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Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on. -
2018 年度报告2018 Annual Report
1 | P a g e 2018 年度报告 2018 Annual Report CONFUCIUS.SDSU.EDU 2 | P a g e 圣地亚哥州立大学孔子学院 2018 年度报告 CONFUCIUS INSTITUTE AT SDSU 2018 REPORTS 月份 日期及活动 MONTH DATE & ACTIVITY 一月 20 2018 一月份教师培训 CISDSU Hosts 2018 January Teachers Training January 30 孔子六艺亮相圣地亚哥 NEW 8 早间新闻栏目 Six Arts Featured at San Diego NEWS 8 二月 3 六艺喜迎狗年 圣大孔院新春表演一炮而红 Chinese New Year Celebration at Balboa Park February 6 2018 圣地亚哥州立大学出国留学项目推介会 2018 SDSU Spring Study Abroad Fair 8 人大附中艺术团走进孔子课堂开普敦高中 用完灭的演出欢度春节 RDFZ Art Troupe at El Capitan High School, a Spectacular Performance for the Chinese New Year 圣大孔院参加孔子课堂爱德小学新年庆祝活动 CISDUS Participates in Adobe Bluffs elementary school Chinese New Year Celebration 9 孔子课堂巴纳德小学全体师生展示“六艺”欢度春节 Barnard Chinese New Year Celebration Featuring “Six Arts” Performance 人大附中艺术团在米逊湾高中举办“欢乐春节”演出 RDFZ Arts Troupe Performs at Mission Bay High School 2018 巴纳德社区新年庆祝 10 2018 Barnard Chinese Community Celebration 圣大孔院出席狗年新年团拜 Year of the Dog Celebration Banquet CONFUCIUS.SDSU.EDU 3 | P a g e 12 圣大孔院应邀出席洛杉矶总领馆新年招待会 Chinese Consulate General in Los Angeles Chinese Lunar New Year Reception 13 山丹丹花开 La Jolla Country Day 学校 La Jolla Country Day School Celebrates Chinese New Year with Guzheng Performance SDSU 舞狮表演庆新春 SDSU Lunar New Year Lion Dance 15 圣大孔院参加圣大中国学生学者联合会春晚 SDSU CSSA Chinese New Year Celebration 小小文化周 送福到各州 The Cultural Week in Pacific Beach Middle School 边陲小镇吹起的中国风 “Chinese Style” Blasts in the town of Banning 16 河景国际小学庆祝春节 Riverview International Academy Chinese New Year Celebration 17 一场特殊的音乐会 Chasing My Dream in the Invisible World: A Piano Concert by Xiangjun Wang 18 大年初三海洋世界上演“六艺”圣大孔院师生表演红火全场 CISDSU Celebrates Chinese New Year with Six Arts at SeaWorld 20 圣大孔院助力第十二届心手相连慈善文艺晚会 CISDSU Assist The 12th Annual Hear-to-Hear Hand-in-Hand Charity Series 22 盲人大学生王香君访问 E3 城市高中 Visually Impaired Student Xiangjun Wang Visits E3 Civic High School 23 圣大孔院与中华历史博物馆合办钱思亮先生回顾展 CISDSU Co-Hosts the Life & Deeds of Dr. -
Review of 2015 from the Director and Chair of Council
REVIEW OF 2015 FROM THE DIRECTOR AND CHAIR OF COUNCIL We are pleased to present the RSCM’s Annual Review for 2015, to let you, the RSCM’s affi liates, members and donors, know what we achieved during the year. Three new posts took shape in 2015, and you will see below the work that we have been able to do in training worship leaders, developing singers, encouraging music-making in rural churches, and supporting worship with instruments. We are showing this through the stories of some of those who benefi ted from these programmes. The provision of a full-time post in training clergy and lay ministers Registered Offi ce 19 The Close is a particular ‘game-changer’. The gamut of RSCM’s work continues to be backed Salisbury up with relevant publications and sustained through the invaluable help of our Wiltshire SP1 2EB local Area volunteers. In these programme changes, and through a hymn book Registered Charity Number 312828 survey feeding into revisions to Sunday by Sunday, we are listening to the needs of Company Registration Number 250031 churches and members and, we hope, matching RSCM’s resources to those needs. Royal Patron Her Majesty the Queen 2015 has seen generous giving to the RSCM especially from its members and supporters, from grant-making trusts, and in several liberal bequests. We are Patrons The Right Revd The Moderator most grateful for your gifts which help to sustain and develop our work. We look of the General Assembly of forward to your feedback on the direction the RSCM is pursuing, and on how we the Church of Scotland His Grace the Archbishop of can best serve your needs. -
Music for a National Defense”: Making Martial Music During the Anti-Japanese War
“Music for a National Defense”: Making Martial Music during the Anti-Japanese War Joshua H. Howard, University of Mississippi Abstract This article examines the popularization of “mass songs” among Chinese Communist troops during the Anti-Japanese War by highlighting the urban origins of the National Salvation Song Movement and the key role it played in bringing songs to the war front. The diffusion of a new genre of march songs pioneered by Nie Er was facilitated by compositional devices that reinforced the ideological message of the lyrics, and by the National Salvation Song Movement. By the mid-1930s, this grassroots movement, led by Liu Liangmo, converged with the tail end of the proletarian arts movement that sought to popularize mass art and create a “music for national defense.” Once the war broke out, both Nationalists and Communists provided organizational support for the song movement by sponsoring war zone service corps and mobile theatrical troupes that served as conduits for musicians to propagate their art in the hinterland. By the late 1930s, as the United Front unraveled, a majority of musicians involved in the National Salvation Song Movement moved to the Communist base areas. Their work for the New Fourth Route and Eighth Route Armies, along with Communist propaganda organizations, enabled their songs to spread throughout the ranks. Keywords: Anti-Japanese War, Li Jinhui, Liu Liangmo, Lü Ji, Mai Xin, mass song, National Salvation Song Movement, New Fourth Army, Nie Er, United Front, Xian Xinghai Reflecting on his country’s defeat in World War II, a Japanese interviewed in Taibei attributed China’s victory neither to superior weaponry nor to battle tactics but to the fact that it had “relied on War of Resistance songs (kangzhan gequ) to arouse tremendous popular sentiment” (Chen F. -
574163 Itunes Haydn
Michael HAYDN Missa Sancti Nicolai Tolentini Vesperae Pro Festo Sancti Innocentium Anima Nostra Harper • Owen • Charlston Marko Sever, Organ Lawes Baroque Players St Albans Cathedral Girls Choir Tom Winpenny 1 46 8 ! @ $ & ) ¡ Michael Jenni Ha2rpe46r –80–@ $ –& ) –¡ , Emily Owen – – – – $, S&o ) pr¡ano H(1A73Y7–1D806N ) Helen Charlston, Mezzo-soprano – Missa Sancti Nicolai Tolentini, MH 109 (1768) 36:40 Marko Sever, Organ (Text: Latin Mass) 1 Kyrie eleison 3:31 1 @L $ aw*e s) B¡aroque Players1 @ $ * ) ¡ 2 Kati Debretzeni – – , Miles Golding – – , Violin 3 Gloria in excelsis Deo 3:16 1 @ $ ¡ Henrik Persson, Cello – – 4 Qui tollis 2:27 1 @ $ * ) ¡ – – 5 Quoniam 2:37 Peter McCarthy, Double bass 1 25 6 8 @ 6 Cum Sancto Spiritu 2:15 Thomas Hewitt, Ellie Lovegrove, Trumpet – – – 7 Credo in unum Deum 2:22 1 35 6 8 0 @ ¡ 8 Et incarnatus est 2:51 St Albans Cathedral Girls Choir – – – – Et resurrexit 4:49 9 Tom Winpenny 0 Sanctus 1:55 Benedictus 3:57 ! Recorded: 23–24 July 2019 at St Saviour’s Church, St Albans, Hertfordshire, UK, Agnus Dei 3:20 @ by kind permission of the Vicar and Churchwardens Dona nobis pacem 3:12 Producer, engineer and editor: Adrian Lucas (Acclaim Productions) Vesperae Pro Festo Sancti Innocentium (1774–87) 36:05 Production assistant: Aaron Prewer-Jenkinson (compiled by Nikolaus Lang, 1772–1837) # $ % ^ & * Booklet notes: Tom Winpenny 1 @ (Text: Psalms 69, v. 1 , 109 , 110 , 111( , 129 , 131 ), Publisher: Carus-Verlag, ed. Armin Kircher – , Aurelius Clemens Prudentius, c.348–c.413 , Luke I: 46–55 ) # ¡ # Edition: Manuscript, ed. Tom Winpenny – $ Deus in adjutorium meum, MH 454 1:02 % Dixit Dominus, MH 294 5:17 ^ Confitebor tibi, MH 304 4:52 Michael Haydn (1737–1806): Missa Sancti Nicolai Tolentini & Beatus vir, MH 304 4:06 Vesperae Pro Festo Sancti Innocentium • Anima Nostra * De profundis clamavi, MH 304 6:21 Michael Haydn was born in Rohrau, an Austrian village Haydn’s first professional appointment (by 1760) was ( Memento Domine David, MH 200 5:58 close to the Hungarian border. -
Understanding How Western-Trained Music Therapists Incorporate Chinese Culture in Their Practice in China: an Ethnographic Study
UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY A Thesis by JESSICA MARIE DONLEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC THERAPY December 2017 Hayes School of Music UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY A Thesis by JESSICA MARIE DONLEY APPROVED BY: _________________________________ Melody Schwantes Reid, PhD, MT-BC Chairperson, Thesis Committee _________________________________ Cathy H. McKinney, Ph.D., MT-BC Member, Thesis Committee _________________________________ Alecia Youngblood-Jackson, Ph.D. Member, Thesis Committee _________________________________ James Douthit, D.M.A. Dean, Hayes School of Music _________________________________ Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Jessica Donley 2017 All Rights Reserved Abstract UNDERSTANDING HOW WESTERN-TRAINED MUSIC THERAPISTS INCORPORATE CHINESE CULTURE IN THEIR PRACTICE IN CHINA: AN ETHNOGRAPHIC STUDY Jessica Marie Donley, MT-BC B.M., University of Louisiana at Monroe M.M.T, Appalachian State University Chairperson: Melody Schwantes Reid, PhD, MT-BC Few studies highlight the implications of music therapy practice with Chinese people. Although music therapists work with Chinese people in the United States, Canada, Australia, and China, little is known about how these music therapists incorporate Chinese culture in their practice in order to provide culturally-responsive music therapy. This ethnographic research study aimed to understand how Western-trained music therapists incorporated Chinese culture in their practice in China. The researcher observed music therapy sessions of two Western-trained music therapists in a neurologic rehabilitation and mental rehabilitation department in a hospital setting in China. -
Events January – March 2018
March 2018 March – January January Events Encountering God through transformative worship, challenging discipleship, generous hospitality and prayerful engagement. January Saturday 6th January 6.00pm Epiphany Eucharist A celebration for Epiphanytide. Sung by the Cathedral Consort. Wednesday 10th January 2.00pm Baby & Toddler Group Meets in St. Thomas’s chapel in the Cathedral for a short 10 minute service, designed to appeal to children and adults alike. Following this we head over to Becket Hall where the children can play with a wide range of toys and games in a safe space while the adults can enjoy a tea, coffee, biscuit and chat. Thursday 11th January 1.10pm Lunchtime Live! – Peter Stevens (Westminster Cathedral) (organ) Free entry, with retiring collection. Light refreshments on sale from 12.30pm. Sunday 14th January 6.00pm Epiphany Carol Service Sung by the Cathedral Choir. Wednesday 17th January 2.00pm Baby & Toddler Group Meets in St. Thomas’s chapel in the Cathedral for a short 10 minute service, designed to appeal to children and adults alike. Following this we head over to Becket Hall where the children can play with a wide range of toys and games in a safe space while the adults can enjoy a tea, coffee, biscuit and chat. Thursday 18th January 1.10pm Lunchtime Live! – Stephen and Theresa Foster (piano) Free entry, with retiring collection. Light refreshments on sale from 12.30pm. Friday 19th January 7.00pm Quiz Night Tickets £12.00 including Fish and Chip supper (vegetarian option available) from the Cathedral Shop until Thursday 18th January. Raffle and prizes. Proceeds in aid of The Roberts Centre. -
Pipedreams.Org for an Elaborate Photo Survey
PROGRAM NO. 0645 11/6/2006 HOWARD HANSON (1896-1981): Chorale and GAETANO LOVATI: Sonata in F for Two Organs Another Liszt List . exemplary scores by a titan Alleluia (1954) -Marion and David Craighead -Philip Swanton and Annerös Hulliger (1744 of the keyboard who liberated the organ in ways (1967 Austin/Asbury 1st United Methodist Bossart/Cloister Church, Muri, Switzerland) we are only beginning to fully appreciate. Church, Rochester, NY) Pro Organo CD-7046 Koch-Schwann CD-31284 HANSON: Concerto for Organ, Harp and Strings, ROBERT SCHUMANN: Canon in C, Op. 56, no. 1 FRANZ LISZT: Prelude & Fugue on the Name of Op. 22, no. 3 (1926) -Philadelphia Virtuosi -Stefan Johannes Bleicher (1888 Walcker/ City Bach (1856 version) -Yves Rechsteiner (1871 Chamber Orchestra/Daniel Spalding, conductor; Church, Winterthur, Switzerland) Oehms CD-543 Ladegast/Schwerin Cathedral, Germany) Joseph Jackson (2000 Reuter/1st Presbyterian SIGFRID KARG-ELERT: 2 Chorale-preludes, Op. Alpha CD-059 Church, Philadelphia, PA) Naxos CD-8.559251 65 (Lobe den Herren; Allein Gott in der Höh) - LISZT (arr. Harris): Eglogue, fr Années de Rudolf Berchtel (1928 Behmann/St. Martin's Pelerinage -Thomas Murray (1928 Skinner/ PROGRAM NO. 0647 11/20/2006 Church, Dornbirn, Austria) Edition Lade CD-041 Woolsey Hall, Yale University, New Haven, CT) Postcards from a Tour . some lively aural Gothic CD-49054 reminders of the fun we had during our recent visit Our PIPEDREAMS EuroTour in April/May 2006 LISZT: Hosannah -Zsuzsa Elekes (1981 Lobback/ to southern Germany and beyond. was a great success. Log onto our website Herz-Jesu Church, Bremerhaven-Lehe, Germany) www.pipedreams.org for an elaborate photo survey. -
Charlie Chan: the Untold Story of the Honorable Detective and His Rendezvous with American History New York: W
FosteringC BusinessHINA and Cultural HarmonyINSIGHT between China and the U.S. VOL. 10 NO. 3 www.chinainsight.info MARCH 2011 Chinese Heritage Foundation Embrace China Friends celebrates Chinese New Year clock, and sat in rapt attention as Stephen Mao described the hungry beast that was let out of its jail on every New Year’s Eve to devour everyone in sight. Thus was born the Celebrations custom of congratulating everyone, ‘gong xi, gong xi’, on New Year’s Day: for hav- ing survived the beast! With their fists thus cupped in the traditional Chinese manner, the children then lined up to offer Stephen and Ming Tchou ‘gong xi’. In return they each received a hong bao stuffed with a lucky penny. Now no harm will come their way until the next New Year’s Eve. The Calligraphy Team then headed across town to Midtown Global Market on February 4 to anchor its Chinese New Year celebration. Many young families, often First Graders at Normandale French Immersion School wishing everyone ‘gong xi, gong xi’ with grandparents in tow, came to have their olunteers of the Calligraphy presented four talks on Chinese New Year names translated or their fortunes told. How Team of Chinese Heritage traditions and myths to over 200 first graders should the fortuneteller answer an earnest Book Review Foundation Friends were busy in Edina schools, including the Normandale golden-haired little boy’s query on whom this year, answering calls for French Immersion School. he would marry? Or what to say when V his parents drew a josh stick that painted their expertise from around the metropoli- These vivacious kids clamored to name tan area. -
Concert List 2002
City of Birmingham Choir concerts from 2002 2002 May 18 Walton: Coronation Te Deum Elgar: Cello Concerto Walton: The Twelve Walton: Belshazzar’s Feast Willard White Paul Watkins (Cello) Walton Centenary Concert in Symphony Hall Pre-concert talk by Michael Aston Christopher Robinson conducted his farewell concert July 2 “Golden Jubilee Concert” Walton: Coronation Te Deum Performed with Worcester Cathedral Choristers and the CBSO conducted by Sakari Oramo in Symphony Hall as part of the Queen’s Golden Jubilee Celebrations. A number of other artists and groups took part in the presence of Her Majesty Queen Elizabeth II and The Duke of Edinburgh. Nov 2 Mendelssohn: Elijah Sarah Fox Elinor Carter Lynton Atkinson William Clements Six treble choristers from Worcester Cathedral Pre-concert talk by Lyndon Jenkins Adrian Lucas conducts the Choir in Symphony Hall for the first time Dec 6 & 10 Handel: Messiah Geraldine McGreevy Catherine King Edward Lyon William Clements Concert in Symphony Hall conducted by Adrian Lucas Dec 15 Carols for All Anna Huntley (soprano) Roy Massey (organ) Cambrian Brass Anna Huntley was the winner of the Singing Challenge Concert in Symphony Hall conducted by Adrian Lucas 2003 Apr 12 Handel: Dixit Dominus Mozart: Mass in C Minor Ruth Holton Katharine Fuge Emily Bauer-Jones Robert Johnston Robert Rice Concert in Symphony Hall conducted by Adrian Lucas May 10 Evensong in St John’s College, Cambridge By invitation some members joined the choristers of St John’s Conducted by Christopher Robinson Jun 21 “Music for a Summer Evening” Vaughan Williams: Shakespeare Songs Vaughan Williams: Five Mystical Songs Finzi: Magnificat Britten: Flower Songs Haydn: Creation (extracts) Handel: Dixit Dominus (extracts) Jolyon Loy (treble) James Manship (tenor) William Clements (bass) Daniel Phillips (organ) Promoted by Worcester Cathedral Arts at Worcester Cathedral. -
Yearbook 2017 the European Guitar Builders Association (EGB) Is an Alliance Formed by Professional Independent European Luthiers
Yearbook 2017 The European Guitar Builders association (EGB) is an alliance formed by professional independent European luthiers. It was founded with the goal of organizing the independent luthiers, as well as people related to the field of guitar building, all across Europe. Why was the EGB founded? There are rumors that the electric guitar is dying. Well, we don’t happen to think so. The aim was twofold: to create a community dedicated to the support of luthiers and Yes, there are deep changes happening in today’s world and the music scene. Some their work all across Europe and to increase the visibility of the art and craft of guitar of the large companies are struggling, that is true, but we also see many areas where building in a larger public forum. the guitar is alive and well, with young players (many of them female) passionate about the instrument, charting new paths, creating new sounds and songs. And In 2012 a small group of European luthiers got together at the Montreal Guitar Show. as small builders we share that passion - and we are able to move nimbly with the There had been many intense discussions about the fact that there were no congenial times, to offer today’s musician the service and personal attention the industry can’t. platforms to present their work in Europe, especially for electric guitar builders. So this group of originally 6 luthiers together with 4 others decided to actively pursue What makes a luthier-built guitar so special? the idea of an international organization and a special guitar exhibition. -
Meet Your Match!
MEET YOUR MATCH! BERLIN MAY 5+6 2018 AN EVENT BY C4 C3 C2 C1 DEMO CONCERTS STAFF ONLY SOUND CABINS SOUND CABINS Restricted access 5 Cabins: 5 Cabins: Testing electric Testing electric guitars guitars, basses & acoustic guitars THE HOLY GRAIL GUITAR SHOW STAGE May 5 & 6, 2018 Estrel Berlin • Sonnenallee 225, 12057 Berlin SOUND CABINS 4 Cabins: Testing acoustic guitars ► PUBLIC HOURS: Saturday, May 5, 2018 • 11:00 - 19:00 Sunday, May 6, 2018 • 11:00 - 17:00 DeO M COnCeRTS & LeCTUReS FOYER ESTREL HALL Exhibitors ► TICkeTS*: Exhibitors 62-135 1-61 1-day ticket € 20 First-come, first-served; once all Weekend ticket € 30 seats are taken doors will close. Doors will remain closed during ► DISCOUnTeD 1-Day tickeTS*: concerts and lectures. The schedule Disabled persons, seniors (65 and older), students € 12 is subject to change without notice. Child (under 14) free Free oF ChArGe For tickeT holDerS * All prices include 19 % VAT Bathrooms Show Entrance & Exit Restaurant PASSAGE area PUBLIC LOUnge / ROOM PaRIS Ticket Counter Wardrobe Saturday, May 5 Sunday, May 6 ► OPenIng hours: ► OPenIng hours: Smoking Coffee bar: 09:00 - 19:00 Coffee bar: 08:30 - 11:30 & 13:30 - 17:00 Area Acoustic Guitar Stage: 12:00 - 19:00 Gear Talk: International Pickup Maker Panel: 11:30 - 13:30 Reception Acoustic Guitar Stage: 13:30 - 17:00 ROOM PARIS ROOM LYON ROOM STRAßBURG Entrance Estrel PUBLIC LOUNGE DEMO CONCERTS LECTURES TAXI The Holy grail guitar Show is organized by the european guitar Builders e.V. (egB). an important part of the EGB’s mission is the promotion of the luthier-built guitar among the guitar playing public.