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Boston Symphony Orchestra Concert Programs, Season 33,1913

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AUDITORIUM SPRINGFIELD lymphon; Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor Pr©gir< WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, FEBRUARY 24 AT 8.00 COPYRIGHT, 1914, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER since 1823 No Piano of American make has been so favored by the musical pub- lic as this famous old Boston make. The world's greatest musicians have demanded it and discriminating people have purchased it. THE CHICKERING PIANO enjoys the distinction of being the recipient of 129 First Medals and Awards for Superiority Its wonderful tone and action call it to the studio to stimulate and encourage the pupil, and it is sought by teachers and musical people when the best is desired. ^r AUDITORIUM . SPRINGFIELD Twenty-first Concert in Springfield Thirty-third Season, 1913-1914 Dr. KARL MUCK, Conductor TUESDAY EVENING, FEBRUARY 24 AT 8.00 PROGRAMME Glazounofl .... Symphony in B-flat major, No. 5, Op. 55 I. Mod ra to maestoso; Allegro. II. Scherzo: Moderato; Pochissimo meno mosso. III. Andante. IV. Allegro maestoso. " Weber . Recitative, Wie nahte mir der Schlummer," and Aria, "Leise, leise," from "Der Freischutz" " Strauss . Tone Poem, Tod und Verklarung" ("Death and Transfiguration"), Op. 24 Songs with orchestra: Humperdinck . "Es schaukeln die Winde" ("The Winds Rock") d'Albert Mediaeval Hymn to Venus Liszt . Symphonic Poem, No. 3, "The Preludes" (after Lamartine) SOLOIST ELISABETH van ENDERT There will be an intermission of ten minutes after the symphony 3 MEASURED BY THE SEVEREST STANDARDS OF THE GREATEST MUSICIANS, THE WMMMjk Wffil&M c 5 171 IS THE ACKNOWLEDGED . %^?, FRED A. HOSCHKE, Proprietor SPRINGFIELD NORTHAMPTON STEARNS SQUARE 60 PLEASANT ST. i Symphony in B-fxat major, No. 5, Op. 55. Alexander Glazounoff (Born at St. Petersburg, August 10, 1865; now living there.) Glazounoff's fifth symphony was composed at St. Petersburg in 1895. It was published in 1896. It was performed for the first time in March, 1896, at one of the concerts of the New Russian School, organized by the publisher Belaieff in St. Petersburg. The scherzo was then repeated in response to compelling applause. The first performance of the symphony in the United States was at a concert of the Philharmonic Society of New York, Anton Seidl conductor, March 5, 1898. The first performance in Boston was at a concert of the Boston Symphony Orchestra, November 24, 1906, Dr. Muck conductor. The symphony, dedicated to Serge Tan&'eff,* is scored for three flutes (one interchangeable with piccolo), two oboes, three clarinets, one bass clarinet, two bassoons, four horns, three trumpets, three trom- bones, one bass tuba, kettledrums, bass drum, triangle, cymbals, little bells, harp, and strings. I. Moderato maestoso, B-flat, 4-4. In this introductory section the sturdy chief theme of the allegro which follows is hinted at forcibly, and it is given to clarinets, bassoons, horns, tuba, and lower strings. There is preluding. The Allegro is in 2-2 and then 3-4. The first theme, which has been likened to the Sword motive in the "Ring," is announced by bassoon and violoncellos, while clarinets sustain. It • Serge Tanlleff was born in the government Vladimir, Russia, November 25, 1856. He is now living at Moscow. He studied the pianoforte with Nicholas Rubinstein and composition with Tschaikowsky at the Moscow Conservatory, of which he was afterward for some time (1885-80) the director, and was also teacher of theory in the school, a position that he still holds, or, at least, did hold a short time ago. (The Russian music schools have seen troublous times during the last year and a half, and resignations and dismissals have been frequent.) Tan6leff made his first appearance as a pianist at Moscow in January, 1875, when he played Brahms's Concerto in D minor, and was loudly praised by critics and the general public, although the con- certo was dismissed as an "unthankful" work. Tschaikowsky, as critic, wrote a glowing eulogy of the per- formance. It had been said, and without contradiction until the appearance of Modest Tschaikowsky's Life of his brother, that Tan&eff was the first to play Peter's Concerto in B-flat minor in Russia. But the first performance in Russia was at St. Petersburg, November 1, 1875, when Kross was the pianist. Tan&eff was the first to play the^ concerto at Moscow, November 12 of the same year, and he was the first to play Tschai- kowsky's Concerto in C minor, Pianoforte Fantasia, Trio in A minor, and the posthumous Concerto in E-flat major. Tan&eff spent some months at Paris, 1876-77. On his return he joined the faculty of the Moscow Conservatory. That Tschaikowsky admired Taneleff's talent, and was fond of him as a man, is shown by the correspondence published in Modest Tschaikowsky s Life. Tan&eff has composed a symphony (played here at a Symphony concert, November 23, igo2); an opera, "The Oresteia" (1895); a concert overture "The Oresteia" (played here at a Symphony concert, February 14, 1903); a cantata, "Johannes Damasce- nus"; a half-dozen quartets (the one m B-flat minor, Op. 4, was performed here at a Symphony Quartet concert, November 27, 1905), choruses. One of his part songs, "Sunrise, has been sung here two or three timet. H INTERIOR DECORATIONS DRAPERIES UPHOLSTERIES SPRINGFIELD, MASSACHUSETTS Telephone 1633 129 State Street — " iW/ZpiVSUIDP1 €i ter the Symphony Concert a prolonging of musical pleasure by home-firelight awaits the owner of a " Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. ifolfam Company 366 FIFTH AVENUE, NEW YORK CITY is then given to oboe and first violins, and at last is sounded by the whole orchestra. The second and suave theme is sung by flute and clarinet against wood-wind chords, with harp arpeggios and strings pizz. This theme is developed to a mighty fortissimo. The use of these themes is easily discernible. There is a stirring coda. II. Scherzo, moderato, G minor, 2-4. After a few measures of sportive preluding the first theme is given to flutes, oboe, clarinet. The second theme, of a little more decided character, is announced by flutes, clarinets, and violins. Pochissimo meno mosso. The flutes have a fresh theme, which, undergoing changes and appearing in various tonalities, is expressed finally by the full orchestra. III. Andante, E-flat, 6-8. The movement is in the nature of a Romance. The chief and expressive theme has been likened to the opening measures of Radames' famous air, "Celeste Aida." Heavy chords for the brass change the mood. There is a cantilena for violins and violoncellos. After preluding on the dominant there is a return of the leading motive. IV. Allegro maestoso, B-flat, 2-2. The movement begins at once, forte, with a martial theme (full orchestra). The other important themes used in this turbulent movement are a heavy motive, announced by bassoons, tuba, and lower strings, and, animato, one announced by clarinets, bassoons, violas, violoncellos, while double-classes and kettledrums maintain a pedal-point. * * * Alexander Constantinovitch Glazounoff is the son of a rich pub- lisher and bookseller of St. Petersburg, whose grandfather established the firm in 1782. Alexander was in the "Real" school until his eigh- teenth year, and he then attended lectures at the University of St. Petersburg as a "voluntary," or non-attached, student. He has devoted himself wholly to music. When he was nine years old, he began to take pianoforte lessons with Elenovsky, a pupil of Felix Dreyschock and a pianist of talent, and it is to him that Glazounoff owed a certain swiftness in performance, the habit of reading at sight, and the rudimentary ideas of harmony. Encouraged by his teacher, Glazounoff ventured to compose, and in 1879 Balakireff Miss M. E. BRYANT GOWNS and LADIES' TAILORING 389 MAIN ST., BOOKSTORE BUILDING SPRINGFIELD, MASSACHUSETTS mnTn MELBA KUBELIK These world famous artists prefer and use exclusively The PIANO Everywhere acknowledged to be, musically, the most beautiful piano the world has ever known. Send for a description of the MASON & HAM- LIN TENSION RESONATOR, the greatest discovery in pianoforte construction in the last fifty years. Springfield Representative COURT SQUARE THEATRE BUILDING — ; advised him to continue his general studies and at the same time ground himself in classical music. A year later Balakireff recom- mended him to study privately with Rimsky-Korsakoff. GlazounofT studied composition and theory with Rimsky-Korsakoff for nearly two years. He himself has said: "We had a great deal of music at home, and everything we played remained fixed in my memory, so that, if I waked in the night, I could reconstruct even in the slightest details all I had heard earlier in the evening." Following the advice of his teacher, he decided to write a sym- phony. It was finished in 1881, and performed for the first time with great success, at St. Petersburg, March 29, 1882, at one of the concerts conducted by Balakireff. Later this symphony (in E major) was reorchestrated by the composer four times, and it finally appeared as Op. 5. To the same epoch belong his first string quartet (Op.
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  • Of the Moon," by Cleaves Kinkead

    Of the Moon," by Cleaves Kinkead

    COMING ATTRACTIONS. AMUSEMENTS. AMUSEMENTS. AMUSEMENTS. "Going Up." Week Nights, 8:30 to 12 "Going Up," the Cohan and Harris musical comedy production, is to be- Kin a return encasement at the New National Theater next week, opening AmiLrcment^ next Sunday evening, with virtually ARCADE the same cast seen before, although 14th and Park Road strengthened in a few places. New AVusic and Drama settings and new costumes will lend freshness to 3 show which for more Our Biggest and Best Show than two has the Katherlne and . After years made rounds Pel rachlo. of American PERFECT PLACE lonp neglect, David Garrick made a ver¬ theaters, returning in al¬ sion of the comedy under the titl" of most every instance. TO Vaudeville's Sensation! "Katharine and Petruchio." but did not First Appearance F.ast of appear in it himself. Henry Woodward Golden Girl." and Mrs. Pritchard acted the chief char¬ "My The Most Extraordinary Puzzling and Thrilling Act in Vaudeville acters in Garrick's production. Oth» r Monday. January 12, another noted Knjr'ith players who have been operetta by the prolific Victor Her¬ A Production Which Will Interest You seen as Kitherine and Petruchio are bert, "My Golden Girl," will have its DANCE LCVETT'S Mrs. Sidd. s and John Philip Kemble, local premiere at the Shubert-Belasc-o Strict Prleea Helena Kaucit and f'harles Ivemble, Kl- Theater. The book and lyrics are Onaor.Popular len Tree and Charles Kemble. Kllen by Frederic Arnold Kummer, who Terry and Henry Irving. Mrs. Bernard- wrote the story and words to the Beer^ and Forbes-Robertson.