts in Taiji quan Manuals Published in the West1 Dominic LaRochelle, Ph. D. Laval University, Quebec City, Canada Bio Dominic LaRochelle is a lecturer at the Faculty of Theology and Religious Studies of Laval University, Quebec City, Canada. His research focuses on the history of Chinese martial arts, their reception in Western societies, and their relation with religious traditions. He has been a practitioner of Chinese martial arts (wing chun, taiji quan, bagua zhang and xingyi quan) for more than 15 years. Abstract In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners. Chinese myths and legends have been in great part adopted by Western practitioners. The aim of this article is to analyze how was construed in the second half of the 20th century a complex rhetoric trying to convince Western readers of taiji quan books that their practice has an ancient Daoist origin. Introduction In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners along two lines. There are those who claim that taiji quan originates from Chenjiagou, a village in province of Henan controlled by a military family called Chen. As early as the 17th century, it is believed that some members of this family invented (or at least practiced), probably under the influence of existing martial arts practiced in 1 A shorter version of this article was previously published in the Journal of Chinese Martial Arts, Spring 2013, pp. -
The Chi FAQ - Version 1.4 Copyright © 2007, 2008 by 仁力
The Chi FAQ - Version 1.4 Copyright © 2007, 2008 by 仁力 Please forward all questions and comments to [email protected] Updates April 1st, 2007 (1.2.1), September 11th, 2007 (1.3), April 1st, 2008 (1.4) Table of Contents 1 Introduction: Why did you write this FAQ? ............................................................... 2 2 Are Chi Bolts Real? (Re: Chi Emission) .................................................................... 5 3 Is Chi a Scientific Theory? ......................................................................................... 9 4 What is Chi? (Quick Answer) ................................................................................... 41 5.0 Is Chi an exclusively Chinese concept? ................................................................ 42 6.0 What is the etymology of the word Chi? .............................................................. 44 7.0 What kind of Chi is used in Martial Arts? ............................................................ 46 8.0 What is Chi? (as found in Tai Chi Chuan) ............................................................ 47 9.0 What is Chi? (Contextual Approach, Part 1) ........................................................ 50 10 What is Chi? (Contextual Approach, Part 2) ............................................................ 57 11 Which Martial Arts use Chi? .................................................................................... 59 12 How do I feel my Chi? ............................................................................................. -
Rencontres Jasnières
A.R.A.M.I.S Association de Recherche en Arts Martiaux Internes en Sarthe (taichilemans.fr) Association de Recherche en Arts Martiaux Internes en Sarthe 27, 28, 29 Juillet 2018 Rencontres Jasnières 1 Grâce à votre enthousiasme et à celui des animateurs, nous vous retrouverons une 31ème fois pour partager notre pratique des arts martiaux. Quelques rappels à propos des Rencontres Jasnières : But : 1. Permettre aux pratiquants de taiji quan en Europe, quels que soient leur style, leur école, leur âge ou leur sexe, de se rencontrer dans un esprit d'échange, excluant toute forme de compétition. En plus des formes, du tui shou et des armes, les ateliers sont ouverts au bagua zhang, hsing I et autres pratiques internes. 2. Permettre aux enseignants de TJQ, professionnels ou amateurs, débutants ou chevronnés, connus ou inconnus, de faire connaître leur art. Comment ? simplement en candidatant spontanément auprès d'ARAMIS. 3. Contribuer à la propagation de toutes les formes de TJQ en Europe, en créant une émulation à travers un événement qui leur est consacré. 4. Créer une animation régionale. Site : Au bord du magnifique plan d'eau de Marçon, situé au milieu du fameux vignoble de Jasnières et des Coteaux du Loir, à 40 km environ au sud du Mans, au seuil des châteaux de la Loire. Adresse du camping : Camping Lac des Varennes, Saint-Lézin, route de Port-Gauthier, 72340 Marçon. Téléphone : 33(0)2 43 44 13 72, email : [email protected], site web : http://www.lacdesvarennes.com. Informations hôtels : tel. Office du tourisme de la vallée du Loir : 33(0)2 43 38 16 60, www. -
杨澄浦太极拳说十要 Yang Chengfu's Taijiquan Theory: Ten Essential
杨澄浦太极拳说十要 Yang Chengfu’s Taijiquan Theory: Ten Essential Points Yang Chengfu, Recorded by Chen Weiming Translation and Commentary by Lee Fife Translation and commentary copyright (c) 2013 - 2017 Lee Fife. You can reuse this content as long as you attribute me and the resultant work is also reusable. This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ . 1 Introduction Lists of important points for taijiquan practice are one of the most common formats used to convey taijiquan theory. Ben Lo created his five principles; Zheng Manqing (Cheng Manching) recorded several different lists of important points in his writings, ranging from six points to twelve and more; the first school I studied at, Y.C. Chang’s school in the Bay Area, had a number of different lists including one with over twenty points. This list of ten points is attributed to Yang Chengfu as recorded by Chen Weiming from Chengfu’s spoken instruction. The ten points summarize the essential aspects of taijiquan. Each point consists of a short mnemonic phrase followed by a paragraph or more of explanation. The ten points are: 1) Xu Ling Ding Jin 2) Contain the Chest, Raise the Back 3) Song the Yao 4) Separate Empty and Full 5) Sink Shoulder, Drop Elbow 6) Use Yi, Don’t Use Li 7) Upper and Lower Mutually Follow 8) Inner and Outer Mutually Harmonize 9) Mutually Linked Without Gaps 10) Move Center, Seek Stillness The points themselves were intended to be memorized and may well have been recited or chanted. -
Chapter I: Introduction
CHAPTER I: INTRODUCTION “Let us learn from one another! We are all students, Taiji is the teacher.” --Jou Tsung Hwa Purpose This is a report of research conducted in 1988 into Taijiquan instruction in America. Taijiquan is an art of movement that originated in China. While the external appearance and even the purpose of its practice differs from individual to individual and among various “styles,” each style tracing its history through a different lineage and having unique traditions, the art of Taijiquan is unified by certain principles. Its aim is to embody these principles through practice, until they cease to be isolated exercises and become part of a player’s way of moving through everyday life. A primary mode of practice is the regular performance of predetermined sequences of movements, called “forms.” The present study was grounded in the belief that Taijiquan might be many things to many people. The purpose of this research was to develop a descriptive characterization or profile of the state of the art in this country. To 2 this end, a questionnaire was sent to Taijiquan teachers to gather personal data, and information on their training, views, and instructional approach. Both qualitative and quantitative analyses were conducted on the data from the 216 questionnaires which were returned. It was hoped that documentation of some of the great variety of perspectives on Taijiquan might lead to a more inclusive definition of the art, and foster an attitude of mutual respect among all players, especially between those who are at variance over approaches that might seem mutually exclusive. -
White Crane Spreads Its Wings and Snow Rabbit Digs the Earth
Volume 4 Number 1 Voices of Notators: Approaches to Creating Article 3 a Score 2018 White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功) Keith McEwing National Library of New Zealand, [email protected] Author Credentials Keith McEwing, BMus, MA Editor-in-Chief: Teresa Heiland Follow this and additional works at: http://digitalcommons.uncg.edu/jmal Part of the Alternative and Complementary Medicine Commons, Sports Sciences Commons, and the Sports Studies Commons Recommended Citation McEwing, Keith (2018) "White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功)," Journal of Movement Arts Literacy: Vol. 4 : No. 1 , Article 3. Available at: http://digitalcommons.uncg.edu/jmal/vol4/iss1/3 This Article is brought to you for free and open access by the Dance at Digital Commons @ University of North Carolina at Greensboro. It has been accepted for inclusion in Journal of Movement Arts Literacy by an authorized administrator of Digital Commons@University of North Carolina at Greensboro. For more information, please contact [email protected]. White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气 功) Abstract Taijiquan is a Chinese martial art that developed in the 17th century from a base of traditional forms from earlier centuries. -
Tuishou Interstyles Rencontre Nationale FAEMC 23 Et 24 Mars 2019 À Laillé (Rennes Métropole)
Tuishou Interstyles Rencontre Nationale FAEMC 23 et 24 mars 2019 à Laillé (Rennes Métropole) A propos du Tuishou Le Tuishou ou « poussée des mains » ou « mains collantes » est surtout connu dans les Arts Martiaux Internes (Neijia). Partie essentielle du Taiji Quan, il est aussi pratiqué dans le Yi Quan, le Bagua Zang. On le retrouve également dans les Arts Martiaux Chinois Externes (Weijia) comme le Shuai Jiao, le Wingchun (chisao) et certains styles de Gong Fu Wushu (Saolim Kung Fu). Son principe majeur est de cultiver l’extrême détente musculaire (Song) pour accueillir (Jiejin), transformer (huajin) et retourner (fajin) la force donnée par le partenaire, que ce soit à pas fixes ou à pas mobiles. Chaque style de Taiji Quan est riche de nombreux Tuishou d’école. Ils permettent de découvrir les bases du Tuishou grâce à une structure bien charpentée d’exercices pour affiner au fil des années la sensibilité dans l’écoute du partenaire (dingjin). La multiplicité des techniques utilisées se développe autour des huit potentiels Peng (parer), Lu (dévier, tirer), An (pousser), Ji (presser), cai (cueillir, saisir, tirer vers le bas, trancher), lie (fendre, séparer, tordre), zhou (coup de coude) et kao (coup d’épaule). La compétition de Tuishou permet d’éprouver la difficulté du principe du « moindre effort pour un effet suffisant voir maximum » dans un cadre de règles contraintes, sur un temps imparti. Il permet aux pratiquants d’Arts Martiaux Chinois d’origine différente de se rencontrer. Enfin, le Tuishou libre, basé sur le principe avancé plus haut, permet à des pratiquants d’arts martiaux de toute origine de pratiquer ensemble et d’échanger.