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Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
Carl Sandberg Tape Recordings
FOX YOUR — Box 1517, AGENCY ASSOCIATION Silver Spring BUSINESS Maryland 20902 CHURCH COMMITTEE HOME RECORDING (Trade-Mark) SERVICES ORGANIZATION PROFESSION LEO ORSO SCHOOL P. O. BOX 1745 STUDIO RADIO - TV WASHINOTON 13, D. C. PRESIDENT MUSIC-SPEECH UNION This folder contains a complete carbon copy of index of tape re- cordings in the Carl Sandburg col- lection of tape recordings owned by Leo Orso as of March 30,1966. -1- CARL SANDBURG TAPE RECORDINGS - March 29, 1966 1. Two tapes. Double track. Special program for Mr, Sandburg's 75th Birthday Alan Jenkins and speech by Mr. Sandburg. Two 1200 foot mylar tapes, each two tracks, Also on Tape # 2 is an address to Illinois State Histor-ical Society by Mr, Sandburg. Copied from phonograph records. Noisy. Also Radio Station WLS Brithday program Mr. Sandburg. Catcher 1949 & 1953 2. October 15, 1950. Three - 1200 foot acetate tapes, (Scotch) Full track. 71/2 ips. Excellent quality, Approx. one and one-half hours, Recorded at Harvard University, Excellent quality, 3. December 13,1954. Acetate tape. Pull track. One reel 1200 foot, Producer's Showcase, Famous names on this tape including Eisenhower, Perry Como. Marian Anderson, and Mr. Sandburg, Tribute to overseas war correspondents and particularly those who died in action. Also Henry Ford, and narrated by Charles Daly, Very good. Reverent, 4. March 8, 1955. One 1200 foot acetate(600 foot only), Full track, Dedication of Overseas Press Club in New York. Taken from above No.3, but with new narrator. Apparently played at the dinner meeting and recorded, 5. June 1957. Carl Sandburg and taps of Arlene Francis. -
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
February 4, 2020 (XL:2) Lloyd Bacon: 42ND STREET (1933, 89m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Lloyd Bacon WRITING Rian James and James Seymour wrote the screenplay with contributions from Whitney Bolton, based on a novel by Bradford Ropes. PRODUCER Darryl F. Zanuck CINEMATOGRAPHY Sol Polito EDITING Thomas Pratt and Frank Ware DANCE ENSEMBLE DESIGN Busby Berkeley The film was nominated for Best Picture and Best Sound at the 1934 Academy Awards. In 1998, the National Film Preservation Board entered the film into the National Film Registry. CAST Warner Baxter...Julian Marsh Bebe Daniels...Dorothy Brock George Brent...Pat Denning Knuckles (1927), She Couldn't Say No (1930), A Notorious Ruby Keeler...Peggy Sawyer Affair (1930), Moby Dick (1930), Gold Dust Gertie (1931), Guy Kibbee...Abner Dillon Manhattan Parade (1931), Fireman, Save My Child Una Merkel...Lorraine Fleming (1932), 42nd Street (1933), Mary Stevens, M.D. (1933), Ginger Rogers...Ann Lowell Footlight Parade (1933), Devil Dogs of the Air (1935), Ned Sparks...Thomas Barry Gold Diggers of 1937 (1936), San Quentin (1937), Dick Powell...Billy Lawler Espionage Agent (1939), Knute Rockne All American Allen Jenkins...Mac Elroy (1940), Action, the North Atlantic (1943), The Sullivans Edward J. Nugent...Terry (1944), You Were Meant for Me (1948), Give My Regards Robert McWade...Jones to Broadway (1948), It Happens Every Spring (1949), The George E. -
Signed, Sealed and Delivered: ''Big Tobacco'' in Hollywood, 1927–1951
Tob Control: first published as 10.1136/tc.2008.025445 on 25 September 2008. Downloaded from Research paper Signed, sealed and delivered: ‘‘big tobacco’’ in Hollywood, 1927–1951 K L Lum,1 J R Polansky,2 R K Jackler,3 S A Glantz4 1 Center for Tobacco Control ABSTRACT experts call for the film industry to eliminate Research and Education, Objective: Smoking in movies is associated with smoking from future movies accessible to youth,6 University of California, San Francisco, California, USA; adolescent and young adult smoking initiation. Public defenders of the status quo argue that smoking has 10 2 Onbeyond LLC, Fairfax, health efforts to eliminate smoking from films accessible been prominent on screen since the silent film era California, USA; 3 Department of to youth have been countered by defenders of the status and that tobacco imagery is integral to the artistry Otolaryngology – Head & Neck quo, who associate tobacco imagery in ‘‘classic’’ movies of American film, citing ‘‘classic’’ smoking scenes Surgery, Stanford University with artistry and nostalgia. The present work explores the in such films as Casablanca (1942) and Now, School of Medicine, Stanford, 11–13 California, USA; 4 Center for mutually beneficial commercial collaborations between Voyager (1942). This argument does not con- Tobacco Control Research and the tobacco companies and major motion picture studios sider the possible effects of commercial relation- Education and Department of from the late 1920s through the 1940s. ships between the motion picture and tobacco Medicine, -
Reunion Keepsake Directory
COLORADO COLLEGE CLASS OF 1970 KEEPSAKE DIRECTORY EAR REU YY N T IO F I N F OFFICE OF ALUMNI AND FAMILY RELATIONS Colorado College 14 E. Cache La Poudre St. Colorado Springs, CO 80903 Phone: (719) 389-6775 Email: [email protected] Published October 2020 50TH REUNION DIRECTORY CLASS OF 1970 TABLE OF CONTENTS 4 ...... AUTOBIOGRAPHICAL PAGES 98 ...... IN MEMORIAM 99 ...... CLASSMATE REMEMBRANCES 104 ...... DIRECTORY 126 ...... MAIDEN NAME LIST EAR REU YY N T IO F I N F KATHY ADELSHEIM Fifty years ago this week I arrived at CC for the and as program director the for the American biggest adventure of my life. I loved academics Lung Association. We left the corporate world and meeting so many people from so many behind in 1992 when we moved to Santa Fe. places. We started our own business, a video store. I continued to ski, working as a ski patrol in June 1970: graduation, my engagement to Stu Minnesota and New Jersey and loving our own Waugh, his becoming a 2nd lieutenant in the Ski Santa Fe. U.S. Army. September 1970 we were married and moved to Aspen for two wonderful years of In 2000 we got our first RV, a small motor home skiing and working many jobs. Then to Senegal, which we drove more than 120,000 miles with West Africa, for two years of teaching English three trips to Alaska and one to Newfoundland in the Peace Corps. Then to Minnesota and and Labrador. We slept in that RV in 49 states grad school for my Master’s in Education. -
Nov/Dec 2017 Volume 21, Issue 5
Bimonthly Publication of the Central Florida Jazz Society BLUE NOV/DEC 2017 VOLUME 21, ISSUE 5 NOTES Joey Alexander, Grammy-nominated fourteen- year-old piano prodigy, released his latest album in homage to his lifelong hero Thelonious Monk. “Sometimes, when I’m just practicing, playing something else, new melodic and rhythmic ideas come to me and I realize I’m actually starting to compose a song. I think writing strong tunes comes from listening to so much music from composers and artists I like. I would say that Monk has had the greatest influence on me. Hearing his pieces so many times had a great impact on me and inspired me to write my own pieces. I actually find it harder to interpret other people’s songs than write my own, because I have to figure out and feel what the song is about and find a way to make it my own. Monk taught me to groove, bounce, understand space, be patient, be simple, sometimes be mysterious but, most of all, to be joyful. In my arrangements, I try to stay true to the essence of his music — to treat it with the highest level of respect. Monk’s music is the essence of beauty.” https://www.villagevoice.com/2017/10/10/18-jazz- pianists-pay-tribute-to-thelonious-monk-on-his-100th- birthday/ CFJS 3208 W. Lake Mary Blvd., Suite 1720 President’s Lake Mary, FL 32746-3467 [email protected] Improv http://centralfloridajazzsociety.com By Carla Page Executive Committee The very first thing I want to do is apologize for our last Blue Carla Page Notes. -
Alice Guy Blaché
Alice Guy Blaché Also Known As: Alice Blache, Alice Guy, Alice Guy-Blaché Lived: July 1, 1873 - March 24, 1968 Worked as: assistant director, co-director, co-producer, co-screenwriter, director, film company owner, lecturer, producer, screenwriter, secretary, writer Worked In: France, United States by Alison McMahan From 1896 to 1906 Alice Guy was probably the only woman film director in the world. She had begun as a secretary for Léon Gaumont and made her first film in 1896. After that first film, she directed and produced or supervised almost six hundred silent films ranging in length from one minute to thirty minutes, the majority of which were of the single-reel length. In addition, she also directed and produced or supervised one hundred and fifty synchronized sound films for the Gaumont Chronophone. Her Gaumont silent films are notable for their energy and risk-taking; her preference for real locations gives the extant examples of these Gaumont films a contemporary feel. As Alan Williams has described her influence, Alice Guy “created and nurtured the mood of excitement and sheer aesthetic pleasure that one senses in so many pre-war Gaumont films, including the ones made after her departure from the Paris studio” (57). Most notable of her Gaumont period films is La Vie du Christ (1906), a thirty-minute extravaganza that featured twenty-five sets as well as numerous exterior locations and over three hundred extras. In early 1907, Guy resigned her position as head of Gaumont’s film production arm in Paris although she did not end her business relationship with Gaumont. -
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^PPip «^p -• fflSle GHp Stopl (Sazrtfr att& (Eolontat Hatlg INCORPORATING THE ROYAL GAZETTE (Etffcblished 1828) and THE BERMUDA COLONIST (Established 1866) VOL. 15~~NO. 231 HAMILTON. BERMUDA, WEDNESDAY, OCOTBER 1, 1930 3D PER COPY—AOl- PER ANNUM ENGLAND MOURNS LOSS OF BRIIXIANT IAWYER^STATEMAN PREMIERS GATHER FOR DEATH OF LORD THE BERMUDA NEW YOK STOCK [ THEY SAY fl BIRKENHEAD RAILWAY MARKET That the expected flight of the Do-X IMPERIAL CONFERENCE is creating quite a lot of interest. Rapid Progress Expected * » * Brilliant Statesman, That it should mark an era ln de Hfr~ Yesterday's Closing velopment. Shortly * * * Lawyer and Writer Prices That proper recognition of the event Germany Faced With Big in consequence of a cable des should be made. patch received by us yesterday to * * * A special Reuter's despatch re the effeot-teat a railway construct Alleghany Oorp -„-„..- 18 That some will regret a foreign ion expert-.had sailed -by the Lady r Deficit ceived by the Royal Gazette and Allied Chemical. __. N.Q. firm is first in the field. Colonist Daily yesterday announced Somers to start construction on * * * Bermuda's first railway, our re Am. Oan 117 the death of Lord Birkenhead whose Am. ft Foreign Power 53) That nevertheless the first should health has been giving consider presentee called on Mr. O. A. always receive credit. Jones, the construction manager Am. Locomotive. 37} able anxiety for some time. Few Am. Power & Light... 70 * • • men of the present age have had a for Messrs Balfour, Beatty, & Com pany, **tho are building the railway. Am. Smelting & Refining. -
The Silent Film Project
The Silent Film Project Films that have completed scanning – Significant titles in bold: May 1, 2018 TITLE YEAR STUDIO DIRECTOR STAR 1. [1934 Walt Disney Promo] 1934 Disney 2. 13 Washington Square 1928 Universal Melville W. Brown Alice Joyce 3. Adventures of Bill and [1921] Pathegram Robert N. Bradbury Bob Steele Bob, The (Skunk, The) 4. African Dreams [1922] 5. After the Storm (Poetic [1935] William Pizor Edgar Guest, Gems) Al Shayne 6. Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The 7. Aladdin And The 1917 Fox Film C. M. Franklin Francis Wonderful Lamp Carpenter 8. Alexandria 1921 Burton Holmes Burton Holmes 9. An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest 10. Animals of the Cat Tribe 1932 Eastman Teaching 11. Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales 12. Aryan, The 1916 Triangle William S. Hart William S. Hart 13. At First Sight 1924 Hal Roach J A. Howe Charley Chase 14. Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee 15. Autumn (nature film) 1922 16. Babies Prohibited 1913 Thanhouser Lila Chester 17. Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri 18. Barnyard Cavalier 1922 Christie Bobby Vernon 19. Barnyard Wedding [1920] Hal Roach 20. Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel 21. A Beast at Bay 1912 Biograph D.W. Griffith Mary Pickford 22. Bebe Daniels & Ben Lyon 1931- Bebe Daniels, home movies 1935 Ben Lyon 23. Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean 24. -
Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs. -
Actor and Berkshire Parent Sydney Greenstreet's Letters from the Road
Fall 2011/ Winter 2012 BERKSHIRE BULLETIN Actor and Berkshire Parent Sydney Greenstreet’s Letters From the Road OPENING SHOT Big Buss for Brett MARLEE WALLINGFORD ’76 and BESS MALTZ ANDREWS ’81 welcomed BRETT PUTNAM ’81 to his thirtieth reunion last May. Brett is the son of the ever legendary Em Putnam, a former longtime administrator here. Berkshire Bulletin Fall 2011/Winter 2012 BERKSHIRE BULLETIN 2 Reaction 5 Under the Dome 24 College Essays 26 Alumni Events 28 Reunion Weekend 37 Alumni Authors 38 Our Man in Mexico During Reunion Weekend last spring, LUKE HARAN, president of “The Great Class of 1961,” presented Head of School Mike Maher with a plaque 44 As ever — Sydney formally naming the Great Room in Berkshire Hall, representing a fiftieth-reunion gift of $370,462. A great class, indeed: its members also established two scholar- 55 From Students to Heads ship funds: the Class of 1961 John F. Godman Fund in 1985 and the Class of 1961 Edward H. Hunt Scholarship Fund in 2006. 57 Class Notes 74 In Memoriam Cover: Sydney Greenstreet’s correspondence to Seaver Buck came from whichever city he happened to be appearing in at the time. 80 Of Rogers and Heart Rooted in an inspiring natural setting, Berkshire School instills the highest standards of character and citizenship and a commitment to academic, artistic, and athletic excellence. Our community fosters diversity, a dedication to environmental stewardship, and an enduring love for learning. STEPHEN P. NORMAN ’60, President, Board of Trustees DESIGN: Julie Hammill, Hammill Design Michael J. Maher, Head of School PRINTING: Quality Printing Company, Pittsfield, Mass. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country.