DOCSLIB.ORG

120 G's up Spout in Fees and Fines

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
120 G's up Spout in Fees and Fines CONCORDIA UNIVERSITY Volume 2, number 1 September 9, 1975 THE CREDIT SQUEEZE Plus= 120 G's Up Spout Minus ON CAMPUS: Benson & Hedges, the health hazard In Fees and Fines people, sent two lovelies to Concordia treasurers seduce Loyola with ·their . revealed that the univer­ charms and their wares. sity loses $120,000 a year in Jennifer Honan , 20 left, unpaid fees and fines. E and Diane Cody, 28, offer­ "That seems like a lot", ed free samples of the said Sir George assistant latest cancer stick, Plus for treasurer Fred Sauer, more than an hour. B & H whose campus accounts for sales manager Yvonne $100,000 of the loss. "But Blanchet said: "It's part of it's nothing compared to $20,000 promotion JUld it's the annual losses in the going very well." But business community." Gladys Lennox, head of "We have a liberal poli­ Concordia health educa-· cy. We don't blacklist stu­ tion, disagrees: "It's stupid dents or throw them out to let people push cigaret­ because they haven't been tes on campus when we're able to make payments," always talking about stop­ Sauer said. ping smoking. The ethics The $100,000 loss is of the company are highly drawn from an annual $7 Will That Be questionable." million in fees, he said. I Loyola's assistant treasur­ er Al Lee said his campus Cash Or suffered a $20,000 loss drawn from fee revenues t ~--Speak Up! of $4 million a year. Sir George warned that Chargex? long-standing overdue ac- Sir George's experiment with credit cards _for Psst! Wanna get your mittee would like to see in­ ' counts will be handed over sub-committee _ on each payment of tuition has been abandoned by the favourite speaker to Con­ dividuals and groups try to campus. to one of two collection treasurer's office after only one year. cordia? come up with some cash on agencies the university re­ Sheldon, who's secret­ "It was just t<>? expensive," said assistant Executive Assistant to their own before approach­ ary-convenor of the com­ tains-Allied Collection treasurer Fred Sauer. "The university had to pay a the Rector Michael Sheldon ing the committee. Agency and Financial Col­ mittee, says he'll answer service charge each time the cards were used. isn't talking money, but he Assist, not carry the full any questions at 879-2863. lection Agency. Chargex and Ma:::ter Charge charged three percent says if groups or individu­ administrative load, is Campus sub-committee Loyola campus engages and American Express wanted six percent." als want to try to bring a what Sheldon's talking a­ no collection agencies; it chairmen are: Mark Ger­ "The cards weren't attracting any new business visiting speaker in, it might bout. It's your job, Sheldon vais (though he's so uses its own treasurer's to the university and they weren't saving us any be worth hitting the Con­ says, to get the room book­ crushed with work he may office instead. money because all the card-holders were good cordia University Commit­ ed, meet the plane, make give up the post) and he Sir George refers an ac­ financial risks, anyway. They were just supposed to tee on Visiting Lecturers sure your visiting star chairs the Loyola end of count to the bill collectors be a convenience for the students." for some cash. doesn't starve while he's at things at BR-415; Martin only if it has remained Another reason for dropping the credit service Concordia, and so on. Singer chairs the Sir unpaid for 18 months or was that the Loyola campus would have nothing to The committee exists "to The lecturers' committee George sub-committee at more, though regular in­ do with the scheme. finance, support and assist is officially a committee of H-1006. Two student reps voices are mailed to the "We never had them and I hope we never do," groups who want to bring the Rector and has repres­ who'll be listening for ideas tardy students starting in said Al Lee, Sauer's West End counterpart. in speakers," says Sheldon. entation on it from faculty are David Stagg of the DSA November if they fail to After choosing from math, physics, history, Assist is perhaps the oper­ and students of both camp­ at H-333 (Sir George) and pay at fall registration. poly-sci or soc, isn't it nice to know the last choice ative word, according to uses. The committee num­ Colleen Hillock of the LSA The treasurer's office is has a_lready been made for you? Sheldon, because the com- bers over 20. There is a at CH-1. TURN TO PAGE 2 Concordia Bags 3rd Spot In Contest Solar-powered water heaters for the home could Michel Champagne and Davy Lee - working be just around the corner, thanks to a new under mechanical engineering professors in two I prize-winning device from engineering students at courses: Hugh McQu_een (social aspects of Concordia University. engineering) and Sui Lin {design). At the recent 1975 Student Competition on It can heat 55 gallons of water to a temperature of Relevant Engineering, the Concordia solar collector 155 degrees fahrenheit, and is designed for easy walked off with enough awards to put a warm glow installation on the roof of a single-family home. The on a lot of cheeks: first place in efficiency (for a 61 % solar collector provides enough hot water for all record), first place in system output (for the best summer needs (making it ideal for summer cot­ solar energy performance), third place in innovation, tages), but just pre-heating support for winter, and third place in the overall competition. This when the old electric water tank will still be needed. year's SCORE sweepstakes, held last month in The unit now costs $1,160 installed. At today's Albuquerque, New Mexico, called for energy prices it saves the average family around $50 on the resource alternatives; it drew entries from over 65 annual electricity bill, a figure that will grow as universities across the U.S., Canada and the U.K. existing energy costs continue to increase. The solar-powered water heater is the brainchild "If people in Canada were to outfit their homes of five students - Paul Kiang, Eddie Lo, Don Brown, with this, the saving of energy would be consi­ derable," says Prof. McQueen. He'll put his money Students Paul Kiang, Eddie Lo and Prof. Sui Lin bask in where his mouth is by putting the first one up on the the glory of their prize winning sol.ar energizer atop the roof of his N.D.G. house soon. Hall Building. -NEWS-----Cente-rdir-ector-and -in - 111--,--l-:-:t\\l\l\l 'sQ\\llllp > Genter Rousts Rowdl·es charge of the new campus . ;i:teits::?e~=~v~~e~~:~ • Fund F:ails Three years ago Loyola's ded to the library. Campus Center was Punch­ But for the moment the _ - The dean of students' • the· early sixties with a Out Central - not the Fun "We set up one of our so it would never be on a students will patrol heavy emergency loan fund is own," he sai!i. "We got one-to-one basis. Any more donation from the National House people wanted. "It drinking events and when empty and closed _ and Council of Jewish Women got so bad chicks weren't them picking up glasses trouble and several of on duty will receive t,,e has not been reopened. from tables as a way of them would move in and - will regain its solvency? coming anymore," said minimum wage. Judy Stymest, in charge "We're trying every­ assistant director David patrolling the place incon­ ask him to leave-no nego­ The new Safety Service of the fund, said it is now spicuously. If a guy started tiations, no arguments." thing we can think of," said Crandall. reports to a committee $6,000 in arrears from Stymest. "The fund has raising hell, one of the Results were magic: But all that stopped a made up of Devenne, Su- unrepaid loans of last year. always depended on dona­ couple of years ago when security students would '"l'he chicks started coming san Lavinskas, LSA vice It will be $9,000 in the tell him to cool it. Next back and the place was tions for its existence since they started the Campus president, Peter Brown, red in a few weeks when it is not an item in the time he started up another . iueat." Center Security Service. residence director and Leo ' 'th~ Bank ~ot: Montreal - university budget. There is It's the service which student would warn him, Doug Devenne, Campus Carroll, campus security ' through whicb the fund ,a J;)O~sibility the Uni~ersi~y this year emerges as a chief. operates - transfers to the Council on Student Life will campus-side organisation Chief Carroll, the fam- debit slate the remainder of transfer a $10,000 donation called the Loyola Students' *-------, ous Capt. Carroll who ran last year's outstanding to fund. I've just written a Safety Service. Appointments Montreal's Station 10, was loans. letter to David Charlton, "The idea is to keep enthusiastic. In years past, the bank the UCSL president, ask­ things cool on big drinking James Whitelaw, Acting Academic Vice-Rector, "It's much better having has made $3 available for ing him to consider this. nights on campus," said recently announced these appointments: Prof.
Load more

Recommended publications
  • East-West Film Journal, Volume 3, No. 2
    EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad­ uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi­ ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa­ nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9).
    [Show full text]
  • Oblicza Nowoczesnoœci – Film Japoñski I Literatura
    Studia Filmoznawcze 30 Wroc³aw 2009 Krzysztof Loska Uniwersytet Jagielloñski OBLICZA NOWOCZESNOŒCI – FILM JAPOÑSKI I LITERATURA Kinematografi a japońska od chwili narodzin była związana z literaturą piękną i dra- matem. We wczesnym okresie wykorzystywano popularne sztuki teatralne, prezen- towano skrócone wersje przedstawień scenicznych, spośród których największym powodzeniem cieszyły się opowieści o nieszczęśliwej miłości i kobietach upadłych, o czym przekonują liczne adaptacje Kukułki (Hototogisu) Roki Tokutomiego oraz Mojego grzechu (Ono ga tsumi) Yūhō Kikuchiego. Pierwszy z utworów podejmuje jeden z kluczowych tematów początku ubiegłego stulecia, a mianowicie konsekwencji przemian kulturowych wywołanych procesem modernizacji oraz ich wpływu na życie codzienne zwykłych ludzi. Konfl ikt wartości i spór między tradycją a nowoczesno- ścią został wpisany w schemat klasycznego melodramatu o nieszczęśliwym małżeń- stwie1. Mój grzech jest również romantyczną opowieścią z wyraźnie zaznaczonym tłem społecznym, tym razem o młodej kobiecie ze wsi i studencie z wielkiego mia- sta, który uwodzi dziewczynę. W warstwie fabularnej wszystko podporządkowane jest motywowi cierpienia kobiecego, konieczności poświęcenia się i wyrzeczenia2. Na początku ubiegłego stulecia kino japońskie nie było przykładem sztuki autonomicznej, ale specyfi cznym przedłużeniem teatru, z udziałem aktorów sce- 1 W latach 1909–1920 dziewięciokrotnie przenoszono na ekran powieść Roki Tokotumie- go (1868–1927) Kukułka, a w zasadzie jej sceniczną wersję przygotowaną na użytek teatru shinpa. Na uwagę zasługuje fi lm Shisetsu Iwafuji z 1909 roku, w którym po raz pierwszy posłużono się re- trospekcją. 2 Filmowa wersja powieści Yūhō Kikuchiego (1870–1947) Mój grzech, przedstawiona przez Kichizo Chibę w 1908 roku, uchodzi za jeden z pierwszych przykładów nurtu bungei eiga – adaptacji dzieł literackich. Por. K.I. McDonald, From Book to Screen: Modern Japanese Literature in Film, New York 2000, s.
    [Show full text]
  • Maison De La Culture Du Japon À Paris Septembre → Décembre 2018 ÉDITO
    Maison de la culture du Japon à Paris septembre → décembre 2018 ÉDITO L’automne sera festif ! Japonismes 2018, cette belle saison culturelle japonaise bat désormais son plein à la MCJP, à Paris et en région. Nous sommes très heureux d’être un des acteurs de cet événement célébrant l’amitié entre la France et le Japon. Après une plongée dans l’univers fascinant et monochrome de l’artiste calligraphe Yu-ichi Inoue à voir jusqu’au 15 septembre, nous vous inviterons à remonter le temps grâce à l’exposition Jômon, qui réunira de nombreux objets archéologiques de cette époque (11 000 ans av. J.-C - 400 ans av. J.-C.). Plusieurs de ces pièces sont classées « Trésor national » et « Bien culturel important », cette exposition sera donc un événement ! DES MOMENTS JAL La rétrospective « 100 ans de cinéma » vous emmènera vers une époque moins lointaine. Parmi les 119 films qui vous feront redécouvrir l’histoire du cinéma japonais, 23 seront projetés dans une qualité exceptionnelle, ayant été restaurés en 4K. Ambiance années 70 sur la scène de la MCJP à l’occasion du Festival d’Automne. Le prodige du théâtre japonais Takahiro Fujita s’inspire du film culte Jetons les livres, sortons dans la rue de Shûji Terayama, figure majeure de la contre-culture japonaise, pour mettre en scène une pièce éponyme à l’énergie trash. Portrait d’une jeunesse nonchalante et désespérée, dont les échos sont d’une troublante actualité. Grâce à la 3e édition de Tokyo Hit, la MCJP prendra fin septembre des allures de club tokyoïte pour vous emmener dans un voyage sonore piloté par le pionnier de la musique techno au Japon, le DJ Takkyû Ishino.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} the Cinema of Gosho Heinosuke
    THE CINEMA OF GOSHO HEINOSUKE: LAUGHTER THROUGH TEARS PDF, EPUB, EBOOK Arthur Nolletti | 352 pages | 15 Apr 2005 | Indiana University Press | 9780253217257 | English | Bloomington, IN, United States Cinema: An International History Gosho and Shomin Comedy in the s, 2. Dancing Girl of Izu and the Junbungaku Movement, 3. Gosho in the s: Changing Times, Undiminished Mastery. As with other scholarly books-notes, a filmography, bibliography, and index. All in all, a great overview of Japanese film legend who has fallen into obscurity. Emil rated it liked it Feb 03, Matt Pike marked it as to-read Oct 10, Eadweard marked it as to-read Feb 24, Amar Baines marked it as to-read Jan 19, Exene Cervenka is currently reading it Mar 11, There are no discussion topics on this book yet. About Arthur Nolletti Jr. Arthur Nolletti Jr. Books by Arthur Nolletti Jr. Read more Trivia About The Cinema of Gos No trivia or quizzes yet. Welcome back. Just a moment while we sign you in to your Goodreads account. Publisher: Indiana University Press , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title "The elegant, graceful, and deeply humanistic cinema of Gosho Heinosuke has found its perfect English-language explication in this equally elegant, graceful, and humanistic study by Arthur Nolletti. About the Author : Arthur Nolletti, Jr. Review : With this work Nolletti English, Framingham State College closes a gap in the anglophone literature on the history of Asian cinema. Create a Want. Other Popular Editions of the Same Title.
    [Show full text]
  • Cinema Year Book of Japan 1938
    .1 Digitized by the Internet Archive in 2017 with funding from Media History Digital Library https://archive.org/details/cinemayearbookof00inte_0 CINEMA YEAR BOOK OF JAPAN 1938 EDITED BY THE INTERNATIONAL CINEMA ASSOCIATION OF JAPAN PUBLISHED BY KQKUSAI BUNKA SHINKOKAI The Society for International Cultural Relations TOKYO, JAPAN PRINTED IN JAPAN, 1938 PREFACE The vigorous culture of Japan is rooted in the traditions of more than twenty-five centuries. Through many years Japan has been looked upon with admiration as a land of dreams and imagination by only a limited number of interested people. Still less is the number of those who know the real Japan in which old tradition is harmoniously blended with the civilization of the new age. Herein lies the necessity to introduce to the world the true features of present-day Japan. The cultural activities of our country have witnessed a remarkable advance in recent years in civilization, whether liberal arts or arts. Cinematography too, has kept every field of spiritual fine , abreast with this general cultural advancement. The motion-picture industry of our country which, only a few years ago, met barely ivith the needs within the country, has begun to send forth its pro- ductions to the international market, the realization of an ideal cherished for many years. The Japanese film production to-day is steadily equipping itself ivith the ultimate aim of participating in the stage of international cinema activities. As already mentioned in the Cinema Year Book of last year, it will not be long before the Japanese films will play a significant role in the world market.
    [Show full text]
  • Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura Part
    PRESS RELEASE: May 2012 12/26 Two Masters of Japanese Cinema: Kaneto Shindo & Kozaburo Yoshimura at BFI Southbank in June and July 2012 April 2012 marks the 100th birthday of Kaneto Shindo, one of the leading talents in post-war Japanese film. Throughout June and July BFI Southbank will host a two-part retrospective which pays tribute both to Shindo himself and to his friend, colleague and contemporary Kozaburo Yoshimura (1911- 2000), one of the neglected masters of classical Japanese film. June’s programme focuses primarily on the 1950s, the period when their collaboration was closest. Yoshimura and Shindo’s work together constitute a revealing social history and include some of Japanese cinema’s most powerful and moving films. Beginning with a Season Introduction on Wed 6 June by the season’s curator Alexander Jacoby (Lecturer in Japanese Studies at Oxford Brookes University), Jacoby will explore the collaboration between Shindo and Yoshimura situating their work in the social, political and cinematic context of a rapidly changing post-war Japan. Shindo is a versatile director, skilled screenwriter and pioneer of independent production who has astonishingly remained active into very recent years, releasing his latest film, Postcard, at the age of 98. Under contract to Shochiku studios as respectively director and screenwriter, Yoshimura and Shindo initiated a fruitful collaboration with The Ball at the Anjo House (1947), a Chekhovian study of the decline of the pre-war aristocracy, which scooped the top prize in the critics’ poll conducted that year by the leading Japanese film magazine, Kinema Junpo. But both men found their creativity inhibited at Shochiku, and by the early 1950s had established their own independent production company, Kindai Eiga Kyokai.
    [Show full text]
  • 100 Ans De Cinéma Japonais
    SECOUSSE ET SURSAUTS 100 ANS DE CINÉMA JAPONISMES 2018 : LES ÂMES EN RÉSONANCE ÈRE JAPONAIS (1 PARTIE) Pour ouvrir le grand cycle Japonismes : âmes en résonances qui durera toute une saison, cette première partie se concentrera sur l’une des périodes les LE CINÉMA D’AVANT 1945 : plus méconnues et décisives, entre la fin des années 1920 et le début des années 1940. De Kenji Mizoguchi à Hiroshi Shimizu, de Daisuke Ito à Sadao NAISSANCE D’UNE INDUSTRIE, Yamanaka ou encore de Yasujiro Ozu à Tomu Uchida, les spectateurs français ÉCLOSION D’UNE MODERNITÉ découvriront les premiers bâtisseurs de la modernité du cinéma japonais. Si nul n’oserait remettre en cause l’incroyable productivité du cinéma japonais à ses débuts, la séquence 1923-1939 constitue la période la plus déterminante RÉTROSPECTIVE pour son évolution. Le début du siècle comptait déjà une production théorique 26 SEPTEMBRE - 22 OCTOBRE particulièrement foisonnante via différentes publications prônant la nécessité d’un « cinéma pur » libéré de ses envahissantes influences théâtrales. Il s’agis- sait de faire concorder avancée technologique et progrès artistique au service Dans le cadre de Japonismes 2018 d’une pensée qui n’avait malheureusement pas encore trouvé les outils appro- 100 ANS DE CINÉMA JAPONAIS CINÉMA ANS DE 100 priés. Cette coordination inespérée, élaborant des théories sans cesse en pro- grès afin d’étendre son domaine et de consolider ses bases, s’effectua pourtant dans des circonstances tragiques. Le 1er septembre 1923, un violent séisme d’une magnitude de 7,9 sur l’échelle de Richter secoue Tokyo et ses environs (de Yokohama à Shizuoka) durant cinq jours entiers.
    [Show full text]
  • A L'affiche Du Mercredi 22 Au Mardi 28 Août 2018
    A l’affiche du mercredi 22 au mardi 28 Août 2018 ÉVÈNEMENTS Bad Lieutenant / VOST De Abel Ferrara avec Harvey Keitel, Frankie Thorn, Victor Argo, Paul - Du 4 Juillet au 4 Septembre - Plein Soleil sur les Classiques Un été pour découvrir ou re-découvrir les plus grands classiques de l’histoire Calderon, Leonard L. Thomas... Etats-Unis - 1993 - 1h38 - Interdit -16 ans du Cinéma. Bon Plan Carte Culture : 4,90€ sur présentation de la carte. ........................................................................................................ Cette semaine : - L’une chante l’autre pas de Agnès Varda Toujours à l’affiche : - Bad Lieutenant de Abel Ferrara The Intruder / VOST - The Intruder de Roger Corman De Roger Corman avec William Shatner, Frank Maxwell, Beverly Lunsford, - Rétrospective du réalisateur Yasujiro Ozu en 10 films. Robert Emhardt, Leo Gordon... - Dimanche 26 Août à 10h45 - Avant-première - Dilili à Paris Etats-Unis - 1962 - 1h24 Dans le cadre de Ma T’Août Première Avant-Première. ........................................................................................................ France - 2018 - 1h35 - Animation - Dès 7 ans - VF Le Poirier sauvage / VOST - Lundi 27 Août à 20h00 - Avant-première - Shéhérazade De Nuri Bilge Ceylan avec Dogu Demirkol, Murat Cemcir, Bennu Yildirimlar, France - 2018 - 1h49 - VF. En présence de l’équipe du film. Hazar Ergüçlü, Serkan Keskin.... Allemagne, Bulgarie, France - 2018 - 3h08 - Mardi 28 Août à 20h00 - Avant-première - De chaque instant .......................................................................................................
    [Show full text]
  • From Screen to Page: Japanese Film As a Historical Document, 1931-1959
    FROM SCREEN TO PAGE: JAPANESE FILM AS A HISTORICAL DOCUMENT, 1931-1959 by Olivia Umphrey A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Boise State University May 2009 © 2009 Olivia Umphrey ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the thesis submitted by Olivia Anne Umphrey Thesis Title: From Screen to Page: Japanese Film as a Historical Document, 1931- 1959 Date of Final Oral Examination: 03 April 2009 The following individuals read and discussed the thesis submitted by student Stephanie Stacey Starr, and they also evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination, and that the thesis was satisfactory for a master’s degree and ready for any final modifications that they explicitly required. L. Shelton Woods, Ph.D. Chair, Supervisory Committee Lisa M. Brady, Ph.D. Member, Supervisory Committee Nicanor Dominguez, Ph.D. Member, Supervisory Committee The final reading approval of the thesis was granted by L. Shelton Woods, Ph.D., Chair of the Supervisory Committee. The thesis was approved for the Graduate College by John R. Pelton, Ph.D., Dean of the Graduate College. ACKNOWLEDGMENTS The author wishes to thank her advisor, Dr. Shelton Woods, for his guidance and patience, as well as her committee members, Dr. Lisa Brady and Dr. Nicanor Dominguez, for their insights and assistance. iv ABSTRACT This thesis explores to what degree Japanese film accurately reflects the scholarly accounts of Japanese culture and history.
    [Show full text]
  • Ozu Est Une Référence Essen- L’ADRC Ytielle Pour Défi Nir Ce Qu’Est Le Cinéma
    Fin d’automne asujiro Ozu est une référence essen- L’ADRC Ytielle pour défi nir ce qu’est le cinéma. CARLOTTA FILMS Le génie d’Ozu consiste à allier la banalité présentent touchante d’histoires simples à la surpre- nante radicalité de la mise en scène. Ses fi lms, tournés quasi exclusivement au stu- dio de la Shochiku de 1927 à 1962, rendent sensible le passage du temps en articulant le quotidien au dramatique, le rituel au trivial. Son œuvre à l’évidente beauté et à la richesse inépuisable exprime au mieux le sentiment de la vie. Diane Arnaud Cette rétrospective en 10 fi lms, qui court sur une douzaine d’années, marque celle de la dernière période du cinéaste : celle des grands drames en noir et blanc tels que Printemps tardif (1949) ou Voyage à Tokyo (1953), de son passage à la couleur avec Fleurs d’équinoxe, de sa comédie sociale Bonjour (1959) et de son ultime chef-d’œuvre YASUJIRO OZU Le Goût du saké (1962). RÉTROSPECTIVE EN 10 FILMS PRINTEMPS TARDIF ÉTÉ PRÉCOCE LE GOÛT DU RIZ AU THÉ VERT VOYAGE À TOKYO BANSHUN BAKUSHU OCHAZUKE NO AJI TOKYO MONOGATARI 1949 • Japon • 108 min • 1951 • Japon • 125 min • 1952 • Japon • 116 min • 1953 • Japon • 136 min • N&B • Visa : 80 685 N&B • Visa : 80 684 N&B • Visa : 84 844 N&B • Visa : 48 883 avec Chishu Ryu avec Setsuko Hara avec Shin Saburi avec Chishu Ryu Setsuko Hara Chishu Ryu Michiyo Kogure Chieko Higashiyama Yumeji Tsukioka Chikage Awashima Koji Tsuruta Setsuko Hara Haruko Sugimura Kuniko Miyake Chikage Awashima Haruko Sugimura Ichiro Sugai Noriko a vingt ans et vit Mariée à Mokichi par Un couple âgé entreprend heureuse aux côtés de son Dans le Tokyo d’après- arrangement, Taeko mène un voyage pour rendre père veuf à Kamakura.
    [Show full text]
  • MIKIO NARUSE: a MASTER of the JAPANESE CINEMA Opens at Moma September 23
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART For Immediate Release September 1985 MIKIO NARUSE: A MASTER OF THE JAPANESE CINEMA Opens at MoMA September 23 The distinctly Japanese world view of director Mikio Naruse is the subject of MIKIO NARUSE: A MASTER OF THE JAPANESE CINEMA, an exhibition of twenty-five subtitled films to be screened from September 23 to October 22, 1985* in The Museum of Modern Art's Roy and Niuta Titus Theater 1. Fourteen additional works will supplement the eleven films in last year's Naruse retrospective, which was organized by the Japan Society and the Museum's Department of Film (complete schedule attached). Naruse (1905-1965) held a darker view of the human condition than either Ozu or Mizoguchi, two Japanese directors with whom he is usually linked. His home dramas exposed the rigidity of the customs of daily life and the inflexibility of family bonds. Naruse scholar Audie Bock, who helped to organize the exhibition, states that "the determined characters of the Naruse film never give up. A stubborn dedication to their own self-respect in the face of overwhelming crassness, vulgarity, and exploitation, from even those who should be most sensitive and protective toward the individual, lends Naruse's heroines a distinctive nobility." Emotionalism and lyricism were a part of Naruse's richly detailed pictorial style, in spite of his basic defiant vision. He worked for forty-seven years within the studio system, yet refused to compromise on his exposure of life's falsehoods.
    [Show full text]
  • JAPANESE CINEMA DONALD Eichie Has Lodg Been the Internationally Acclaimed Expert on the Japanese Film
    JAPANESE CINEMA DONALD EiCHiE has loDg been the internationally acclaimed expert on the Japanese film. He is a former member of Uni- Japan Film and film critic for The Japan Times, and is pres- ently Curator of the Film Department at the Museum of Modern Art, New York. He designed and presented the Kurosawa and Ozu retrospectives, as well as the massive 1970 retrospective at the museum, The Japanese Film. His book on The Films of Akira Kurosawa has been called a "virtual model for future studies in the field." Mr. Richie has been a resident of Japan for the past twenty-five years. Film books by Donald Richie: The Cinematographic View: A Study of the Film. 1958. The Japanese Film: Art and Industry. 1959. Co-authored with Joseph L. Anderson. Japanese Movies. 1961. The Japanese Movie: An Illustrated History. 1965. The Films of Akira Kurosawa. 1965. George Stevens: An American Romantic. 1970. Japanese Cine2wa Film Style and National Character Donald Ricliie Anchor Books DOUBLEDAY & COMPANY, INC., GABDKN CTTY, NEW YORK This book is an extensively revised, expanded, and updated version of Japanese Movies, © 1961 by Japan Travel Bureau. Original material reprinted by pemMSsion of the Japan Travel Bureau, Inc., Japan. Library of Congress Catalog Card Number 77-163122 Copyright © 1971 by Donald Richie Copyright © 1961 by Japan Travel Bureau All Rights Reserved Printed in the United States of America CONTENTS List of Illiistrations vii Introduction xvii 1896-1945 1 194&-1971 59 Appendix 239 Index 250 LIST OF ILLUSTRATIONS The Abe Clan, 1938. 29 An Actor's Revenge, 1963.
    [Show full text]