TOC: American Jewish History, Volume 101, Issue 2

Total Page:16

File Type:pdf, Size:1020Kb

TOC: American Jewish History, Volume 101, Issue 2 H-Judaic TOC: American Jewish History, Volume 101, Issue 2 Discussion published by Nick Underwood on Sunday, May 7, 2017 We are pleased to announce the publicaton of the latest issue of American Jewish History, Volume 101, Issue 2, Spring 2017, published jointly by Johns Hopkins University Press and the American Jewish Historical Society. For this special issue, guest-edited by Laura A. Leibman, professor of English and Humanities at Reed College, on Jewish American Material Culture, we have created digital content, which can found here. There you will find the transcript of an interview that Professor Leibman conducted with Karl Watson, retired Senior Lecturer of the University of the West Indies, former editor of the Journal of the Barbados Museum & Historical Society and former President of the National Trust of Barbados. The interview is entitled, "Rediscovering an Important Link to American Jewish History: Field Notes from the Nidhe Israel Synagogue Complex in Barbados." Best regards, Nick Underwood, Managing Editor Special Issue on Jewish American Material Culture Guest Editor’s Introduction: Jewish American Material Culture Laura A Liebman "A Home between Death and Life: Mausoleums as Liminal Spaces of Memory for Classical Reform Jews of Temple Emanu-El, 1890–1945" Sophia C. Lufkin "The Lower East Side's Synagogue, Tenement, and Russian Bathhouse Mikva'ot and the Excavation of a Mikvah at 5 Allen Street" Celia J. Bergoffen "Beyond Synagogues and Cemeteries: The Built Environment as an Aspect of Vernacular Jewish Material Culture in Charleston, South Carolina" Barry L. Stiefel From the Archives: "Swan Street, formerly called Jew Street" (Barbados Jewish Community Collection) Responses by Sarah Phillips Casteel & Barry L. Stiefel General Articles "The B'nai B'rith Encounters Nazi Germany, 1933" Citation: Nick Underwood. TOC: American Jewish History, Volume 101, Issue 2. H-Judaic. 05-07-2017. https://networks.h-net.org/node/28655/discussions/178404/toc-american-jewish-history-volume-101-issue-2 Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-Judaic Robert Rockaway "That Judaism Might Yet Live: Pastoral Care and the Making of the Post-Holocaust Conservative Rabbinate" Benjamin Steiner "Sulzerism, Sulzermania, and the Shaping of the American Cantorate" Jonathan L. Friedmann Book Reviews The Stars and the Stripes: A History of the Foreign Policies of American Jews, by Michael N. Barnett, reviewed by Yael Aronoff The Salome Ensemble: Rose Pastor Stokes, Anzia Yezierska, Sonia Levien, and Jetta Goudal, by Alan Ginsberg, reviewed by Lara Vapnek Kosher USA: How Coke Became Kosher and Other Tales of Modern Foods, by Roger Horowitz, reviewed by Ted Merwin Modern Orthodoxy in American Judaism: The Era of Leo Jung, by Maxine Jacobson, reviewed by Adam S. Ferziger Cartoonists against the Holocaust, by Rafael Medoff and Craig Yoe, reviewed by Tahneer Oksman A History of Antisemitism in Canada, by Ira Robinson, reviewed by Leonard Dinnerstein Fair Labor Lawyer: The Remarkable Life of New Deal Attorney and Supreme Court Advocate Bessie Margolin, by Marlene Trestman, reviewed by Geraldine Gudefin Citation: Nick Underwood. TOC: American Jewish History, Volume 101, Issue 2. H-Judaic. 05-07-2017. https://networks.h-net.org/node/28655/discussions/178404/toc-american-jewish-history-volume-101-issue-2 Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 2.
Recommended publications
  • Defining Decorative, Examining Design
    LACMA Evenings for Educators DEFINING DECORATIVE, EXAMINING DESIGN __________________________________________________________________ ESIGN IS ALL AROUND US. FROM SMALL-SCALE HOUSEHOLD OBJECTS TO massive architectural features, decorative and functional objects effect our daily lives and reflect our societal values. By studying Dthese objects, we learn about the forms, uses, and meanings of objects, designs, and environments in everyDay life. When we explore the decorative arts anD design, we consiDer a number of factors, including the artists’ choices about subject, style, material, and function. To begin an exploration of decorative arts anD design with students, pose the following questions: What do you see? Collect visual information. What is the central subject or focus of this work? What are the surrounding details? Artists think carefully about the appearance of their designs. Consider the artist’s choice of color, size, shape, surface pattern, and texture. The artworks featured in these materials represent a wiDe range of cultures and time periods. What was it used for? Who may have used it? What are the intended uses or functions of these objects? How can we tell? What do these items imply about the time anD place in which they were created, or about the people who may have used them? By carefully examining works of art, we can also understand the historical, cultural, and geographical influences of the periods in which they were made. How was it made? What material is the artwork made of? What factors may have influenced the artists’ choice of materials? What historical events took place arounD the time this artwork was made? What technology was available at that time? Was the object mass produceD or hanDcrafteD? Many factors influence the choice of materials, incluDing cost, durability, weight, flexibility, availability, the manufacturing anD engineering processes, and the scale of production.
    [Show full text]
  • Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
    Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir.
    [Show full text]
  • Cinema Art (November 1926)
    “Worlds Greatest Phot auMLWumwe . ... )j[ JJjj1[1 , 1 Let Us Save You Money On Your Magazines Publishers’ Price Our Price for Cinema Art . $3.50 si Motion Picture Classic 2.50 All Only §1 Film Fun 2.00 Screenland 3.00 Motion Picture Magazine . 2.50 $ 14.35 E Picture Play Magazine 2. SO e Price Cosmopolitan . .$3,001 Our Collier’s .... 2,001 ^American Magazine ....$2 50] : $ e Good Housekeeping . 3.00 Pictorial Review 1.501 ^Woman's Home Com- E i $8.00 . 3.501 Soy's Life ........... $5.00 panion 1.00 Cinema Art 2.00 j- $6.50 Scientific American 4.00 f IS Our Price Cinema Art .$3.50] Regular price $5.50 *To one address 1 Harper’s Bazaar . 4.001 $8.75 Regular price $7.50) Cosmopolitan . 3.00] Good Housekeeping , $3,001 Cosmopolitan 3.00! Magazine $2,501 Cinema Art .$3,501 Our Price $5.00 American ' To one, address 1 Woman’s Home Com- McCall’s . 1.00 $5.10 Regular prifte $6.00) panion 1.00 j- $2.75 Pictorial Review . 1.50] T o c:u- address 1 * Delineator $2.00 Physical Culture .$2.50 Our Price Regular 'price $3.50) ^Everybody’s, 2.50 True Story . 2.50 $7.50 Woman '5 Home Com- Cinema Art . 3.50 $4.50 Delineator 2,001 panion T.fJO $ Everybody’s , 2.50’ McCall’s ]... ..$1,001 *To one address $3.50 To one adjdress People’s Home Journal... 1.00 Regular price $5.50 $1.50 Regular price $4.50 * Delineator Regular price $2.0oj $2.00] *Everybody’s 2,50 Fashionable Dress .$3.00] $3.60 Pathfinder ....$1,001 Little 2.001- Folks $5.25 Designer .
    [Show full text]
  • UNSOLD ITEMS for - Hollywood Auction Auction 89, Auction Date
    26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 382 MARION DAVIES (20) VINTAGE PHOTOGRAPHS BY BULL, LOUISE, $600 $800 $600 AND OTHERS. 390 CAROLE LOMBARD & CLARK GABLE (12) VINTAGE $300 $500 $300 PHOTOGRAPHS BY HURRELL AND OTHERS. 396 SIMONE SIMON (19) VINTAGE PHOTOGRAPHS BY HURRELL. $400 $600 $400 424 NO LOT. TBD TBD TBD 432 GEORGE HURRELL (23) 20 X 24 IN. EDITIONS OF THE PORTFOLIO $15,000 $20,000 $15,000 HURRELL III. 433 COPYRIGHTS TO (30) IMAGES FROM HURRELL’S PORTFOLIOS $30,000 $50,000 $30,000 HURRELL I, HURRELL II, HURRELL III & PORTFOLIO. Page 1 of 27 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 444 MOVIE STAR NEWS ARCHIVE (1 MILLION++) HOLLYWOOD AND $180,000 $350,000 $180,000 ENTERTAINMENT PHOTOGRAPHS. 445 IRVING KLAW’S MOVIE STAR NEWS PIN-UP ARCHIVE (10,000+) $80,000 $150,000 $80,000 NEGATIVES OFFERED WITH COPYRIGHT. 447 MARY PICKFORD (18) HAND ANNOTATED MY BEST GIRL SCENE $800 $1,200 $800 STILL PHOTOGRAPHS FROM HER ESTATE. 448 MARY PICKFORD (16) PHOTOGRAPHS FROM HER ESTATE. $800 $1,200 $800 449 MARY PICKFORD (42) PHOTOGRAPHS INCLUDING CANDIDS $800 $1,200 $800 FROM HER ESTATE. 451 WILLIAM HAINES OVERSIZE CAMERA STUDY PHOTOGRAPH BY $200 $300 $200 BULL. 454 NO LOT. TBD TBD TBD 468 JOAN CRAWFORD AND CLARK GABLE OVERSIZE PHOTOGRAPH $200 $300 $200 FROM POSSESSED.
    [Show full text]
  • Jetta Goudal Versus the Studio System: Star Labour in 1920S Hollywood
    Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Jetta Goudal versus the Studio System: Star Labour in 1920s Hollywood Agata Frymus To cite this article: Agata Frymus (2018): Jetta Goudal versus the Studio System: Star Labour in 1920s Hollywood, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2018.1478370 To link to this article: https://doi.org/10.1080/01439685.2018.1478370 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 06 Jun 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2018 https://doi.org/10.1080/01439685.2018.1478370 JETTA GOUDAL VERSUS THE STUDIO SYSTEM: STAR LABOUR IN 1920S HOLLYWOOD Agata Frymus Jetta Goudal commenced her rise to Hollywood stardom in 1923. Like many other players hailing from the continent, her publicity was built upon the notion of tem- peramentality and represented Goudal as a volatile and irrational woman, prone to abrupt fits of rage. This perception soon started to work against her own profes- sional interests. Her consecutive Hollywood contracts – first with Distinctive Pic- tures, then with Famous Players-Lasky – were both terminated prematurely, which resulted in Goudal suing them for a breach of contract. She promptly signed a new agreement with Cecil B. DeMille, but again ran into difficulties which found their way to the court room.
    [Show full text]
  • The Silent Film Project 12.31.2017 TITLE YEAR STUDIO DIRECTOR STAR 13 Wa Square Le B H Lt a E J
    Films that have completed scanning:The Silent Film Project 12.31.2017 TITLE YEAR STUDIO DIRECTOR STAR 13 Wa Square le B H lt A e J Adventuresshington of Bill and [1921]1928 UniversalPathegram MelvilRobert N.W. Bradburyrown JeanBob Steeleersho lic oyce Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 Black Sambo's Escape [1925] Keystone al of Si t at e of Cong to orrow, ca , tally en e the av of si ( se ted d era) f for p and The go the lent Film Projec th Library ress is b talog digi preserve, and sur ailability lent and lec soun ilms ublic viewing research.
    [Show full text]
  • Journal of Religion and Popular Culture
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons Archived at the Flinders Academic Commons: http://dspace.flinders.edu.au/dspace/ This is the publisher’s copyrighted version of this article. The original can be found at: http://www.usask.ca/relst/jrpc/art6-schildkraut-print.html © 2004 Journal of Religion and Popular Culture Published version of the paper reproduced here in accordance with the copyright policy of the publisher. Personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution to servers or lists, or to reuse any copyrighted component of this work in other works must be obtained from Journal of Religion and Popular Culture. Journal of Religion and Popular Culture Volume 6: Spring 2004 The Deep Focus Typecasting of Joseph Schildkraut as Judas Figure in Four DeMille Films Anton Karl Kozlovic School of Humanities, The Flinders University of South Australia Abstract Cecil B. DeMille is an unsung auteur director, a master of the American biblical epic, and a founding figure of Hollywood. However, critics have routinely dismissed him as unfashionable, inauthentic or disingenuous. Rarely have DeMille's credentials as a legitimate religious artist been seriously investigated, acknowledged or applauded. One of his cinematic trade secrets was the utilisation of deep focus casting, that is, the engineering of significant correspondences between his on-screen characters and his actors' personal idiosyncrasies, which eventually resulted in their typecasting. Using humanist film criticism as the analytical lens, the critical literature is reviewed and eight components of DeMille's deep focus casting philosophy are identified.
    [Show full text]
  • Bibliography Filmography
    Anne Bauchens Lived: February 2, 1882 - May 7, 1967 Worked as: editor Worked In: United States by Kristen Hatch Anne Bauchens was a St. Louis, Missouri native who, at the age of twenty, moved to New York City in the hope of becoming an actor and was hired by William de Mille as a typist and stenographer in 1912. Five years later, she traveled to Hollywood to help William’s brother, producer-director Cecil B. De Mille, edit We Can’t Have Everything (1918). DeMille is quoted in the Los Angeles Herald Examiner as saying about her that “though a gentle person, professionally she is as firm as a stone wall . We argue over virtually every picture” (III 3). Nonetheless, she was the only person the director would permit to edit his films and continued working with him until his death in 1959. See also: Hettie Grey Baker, Margaret Booth, Winifred Dunn, Katherine Hilliker, Viola Lawrence, Jane Loring, Irene Morra, Blanche Sewell, Rose Smith Bibliography The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay. Filmography A. Archival Filmography: Extant Film Titles: 1. Anne Bauchens as Editor Till I Come Back to You. Dir. Cecil B. DeMille, sc.: Jeanie Macpherson, ed.: Anne Bauchens (Famous Players-Lasky Corp. US 1918) cas.: Fryant Washburn, Florence Vidor, si., b&w, 6 reels, 35mm. Archive: George Eastman Museum [USR], Academy Film Archive [USF]. Don’t Change Your Husband. Dir. Cecil B. DeMille, sc.: Jeanie Macpherson, ed.: Anne Bauchens (Famous Players-Lasky Corp.
    [Show full text]
  • Of Cinema Through European Film History ••••••••••• the Centenary of Cinema
    the centenary Wo~;~~;r~th of cinema through European film history ••••••••••• the centenary of cinema ISBN : 92·827·6375·7 CC·AG·96·001·EN·C The TVomen of Europe Dossiers issue no. 43 ((The Centenary of Cinema: TVomen5 path through European film history" is available in the official lan­ guages of the European Union. The production of the dossier was overseen by Jackie BUET, director of the International TVomen 5 Film Festival in Creteil, France, in collaboration with: Elisabeth JENNY editor We wish to thank our contributors: Karin BRUNS and Silke HABIGER (Deutschland) Femme Totale Frauenfilmfestival Jean-Fran~ois CAMUS (France) Festival d'Annecy Rosilia COELHO (Portugal) IPACA (Instituto Portugues da arte cinematografica) Helen DE WITT (Great Britain) Cine Nova Maryline FELLOUS (France) Correspondentforformer USSR countries Renee GAGNON (Portugal) Uni-Portugal Gabriella GUZZI (Italia) Centro Problemi Donna Monique and Guy HENNEBELLE (France) Film critics Heike HURST (France) Professor of.film review Gianna MURA (France) Correspondent for Italy Paola PAOLI (Italia) Laboratorio Immagine Donna Daniel SAUVAGET (France) Film critic Ana SOLA (Espana) DRAG MAGic Moira SULLIVAN (Sverige) Correspondentfor Sweden and .film critic Dorothee ULRICH (France) Goethe Institut Ginette VINCENDEAU (Great Britain) Journalist and film teacher Director of publication/Editor-in-chief: Veronique Houdart-Biazy, Head of Section, Information for J;Vc,men, Directorate-General X- Information, Communication, Culture and Audiovisual Media Postal address: Rue de la Loi 200, B-1 049 Brussels Contact address: Rue de Treves 120, B-1 040 Brussels Tel (32 2) 299 91 24 - Fax (32 2) 299 38 91 Production: Temporary Association BLS-CREW-SPE, rue du Marteau 8, B-121 0 Brussels 0 Printed with vegetable-based ink on unbleached, recycled paper.
    [Show full text]
  • See Brownsville
    "With B Brownsville13 and B Valley 13 Theaters camera plays with conventionally clothe* which were es- Citrus Association * MIRIAM GROWS UP DISGUISED—PARTIALLY designed [. s sential to Mile Chanel* purpose. Committee to Meet I ■ ■ ■' ■■■■'■ ....—-1 MISS SEEGAR GLORIA HAS The tradition* of film costuming have changed considerably since A general meeting of the exec- Miss Swansons career began, but utive committee of Ihe Rio Grande whatever the tradition Miss Swan- Citrus Growers association, the new GROWS UP TO NEW son has always been foremost m GOWNS formed screen fashions. Back in the days grower cooperative being when Cecil B DeMille was starring now. Is expected to be called soon, her, she was the sensation of that to prepare for the series of com- VAMP THE MEN BY period ot elaborate gowns, startling munity meetings planned. CHANEL unconven- Tlie executive committee '» to an- by lavish detail and tional cut. Now that sheer style nounce soon a Ust of 14 committee- BY DAN THOMAS Gloria Swanson has long been rather than lavishness Is the order men. one from each of the com- NEA Service Writer known as one of the best dressed of the day, Miss Swanson is again munities of the Valley in w hich a HOLLYWOOD, March. 00— Did stars on the screen. Mile. Oabnelle a leader local plant Is planned. as — Homer Miles, member of the ex- you ever have a desire to vamp a Chanel has long been known was ecutive is In big sisters beau? one of the most eminent fashion More than $3 2000.000.000 committee, Washing- In the United ton now aid from 1/ so, you have an idea of how designers in Paris In consequence spent for education seeking the fed- e>al farm board Miriam Seegar feels right now.
    [Show full text]
  • 1 Jeanie Macpherson May 18, 1888
    Jeanie Macpherson May 18, 1888 - August 26, 1946 Also: Jeanie MacPherson Worked as : director, film actress, screenwriter The United States Jeanie Macpherson is best known as Cecil B. DeMille’s screenwriter since she collaborated exclusively with the director-producer from 1915, through the silent era and into the sound era, in a working relationship lasting fifteen years. Like many other women who became established as screenwriters, she began her career as a performer, first as a dancer and then as an actress. [Fig. 1 Jeanie Macpherson, early screen role BYU. WFP-MAC16 ] Her numerous acting screen credits begin in 1908, and nearly thirty of the short films she appeared in for the Biograph Company, most directed by D.W. Griffith, are extant. At Universal Pictures, Macpherson began to write, but due to a fluke she also directed the one film that she wrote there—a one-reel western, The Tarantula (1913), according to a 1916 Photoplay article (95). Although Anthony Slide cannot confirm the success of the film, both he and Charles Higham retell the story that when the film negative was destroyed by accident the actress was asked to reshoot the entire motion picture just as she recalled it since the original director was unavailable (Slide 1977, 60; Higham 1973, 38). [Fig. 2 Jeanie Macpherson d/w/a The Tarantula (1913) AMPAS. WFP-MAC18] There are several versions of how after Jeanie Macpherson, out of work after The Tarantula, was hired by DeMille at the Jesse L. Lasky Feature Play Company. The most elaborate version is from Higham who describes Macpherson’s attempt to get an acting job as involving a series of battles between the two while the director was shooting Rose of the Rancho (1914) (38 – 40).
    [Show full text]
  • The Silent Film Project
    The Silent Film Project Films that have completed scanning: March 2018 TITLE YEAR STUDIO DIRECTOR STAR [1934 Walt Disney Promo] 1934 Disney 13 Washington Square 1928 Universal Melville W. Brown Jean Hersholt Alice Joyce Adventures of Bill and [1921] Pathegram Robert N. Bradbury Bob Steele Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 The goal of the Silent Film Project at the Library of Congress is to borrow, catalog, digitally preserve, and ensure the availability of silent (and selected sound era) films for public viewing and research.
    [Show full text]