A COMPARATIVE STUDY of TAI JI QUAN and QIGONG Borislava Lecheva
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Hao Style Taiji
HAO STYLE TAIJI Posted on June 1, 2013 by Paul Brennan 武式太極拳 WU YUXIANG STYLE TAIJI BOXING 郝少如 編者 by Hao Shaoru 顧留馨 審 edited by Gu Liuxin [published June, 1963]– 郝為真(1849─1920) Hao Weizhen – 武式太極拳簡介 INTRODUCTION TO WU YUXIANG STYLE TAIJI BOXING 河北永年人武河清,字禹襄(1812─1880),出身於小官僚地主家庭,兄弟三人在家練 習武術。當楊露禪(1799─1872)自陳家溝返鄉,禹襄兄弟愛其術,從學陳氏老架太極 拳,得其大概。禹襄兄澄清(1800─1884)於1852年中進士,官河南舞陽縣知縣,禹襄 赴兄任所,便道過溫縣陳家溝,擬訪露禪之師陳長興(1771─1853)求益。道經趙堡鎮 ,知長興已老病(這年長興已82歲,越歲卒),時陳青萍在趙堡鎮教授陳氏新架太極 拳,遂從青萍學新架月餘,備悉理法。澄清於舞陽鹽店得王宗岳(乾隆年間人)《太 極拳譜》,禹襄得譜研究,更有發悟,以練拳心得發揮王氏舊譜之義,為《十三勢行 工歌訣》作註解十條,名為《打手要言》;又衍為《十三勢行工心解》四則;並歸納 鍛煉要領為《身法十要》。其著作皆根據其本身的體驗,故簡練精要,無一浮詞。 1 禹襄之甥李經綸,字亦畬(1832─1892),於1853年始從禹襄學拳。亦畬研究太極拳, 仿禹襄實驗之法,招致鄉勇以自驗其技,一再筆錄修訂。亦畬之孫槐蔭於1935年在李 廉讓堂本《太極拳譜序》中說:“此譜系先祖晚年所著,中經多次修改,方克完成。每 得一勢巧妙,一著竅要,即書一紙貼於座右,比試揣摩,不斷實驗,逾數日覺有不妥 應修改,即撕下,另易他條,往復撕貼必至完善而始止,久之遂集成書。”李亦畬的太 極拳論文有:“五字訣”一篇、“撒放秘訣”擎引鬆放七言四句、“走架打手行工要言”一篇 (闡述了走架即是打手、打手即是走架,練拳和推手相輔相成之理)。近代太極拳的 傳布,以楊氏祖孫三代對教材教法不斷創新之力為多,而於拳理的鑽研總結,首推武 、李,較之王宗岳《太極拳論》之抽象性的概括,原為具體切實,有繼承、有發展, 乃能自成一家。 武禹襄拳式既不同於陳式老架和新架,亦不同於楊式大架和小架,學而化之,自成一 派,其特點是:姿勢緊湊,動作舒緩,步法嚴格分清虛實,胸部、腹部的進退旋轉始 終保持中正,完全是用內動的虛實轉換和“內氣潛轉”來支配外形;左右手各管半個身 體,不相逾越,出手不過足尖。原來也有跳躍動作,到四傳的郝月如(1877─1935)才 改為不縱不跳;雙擺連也改為不拍打腳面,這是為適應年老體弱者的需要而作的改革 。 武式推手的步法,僅為進三步半,退三步半一種。 禹襄教讀自娛,亦畬行醫為業,均以儒生自居,在鄉授徒極少。李所傳以同鄉郝和( 字為真,1849─1920)的技術最精。武式太極拳於民國初傳入北京時,有些人把它稱作 李架,待為真之子月如和其孫少如於1928間去南京、上海教拳時,也有人稱它為郝架 。月如遺有太極拳著作多篇。武、李後輩多不傳研太極拳,武式遂由郝氏傳習。少如 不教拳亦已多年,上海市體育宮為了發掘傳統,於1961年開設了武式太極拳學習班, 請郝少如教授,以廣其傳。武式太極拳從未有圖解問世,本書拳照系由郝少如照像, 並寫動作說明。 (顧留馨) Wu Heqing, called Yuxiang (1812-1880), was from Yongnian county, Hebei. He was from a family of landed gentry lower-level officials, and the three brothers in the family practiced martial arts. After Yang Luchan (1799-1872) came home from the Chen family village, Wu Yuxiang and his brothers admired his art, and they learned from him the “old frame” Chen Style Taiji Boxing, obtaining its general idea. -
Brief Introduction to Tai Chi Chuan and Selecting a Tai Chi School
Articles - View Page 1 of 8 A Brief Introduction to Tai Chi Chuan and Selecting a Tai Chi School DR. J OHN PAINTER ULTIMATE GUIDE TO TAI CHI : THE BEST OF INSIDE KUNG-FU What Is Tai Chi Chuan? F ew people know the truth about tai chi chuan. Is it a mysterious occult art, an exercise for old people, a Walter Mitty martial art for hippie types afraid to get involved with "real" martial arts, a magical ritual bringing secret inner strength to the initiates, or a deadly dance of death? At one time or another, all these labels and more have been applied to tai chi chuan, the popular but often misunderstood internal martial art of China. Tai chi chuan is many things to many people. To some, it is an esoteric, dreamlike ballet. Many believe it is a unique technique of health, consisting of nourishing exercises for developing peace and harmony in mind and body, while to others it is a devastating martial art whose mastery endows the expert with the mysterious power to toy with one or more assailants as easily as a cat plays with a mouse. Not only are there different interpretations — and five major styles of the art (each with its own set of forms) but there also are many minor schools and little-known versions of the art, some of which are offshoots of the five major systems while others are independent family styles. Moreover, within tai chi chuan styles, there is often a great divergence in focus among teachers. Some stress the development of internal health onlv, while others emphasize the martial art. -
Research on MMA Technology System of Taichi Push Hand
2019 International Conference on Cultural Studies, Tourism and Social Sciences (CSTSS 2019) Research on MMA Technology System of Taichi Push Hand Weiqi Li Jiangxi Normal University School of Physical Education, Nanchang, Jiangxi Province, China Keywords: Taijiquan; Skills; UFC; MMA Abstract: Chinese Wushu has a long history, extensive and profound. After several generations of unremitting efforts, Chinese Wushu has gained a very high reputation in the world. Among them, Taijiquan has an unparalleled influence, according to a survey released in 2007 by the National Center for Supplementary and Alternative Medicine, affiliated to the National Institutes of Health (NIH). According to the report, about 3 million people in the United States engage in Taijiquan, while in 2015 the number of Taijiquan practitioners worldwide reached 300 million. It can be said that Taijiquan is a business card of traditional Wushu. However, in recent years, several confrontations between Taijiquan and modern fighting have all ended in failure, which makes people think that the concept of Taijiquan has lagged behind the times. Therefore, we need a platform to rebuild people's confidence in Taijiquan boxing, and also to avoid the development of Taijiquan blindly emphasizing traditional culture and health preservation. After fighting, we should know that the soul of Wushu is fighting. Once Taijiquan leaves fighting, it is a water without source and a wood without foundation. Comprehensive Combat (MMA) is the hottest type of combat at present. It follows the idea of Western pragmatism and the rule of open and inclusive, and its skill is undoubtedly high. If Taijiquan can participate in it, it can prove its fighting ability through the stage of comprehensive fighting first. -
Secret Family Transmission. Since That Time, the Classics Have Gained Wide
The Lectures, with Benjamin secret family transmission. Since that time, the Pang Jeng Lo: Commentaries on classics have gained wide circulation in the “The Essence of T’ai Chi Ch’uan” taiji community. Produced by Martin Inn If anyone wants to learn the “authentic” 2010, IRI Press taijiquan art, it is essential that he or she 240 min. DVD, 4-disc set • $100.00 understand the classics. However, these essays were composed in the traditional literary style Review by Russ Mason, M.A. of Chinese, a scholarly style of writing that is Oklahoma State University notoriously difficult to understand, even for most Chinese readers. Fortunately for both Yang-style master Chen Weiming (1881–1958) Western and Chinese students of taijiquan, a famously remarked, “Many practice taiji nowa - number of useful English translations have days, but it is not the real taiji …. Real taiji is been made. very wonderful.” If this was true in the last cen - One of the most well-respected and influ - tury, how is the contemporary taiji devotee to ential English translations to appear in the last discern which interpretation of the art is thirty-five years was done by Benjamin Pang authentic, true, and correct? Real taijiquan is a Jeng Lo (Luo Bangzhen in Pinyin romaniza - martial system characterized by a particular set tion, or Ben Lo, as he is commonly known, who of fundamental principles, and these concepts is the senior-most student of the late Zheng are best articulated in what have come to be Manqing) and his associates, Martin Inn, known as the “classics.” The term “classics” Robert Amacker, and Susan Foe. -
T'ai Chi for Seniors.Pdf
TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte TLFeBOOK 0 TC Title.p65 1 11/3/2003, 4:51 PM This page intentionally left blank TLFeBOOK T’ai Chi for Seniors HOW TO GAIN FLEXIBILITY, STRENGTH, AND INNER PEACE By Sifu Philip Bonifonte NEW PAGE BOOKS A division of The Career Press, Inc. Franklin Lakes, NJ TLFeBOOK 0 TC Title.p65 3 11/3/2003, 4:51 PM Copyright 2004 by Sifu Philip Bonifonte All rights reserved under the Pan-American and International Copyright Conventions. This book may not be reproduced, in whole or in part, in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system now known or hereafter invented, without written permis- sion from the publisher, The Career Press. T’AI CHI FOR SENIORS EDITED AND TYPESET BY STACEY A. FARKAS Cover design by Lu Rossman/Digi Dog Design Printed in the U.S.A. by Book-mart Press To order this title, please call toll-free 1-800-CAREER-1 (NJ and Canada: 201-848- 0310) to order using VISA or MasterCard, or for further information on books from Career Press. The Career Press, Inc., 3 Tice Road, PO Box 687, Franklin Lakes, NJ 07417 www.careerpress.com www.newpagebooks.com Library of Congress Cataloging-in-Publication Data Bonifonte, Philip, 1958- T’ai chi for seniors : how to gain flexibility, strength, and inner peace / by Philip Bonifonte. p. cm. Includes index. ISBN 1-56414-697-9 (pbk.) 1. -
Historia TAI CHI CHUAN - Opracowanie Na Podstawie Informacji Z Internetu I Książek (M.In
pokolenie historia TAI CHI CHUAN www.chentaichi.pl - opracowanie na podstawie informacji z internetu i książek (m.in. "Chen Żywe Taijiquan w klasycznym stylu" - Jan Silberstorff) - w razie zauważonych błędów proszę o kontakt: [email protected] 1 Chen Bu (1368 - 1644) 4* STYL CHEN … … … … 9 Chen Wang Ting (1597 - 1664) 1* powstanie tai chi 10 Jiang Fa Chen Ruxin 11 Chen Dakun Chen Dufeng 12 Chen Shantong Chen Shanzi 13 Chen Bingqi Chen Bingren Cheng Bing Wang POCZĄTEK STYLU YANG 14 Chen Chang Xing - stara forma - (1771 - 1853) 2* 15 Chen Gengyun Chen Ho Hai Yang Lu Chan (1799-1872) 7* 16 Chen Yannian Chen Yan Xi (mistrz starego stylu) Yang Banhou (1837-1892) Yang Jianhou (1839-1917) 17 Chen Lianke Chen Dengke Chen Fa Ke (1887 - 1957) 3* Quan You (1834-1902) nowy styl WU Yang Shaohu Yang Chengfu (1803-1935) 8* Xu Yusheng Założyciel dzisiejszego YANG 18 Chen Zhaochi Chen Zhaotanhg Chen Zhaoxu - 5* Chen ZhaoKui (1928-1981) 19* Wu Jianquan (1870-1902) nowy styl WU Chen Zhaopi 19* Chen Zhaopu Ma Yuliang (1901-1998) Fu Zhongwen Yang Zhenduo (ur. 1925) 9* Zheng Manquing Chen Weiming Chen Zhaohai obecny spadkobierca Yang 19 Chen Yinghe Chen Xiaowang (1945) 10* Chen Xiaoxing 14* Ma Jiangbao (ur. 1941) najstarszy syn brat Chen Xiaowang Chen Bing Chen Jun Chen Yingjun 16* najstarszy syn Chen Xiaoxinga (1971-) pierwszy syn mistrza drugi syn mistrza Chen Ziqiang 15* Chen Zhenglei 13* Wang Xi'an 12* Zhu Tiancai 11* 4 smoki rodziny chen, główni spadkobiercy stylu. Większość obecnie znanych mistrzów Chen Taiji zostało wytrenowanych przez dwóch mistrzów 18 pokolenia rodziny Chen. -
The Daoist Origins of Chinese Martial Arts in Taiji Quan Manuals Published in the West1
The Daoist Origins of Chinese Martial Arts in Taiji quan Manuals Published in the West1 Dominic LaRochelle, Ph. D. Laval University, Quebec City, Canada Bio Dominic LaRochelle is a lecturer at the Faculty of Theology and Religious Studies of Laval University, Quebec City, Canada. His research focuses on the history of Chinese martial arts, their reception in Western societies, and their relation with religious traditions. He has been a practitioner of Chinese martial arts (wing chun, taiji quan, bagua zhang and xingyi quan) for more than 15 years. Abstract In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners. Chinese myths and legends have been in great part adopted by Western practitioners. The aim of this article is to analyze how was construed in the second half of the 20th century a complex rhetoric trying to convince Western readers of taiji quan books that their practice has an ancient Daoist origin. Introduction In Chinese martial arts circles, differences of interpretation concerning the origins of the art of taiji quan are not new. In fact, they are at the heart of a century-old debate that generally divides scholars and practitioners along two lines. There are those who claim that taiji quan originates from Chenjiagou, a village in province of Henan controlled by a military family called Chen. As early as the 17th century, it is believed that some members of this family invented (or at least practiced), probably under the influence of existing martial arts practiced in 1 A shorter version of this article was previously published in the Journal of Chinese Martial Arts, Spring 2013, pp. -
Introduction 1
NOTES Introduction 1. One immediately encounters a “term problem” in discussing a phenomenology of race. Terms such as “Chinese” and “white” suddenly become woefully inadequate (as if they were not so already). I try to address this problem in a straightfor- ward way: when I wish to call attention to the term problem within the context of my arguments, I place quotation marks around terms like “Chinese,” “Euro-American,” “foreigner,” “white,” et cetera. When I momentarily ask that the reader accept these categories, for example, in my discussion of Chinese history and Chinese American immigration, I refrain from using quotation marks. 2. Gongfu, commonly written in English as “kung fu,” also refers to “skill,” “work,” or “time.” The “kung fu” that has become part of American vernacular functions in English as a kind of catch-all term for Chinese martial arts, but it is more often used this way in Chinese, for example, when the conversation revolves around foreign practice of martial arts or when the term wushu is avoided. Wushu is the term for “martial arts” in Mandarin Chinese, but it has acquired a complicated associa- tion with performance-oriented martial arts that have little or nothing to do with combat training. Practitioners will usually refer to a particular art by its style name or family association. 3. The style is properly referred to as “Wu style taijiquan” (Wu shi taijiquan). When I conflate “Wu” and “Ma” family names, my purpose is to specify the lineage that has developed through the married couple of Ma Yueliang and Wu Yinghua. -
Paul Brennan Is God Sent
LIFE / HEALTH & FITNESS / FITNESS & EXERCISE Paul Brennan is God sent October 23, 2015 12:01 AM MST Recently I exchanged email messages with TC Moses of Kentucky. He recommended Chen Yanlin’s Taiji Compiled: The Boxing, Saber, Sword, Pole, and Sparring translated by Paul Brennan. I googled Paul Brennan and was pleasantly surprised to come across Brennan Translation that I consider a translated treasure of Tai Chi (Taiji) classics. View all 5 photos Brennan Translation Brennan Translation At Brennan Translation, you can find out Tai Chi classics written by Tai Chi sages Huang Baijia, Yang Banhou, Li Yiyu, Sun Lutang, Wu Tunan, Chen Yanlin, Yang Chengpu, and many others. The oldest book was Biography of Wang Zhengnan, also known as Boxing Methods of the Internal School, penned in 1676. Yang Banhou’s Explaining Taiji Principles was written in 1876. Li Yiyu’s Hao Weizhen to Cherish was authored in 1881. Most were scripted in the early 20th century. Paul Brennan started to publish online in Feb. 2011 at WorldPress.com. His first publication was Jin Yiming’s Dragon Shape Sword. His latest work was also Jin Yiming’s Single Defense Saber on Sept. 19, 2015. Currently, there are 40 translated books online. Tai Chi classics were written mostly in wenyan wen or Classical Chinese, a formal way of writing Chinese since ancient time. Wenyan wen is very economical with words, reads like poetry, and hard to understand unless a reader is well trained. Today, most Chinese cannot read or write wenyan wen. It is remarkable that Paul Brennan can fully understand it and translate it into English without losing the meaning. -
杨澄浦太极拳说十要 Yang Chengfu's Taijiquan Theory: Ten Essential
杨澄浦太极拳说十要 Yang Chengfu’s Taijiquan Theory: Ten Essential Points Yang Chengfu, Recorded by Chen Weiming Translation and Commentary by Lee Fife Translation and commentary copyright (c) 2013 - 2017 Lee Fife. You can reuse this content as long as you attribute me and the resultant work is also reusable. This work is licensed under the Creative Commons Attribution-ShareAlike 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-sa/4.0/ . 1 Introduction Lists of important points for taijiquan practice are one of the most common formats used to convey taijiquan theory. Ben Lo created his five principles; Zheng Manqing (Cheng Manching) recorded several different lists of important points in his writings, ranging from six points to twelve and more; the first school I studied at, Y.C. Chang’s school in the Bay Area, had a number of different lists including one with over twenty points. This list of ten points is attributed to Yang Chengfu as recorded by Chen Weiming from Chengfu’s spoken instruction. The ten points summarize the essential aspects of taijiquan. Each point consists of a short mnemonic phrase followed by a paragraph or more of explanation. The ten points are: 1) Xu Ling Ding Jin 2) Contain the Chest, Raise the Back 3) Song the Yao 4) Separate Empty and Full 5) Sink Shoulder, Drop Elbow 6) Use Yi, Don’t Use Li 7) Upper and Lower Mutually Follow 8) Inner and Outer Mutually Harmonize 9) Mutually Linked Without Gaps 10) Move Center, Seek Stillness The points themselves were intended to be memorized and may well have been recited or chanted. -
Chapter I: Introduction
CHAPTER I: INTRODUCTION “Let us learn from one another! We are all students, Taiji is the teacher.” --Jou Tsung Hwa Purpose This is a report of research conducted in 1988 into Taijiquan instruction in America. Taijiquan is an art of movement that originated in China. While the external appearance and even the purpose of its practice differs from individual to individual and among various “styles,” each style tracing its history through a different lineage and having unique traditions, the art of Taijiquan is unified by certain principles. Its aim is to embody these principles through practice, until they cease to be isolated exercises and become part of a player’s way of moving through everyday life. A primary mode of practice is the regular performance of predetermined sequences of movements, called “forms.” The present study was grounded in the belief that Taijiquan might be many things to many people. The purpose of this research was to develop a descriptive characterization or profile of the state of the art in this country. To 2 this end, a questionnaire was sent to Taijiquan teachers to gather personal data, and information on their training, views, and instructional approach. Both qualitative and quantitative analyses were conducted on the data from the 216 questionnaires which were returned. It was hoped that documentation of some of the great variety of perspectives on Taijiquan might lead to a more inclusive definition of the art, and foster an attitude of mutual respect among all players, especially between those who are at variance over approaches that might seem mutually exclusive. -
White Crane Spreads Its Wings and Snow Rabbit Digs the Earth
Volume 4 Number 1 Voices of Notators: Approaches to Creating Article 3 a Score 2018 White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功) Keith McEwing National Library of New Zealand, [email protected] Author Credentials Keith McEwing, BMus, MA Editor-in-Chief: Teresa Heiland Follow this and additional works at: http://digitalcommons.uncg.edu/jmal Part of the Alternative and Complementary Medicine Commons, Sports Sciences Commons, and the Sports Studies Commons Recommended Citation McEwing, Keith (2018) "White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气功)," Journal of Movement Arts Literacy: Vol. 4 : No. 1 , Article 3. Available at: http://digitalcommons.uncg.edu/jmal/vol4/iss1/3 This Article is brought to you for free and open access by the Dance at Digital Commons @ University of North Carolina at Greensboro. It has been accepted for inclusion in Journal of Movement Arts Literacy by an authorized administrator of Digital Commons@University of North Carolina at Greensboro. For more information, please contact [email protected]. White Crane Spreads its Wings and Snow Rabbit Digs the Earth: Kinetograms of Contrasting Styles within Chinese Martial and Meditative Arts of Taijiquan (T’ai Chi Ch’uan, 太极拳) and Qigong (Chi Gong, 气 功) Abstract Taijiquan is a Chinese martial art that developed in the 17th century from a base of traditional forms from earlier centuries.