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Sennett Creative Campus: Echo Park Modern/Creative Office Spaces 2219 Aaron Street (Corner of Aaron & Glendale), Echo Park, Ca 90026
(RENDERING) SENNETT CREATIVE CAMPUS: ECHO PARK MODERN/CREATIVE OFFICE SPACES 2219 AARON STREET (CORNER OF AARON & GLENDALE), ECHO PARK, CA 90026 David Aschkenasy Ryan Schimel David Ickovics Executive Vice President Director Principal Phone 310.272.7381 Phone 310.272.7384 Phone 310.272.7380 email [email protected] email [email protected] email [email protected] (RENDERING) The Sennett Creative Campus is greater Los Angeles’ most unique creative office destination. Spaces: A (1st Floor) The Campus offers one of the largest and architecturally significant, contiguous office spaces B (2nd Floor) available. Originally built in 1946, and fully modernized and renovated in 2013, with a new addition Size: +/- 1,800 sq ft each in spaces: 1745-1759 N Glendale Blvd is a 25,000 SF +/- campus environment that brings the Rate: $3.75 psf, Modified Gross glory of old Hollywood to life in the 21st Century. Comprised of 4 buildings, outdoor patios Available: March 1, 2018 and surface parking lots, 1745-1759 N Glendale Blvd is equipped with dramatic exposed high Features: • Brand New Construction ceilings, new HVAC & electric, polished concrete and floors, brand new restrooms, kitchens, • Two Available Spaces multiple skylights and ample parking. Greater Los Angeles is very limited with regard to true • Beautifully Built Out Creative Office with Open creative office space of this scale and caliber. While there is availability in Silicon Beach (Venice Kitchen and Large Restroom and Santa Monica), Hollywood, and the Arts District, the Sennett Creative Campus offers the • Join Moda Yoga (http://los-angeles.modoyoga. same Creative Office Build outs at a fraction of the price. -
Hooray for Hollywood!
Hooray for Hollywood! The Silent Screen & Early “Talkies” Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 PartHooray I: The Silent forScreen andHollywood! Early “Talkies” How It All Began — Movie Technology & Innovation Eadweard Muybridge (1830–1904) Pioneers of Communication • Scott 3061; see also Scott 231 • Landing of Columbus from the Columbian Exposition issue A pioneer in motion studies, Muybridge exhibited moving picture sequences of animals and athletes taken with his “Zoopraxiscope” to a paying audience in the Zoopraxographical Hall at the 1893 Columbian Exposition. Although these brief (a few seconds each) moving picture views titled “The Science of Animal Locomotion” did not generate the profit Muybridge expected, the Hall can be considered the first “movie theater.” Thomas Alva Edison William Dickson Motion Pictures, (1847–1947) (1860–1935) 50th Anniversary Thomas A. Edison Pioneers of Communication Scott 926 Birth Centenary • Scott 945 Scott 3064 The first motion picture to be copyrighted Edison wrote in 1888, “I am experimenting Hired as Thomas Edison’s assistant in in the United States was Edison upon an instrument which does for the 1883, Dickson was the primary developer Kinetoscopic Record of a Sneeze (also eye what the phonograph does for the of the Kintograph camera and Kinetoscope known as Fred Ott’s Sneeze). Made January ear.” In April 1894 the first Kinetoscope viewer. The first prototype, using flexible 9, 1894, the 5-second, 48-frame film shows Parlour opened in New York City with film, was demonstrated at the lab to Fred Ott (one of Edison’s assistants) taking short features such as The Execution of visitors from the National Federation of a pinch of snuff and sneezing. -
Defining Decorative, Examining Design
LACMA Evenings for Educators DEFINING DECORATIVE, EXAMINING DESIGN __________________________________________________________________ ESIGN IS ALL AROUND US. FROM SMALL-SCALE HOUSEHOLD OBJECTS TO massive architectural features, decorative and functional objects effect our daily lives and reflect our societal values. By studying Dthese objects, we learn about the forms, uses, and meanings of objects, designs, and environments in everyDay life. When we explore the decorative arts anD design, we consiDer a number of factors, including the artists’ choices about subject, style, material, and function. To begin an exploration of decorative arts anD design with students, pose the following questions: What do you see? Collect visual information. What is the central subject or focus of this work? What are the surrounding details? Artists think carefully about the appearance of their designs. Consider the artist’s choice of color, size, shape, surface pattern, and texture. The artworks featured in these materials represent a wiDe range of cultures and time periods. What was it used for? Who may have used it? What are the intended uses or functions of these objects? How can we tell? What do these items imply about the time anD place in which they were created, or about the people who may have used them? By carefully examining works of art, we can also understand the historical, cultural, and geographical influences of the periods in which they were made. How was it made? What material is the artwork made of? What factors may have influenced the artists’ choice of materials? What historical events took place arounD the time this artwork was made? What technology was available at that time? Was the object mass produceD or hanDcrafteD? Many factors influence the choice of materials, incluDing cost, durability, weight, flexibility, availability, the manufacturing anD engineering processes, and the scale of production. -
Moma More Cruel and Unusual Comedy Social Commentary in The
MoMA Presents: More Cruel and Unusual Comedy: Social Commentary in the American Slapstick Film Part 2 October 6-14, 2010 Silent-era slapstick highlighted social, cultural, and aesthetic themes that continue to be central concerns around the world today; issues of race, gender, propriety, and economics have traditionally been among the most vital sources for rude comedy. Drawing on the Museum’s holdings of silent comedy, acquired largely in the 1970s and 1980s by former curator Eileen Bowser, Cruel and Unusual Comedy presents an otherwise little-seen body of work to contemporary audiences from an engaging perspective. The series, which first appeared in May 2009, continues with films that take aim at issues of sexual identity, substance abuse, health care, homelessness and economic disparity, and Surrealism. On October 8 at 8PM, Ms Bowser will address the connection between silent comedy and the international film archive movement, when she introduces a program of shorts that take physical comedy to extremes of dream-like invention and destruction. Audiences today will find the vulgar zest and anarchic spirit of silent slapstick has much in common with contemporary entertainment such as Cartoon Network's Adult Swim, MTV's Jackass and the current Jackass 3-D feature. A majority of the films in the series are archival rarities, often the only known surviving version, and feature lesser- remembered performers on the order of Al St. John, Lloyd Hamilton, Fay Tincher, Hank Mann, Lupino Lane, and even one, Diana Serra Cary (a.k.a. Baby Peggy), who, at 91, is the oldest living silent film star still active. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Cinema Art (November 1926)
“Worlds Greatest Phot auMLWumwe . ... )j[ JJjj1[1 , 1 Let Us Save You Money On Your Magazines Publishers’ Price Our Price for Cinema Art . $3.50 si Motion Picture Classic 2.50 All Only §1 Film Fun 2.00 Screenland 3.00 Motion Picture Magazine . 2.50 $ 14.35 E Picture Play Magazine 2. SO e Price Cosmopolitan . .$3,001 Our Collier’s .... 2,001 ^American Magazine ....$2 50] : $ e Good Housekeeping . 3.00 Pictorial Review 1.501 ^Woman's Home Com- E i $8.00 . 3.501 Soy's Life ........... $5.00 panion 1.00 Cinema Art 2.00 j- $6.50 Scientific American 4.00 f IS Our Price Cinema Art .$3.50] Regular price $5.50 *To one address 1 Harper’s Bazaar . 4.001 $8.75 Regular price $7.50) Cosmopolitan . 3.00] Good Housekeeping , $3,001 Cosmopolitan 3.00! Magazine $2,501 Cinema Art .$3,501 Our Price $5.00 American ' To one, address 1 Woman’s Home Com- McCall’s . 1.00 $5.10 Regular prifte $6.00) panion 1.00 j- $2.75 Pictorial Review . 1.50] T o c:u- address 1 * Delineator $2.00 Physical Culture .$2.50 Our Price Regular 'price $3.50) ^Everybody’s, 2.50 True Story . 2.50 $7.50 Woman '5 Home Com- Cinema Art . 3.50 $4.50 Delineator 2,001 panion T.fJO $ Everybody’s , 2.50’ McCall’s ]... ..$1,001 *To one address $3.50 To one adjdress People’s Home Journal... 1.00 Regular price $5.50 $1.50 Regular price $4.50 * Delineator Regular price $2.0oj $2.00] *Everybody’s 2,50 Fashionable Dress .$3.00] $3.60 Pathfinder ....$1,001 Little 2.001- Folks $5.25 Designer . -
Sennett Creative Campus, Echo Park's Newest Modern
SENNETT CREATIVE CAMPUS, ECHO PARK’S NEWEST MODERN/CREATIVE OFFICE ENVIRONMENT 1745- 1759 GLENDALE BOULEVARD, ECHO PARK, CALIFORNIA David Aschkenasy Executive Vice President Phone 310.272.7381 email [email protected] The Sennett Creative Campus is greater Los Angeles’ most unique creative office destination. The Spaces: +/- 6,500 - 14,000 sq ft Campus offers one of the largest and architecturally significant, contiguous office spaces available. Rate: $1.95 psf, Modified Gross Originally built in 1946, and fully modernized and renovated in 2015, 1745-1759 N Glendale Blvd is a Parking: In rear of building, free of charge 30,000 Square Foot +/- campus environment that brings the glory of old Hollywood to life in the 21st Century. Comprised of 4 buildings, outdoor patios and surface parking lots, 1745-1759 N Glendale Features: • Exposed Ceilings Blvd is equipped with dramatic exposed wood truss ceilings, new HVAC & electric, polished concrete • Loading Dock and hardwood floors, brand new restrooms, reclaimed wood kitchens, multiple skylights and ample • Concrete & Hardwood Flooring parking. Greater Los Angeles is very limited with regard to true creative office space of this scale and • Exposed HVAC Ducting caliber. While there is availability in Silicon Beach (Venice and Santa Monica), Hollywood, and the • High Ceilings Arts District, the Sennett Creative Campus offers the same Creative Office Build outs at a fraction of the price. The Campus is priced at least 50% below these other creative office locations, and offers • Private Exterior Patios free parking for an additional savings. There is also the opportunity to have the exclusive use of the • Skylights rooftop billboard. -
UNSOLD ITEMS for - Hollywood Auction Auction 89, Auction Date
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 382 MARION DAVIES (20) VINTAGE PHOTOGRAPHS BY BULL, LOUISE, $600 $800 $600 AND OTHERS. 390 CAROLE LOMBARD & CLARK GABLE (12) VINTAGE $300 $500 $300 PHOTOGRAPHS BY HURRELL AND OTHERS. 396 SIMONE SIMON (19) VINTAGE PHOTOGRAPHS BY HURRELL. $400 $600 $400 424 NO LOT. TBD TBD TBD 432 GEORGE HURRELL (23) 20 X 24 IN. EDITIONS OF THE PORTFOLIO $15,000 $20,000 $15,000 HURRELL III. 433 COPYRIGHTS TO (30) IMAGES FROM HURRELL’S PORTFOLIOS $30,000 $50,000 $30,000 HURRELL I, HURRELL II, HURRELL III & PORTFOLIO. Page 1 of 27 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 UNSOLD ITEMS FOR - Hollywood Auction Auction 89, Auction Date: LOT ITEM LOW HIGH RESERVE 444 MOVIE STAR NEWS ARCHIVE (1 MILLION++) HOLLYWOOD AND $180,000 $350,000 $180,000 ENTERTAINMENT PHOTOGRAPHS. 445 IRVING KLAW’S MOVIE STAR NEWS PIN-UP ARCHIVE (10,000+) $80,000 $150,000 $80,000 NEGATIVES OFFERED WITH COPYRIGHT. 447 MARY PICKFORD (18) HAND ANNOTATED MY BEST GIRL SCENE $800 $1,200 $800 STILL PHOTOGRAPHS FROM HER ESTATE. 448 MARY PICKFORD (16) PHOTOGRAPHS FROM HER ESTATE. $800 $1,200 $800 449 MARY PICKFORD (42) PHOTOGRAPHS INCLUDING CANDIDS $800 $1,200 $800 FROM HER ESTATE. 451 WILLIAM HAINES OVERSIZE CAMERA STUDY PHOTOGRAPH BY $200 $300 $200 BULL. 454 NO LOT. TBD TBD TBD 468 JOAN CRAWFORD AND CLARK GABLE OVERSIZE PHOTOGRAPH $200 $300 $200 FROM POSSESSED. -
Mabel Normand
Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne. -
Jetta Goudal Versus the Studio System: Star Labour in 1920S Hollywood
Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: http://www.tandfonline.com/loi/chjf20 Jetta Goudal versus the Studio System: Star Labour in 1920s Hollywood Agata Frymus To cite this article: Agata Frymus (2018): Jetta Goudal versus the Studio System: Star Labour in 1920s Hollywood, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2018.1478370 To link to this article: https://doi.org/10.1080/01439685.2018.1478370 © 2018 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 06 Jun 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2018 https://doi.org/10.1080/01439685.2018.1478370 JETTA GOUDAL VERSUS THE STUDIO SYSTEM: STAR LABOUR IN 1920S HOLLYWOOD Agata Frymus Jetta Goudal commenced her rise to Hollywood stardom in 1923. Like many other players hailing from the continent, her publicity was built upon the notion of tem- peramentality and represented Goudal as a volatile and irrational woman, prone to abrupt fits of rage. This perception soon started to work against her own profes- sional interests. Her consecutive Hollywood contracts – first with Distinctive Pic- tures, then with Famous Players-Lasky – were both terminated prematurely, which resulted in Goudal suing them for a breach of contract. She promptly signed a new agreement with Cecil B. DeMille, but again ran into difficulties which found their way to the court room. -
Tango Tangles Actors List (Cast)
Tango Tangles Actors List (Cast) Billy Gilbert https://www.listvote.com/lists/film/actors/billy-gilbert-2903632/movies William Hauber https://www.listvote.com/lists/film/actors/william-hauber-3568687/movies Harry McCoy https://www.listvote.com/lists/film/actors/harry-mccoy-3127869/movies Edgar Kennedy https://www.listvote.com/lists/film/actors/edgar-kennedy-714724/movies Minta Durfee https://www.listvote.com/lists/film/actors/minta-durfee-443110/movies Bert Hunn https://www.listvote.com/lists/film/actors/bert-hunn-2899187/movies Rube Miller https://www.listvote.com/lists/film/actors/rube-miller-16028702/movies George Jeske https://www.listvote.com/lists/film/actors/george-jeske-3760546/movies Al St. John https://www.listvote.com/lists/film/actors/al-st.-john-153239/movies Roscoe https://www.listvote.com/lists/film/actors/roscoe-arbuckle-315202/movies Arbuckle Chester Conklin https://www.listvote.com/lists/film/actors/chester-conklin-1070698/movies Charlie Chaplin https://www.listvote.com/lists/film/actors/charlie-chaplin-882/movies Peggy Pearce https://www.listvote.com/lists/film/actors/peggy-pearce-3374241/movies Alice Davenport https://www.listvote.com/lists/film/actors/alice-davenport-2738162/movies Charles Avery https://www.listvote.com/lists/film/actors/charles-avery-354603/movies Ford Sterling https://www.listvote.com/lists/film/actors/ford-sterling-1399937/movies Sadie Lampe https://www.listvote.com/lists/film/actors/sadie-lampe-16155546/movies Glen Cavender https://www.listvote.com/lists/film/actors/glen-cavender-3108668/movies Hank Mann https://www.listvote.com/lists/film/actors/hank-mann-3126801/movies Dave Morris https://www.listvote.com/lists/film/actors/dave-morris-3017208/movies.