DOCSLIB.ORG

Jacky Lee Morgan | Queso Grande Productions PRODUCER/U.P.M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jacky Lee Morgan | Queso Grande Productions PRODUCER/U.P.M Jacky Lee Morgan | Queso Grande Productions (323) 791–4559 | [email protected] PRODUCER/U.P.M.: Feature Films “Elvis” J.-Braunstein/LiftDir.:J. Sadwith “Five Fingers”Element Film/ LiftDir.:L. Malkin “Brooke Ellison Story”J.-Braunstein/LiftDir.:Chris Reeve “Miracle Run”J.-Braunstein/LiftDir.:G. Champion “Frankenstein”Lion’s Gate/LiftDir.:M. Nispel “Waiting”HSI /LiftDir.:R. McKittrick “Infidelity”Lion’s Gate/LiftDir.:Harry Winer “Home of Phobia”HSI /LiftDir.:R. Shiraki “Blood Feast 2: All U Can Eat”Queso GrandeDir.:H. G. Lewis “Love Liza”Muse FilmsDir.:Todd Louiso “Bully”Muse FilmsDir.:Larry Clark “Rosa Parks Story”Jaffe-BraunsteinDir.:Julie Dash “Home Town Legend”Jenkins Ent.Dir.:J. Anderson “Blue Hotel III”HBODir.:Gary Orona “Blue Hotel II”HBO /CinetelDir.:Gary Orona “Blue Hotel”HBO /CinetelDir.:Gary Orona “Looking for Charity”Queso GrandeDir.:D. Velsaco “The Bail”Sqaure GrouperDir.:C. Goldstein Music Videos Snoop Dogg “Ride On”Pure FilmsDir.:Rashidi Ozzy Osbourne “I Just Want You”UndergroundDir.:Dean Karr Filter” Jurrassitol”UndergroundDir.:Dean Karr Whitney Houston “Try It On…”Mars/HSIDir.: D. LaChapelle Kid Rock “Only God Knows Why”A Band ApartDir.:Clark Eddie Wallflowers “Heroes”Oil FactoryDir.:Dom & Nic Marilyn Manson “Long Hard Road”Venus/HSIDir.:M. Ralston Jewel “Foolish Games”Venus/HSIDir.:M. Ralston Rollins Band “Love’s So Heavy”GeronimoDir.:R. Strathmann Third Eye Blind “Live”Balance Prod.Dir.:Gene Joanen Voodoo Music Fest. 1999-2003Balance Prod.Dir.:Gene Joanen Love & Rockets “Holy Fool”Power FilmsDir.:Dedier Kerbrat Rob Halford/ TWO “I’m A Pig”Johns & GormanDir.:ChiChi LaRue Master P./ Tru “Hooty Hoo”No Limit FilmsDir.:Gee Bee Nick Carter “I Got You”DNADir.:Tryan George Aaron Carter/BahaMen “Summer”Hurricane FilmsDir.:Scott Winig Hank Williams III “You’re the...”Pollyanna Prod.Dir.:P.W. Long Hank Williams III “Tour Doc.”Pollyanna Prod.Dir.:F. Armenson MorisseyVenus/HSIDir.:M. Ralston Joy Drop “Beautiful”Oil FactoryDir.:Bill Yukich Sebadoh “Willing to Wait”The EndDir.:Tryan George Lost Boyz/ Dogg Pound “Music..”Drawing BoardDir.:Steve Carr Catch “Dive In”Oil FactoryDir.:Greg Masuak K. Himoro “Heat”Johns & GormanDir.:Ralph Ziman K. Matsui “Live on PBS”Johns & GormanDir.:Ralph Ziman T. Sorimachi “Fly”Johns & GormanDir.:Ralph Ziman D.O.S. “More Kiss”F.M. RocksDir.:Scott Kalvert D.O.S.- E.P.K.F.M. RocksDir.:A. Jakabson Bandaloop “St. Michel”Hidden Force FilmsDir.:R. Strathmann Divine “Lately”Power FilmsDir.:Okuwah Fiend “Talk How I Bring It”No Limit FilmsDir.:Gee Bee Great 3 “Chop the Meat”Johns & GormanDir.:Coop Cruel Timothy “Carolyne My...”Johns & GormanDir.:Coop Black Market Flowers “Rainvisor”Boy’s LifeDir.:Scott Sampler Beastie BoysT.A.B.Dir.:Trace Wooley Red Hot Chili PeppersT.A.B.Dir.:Trace Wooley Nine Inch NailsT.A.B.Dir.:Trace Wooley Pearl JamT.A.B.Dir.:Trace Wooley Commercials McDonald’s w/ Venus & SerenaDNADir.:Nzingha Florida MarlinsBlind SpotDir.:A. Von David Cayman Island D.O.T.ChowderDir.:J.R./ T.K. Twin Eagles “Home”DetourDir.:M. Vernet Marshall’s “Christmas”Mad FilmsDir.:M. Vernet Boots Hair Care “Flower Power”Radar/ PinkDir.:Yan Glie Boots Hair Care “Wild”Radar/ PinkDir.:Yan Glie Isuzu “Driving Footage”Wild Eye Prod.Dir.:David Briggs Monkey SeeSorin CineDir.:Carlos Sorin Nissan “Running Footage”SonarDir.:C. Jones XeroxSonarDir.:C. Jones Jeep “Running Footage”SonarDir.:C. Jones Photo Shoots Marilyn MansonUndergroundDir.:Dean Karr Ozzy OsbourneUndergroundDir.:Dean Karr Concerts Produced Afgan Whigs, Anthrax, Bad Brains, Bad Religion, Beastie Boys (6), Belly (2), Billy Goat (6), Black Crowes, Blacksheep (4), Blind Melon (2), Bullet Lavolta, Butthole Surfers (5), Concrete Blonde (2), Cop Shoot Cop (2), Corrosion of Conformity (2), Cows (2), The Cramps (3), Crowbar (6), The Cult, Cypress Hill (3), D.R.I., Danzig (2), Dead Horse (6), Dead Milkmen (2), Dinosaur Jr. (2), Down (3), Dread Zepplin (2), Drivin’ ‘n’ Cryin’, Exodus (3), Faith No More, Fire Hose (2), Fish- bone (3), Flaming Lips (3), Flipper (3), Front 242, Fugazi, Gas Huffer (2), Green Day, Grotus (2), GWAR (6), Helmet (3), House of Pain (3), Ice Cube (2), Ice T & Body Count, Jane’s Addiction, Jesus and Mary Chain (3), Jesus Jones, Jesus Lizard (2), Jim Rose Circus (2), King Missile (2), KMFDM (2), L7 (4), Lemonheads (2), Living Colour, Lollapalooza ‘92, Lush (2), MC 900 Ft. Jesus (2), Meat Beat Manifesto (3), Meat Puppets (2), Melvins (3), Metallica, Meters, Mighty Mighty Boss Tones (3), Ministry (3), Mojo Nixon, Monster Magnet (2), Morbid Angel (2), Morissey, Mr. Bungle (2), Mudhoney (2), Murphy’s Law (2), My Bloody Valentine, Ned’s Atomic Dustbin, Nine Inch Nails, Nirvana (3), NOFX, Overwhelming Colorfast (3), Pain Teens (4), Pantera (4), Pauly Shore, Pearl Jam (6), PereUbu, Pigface (2), Pixies, Poi Dog Pondering (2), Primus (3), Prong, Public Enemy (2), The Radiators (2), Rage Against the Machine, The Ramones (3), Red Hot Chili Peppers (6), Retarted Elf (6), Rev. Horton Heat (8), Rollins Band (4), School of Fish, Screaming Trees (3), Seaweed, Sepultura (3), Siouxie and the Banshees, Skinny Puppy (3), Slayer (2), Smashing Pumpkins (4), Social Distortion (3), Sonic Youth (3), Soundgarden (2), Soup Dragons, Spin Doctors, Stone Temple Pilots (6), Tad (2), Testament (2), 311 (2), Thrill Kill Kult (3), Too Much Joy (4), Tool (3), 24-7 Spyz (3), Urban Dance Squad (3), Urge Overkill, Vio- lent Femmes (2), War (2), White Zombie (2).
Load more

Recommended publications
  • M I K E S a R K I S S I a N Credits
    MIKE SARKISSIAN CREDITS _____________________________________________________________________________ EXECUTIVE PRODUCER / PRODUCER FILM The White Stripes Under Great White Northern Lights Emmett Malloy Jack Johnson En Concert Emmett Malloy Jack Johnson A Weekend at the Greek Emmett Malloy Jack White Jack White Kneeling at The Anthem Emmett Malloy TV Paramount Dream: Birth of the Modern Athlete The Malloy Brothers National Geographic Breakthrough Season 2 Series Producer Revolution Studios Pilot – Everyday People Tim Wheeler GSN / Revolution Studios Drew Carey’s Improv-A-ganza 40 eps Liz Zannin The Dead Weather Live at the ROXY Tim Wheeler Jack Johnson Kokua Festival 05-09 Emmett Malloy From The Basement Raconteurs / Kills / Fleet Foxes Nigel Godrich From The Basement Queens of the Stone Age Nigel Godrich Sundance Channel 5 Years of Change – KOKUA Emmett Malloy Selena Gomez Girl Meets World – Disney Channel Tim Wheeler James Blunt Live & SPPP Studios Tim Wheeler Disney Channel Radio Disney Concert Special Tim Wheeler Nickelback Live at Home Nigel Dick Marie Digby Live At Rick Ruben Studios Mike Piscitelli Grace Potter Live In Burlington Tim Wheeler Alpha Rev Live @SPPP Studios Tim Wheeler Kate Vogel Live @SPPP Studios Tim Wheeler ZZ Ward Live @ The Troubadour Tim Wheeler Nick Jonas Live @ Capitol Records Giles Dunning Grace Potter Live @ The Waterfront Tim Wheeler R5 Live @ the O2 London Tim Wheeler COMMERCIALS Honda Happy Honda Days ’19 Campain Jed Hathaway Apple Apple TV+ 2019 March Launch Robin Cosimir Waze Waze Carpool Jeff + Pete Accenture Talent, Resilience, Disruption Jordan Bahat Google Google Cloud Jordan Bahat Amazon Fire TV Twin Peaks Pie Shop, Playlist Jeff + Pete Always Prepared, No Chance Whip It, Whip it Good Sharknado by the Sea Chicken Little Fingers Dove Real Moms Acura Emotion Is In IBM / Watson Not Easy Nicolas Davenel Max Factor Miracle Touch Camilla Akrins Visa Snapchat / Olympics Giles Dunning McDonalds Fans vs Critics Jordan Bahat Navy Federal Credit Union Veterans Bond Jeff + Pete Dr.
    [Show full text]
  • PDF (1.47 Mib)
    Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at.
    [Show full text]
  • Leon Bridges Black Moth Super Rainbow Melvins
    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
    [Show full text]
  • Recess Activities, Inc. Presents Gibby Haynes Paintings
    FOR IMMEDIATE RELEASE Recess Activities, Inc. Presents Gibby Haynes Paintings April 26 - June 1, 2011 Red Hook, Brooklyn, April 26, 2011—Gibby Haynes will begin two months of work at Recess’s new Brooklyn outpost as part of its signature program, Session. Haynes’ project will be the second iteration of Recess’s collaboration with Charlotte Kidd and Dustin Yellin from Kidd Yellin Studios in Red Hook. Recess’s original location at 41 Grand Street in SoHo will remain open; both spaces will be free and open to the public. During his premiere US solo presentation, Haynes will adapt the residency room at Kidd Yellin into a production studio for a series of abstract, geometric paintings. Known for his work as a musician in the group Butthole Surfers, Haynes will translate his intimate relationship with sound and the hardcore movement into visual vocabulary. On eight-foot square canvases, the artist will use bold, contrasting colors issuing from the center in echoing circles. Revolving like a record, the canvas becomes vinyl and the paint etches vibration. About the Artist: Gibby Haynes is an American musician, radio personality, painter and the lead singer of the group Butthole Surfers. He received a BA from Trinity University. His work has been featured in exhibitions at Robert Berman Gallery in Santa Monica California and The Station in Houston Texas. Haynes currently lives in Brooklyn, New York with his wife, Melissa, their daughter, and their Westie. Recess Activities at Kidd Yellin 133 Imlay Street Brooklyn, NY .
    [Show full text]
  • Full Speed Ahead for DVD Sales by JILL KIPNIS Increase Another 49% in 2003
    $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) II.L.II..I.JJL.1I.1I.II.LJII I ILIi #BXNCCVR ******* ************** 3 -DIGIT 908 #908070EE374EM002# * BLBD 880 A06 B0105 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT APRIL 5, 2003 Patriotism Lifts Pro -War Songs; Chicks Suffer A Billboard and Airplay Moni- Last week, the Chicks' "Travelin' tor staff report Soldier," a record that many thought With the war in Iraq now more would become an anthem for the than a week old and displays of sup- troops in the event of war, instead port for the war increasing, went 1 -3 on the Billboard Linkin Park Enjoys Meteoric Opening radio responded on several Some Acts Nix Hot Country Singles & fronts. The biggest victims International Tracks chart in the wake BY LARRY FLICK Show by Eminem, which sold 1.3 million copies in of the patriotic surge have Tours In Light of singer Natalie Maims' NEW YORK -Based on first -day sales activity for its its first full week of sales for the week ending June been Dixie Chicks, whose Of War: anti -war/anti -President new album, Meteora, Linkin Park could enjoy the 2, 2002, according to Nielsen SoundScan. Seven - tracks suffered major air- See Page 7 Bush comments (Bill- first 1 million -selling week of 2003. Early estimates day sales of more than 900,000 units would score play losses at their host for- board, March 29).
    [Show full text]
  • End of Canada's Originall Rock Museum
    10 - RPM - Monday July 15,1996 Incredible Records' Lipsin brings fourteen+ years to a close Coladas nationalWeekly1 End of Canada's originall rock museum altrviafive chart-- ,Record Distributor codes Anative of Montreal, Lipsin's first claim ReC(1rd Distributor Cbdes:- - sub MCA, --.1 by Rod Gudino to fame was as editor of the Underground BMG--34---- EMI -,F MCA Qua1itY,J/1 Polygram -,Q Sony HWarner- P Koch - K, \ Polygram - 9Sony - H warno Back in 1976, when a record was a record newspaper which ended when he was invited to New York city to work with Abby Hoffman TW LW WO - JULY 15, 1996 and a cassette was a record that had been TIN LW WO- JULY 15, 1996 put on tape, Jonathan Lipsin opened up a and Jerry Rubin for the Underground Press 1 1 19 THE FUGEES small used record store on Yonge St just Syndicate. Later, at seventeen, he left New 1 2 8 TRIPPIN. ON A HOLE... York for a peaceful time in California's hippy Stone Temple Pilots - Tny Music... Songs From... !he Score (Columbia) 67147-H south of Bloor. Little did he know that that Atlantic 82871-P in almost fifteen years the store would scene, ending up as gardener to a man by the 2 3 7 TONIGHT TONIGHT 2 2 51 ALAN'S MORISSETTE name of Jerry Garcia. He worked hard, spent Smashing Pumpkins - Mellon Collie And The Infinite... Jagged Little Pill (Maverick) 45901-P become a music house of bohemianism and Virgin 40861-F a fond little while there and, in 1975, 11 TRACY CHAPMAN memorabilia, an aerie for nostalgic sorts and E X 7 8 YOU LEARN LE 5 a place to buy cheap stuff for everybody.
    [Show full text]
  • 9781943679102.Pdf
    CASS MCCOMBS SPURL EDITIONS WE MADE OUR MOPS We made our mops out of crystal geyser bottles and a sponge deco mops and wood stains shoe polish containers, like the long necked ones with the sponge on top paint racked from flax or jobsites or some person’s garage doesn’t count otherwise. however deviant, it’s all a game no way to justify except that I love to roam around at night to places I shouldn’t have been muni yards and tunnels drunk retarded going over labored pieces as a gag when the throwup emigrated west the uglier and the bigger was the better. I remember N Judah tunnel alone rolled on by a rival crew no coincidence they knew where to find me somebody sold me out got my teeth kicked in. I remember breaking my legs in chicago all these memories streaming from a hole in the back of my head yet will all come around again like karma’s scales vandalism charges trials fines testimonies . just like a freshly yellow painted wall will be drawn over by the next kid whos tired of sanctioned psycho cities. me I’m tired of beef and plebeian politics get me high shut up or fight I saw a scaffolding I want to check out and a billboard by the Nimitz Freeway. There’s the chance I won’t make it back so just in case – remember tell my family I love them my friends can have all my notebooks I have nothing else throw my body off a cliff to be eaten by wild animals.
    [Show full text]
  • 1 Zeta Tau Alpha's Kerri Bentley Crowned Miss
    FEATURES:Interview with the Producer: 'Nell' star Jodie Foster on her new role ...and on being in charge, Page 6 THE.I CHANTICLEER 1 Zeta Tau Alpha's Kerri Bentley crowned Miss JSU v By Patrick Rogers News writer Man arrested for stalking Heather, page 2 Beauty, poise, and talent were the order Peer Counselors named for of business Saturday night during the 13th Summer Orientation, page 2 annual Miss JSU Pageant, held at Leone Cole Auditorium. Nine young ladies competed in the pag- eant, sponsored by the Phi Mu Alpha James' speech Sinfonia fraternity. Of those nine, Kerri Bentley, a 19-year-old sophomore major- promises change ing in psychology, was chosen as Miss JSU. Bentley will go on to represent JSU in the Miss Alabama pageant later this More than 12,000 people were year. present Monday for the inauguration "I couldn't believe it. I was really of Governor Fob James, which took shocked," were the words of a stunned place on the steps of the capital building in Montgomery. Bentley after the competition, in which she In addition to the crowd, on hand won both the swimsuit and talent captions. for the ceremony were Miss America "[I'm] just very proud of her, as I always Heather Whitestone and former gov- have been," said Dwight Bentley, Kerri's ernors Jim Folsom, Guy Hunt, and father. "I think that I am so proud, mainly George Wallace. Whitestone en- because [Kem's platform is] something couraged James to let "God guide she really wants to pursue," added her [him] with all His wisdom." mother Marsha.
    [Show full text]
  • El Videoclip Como Paradigma De La Música Contemporánea, De 1970 a 2015
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN DEPARTAMENTO DE COMUNICACIÓN AUDIOVISUAL Y PUBLICIDAD I TESIS DOCTORAL El videoclip como paradigma de la música contemporánea, de 1970 a 2015 MEMORIA PARA OPTAR AL GRADO DE DOCTORA PRESENTADA POR Lara García Soto DIRECTOR Francisco Reyes Sánchez Madrid, 2017 © Lara García Soto, 2016 Universidad Complutense de Madrid Facultad de CC. de la Información Comunicación Audiovisual y Publicidad I El videoclip como paradigma de la música contemporánea, de 1970 a 2015 Tesis doctoral presentada por: Lara García Soto. Tesis doctoral dirigida por: Francisco Reyes Sánchez. Madrid, 2015 El ejemplo, la fuerza y el esfuerzo, mis padres. La paciencia y apoyo, Adrián. La música, baile y mi inspiración, Michael Jackson. Gracias. ÍNDICE 1. Introducción y Objeto de estudio……………………………………1 2. Objetivos……………………………………………………………….6 3. Metodología………………………………………............................10 4. Orígenes……………………………………………………………….13 4.1. Cine sonoro y experiencias artísticas………………………13 4.2. Cine Musical…………………………………………………..18 4.3. Soundies y Scopitones……………………………………….25 4.4. La llegada de las películas rock, grabaciones de conciertos. Décadas de los 50 y 60……………………………………………29 4.5. El videoarte……………………………….............................38 4.6. La televisión y los programas musicales………………......41 4.6.1. La MTV………………………………………………...........48 4.6.2. Programas musicales en España………………………...57 4.6.3. Los canales temáticos de música y videoclips………….65 5. Historia de la música y relación con los videoclips……………….68 5.1. Los años 70…………………………………………………..69 5.2. Los años 80…………………………………………………..76 5.2.1. La televisión y los videoclips. Desarrollo del rap…..80 5.2.2. El primer muro. El PMRC…………………………….86 5.2.3. Continúa la evolución: música, tecnología y moda..89 5.2.4.
    [Show full text]
  • Sweet Dreams Are Made of This: a Life in Music Free
    FREE SWEET DREAMS ARE MADE OF THIS: A LIFE IN MUSIC PDF Dave Stewart | 336 pages | 03 Mar 2016 | Penguin Books Ltd | 9780451477682 | English | London, United Kingdom The Sweet Life Gets Sweeter | GQ The song is the title track of their album of the same name and was released as the fourth and final single from the album in early Sweet Dreams are Made of This: A Life in Music song became their breakthrough hit, establishing the duo worldwide. It was the first single released by Eurythmics in the US. Following its success, their previous single, " Love Is a Stranger ", was re-released and also became a worldwide hit. Inthe song was remixed and reissued to promote Eurythmics' Greatest Hits album. It re-charted in the UK, reaching number 48, and was also a moderate hit in dance clubs. Another remix by Steve Angello was released in France inalong with the track " I've Got a Life " peaking at number Uploaded to YouTube inthe music video has amassed over million views. Annie Lennox and Dave Stewart wrote the song after the Tourists had broken up and they formed Eurythmics. Although the two of them also broke up as a couple, they continued to work together. They became interested in electronic music and bought new synthesizers to play around with. According to Stewart, he managed to produce the beat and riff of the song on one of their new synthesizers, and Lennox, on hearing it, said: "What the hell is that? According to Lennox, the lyrics reflected the unhappy time after the break up of the Tourists, when she felt that they were "in a dream world" and that whatever they were chasing was never going to happen.
    [Show full text]
  • Cranberries, Chili Peppers, Melons and Jam
    CRANBERRIES, CHILI PEPPERS, MELONS AND JAM SPATIAL ORIGINS OF ALTERNATIVE MUSIC ARTISTS, 1992-1997 By JACOB BESTERMAN Bachelor of Arts Valparaiso Uni versity Valparaiso, Indiana 1996 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE July, 1998 OKLAHOMA STATE UNIVERSITY CRANBERRIES, CHILI PEPPERS, MELONS AND JAM SPATIAL ORIGINS OF ALTERNATIVE MUSIC ARTISTS, 1992-1997 Thesis Approved: ;?h.F~r w. ~~-=--------~ __U)~·1BVJqJj"-1- _ Dean of the Graduate College 11 ACKNOWLEDGEMENTS I wish to express my sincere gratitude to my major advisor Dr. George O. Carney for his assistance and guidance. His ability to provide direction proved invaJuabl to th completion of this thesis. I would also like to thank my other committee member, Drs. Alyson Greiner and Stephen Tweedie, for their assistance and encouragement. In addition, I would like to thank Mike Larson for his cartographic expertise and aid in the production of the maps. In addition, I would like to give special thanks to the fans of alternative bands who responded to my e-mail inquiries. Without the information they provided the completion of this thesis would have been a much more arduous task. On a lighter note, I would like to acknowledge Dr. Jon Kilpinen for the brief' comment that served a the initial inspiration for undertaking this study. r would also like to thank all the friends and acquaintances who, upon hearing the subject matler of my the is, replied "That's cooooll" for the ego boost required to complete the project.
    [Show full text]
  • O Símbolo Do Diabo Na Música Heavy Metal: Uma Análise a Partir Do Disco Reign in Blood Do Slayer
    UNIVERSIDADE SALVADOR – UNIFACS DEPARTAMENTO DE CIÊNCIAS HUMANAS E DA SAÚDE CURSO DE PSICOLOGIA MATHEUS GANSOHR O SÍMBOLO DO DIABO NA MÚSICA HEAVY METAL: UMA ANÁLISE A PARTIR DO DISCO REIGN IN BLOOD DO SLAYER Salvador 2010 MATHEUS GANSOHR O SÍMBOLO DO DIABO NA MÚSICA HEAVY METAL: UMA ANÁLISE A PARTIR DO DISCO REIGN IN BLOOD DO SLAYER Projeto apresentado ao Curso de graduação em Psicologia, Universidade Salvador – UNIFACS, como requisito parcial para obtenção do grau em Bacharel em Psicologia. Orientadora: Profa. Leonor Guimarães Salvador 2010 FICHA CATALOGRÁFICA (Ficha catalográfica elaborada por Simone Velame da Silva Rios CRB -5 /1405) G199 Ganshor, Matheus. O símbolo do diabo na música heavy metal: uma analise a partir do disco Reign in Blood do Slayer / Matheus Ganshor. - 2010. 46 f.: il.; 27 cm. Monografia (graduação) - Universidade Salvador – UNIFACS. Bacharel em psicologia, 2010. Orientador: Leonor Guimarães 1. Cristianismo. 2. Design. 3. Música. 4. Teoria Junguiana. I. Guimarães, Leonor, orient. II. Título. CDD:150.1954 RESUMO Este trabalho é uma tentativa de compreender o simbolismo diabólico apresentado na capa do disco Reign In Blood, peça-chave na discografia do Slayer, conjunto norte- americano de thrash metal. Utilizando-se como referencial teórico a Psicologia Analítica, busca-se entender a possível influência dos arquétipos da sombra e da anima, ligadas ao Diabo, nas vivências dos headbangers, tribo urbana constituída por fãs de heavy metal. Para tantol, averigua-se primeiro o papel do Diabo no monoteísmo judaico- cristão. O passo seguinte é a investigação da associação simbólica de Satã com bode, oriunda da vilificação de deuses pagãos. Será também examinada a gestualidade da figura central da capa e o conteúdo das letras na sua conexão com personalidades notórias do nazismo, como Adolf Hitler e Joseph Mengele.
    [Show full text]