DOCSLIB.ORG

Wavelength Midlo Center for New Orleans Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 7-1986 Wavelength (July 1986) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (July 1986) 69 https://scholarworks.uno.edu/wavelength/60 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. 1685 C0550 EARL K. LONG LIBRARY ACQUISITIONS DEPARTMENT UNIVERSITY OF NEW ORLEANS NEW ORLEANS LA 70148 . rRINCC CUnder the - (~CRRY mooN THE FANTASY BEGINS JULY 2 "I'm not sun, but I'm almost positive, tluzt all music ~· came from New Orltans." '· -Ernie K-Doe, 1979 Features Playing in the Band ............17 New Orleans Bands ...........19 Jim Russell ....................22 Cinemox Dream Taping ....... 24 Departments July News ........... ........ 4 Cabaret ....................... 8 The Law ......................10 Reviews .................... 12 July Listings ...................26 Classified .................. ...29 Last Page ....................30 JHmlberof ~k Plobllshtr. Nau""n S S..'"' Editor. C<>nnoc Zeanah Alk<n«>n. Assorloto FAIItor. Gene S..·aramuun. Art Oindor. TIK'"""' Dnlan Ad>Ortlslna. lilo7abcch F<>nlau~e. E•letn Semcncelli. Ty~nplty. DevluVWcnrcr A'~·.nciate' Contributors, Steve Amll>nl,ccr.lvan Bndk:y. Sc Gc<>fl'C Bryan. BnbCacal••••· R>Ck Culcll\dn, Cioiml Gmady. G1n;~ GI.K.x:- tonc. N;c~ Mannclk>. Bunny Matthew.... Mclnc.ly Manco. Rtck. Oh\·ter. Hammond Scott, Durrc Scrccc. Dc"'CY Wcht> Wm ·t'h·nxth i' puhh,hctJ monthly 1n New ()rlc--..an .... Telephone C~04} M~~-2:\42. Matl \Uh\~o:nplinn,, adllrc" c hanl!C' In Wmrlr11~1h . P 0 8<1< 15M7. New Orlean•. LA 70175. Sul>­ ":nptM,n ruh: $12 per )'CJr c,urfac:c). FtN c~ ...,~ \Uf>..cnp«tnn' S2H per ycJr Cdtunc,hc and Cm~a). AO atrmJil rule at $40 per yeo~r hlvCr.ca,). TIM! enure l'nnh:nl' of Wm't'lt'IIRih arc ct'(lyri~hlcd l'HYX6 Wm·-·lt'IIKflt< BA~ '"uc' .,R:' a";ul;~blc by "'nlin~ In Back I""'''· P 0 B<" 1~7. New Orlean,. LA 70175 11«7lu.c uf • flmiiC.J 'Up('IJy. ~l " '0C'- Oln: Ol~atl01bk rt)f' $4 Ca«;h ptea.'-C' aJkJW .. rev.. v.a:L' ft)f' rn)L'C"'"~ .and dch\eryofordc" "iew Su~nb-­ R£CORO RoN'S c": PkOL.....: "'"'~ upUhr~ v.'"·d,, ft,..n.-ctapct-.fftN "wed~louur • 'mall. lkllrH.:umruh.:rucJ 'u~npfi\Kt "'--po~nmcn1 SPECTACUlAR MIJSJC &\R6AINS m HEAT VP l'M SVAU.¢R hlfl:t~n c.:u,wmc" rt\ol)' pay b) I M 0 . orchel.:k dro~v..n un .J U.S. boanl . lk'\:JU'< ,,1 c-.urbu.anl holnL pl"ll::C'""~ ch~e,. "'e cann..e: 1129 PEl.ltfVR sr., ~ Oit!E~$,1.Jd'O+. -52+. 9-M4 ••:'-'Cpl c:h.."\.l' an ("'an.-Jaan ~l.a" ur t.e:hcr ft,.-c,~n currcnt:y. «tr dlt.-..:L' dr.a~n un a ft«tt:n h.nl OPfH l D~YS 1'Wt ·lP-'1 •MAjOR ~DI-r e.ARDS AdfPt'fD Suh"'·nbc" mu... r n(llaf) u, ammcdtoaldy of any cho.n~e tlf ikkJrc,'i. If ,..,.lltc.::.IM.'n I' nut r'CI.CI\Cd. m.I~VIf'IC' \CRI IU lnt:Ufr«l ad· On:, .......,. .,.,.,11 lk,. h.: n:pla..·cJ U.S c;u ... t,wn..:r. mu" mdude 11p t.:u&: DIAL SUBSCRIPTION DIRECT to your V'ISI or Mastercard 504.895.2342 on~ $12 per year! JULY · Wft'elea.... 3 have time to wait for some of the kids to become focused. 'Kruse-ing' So, the bad news is still true: Ellis is leaving the city. But the "We want to race our Porsches Ellis Marsalb good news is that it's not forever: to the beach and be able to throw both Ellis and Delores Marsalis Rolexes at each other in a nice On Sabbatical were born here, have ties that can hotel room," laughed Dino Kruse. never be severed, and they'll be Kruse, one of the Dino Kruse Don't panic: contrary to a head­ coming home. Band, says the goal of his band is line article in a local newspaper, On other aspects of the clan, to make good music while making a New Orleans' jazz patriarch Ellis brother Delfeayo mentioned Bran­ good living. Other members of the Marsalis is not abandoning the city. ford's new classical LP, Romances band are: Brain Cayolle on sax, Marsalis is going to the Virginia for the Soprano Saxophone, on Michael de La Cerda on bass, Commonwealth in Richmond, Vir­ Columbia Records. In an interview Michael Barras on drums and Sher­ ginia, as artist-in-residence for a on the Today show, Branford was man Bernard on keyboards. The year or so. The rumors that he is relaxed and funny as he discussed band describes its music as "Amer­ leaving N.O.C.C.A. for a better Sting, fame, and how his classical ican Rock, no frills rock · n' roll." salary are unfounded. According to record came about. The record in­ A personal goal of the tall, slen­ his wife, Delores, Ellis is taking cludes Debussy's "Isle of Joy," but der, black leather-clad Kruse was to this sabbatical because he feels he according to Delfeayo, Branford is sign a publishing contract with a has what it takes to pass on what not completely happy with playing major company before he was 30 he's learned and develop young on top of Michel Colombier's years of age. He has achieved that rhythm sections in Richmond. orchestral arrangements. The ver­ goal at the age of 29. Kruse and his Actually, lately he has been a lit­ satile saxaphonist is also working band have signed a contract with tle disappointed at N.O.C.C.A., on an acoustic jazz album, which ACUFF-ROSE, a European com­ finding that some of the kids are should be released in September pany and are on their way to not committed to studying the mus­ with Delfeayo producing. The proj­ London. ic - rather, they want to become ect includes AI Foster, Ron Carter, " We got offers from three major American companies but turned them down because of the way the contracts were worded," Kruse ex­ plained. " But we stuck it out be­ cause we figure we would finally find the right offer. They [the off­ ers] were an indication that we were on to something," he added. Members of the band met when Kruse was a disc jockey at a Metairie nightclub. "Everyone sort of hung out there and pretty soon we all just got together and formed the band," Kruse said. " We have been together for about six or seven years now and we have all paid our dues by playing crummy places and sharing one hotel room," he added. All of the band members have quit their other steady jobs in order to pursue their music interests in the band. "We decided to just have the band as our jobs because we all wanted to hang around the band un­ til it became profitable," Kruse said. Kruse has done voice-overs and instant superstars like their teacher's Larry Willis, Jeff Watts, Marvin appeared in many movies such as sons. But, Mrs. Marsalis points out, 'Smitty' Smith, Charnel Moffett, Quiet Sunday and Cat People. He "you can't talk negatively about the Ira Coleman, and Kenny Kirkland. even performed many of the stunts children of New Orleans," con­ Branford will also be going on a in Cat People. "You know, I've sidering what they can accomplish summer tour of Asia with Carter, done all the frustrated artist stuff," despite all the hurdles they have to Foster, and Herbie Hancock. he said. De La Cerda, the bass overcome. "Don't get me wrong Wynton Marsalis has just finished player, used to be a computer oper­ N.O.C.C.A. has nurtured our chil­ two albums with his new band: Bob ator and Barras, the drummer, used dren," she said, "and we love [di­ Hurst (bass), Jeff "Tain" Watts to manage a Shell station. Brain rector] Shirley Trusty Corey." It's (drums), and Marcus Roberts Cayolle, the sax player who has just that, "at this point, jazz in (piano), the same rhythm section only been with the band for a little New Orleans, and really in the that blew away their Snug Harbor over a year, has held jobs ranging whole country, is taking a back audiences a few months ago. J from an auto mechanic to a pro­ seat; it'll come around again in two, Mood should come out in Septem­ fessional blues player. three years." In his first seven ber, but the reel of standards prob­ When not playing a guitar or years at the school, Ellis was ably won't be released until '87. singing, Kruse deals in guitars. spoiled with a "great crop" of stu­ Delfeayo himself has one more "Ever since I was 15 years old, I dents, many of whom became pro­ year left at Berkley, and though have been a vintage guitar dealer. fessionals - including Stanley drummer Jason is not recording yet, That is how I got to meet everyone Stevens, Chris Severin, Julian Gar­ they're all pretty proud of this little in the music business. Whenever cia, and the Jazz Couriers. But at brother, too. anyone wanted a vintage guitar, this time, because he's at the mid­ they came to see me," he said.
Recommended publications
  • Neil Foster Spiritualises Carole Lateman Lets Us Into Her Life John

    Neil Foster Spiritualises Carole Lateman Lets Us Into Her Life John

    October 2014 October 81 ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Cosimo Matassa & Senator Jones, Sea Saint Studios, New Orleans, 04-05-79 © Paul Harris Dominique, our man in la belle France, wishes to write an extensive biography of Cosimo to be published in future issues so here is Paul’s picture to confirm we aren’t ignoring Cosimo’s passing. Neil Foster spiritualises Carole Lateman lets us into her life John Howard rocks it up in Las Vegas Keith gets to know more about Iain Terry Soul Kitchen, Jazz Junction, Blues Rambling And more... 1 The recent piece by Tony Papard has spurred me to write a little about the paranormal and the arguments both for and against it. First, an experience (concerning a communication from the dead) that my mother had. She once told me that she often used to wake up in the middle of the night to see her late father standing by the bed, not as a vague shape, but as real-looking as if he were still alive. I asked her if she was frightened by the apparition and she replied, “Well, I didn't like it but I knew he wasn't real, so I pulled the clothes over my head and went back to sleep.” So, did she really see her dead father standing by the bed or...? Obviously, she could never “prove” that it happened as she described and no one else could prove that it didn't. However, there is a way around this logical impasse.
  • The Reluctant Famulus 105 the Reluctant Famulus 105 May/June2015 Thomas D

    The Reluctant Famulus 105 the Reluctant Famulus 105 May/June2015 Thomas D

    The Reluctant Famulus 105 The Reluctant Famulus 105 May/June2015 Thomas D. Sadler, Editor/Publisher, etc. 305 Gill Branch Road, Owenton, KY 40359 Phone: 502-484-3766 E-mail: [email protected] Contents Introduction, Editor 1 Rat Stew, Gene Stewart 4 Alternate History, Alfred D. Byrd 12 Brian Lewis, Eric Barraclough 18 The Crotchety Critic, Michaele Jordan 24 A Book Review, John Purcell 27 NewAncient Earthlings, Gayle Perry 30 Degeneration Gap, Walt Wentz 40 Letters of Comment 42 Artwork/Photos A. B. Kynock Front & Back covers, 44, 48, 52 Brad Foster 17, 29, 31, 53 Brian Lewis 18 through 23 Spore & Toetoe Hodges 26, 30, 34 Gene Stewart 7, 8, 20 Internet 26,27, 41 top Unknown 23, upper right photo of Brian Lewis The Reluctant Famulus is a product of Strange Dwarf Publications. Many of the comments expressed herein are solely those of the Editor/Publisher and do not necessarily reflect the thoughts of any sane, rational persons who know what they are doing and have carefully thought out beforehand what they wanted to say. Material not written or produced by the Editor/Publisher is printed by permission of the various writers and artists and is copyright by them and remains their sole property and reverts to them after publication. TRF maybe obtained for The Usual but especially in return for written material and artwork, postage costs, The Meaning of Life, and Editorial Whim. The Reluctant Famulus Introduction: Past, Present and Outer Space Preface: It seems that Ms. Andronicos recently Regarding this current issue: I realize no wrote a play, To Tread Among Serpents, one will believe me but I spell-checked the which won Jacksonville State University’s entire contents, including this preface (and Southern Playwrights Competition in 2014.
  • Neil Foster Carries on Hating Keith Listens To

    Neil Foster Carries on Hating Keith Listens To

    April 2017 April 96 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Chuck Berry, Capital Radio Jazzfest, Alexandra Palace, London, 21-07-79, © Paul Harris Neil Foster carries on hating Keith listens to John Broven The Frogman's Surprise Birthday Party We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 An unidentified man spotted by Bill Haynes stuffing a pie into his face outside Wilton’s Music Hall mumbles: “ HOLD THE THIRD PAGE! ” Hi Gang, Trust you are all well and as fluffy as little bunnies for our spring edition of Tales From The Woods Magazine. WOW, what a night!! I'm talking about Sunday 19th March at Soho's Spice Of Life venue. Charlie Gracie and the TFTW Band put on a show to remember, Yes, another triumph for us, just take a look at the photo of Charlie on stage at the Spice, you can see he was having a ball, enjoying the appreciation of the audience as much as they were enjoying him. You can read a review elsewhere within these pages, so I won’t labour the point here, except to offer gratitude to Charlie and the Tales From The Woods Band for making the evening so special, in no small part made possible by David the excellent sound engineer whom we request by name for our shows. As many of you have experienced at Rock’n’Roll shows, many a potentially brilliant set has been ruined by poor © Paul Harris sound, or literally having little idea how to sound up a vintage Rock’n’Roll gig.
  • Enrolling in Medicare Part a and Part B

    Enrolling in Medicare Part a and Part B

    CENTERS for MEDICARE & MEDICAID SERVICES Enrolling in Medicare Part A & Part B The information in this booklet describes the Medicare Program at the time this booklet was printed. Changes may occur after printing. Visit edicare.govM or call 1-800-MEDICARE (1-800-633-4227) to get the most current information. TTY users can call 1-877-486-2048. “Enrolling in Medicare Part A & Part B” isn’t a legal document. Official Medicare Program legal guidance is contained in the relevant statutes, regulations, and rulings. 3 Contents 5 Section 1—The Medicare Program 5 What’s Medicare? 5 Medicare has different parts 5 Medicare Part A (Hospital Insurance) 6 Medicare Part B (Medical Insurance) 9 Can I get Part B if I don’t have Part A? 9 How do I know if I have Part A or Part B? 10 Medicare Part C (also known as Medicare Advantage) 10 Medicare Part D (prescription drug coverage) 10 For more information 11 Section 2—Part A & Part B Enrollment 11 When can I sign up? 13 Getting Part A and Part B automatically 17 Signing up for Part A and Part B 19 Turning 65 and you or your spouse is still working 21 Medicare and End-Stage Renal Disease (ESRD) 24 Retiree coverage 24 Can I still get Medicare at 65? 26 Veterans’ benefits 26 I have Health Insurance Marketplace coverage 27 I have coverage through a health savings account (HSA) 28 Living outside the U. S. 29 Section 3—For More Information 29 Where to get more information 29 Medicare publications 31 Section 4—Definitions 4 5 Section 1—The Medicare Program What’s Medicare? Medicare is health insurance for: ■ People 65 or older ■ Under 65 with certain disabilities ■ People of any age with End-Stage Renal Disease (ESRD) (permanent kidney failure requiring dialysis or a kidney transplant) Medicare has different parts Medicare Part A (Hospital Insurance) Words in Part A helps cover your inpatient care in hospitals.
  • Still Ripping and Rocking

    Still Ripping and Rocking

    Dash Rip Rock Dec. 20 STILL RIPPING AND ROCKING Mud and Water 9:30 p.m. With the release of their 17th Album, Dash Rip Rock keeps it interesting dashriprock.net ash Rip Rock has been rocking out for nearly three de- With Dash Rip Rock’s 17th album, Black Liquor, released in D cades and continues to produce new material for fans. November, the band showcases its local roots. The band’s new album, Black Liquor, was released last month “This new record brings us back to what we originally on San Francisco’s Alternative Tentacles Records, and has started as. It has a little bit of everything,” Davis said. “This new been praised as one of Dash Rip Rock’s best works yet. one is sort of getting back to square one. It’s full circle.” Bill “Diamond” Davis is Dash Rip Rock’s founder, front- The band worked with one of its biggest fans on its new man, guitarist, singer and main songwriter. album: respected Louisiana producer Ben Mumphrey, who As a DJ at KLSU while he attended LSU, Davis fell in love used to play Dash Rip Rock songs on his guitar when he was with roots rock and rockabilly – a mix of old country and roots 12 years old. rock. This sub-culture inspired Davis to form his own local ver- “I was really blown away at how great they still sounded,” sion of roots rock’s greats. Mumphrey said about seeing the band play in New Orleans The product, Dash Rip Rock, was born in the summer in 2006.
  • 4R's for Fighting Medicare Fraud

    4R's for Fighting Medicare Fraud

    Record s Review R 4 for Fighting Medicare Fraud Report You're the first line of defense against Medicare fraud Remember and abuse. CENTERS FOR MEDICARE & MEDICAID SER VICES CMS Product No. 11610 Revised December 2020 Follow the "4 Rs" to protect your loved ones, yourself, and Medicare from fraud: 1. Record 3. Report • Record the dates of your doctor appointments on a calendar. Note the • Report suspected Medicare fraud by calling 1-800-MEDICARE. tests and services you get, and save the receipts and statements from Have your Medicare card or Number and the claim or MSN ready. your providers. If you need help recording the dates and services, ask a • You can also report fraud to the Office of the Inspector General by visiting friend or family member. tips.oig.hhs.gov or by calling 1-800-HHS-TIPS (1-800-447-8477). TTY • Contact your local Senior Medicare Patrol (SMP) program to get a free users can call 1-800-377-4950. Personal Health Care Journal. Use the SMP locator at smpresource.org • If you identify errors or suspect fraud, the SMP program can also help you or call 1-877-808-2468 to find the SMP program in your area. make a report to Medicare. 2. Review 4. Remember • Compare the dates and services on your calendar with the statements • Protect your Medicare Number. Don’t give it out, except to people you know you get from Medicare or your Medicare plan to make sure you got each should have it, like your doctor or other health care provider.
  • PDF (1.47 Mib)

    PDF (1.47 Mib)

    Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ Ｍ Ｍ Ｍ Ｍ Ｍ Ｍ ｾ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at.
  • Fats Domino Goin' Home

    Fats Domino Goin' Home

    “Goin’ Home” We’ll Miss You, Fats “Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans.” - FATS DOMINO “As far as I know, the music makes people happy. I know it makes me happy.” - FATS DOMINO “Let's face it, I can't sing like Fats Domino can. I know that.” - ELVIS PRESLEY “Well, I wouldn't want to say that I started it (rock „n‟ roll), but I don't remember anyone else before me playing that kind of stuff.” - FATS DOMINO “Even if Fats didn‟t actually invent rock „n‟ roll, he was certainly responsible for accidentally inventing ska, and thus reggae … Antoine „Fats‟ Domino was definitely a great innovator, and richly deserves a much fatter entry in the history books.” – OWEN ADAMS On Tuesday, 3:30 a.m., October 24, 2017, New Orleans and the world lost a pioneering titan of rock „n‟ roll, “Fats” Domino. The popular pianist and singer-songwriter of the Lower 9th Ward was 89. During his career, this influential, yet humble performer sold more than 65 million records and had over 35 hits in the U.S. Billboard Top 40, including “Ain‟t That a Shame,” “Blueberry Hill” and “Blue Monday”. With producer and arranger Dave Bartholomew, “Fats” helped put his hometown on the rock „n‟ roll map. This shy lifelong New Orleanian influenced numerous artists including Paul McCartney and Randy Newman, who once confessed, “I was so influenced by Fats Domino that it‟s still hard for me to write a song that‟s not a New Orleans shuffle.” Domino‟s distinctive barreling triplet-based piano style, backed by a solid backbeat, was something exceptional, a step above traditional rhythm and blues.
  • Leon Bridges Black Moth Super Rainbow Melvins

    Leon Bridges Black Moth Super Rainbow Melvins

    POST MALONE ELEANOR FRIEDBERGER LORD HURON MELVINS LEON BRIDGES BEERBONGS & BENTLEYS REBOUND VIDE NOIR PINKUS ABORTION TECHNICIAN GOOD THING REPUBLIC FRENCHKISS RECORDS REPUBLIC IPECAC RECORDINGS COLUMBIA The world changes so fast that I can barely remember In contrast to her lauded 2016 album New View, Vide Noir was written and recorded over a two Featuring both ongoing Melvins’ bass player Steven Good Thing is the highly-anticipated (to put it lightly) life pre-Malone… But here we are – in the Future!!! – and which she arranged and recorded with her touring years span at Lord Huron’s Los Angeles studio and McDonald (Redd Kross, OFF!) and Butthole Surfers’, follow-up to Grammy nominated R&B singer/composer Post Malone is one of world’s unlikeliest hit-makers. band, Rebound was recorded mostly by Friedberger informal clubhouse, Whispering Pines, and was and occasional Melvins’, bottom ender Jeff Pinkus on Leon Bridges’ breakout 2015 debut Coming Home. Beerbongs & Bentleys is not only the raggedy-ass with assistance from producer Clemens Knieper. The mixed by Dave Fridmann (The Flaming Lips/MGMT). bass, Pinkus Abortion Technician is another notable Good Thing Leon’s takes music in a more modern Texas rapper’s newest album, but “a whole project… resulting collection is an entirely new sound for Eleanor, Singer, songwriter and producer Ben Schneider found tweak in the prolific band’s incredible discography. direction while retaining his renowned style. “I loved also a lifestyle” which, according to a recent Rolling exchanging live instrumentation for programmed drums, inspiration wandering restlessly through his adopted “We’ve never had two bass players,” says guitarist / my experience with Coming Home,” says Bridges.
  • [Japan] SALA GIOCHI ARCADE 1000 Miglia

    [Japan] SALA GIOCHI ARCADE 1000 Miglia

    SCHEDA NEW PLATINUM PI4 EDITION La seguente lista elenca la maggior parte dei titoli emulati dalla scheda NEW PLATINUM Pi4 (20.000). - I giochi per computer (Amiga, Commodore, Pc, etc) richiedono una tastiera per computer e talvolta un mouse USB da collegare alla console (in quanto tali sistemi funzionavano con mouse e tastiera). - I giochi che richiedono spinner (es. Arkanoid), volanti (giochi di corse), pistole (es. Duck Hunt) potrebbero non essere controllabili con joystick, ma richiedono periferiche ad hoc, al momento non configurabili. - I giochi che richiedono controller analogici (Playstation, Nintendo 64, etc etc) potrebbero non essere controllabili con plance a levetta singola, ma richiedono, appunto, un joypad con analogici (venduto separatamente). - Questo elenco è relativo alla scheda NEW PLATINUM EDITION basata su Raspberry Pi4. - Gli emulatori di sistemi 3D (Playstation, Nintendo64, Dreamcast) e PC (Amiga, Commodore) sono presenti SOLO nella NEW PLATINUM Pi4 e non sulle versioni Pi3 Plus e Gold. - Gli emulatori Atomiswave, Sega Naomi (Virtua Tennis, Virtua Striker, etc.) sono presenti SOLO nelle schede Pi4. - La versione PLUS Pi3B+ emula solo 550 titoli ARCADE, generati casualmente al momento dell'acquisto e non modificabile. Ultimo aggiornamento 2 Settembre 2020 NOME GIOCO EMULATORE 005 SALA GIOCHI ARCADE 1 On 1 Government [Japan] SALA GIOCHI ARCADE 1000 Miglia: Great 1000 Miles Rally SALA GIOCHI ARCADE 10-Yard Fight SALA GIOCHI ARCADE 18 Holes Pro Golf SALA GIOCHI ARCADE 1941: Counter Attack SALA GIOCHI ARCADE 1942 SALA GIOCHI ARCADE 1943 Kai: Midway Kaisen SALA GIOCHI ARCADE 1943: The Battle of Midway [Europe] SALA GIOCHI ARCADE 1944 : The Loop Master [USA] SALA GIOCHI ARCADE 1945k III SALA GIOCHI ARCADE 19XX : The War Against Destiny [USA] SALA GIOCHI ARCADE 2 On 2 Open Ice Challenge SALA GIOCHI ARCADE 4-D Warriors SALA GIOCHI ARCADE 64th.
  • Fats Domino, Early Rock 'N' Roller with a Boogie-Woogie Piano, Is Dead at 89

    Fats Domino, Early Rock 'N' Roller with a Boogie-Woogie Piano, Is Dead at 89

    Fats Domino, Early Rock ’n’ Roller With a Boogie-Woogie Piano, Is Dead at 89 https://www.nytimes.com/2017/10/25/obituaries/fats-domino-89-one-of-rock-n-rolls-first-stars-is-dead.html October 25, 2017 By JON PARELES and WILLIAM GRIMES Fats Domino in 1967. Fats Domino, the New Orleans rhythm-and-blues singer whose two-fisted boogie-woogie piano and nonchalant vocals, heard on dozens of hits, made him one of the biggest stars of the early rock ’n’ roll era, died on Tuesday at his home in Harvey, La., across the Mississippi River from New Orleans. He was 89. His death was confirmed by the Jefferson Parish coroner’s office. Mr. Domino had more than three dozen Top 40 pop hits through the 1950s and early ’60s, among them “Blueberry Hill,” “Ain’t It a Shame” (also known as “Ain’t That a Shame,” which is the actual lyric), “I’m Walkin’,” “Blue !1 Monday” and “Walkin’ to New Orleans.” Throughout he displayed both the buoyant spirit of New Orleans, his hometown, and a droll resilience that reached listeners worldwide. He sold 65 million singles in those years, with 23 gold records, making him second only to Elvis Presley as a commercial force. Presley acknowledged Mr. Domino as a predecessor. “A lot of people seem to think I started this business,” Presley told Jet magazine in 1957. “But rock ’n’ roll was here a long time before I came along. Nobody can sing that music like colored people. Let’s face it: I can’t sing it like Fats Domino can.
  • Changemakers: Biographies of African Americans in San Francisco Who Made a Difference

    Changemakers: Biographies of African Americans in San Francisco Who Made a Difference

    The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Leo T. McCarthy Center for Public Service and McCarthy Center Student Scholarship the Common Good 2020 Changemakers: Biographies of African Americans in San Francisco Who Made a Difference David Donahue Follow this and additional works at: https://repository.usfca.edu/mccarthy_stu Part of the History Commons CHANGEMAKERS AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE Biographies inspired by San Francisco’s Ella Hill Hutch Community Center murals researched, written, and edited by the University of San Francisco’s Martín-Baró Scholars and Esther Madríz Diversity Scholars CHANGEMAKERS: AFRICAN AMERICANS IN SAN FRANCISCO WHO MADE A DIFFERENCE © 2020 First edition, second printing University of San Francisco 2130 Fulton Street San Francisco, CA 94117 Published with the generous support of the Walter and Elise Haas Fund, Engage San Francisco, The Leo T. McCarthy Center for Public Service and the Common Good, The University of San Francisco College of Arts and Sciences, University of San Francisco Student Housing and Residential Education The front cover features a 1992 portrait of Ella Hill Hutch, painted by Eugene E. White The Inspiration Murals were painted in 1999 by Josef Norris, curated by Leonard ‘Lefty’ Gordon and Wendy Nelder, and supported by the San Francisco Arts Commission and the Mayor’s Offi ce Neighborhood Beautifi cation Project Grateful acknowledgment is made to the many contributors who made this book possible. Please see the back pages for more acknowledgments. The opinions expressed herein represent the voices of students at the University of San Francisco and do not necessarily refl ect the opinions of the University or our sponsors.