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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
Japanese Studies at Manchester Pre-Arrival Reading Suggestions For
Japanese Studies at Manchester Pre-arrival Reading Suggestions for the 2020-2021 Academic Year This is a relatively short list of novels, films, manga, and language learning texts which will be useful for students to peruse and invest in before arrival. Students must not consider that they ought to read all the books on the list, or even most of them, but those looking for a few recommendations of novels, histories, or language texts, should find good suggestions for newcomers to the field. Many books can be purchased second-hand online for only a small price, and some of the suggestions listed under language learning will be useful to have on your shelf throughout year one studies and beyond. Japanese Society Ronald Dore City Life in Japan describes Tokyo society in the early 1950s Takie Lebra's book, Japanese Patterns of Behavior (NB US spelling) Elisabeth Bumiller, The Secrets of Mariko Some interesting podcasts about Japan: Japan on the record: a podcast where scholars of Japan react to issues in the news. https://jotr.transistor.fm/episodes Meiji at 150: the researcher Tristan Grunow interviews specialists in Japanese history, literature, art, and culture. https://meijiat150.podbean.com/ Japanese History Andrew Gordon, A Modern History of Japan Marius B. Jansen, The Making of Modern Japan John W. Dower Embracing Defeat: Japan in the Wake of World War II Christopher Goto-Jones, Modern Japan: A Very Short Introduction (can be read in a day). Religion in Japan Ian Reader, Religion in Contemporary Japan Japanese Literature The Penguin -
As Traduções De Kokoro, De Natsume Soseki, Para As Línguas Inglesa E Portuguesa
UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE LETRAS AS TRADUÇÕES DE KOKORO, DE NATSUME SOSEKI, PARA AS LÍNGUAS INGLESA E PORTUGUESA Marcionilo Euro Carlos Neto JUIZ DE FORA 2014 1 UNIVERSIDADE FEDERAL DE JUIZ DE FORA FACULDADE DE LETRAS AS TRADUÇÕES DE KOKORO, DE NATSUME SOSEKI, PARA AS LÍNGUAS INGLESA E PORTUGUESA Marcionilo Euro Carlos Neto Monografia submetida ao Departamento de Letras Estrangeiras Modernas da Faculdade de Letras da Universidade Federal de Juiz de Fora como parte dos requisitos para a obtenção do grau de Bacharel em Letras: Ênfase em Tradução – Inglês. Orientadora: Profª. Drª Maria Clara Castellões Oliveira JUIZ DE FORA 2014 2 BANCA EXAMINADORA _____________________________________________________________________ Profª. Drª. Maria Clara Castellões de Oliveira – Orientadora _____________________________________________________________________ Prof. Dr. Rogério de Souza Sérgio Ferreira _____________________________________________________________________ Profª. Drª. Sandra Aparecida Faria de Almeida Data da defesa: ____________________ Nota: _______________________ Faculdade de Letras Universidade Federal de Juiz de Fora Juiz de Fora, Fevereiro de 2014. 3 AGRADECIMENTOS Ao Wataru Miyoshi, Ter o privilégio de tê-lo conhecido foi primordial para que esse trabalho fosse possível, uma vez que, por causa de nosso encontro, despertei o interesse pela língua e cultura japonesa, estudando-a com persistência, conseguindo realizar meu desejo de estudar e morar no Japão. À família Tsuruta, Ser acolhido por vocês foi essencial -
Oblicza Nowoczesnoœci – Film Japoñski I Literatura
Studia Filmoznawcze 30 Wroc³aw 2009 Krzysztof Loska Uniwersytet Jagielloñski OBLICZA NOWOCZESNOŒCI – FILM JAPOÑSKI I LITERATURA Kinematografi a japońska od chwili narodzin była związana z literaturą piękną i dra- matem. We wczesnym okresie wykorzystywano popularne sztuki teatralne, prezen- towano skrócone wersje przedstawień scenicznych, spośród których największym powodzeniem cieszyły się opowieści o nieszczęśliwej miłości i kobietach upadłych, o czym przekonują liczne adaptacje Kukułki (Hototogisu) Roki Tokutomiego oraz Mojego grzechu (Ono ga tsumi) Yūhō Kikuchiego. Pierwszy z utworów podejmuje jeden z kluczowych tematów początku ubiegłego stulecia, a mianowicie konsekwencji przemian kulturowych wywołanych procesem modernizacji oraz ich wpływu na życie codzienne zwykłych ludzi. Konfl ikt wartości i spór między tradycją a nowoczesno- ścią został wpisany w schemat klasycznego melodramatu o nieszczęśliwym małżeń- stwie1. Mój grzech jest również romantyczną opowieścią z wyraźnie zaznaczonym tłem społecznym, tym razem o młodej kobiecie ze wsi i studencie z wielkiego mia- sta, który uwodzi dziewczynę. W warstwie fabularnej wszystko podporządkowane jest motywowi cierpienia kobiecego, konieczności poświęcenia się i wyrzeczenia2. Na początku ubiegłego stulecia kino japońskie nie było przykładem sztuki autonomicznej, ale specyfi cznym przedłużeniem teatru, z udziałem aktorów sce- 1 W latach 1909–1920 dziewięciokrotnie przenoszono na ekran powieść Roki Tokotumie- go (1868–1927) Kukułka, a w zasadzie jej sceniczną wersję przygotowaną na użytek teatru shinpa. Na uwagę zasługuje fi lm Shisetsu Iwafuji z 1909 roku, w którym po raz pierwszy posłużono się re- trospekcją. 2 Filmowa wersja powieści Yūhō Kikuchiego (1870–1947) Mój grzech, przedstawiona przez Kichizo Chibę w 1908 roku, uchodzi za jeden z pierwszych przykładów nurtu bungei eiga – adaptacji dzieł literackich. Por. K.I. McDonald, From Book to Screen: Modern Japanese Literature in Film, New York 2000, s. -
Major and Minor Transnationalism in Yoko Inoue's
asian diasporic visual cultures and the americas 6 (2020) 27-47 brill.com/adva Major and Minor Transnationalism in Yoko Inoue’s Art Yasuko Takezawa AQ1 Kyoto University, Kyoto, Japan takezawa.yasuko.2u@ kyoto-u.jp Abstract This article elucidates major transnationalism and minor transnationalism through an analysis of works by New York-based Japanese artist Yoko Inoue (b. 1964). Inoue en- gages in social criticism through varied media such as ceramics, installations, and per- formance art. Her works demonstrate minor-transnationalism observed in the rela- tionships she has built with other transmigrants and minoritized individuals over such issues as xenophobia and racism after 9/11, and Hiroshima/Nagasaki and related con- temporary nuclear issues. Inoue also addresses the disparities in collective memory and narratives between Japan and the US as well as socio-economic inequalities be- tween nation-states and the movement of people/goods/money within Trans-Pacific power dynamics, all of which illustrates major transnationalism in the Trans-Pacific. Keywords transnationalism – Hiroshima – transmigrants – 9/11 – Japan – performance art – Sherman E. Lee – General Headquarters (ghq) In their book Minor Transnationalism, Françoise Lionnet and Shu-mei Shih de- fine minor transnationalism as the horizontal relationship between transmi- grants and/or between minoritized people.1 Meanwhile Janet Alison Hoskins and Viet Thanh Nguyen discuss major-transnationalism in the Trans-Pacific, in reference to the economic, political, and military contact -
Convict Footprints on the Old Great North Road
April 29 - May 15, 2016 Vol. 33 - Issue 9 CONVICT FOOTPRINTS ON THE OLD GREAT NORTH ROAD When: Sat 07 May 2016 & Sun 08 May Selected Dates until Sun 23 Oct 2016 More information http://convictfootprints.com.au/ This is an interactive play conducted on the convict built Old Great North Road in Dharug National Park beside the Hawkesbury River. Audiences are taken on a journey up the road and learn about it from soldiers, convicts and officials. Sandstone LOCAL NEWSPAPER FOR SALE It’s time to find a new owner for the Hills to Hawkesbury Living Magazine. Sales MARK VINT This magazine has been running for over 33 years providing a TV guide, Buy Direct From the Quarry 9651 2182 local history, news and events to a dedicated local community readership. 270 New Line Road The current fortnightly production is run using up-to-date technology and 9652 1783 Dural NSW 2158 has a cost effective, efficient workflow. This magazine is ideally suited to Handsplit [email protected] an owner/operator but could easily be run by a community group. We have Random Flagging $55m2 ABN: 84 451 806 754 thoroughly enjoyed running this magazine but it is time to find it a new 113 Smallwood Rd Glenorie WWW.DURALAUTO.COM home as we are moving to pastures new. Enquiries to Diana 0408 011 193. AIRPORT & CRUISE SHIP TRANSFERS Competitive Pricing, Quality Service. After 20+ years servicing the Hills District, Shuttlz believes it is the longest for in a shuttle is quality, punctuality, reliability, and peace of mind. consistently running shuttle business in the area, and is now UNDER With a LATE MODEL fleet of vehicles, clean and well presented, NEW MANAGEMENT. -
Karate Fights SUBMIT a PHOTO for the COVER of for Tradition As Olympic Sport Goes Global Pages 8-10
VOLUME 6 NO. 40 JANUARY 10 – JANUARY 16, 2020 FREE SUBMIT STORIES TO: [email protected] FACEBOOK.COM/STRIPESPACIFIC INSIDE INFO WHERE TO FIND TASTY Okinawa Kenpo OKINAWAN FARE IN TOKYO PAGE 12 YOU’LL BE SWEET ON MEIJI CHOCOLATE FACTORY Birthplace PAGE 13 of karate fights SUBMIT A PHOTO FOR THE COVER OF for tradition as Olympic sport goes global Pages 8-10 ‘LIFE-CHANGING’ JOURNEY Got a great shot of mainland Japan, Okinawa, Korea or Zama employee finds success as bodybuilder Guam? If so, submit it STORY AND PHOTOS BY NORIKO KUDO, Hashiguchi later learned the man was a former and maybe it’ll end up US ARMY GARRISON on the front page of all-Japan champion in the sport. “I didn’t believe him at all,” said Hashiguchi. :HOFRPHWRWKH3DFLÀF CAMP ZAMA – Eight years ago, before Kaoru “But at the same time, I thought that if he was seri- Hashiguchi knew anything about posing, flexing or Photo deadline: Jan. 15 ous, it was too good of an opportunity to pass up.” “bulking,” he was just a fitness enthusiast who one Hashiguchi decided to accept the challenge and day went to a well-known gym in Tokyo with the soon began a three-year journey of learning the ins goal of taking his workout to the next level. and outs of bodybuilding. This of course included A trainer at the gym approached Hashiguchi a lot of time training at the gym, but Hashiguchi and told him that, with the proper training, he had also changed his diet completely—everything from the potential to be a competitive bodybuilder. -
Making Icons
Making Icons Repetition and the Female Image in Japanese Cinema, 1945–1964 Jennifer Coates Hong Kong University Press Th e University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2016 Hong Kong University Press ISBN 978-988-8208-99-9 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any infor- mation storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co., Ltd. in Hong Kong, China Contents List of Illustrations vii Acknowledgements viii Notes on the Romanization of Japanese Words x Introduction 1 Aff ect and the Spectator 4 From Emotion, through Aff ect, to Fantasy 12 Communal Fantasies: Making Meaning and Memory through Film 17 Women in Post-war Japan 21 Reading the Female Image: An Iconographic Approach 22 Chapter Outline 30 Chapter 1 Post-war Stars and the Japanese Studio System 33 Stars and the Studios 44 Compliance and Confl ict in the Studios: Th e Tōhō Strikes 49 Aff ect and Aspiration: Th e Star Persona of Hara Setsuko 54 Misora Hibari, Yamaguchi Yoshiko, and the ‘New Faces’ 62 Chapter 2 Th e Suff ering Mother Trope 68 Suff ering Mothers versus Modern Housewives 68 Historical Contexts: Changing Japan from the Family Level Up 70 From Victim to Victimizer: Changes in the Mother -
JFKL Publication 11-01.Eps
Past, Present and Future: The 30th Anniversary of the Japan Foundation, Kuala Lumpur Greetings from the Director The Japan Foundation was established in 1972 with the main goal of cultivating friendship and ties between Japan and the world through culture, language, and dialogue. The Kuala Lumpur ofice known as The Japan Foundation Kuala Lumpur Liaison Ofice was established at Wisma Nusantara, off Jalan P. Ramlee on 3 October 1989 as the third liaison ofice in SEA countries, following Jakarta and Bangkok. The liaison ofice was upgraded to Japan Cultural Centre Kuala Lumpur with Prince Takamado attending the opening ceremony on 14 February 1992. Japanese Language Centre Kuala Lumpur was then opened at Wisma Nusantara on 20 April 1995. In July 1998, the ofice moved to Menara Citibank, Jalan Ampang and then once more to our current ofice in Northpoint, Mid-Valley in September 2008. Since the establishment, the Japan Foundation, Kuala Lumpur (JFKL) has been working on various projects such as introducing Japanese arts and culture to Malaysia and vice versa. JFKL has also closely worked with the Ministry of Education to form a solid foundation of Japanese Language Education especially in Malaysian secondary schools and conducted various seminars and trainings for local Japanese teachers. We have also been supporting Japanese studies and promoting dialogues on common international issues. The past 30 years have deinitely been a long yet memorable journey in bringing the cultures of the two countries together. The cultural exchange with Malaysia has become more signiicant and crucial as Japan heads towards a multi-cultural society and there is a lot to learn from Malaysia. -
“We'll Embrace One Another and Go On, All Right?” Everyday Life in Ozu
“We’ll embrace one another and go on, all right?” Everyday life in Ozu Yasujirô’s post-war films 1947-1949. University of Turku Faculty of Humanities Cultural History Master’s thesis Topi E. Timonen 17.5.2019 The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. UNIVERSITY OF TURKU School of History, Culture and Arts Studies Faculty of Humanities TIMONEN, TOPI E.: “We’ll embrace one another and go on, all right?” Everyday life in Ozu Yasujirô’s post-war films 1947-1949. Master’s thesis, 84 pages. Appendix, 2 pages. Cultural history May 2019 Summary The subject of my master’s thesis is the depiction of everyday life in the post-war films of Japanese filmmaker Ozu Yasujirô (1903-1963). My primary sources are his three first post- war films: Record of a Tenement Gentleman (Nagaya shinshiroku, 1947), A Hen in the Wind (Kaze no naka no mendori, 1948) and Late Spring (Banshun, 1949). Ozu’s aim in his filmmaking was to depict the Japanese people, their society and their lives in a realistic fashion. My thesis offers a close reading of these films that focuses on the themes that are central in their everyday depiction. These themes include gender roles, poverty, children, nostalgia for the pre-war years, marital equality and the concept of arranged marriage, parenthood, and cultural juxtaposition between Japanese and American influences. The films were made under American censorship and I reflect upon this context while examining the presentation of the themes. -
National Gallery of Art Winter 09 Film Program
NATIONAL GALLERY OF ART WINTER 09 FILM PROGRAM 4th Street and Constitution Avenue NW, Washington, DC Mailing address 2000B South Club Drive, Landover, MD 20785 BARCELONA MASTERS: JOSÉ LUIS TEUVO TULIO: THE REBEL SET: GUERÍN NORTHERN FILM AND THE AND PERE IN THE REALM TONES BEAT LEGACY PORTABELLA OF OSHIMA and the City, In the City of Sylvia and the City, Helsinki), calendar page page four Helsinki), (National Audiovisual Archive, page three page two page one cover Of Time and the City The Way You Wanted Me Wanted You The Way The Sign of the Cross The Sign of the Cross WINTER09 Of Time and the City A Town of Love and Hope A Town Pere Portabella (Helena Gomà, Barcelona), Pere details from Song of the Scarlet Flower (Strand Releasing) (Strand Releasing) (Photofest/Paramount) (National Audiovisual Archive, Helsinki), (National Audiovisual Archive, (Photofest) In the City of Sylvia (National Audiovisual Archive, (National Audiovisual Archive, Song of the Scarlet Flower (José Luis Guerín) Of Time Les Lutins du Court-Métrage: New Shorts from France Friday February 13 at 1:00 Film Events Five new examples from France illustrate the beauty and versatility of the short- film form: 200,000 Fantômes (Jean-Gabriel Périot, 2007, 10 minutes); La dernière journée (Olivier Bourbeillon, 2007, 12 minutes); Mic Jean-Louis (Kathy Sebbah, The Sign of the Cross 2007, 26 minutes); Pina Colada (Alice Winocour, 2008, 15 minutes); and L’Enfant Introduction by Martin Winkler borne (Pascal Mieszala, 2007, 15 minutes). Saturday January 3 at 2:30 Ciné-Concert: Show Life British playwright Wilson Barrett’s Victorian melodrama was the source for Stephen Horne on piano Cecil B.